Cover Page the Handle Holds
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eastern and Western Look at the History of the Silk Road
Journal of Critical Reviews ISSN- 2394-5125 Vol 7, Issue 9, 2020 EASTERN AND WESTERN LOOK AT THE HISTORY OF THE SILK ROAD Kobzeva Olga1, Siddikov Ravshan2, Doroshenko Tatyana3, Atadjanova Sayora4, Ktaybekov Salamat5 1Professor, Doctor of Historical Sciences, National University of Uzbekistan named after Mirzo Ulugbek, Tashkent, Uzbekistan. [email protected] 2Docent, Candidate of historical Sciences, National University of Uzbekistan named after Mirzo Ulugbek, Tashkent, Uzbekistan. [email protected] 3Docent, Candidate of Historical Sciences, National University of Uzbekistan named after Mirzo Ulugbek, Tashkent, Uzbekistan. [email protected] 4Docent, Candidate of Historical Sciences, National University of Uzbekistan named after Mirzo Ulugbek, Tashkent, Uzbekistan. [email protected] 5Lecturer at the History faculty, National University of Uzbekistan named after Mirzo Ulugbek, Tashkent, Uzbekistan. [email protected] Received: 17.03.2020 Revised: 02.04.2020 Accepted: 11.05.2020 Abstract This article discusses the eastern and western views of the Great Silk Road as well as the works of scientists who studied the Great Silk Road. The main direction goes to the historiography of the Great Silk Road of 19-21 centuries. Keywords: Great Silk Road, Silk, East, West, China, Historiography, Zhang Qian, Sogdians, Trade and etc. © 2020 by Advance Scientific Research. This is an open-access article under the CC BY license (http://creativecommons.org/licenses/by/4.0/) DOI: http://dx.doi.org/10.31838/jcr.07.09.17 INTRODUCTION another temple in Suzhou, sacrifices are offered so-called to the The historiography of the Great Silk Road has thousands of “Yellow Emperor”, who according to a legend, with the help of 12 articles, monographs, essays, and other kinds of investigations. -
The Qin Dynasty Laura Santos
Level 6 - 10 China’s First Empire: The Qin Dynasty Laura Santos Summary This book is about the Qin Dynasty—both the good and the bad. Contents Before Reading Think Ahead ........................................................... 2 Vocabulary .............................................................. 3 During Reading Comprehension ...................................................... 5 After Reading Think About It ........................................................ 8 Before Reading Think Ahead Look at the pictures and answer the questions. watchtower The Great Wall of China underground sightseeing statues 1. What did guards along the Great Wall use to see invaders? 2. What are most people doing when they visit the Great Wall today? 3. What are the people and horses in the second picture called? 4. Where were these people and horses found? 2 World History Readers Before Reading Vocabulary A Read and match. 1. a. fake 2. b. mercury 3. c. jewels 4. d. wagon 5. e. scholar 6. f. statue 7. g. sightseeing 8. h. chariot China’s First Empire: The Qin Dynasty 3 Before Reading B Write the word for each definition. evidence messenger ban tomb suicide 1. the act of taking one’s own life 2. a person who carries news or information from one person to another 3. a place or building to keep a dead person 4. one or more reasons for believing that something is or is not true 5. to forbid; to refuse to allow C Choose the word that means about the same as the underlined words. 1. The emperor sent many soldiers up the Yellow River to watch for foreign enemies. a. invaders b. scholars c. chariots d. messengers 2. The emperor built a fancy tomb for himself. -
Local Authority in the Han Dynasty: Focus on the Sanlao
Local Authority in the Han Dynasty: Focus on the Sanlao Jiandong CHEN 㱩ڎ暒 School of International Studies Faculty of Arts and Social Sciences University of Technology Sydney Australia A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Technology Sydney Sydney, Australia 2018 Certificate of Original Authorship I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This thesis is the result of a research candidature conducted with another University as part of a collaborative Doctoral degree. Production Note: Signature of Student: Signature removed prior to publication. Date: 30/10/2018 ii Acknowledgements The completion of the thesis would not have been possible without the help and support of many people. Firstly, I would like to express my sincere gratitude to my supervisor, Associate Professor Jingqing Yang for his continuous support during my PhD study. Many thanks for providing me with the opportunity to study at the University of Technology Sydney. His patience, motivation and immense knowledge guided me throughout the time of my research. I cannot imagine having a better supervisor and mentor for my PhD study. Besides my supervisor, I would like to thank the rest of my thesis committee: Associate Professor Chongyi Feng and Associate Professor Shirley Chan, for their insightful comments and encouragement; and also for their challenging questions which incited me to widen my research and view things from various perspectives. -
The Analects of Confucius
The analecTs of confucius An Online Teaching Translation 2015 (Version 2.21) R. Eno © 2003, 2012, 2015 Robert Eno This online translation is made freely available for use in not for profit educational settings and for personal use. For other purposes, apart from fair use, copyright is not waived. Open access to this translation is provided, without charge, at http://hdl.handle.net/2022/23420 Also available as open access translations of the Four Books Mencius: An Online Teaching Translation http://hdl.handle.net/2022/23421 Mencius: Translation, Notes, and Commentary http://hdl.handle.net/2022/23423 The Great Learning and The Doctrine of the Mean: An Online Teaching Translation http://hdl.handle.net/2022/23422 The Great Learning and The Doctrine of the Mean: Translation, Notes, and Commentary http://hdl.handle.net/2022/23424 CONTENTS INTRODUCTION i MAPS x BOOK I 1 BOOK II 5 BOOK III 9 BOOK IV 14 BOOK V 18 BOOK VI 24 BOOK VII 30 BOOK VIII 36 BOOK IX 40 BOOK X 46 BOOK XI 52 BOOK XII 59 BOOK XIII 66 BOOK XIV 73 BOOK XV 82 BOOK XVI 89 BOOK XVII 94 BOOK XVIII 100 BOOK XIX 104 BOOK XX 109 Appendix 1: Major Disciples 112 Appendix 2: Glossary 116 Appendix 3: Analysis of Book VIII 122 Appendix 4: Manuscript Evidence 131 About the title page The title page illustration reproduces a leaf from a medieval hand copy of the Analects, dated 890 CE, recovered from an archaeological dig at Dunhuang, in the Western desert regions of China. The manuscript has been determined to be a school boy’s hand copy, complete with errors, and it reproduces not only the text (which appears in large characters), but also an early commentary (small, double-column characters). -
Chen Gui and Other Works Attributed to Empress Wu Zetian
chen gui denis twitchett Chen gui and Other Works Attributed to Empress Wu Zetian ome quarter-century ago, studies by Antonino Forte and Richard S Guisso greatly advanced our understanding of the ways in which the empress Wu Zetian ࣳঞ֚ made deliberate and sophisticated use of Buddhist materials both before and after declaring herself ruler of a new Zhou ࡌʳdynasty in 690, in particular the text of Dayun jing Օႆᆖ in establishing her claim to be a legitimate sovereign.1 However, little attention has ever been given to the numerous political writings that had earlier been compiled in her name. These show that for some years before the demise of her husband emperor Gaozong in 683, she had been at considerable pains to establish her credentials as a potential ruler in more conventional terms, and had commissioned the writing of a large series of political writings designed to provide the ideologi- cal basis for both a new style of “Confucian” imperial rule and a new type of minister. All save two of these works were long ago lost in China, where none of her writings seems to have survived the Song, and most may not have survived the Tang. We are fortunate enough to possess that titled complete with its commentary, and also a fragmentary Chen gui copy of the work on music commissioned in her name, Yue shu yaolu ᑗ ᙕ,2 only thanks to their preservation in Japan. They had been ac- quired by an embassy to China, almost certainly that of 702–704, led టԳ (see the concluding section of thisضby Awata no ason Mahito ொ article) to the court of empress Wu, who was at that time sovereign of 1 See Antonino Forte, Political Propaganda and Ideology in China at the End of the Seventh Century (Naples: Istituto Universitario Orientale,1976); R. -
2015 Incense Conference: Culture of Incense
2015 Incense Conference: Culture of Incense (Selective) English summary of “Han Dynasty Incense Archaeological Discoveries” (漢代出土薰器具形制) Talk given by Liu Hai Wang (劉海旺) (Henan Provincial Institute of Cultural Relics and Archaeology) 1 May 2015 Translation by Joanne Ng The tradition of incense and aromatics in China The tradition of incense has been a part of the lives of Chinese people for more than a thousand years. As mentioned in ancient literature, the Chinese have been using aromatic plants in their daily lives since the Yellow Emperor. According to the text Xiang Cheng1 《香 乘》, incense was used by Huangdi 黃帝 to classify the ministers who were working for him. The different uses of aromatics: Insect prevention: According to experimentation conducted in the Zhou Dynasty, aromatics can be used to ward off mosquitos and pests; they also help to improve the air quality and to purify the air indoors. Seasoning and ingredients for making alcoholic drinks: aromatics such as curcuma were usually involved in the process of making alcohol. These alcoholic drinks were served in rituals, banquets and other important events. The aromatics were also used as condiments, to season food, to improve taste and provide flavoring. Mortuary objects: Aromatics were usually found near the tombs of the rich, the nobility (e.g. the emperor), and warriors. For example, 2Chinese prickly ashes 花椒 were found in abundance in the tomb of Lady Meng Ji 黄君夫人孟姬; Chinese prickly ashes were also found in ten beautiful bronze boxes in the tomb of Lady Ju Yu 句敔夫人; prickly ashes were also placed inside a medical bag in the tomb of Changsha Ma Wang 長沙馬 王. -
三國演義 Court of Liu Bei 劉備法院
JCC: Romance of the Three Kingdoms 三國演義 Court of Liu Bei 劉備法院 Crisis Directors: Matthew Owens, Charles Miller Emails: [email protected], [email protected] Chair: Isis Mosqueda Email: [email protected] Single-Delegate: Maximum 20 Positions Table of Contents: 1. Title Page (Page 1) 2. Table of Contents (Page 2) 3. Chair Introduction Page (Page 3) 4. Crisis Director Introduction Pages (Pages 4-5) 5. Intro to JCC: Romance of the Three Kingdoms (Pages 6-9) 6. Intro to Liu Bei (Pages 10-11) 7. Topic History: Jing Province (Pages 12-14) 8. Perspective (Pages 15-16) 9. Current Situation (Pages 17-19) 10. Maps of the Middle Kingdom / China (Pages 20-21) 11. Liu Bei’s Domain Statistics (Page 22) 12. Guiding Questions (Pages 22-23) 13. Resources for Further Research (Page 23) 14. Works Cited (Pages 24-) Dear delegates, I am honored to welcome you all to the Twenty Ninth Mid-Atlantic Simulation of the United Nations Conference, and I am pleased to welcome you to JCC: Romance of the Three Kingdoms. Everyone at MASUN XXIX have been working hard to ensure that this committee and this conference will be successful for you, and we will continue to do so all weekend. My name is Isis Mosqueda and I am recent George Mason Alumna. I am also a former GMU Model United Nations president, treasurer and member, as well as a former MASUN Director General. I graduated last May with a B.A. in Government and International politics with a minor in Legal Studies. I am currently an academic intern for the Smithsonian Institution, working for the National Air and Space Museum’s Education Department, and a substitute teacher for Loudoun County Public Schools. -
Painting Outside the Lines: How Daoism Shaped
PAINTING OUTSIDE THE LINES: HOW DAOISM SHAPED CONCEPTIONS OF ARTISTIC EXCELLENCE IN MEDIEVAL CHINA, 800–1200 A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN RELIGION (ASIAN) AUGUST 2012 By Aaron Reich Thesis Committee: Poul Andersen, Chairperson James Frankel Kate Lingley Acknowledgements Though the work on this thesis was largely carried out between 2010–2012, my interest in the religious aspects of Chinese painting began several years prior. In the fall of 2007, my mentor Professor Poul Andersen introduced me to his research into the inspirational relationship between Daoist ritual and religious painting in the case of Wu Daozi, the most esteemed Tang dynasty painter of religious art. Taken by a newfound fascination with this topic, I began to explore the pioneering translations of Chinese painting texts for a graduate seminar on ritual theory, and in them I found a world of potential material ripe for analysis within the framework of religious studies. I devoted the following two years to intensive Chinese language study in Taiwan, where I had the fortuitous opportunity to make frequent visits to view the paintings on exhibit at the National Palace Museum in Taipei. Once I had acquired the ability to work through primary sources, I returned to Honolulu to continue my study of literary Chinese and begin my exploration into the texts that ultimately led to the central discoveries within this thesis. This work would not have been possible without the sincere care and unwavering support of the many individuals who helped me bring it to fruition. -
Foreigners and Propaganda War and Peace in the Imperial Images of Augustus and Qin Shi Huangdi
Foreigners and Propaganda War and Peace in the Imperial Images of Augustus and Qin Shi Huangdi This thesis is presented by Dan Qing Zhao (317884) to the School of Historical and Philosophical Studies in total fulfilment of the requirements for the degree of Master of Arts in the field of Classics in the School of Historical and Philosophical Studies Faculty of Arts University of Melbourne Principal Supervisor: Dr Hyun Jin Kim Secondary Supervisor: Associate Professor Frederik J. Vervaet Submission Date: 20/07/2018 Word Count: 37,371 TABLE OF CONTENTS Acknowledgements i Translations and Transliterations ii Introduction 1 Current Scholarship 2 Methodology 7 Sources 13 Contention 19 Chapter One: Pre-Imperial Attitudes towards Foreigners, Expansion, and Peace in Early China 21 Western Zhou Dynasty and Early Spring and Autumn Period (11th – 6th century BCE) 22 Late Spring and Autumn Period (6th century – 476 BCE) 27 Warring States Period (476 – 221 BCE) 33 Conclusion 38 Chapter Two: Pre-Imperial Attitudes towards Foreigners, Expansion, and Peace in Rome 41 Early Rome (Regal Period to the First Punic War, 753 – 264 BCE) 42 Mid-Republic (First Punic War to the End of the Macedonian Wars, 264 – 148 BCE) 46 Late Republic (End of the Macedonian Wars to the Second Triumvirate, 148 – 43 BCE) 53 Conclusion 60 Chapter Three: Peace through Warfare 63 Qin Shi Huangdi 63 Augustus 69 Conclusion 80 Chapter Four: Morality, Just War, and Universal Consensus 82 Qin Shi Huangdi 82 Augustus 90 Conclusion 104 Chapter Five: Victory and Divine Support 106 Qin Shi Huangdi 108 Augustus 116 Conclusion 130 Conclusion 132 Bibliography 137 ACKNOWLEDGEMENTS I would like to offer my sincerest thanks to Dr Hyun Jin Kim. -
The Power of an Alleged Tradition: a Prophecy Flattering Han Emperor Wu and Its Relation to the Sima Clan*
The Power of an Alleged Tradition: A Prophecy Flattering Han Emperor Wu and its Relation to the Sima Clan* by Dorothee Schaab-Hanke . es muß stets eine lange Übermittlerkette vorhanden sein, damit sich die Hinweise oder Gedanken, die Kommentare, wie immer man es nennt, dehnen. Sie müsen durch zehn Hirne hindurch, um einen Satz zu ergeben.** (Alexander Kluge) Introduction During the early reign of Liu Che ᄸ, posthumously honored as Emperor Wu r. 141–87) of the Han, a severe struggle for infl uence and power seems to) ܹن have arisen among competing groups of experts concerned with the establishment of new imperial rites. This is at least the impression that the Shiji͑৩ (The Scribe’s Record) conveys to the reader in chapter 28, the “Treatise on the Feng and Shan Sacrifi ces” (Fengshan shuܱᑐए). According to the account given there, the compet- ing partners in this struggle were mainly the ru ኵ (here used in the sense of scholars who maintained that any advice in the question of ritual should entirely be based upon evidence drawn from the “Classics”) and a group of specialists called fangshī ʦ (a term which should be translated by “masters of techniques” rather than by the often used, but rather biased term magicians). * I am indebted to Prof. Dr. Hans Stumpfeldt (Hamburg), Dr. Achim Mittag (Essen) and Dr. Monique Nagel- Angermann (Münster) for their helpful and inspiring comments on the text. Special thanks to Dr. Martin Svens- son Ekström (Stockholm), Prof. Dr. E. Bruce Brooks and Dr. A. Taeko Brooks (Amherst, Mass.) as well as two anonymous readers for the BMFEA for their competent and engaged revising of the draft. -
Manufacturing Techniques of Armor Strips Excavated from Emperor Qin Shi Huang’S Mausoleum, China
Manufacturing techniques of armor strips excavated from Emperor Qin Shi Huang’s mausoleum, China LIAO Ling-min(廖灵敏)1, PAN Chun-xu(潘春旭)1,2, MA Yu(马 宇)3 1. Department of Physics, Wuhan University, Wuhan 430072, China; 2. Center for Archaeometry, Wuhan University, Wuhan 430072, China; 3. Museum of the Terra-cotta Warriors and Horses of Qin Shi Huang, Xi’an 710600, China Received 17 February 2009; accepted 17 June 2009 Abstract: The chemical compositions and microstructures of the armor strips excavated from the Emperor Qin Shi Huang’s mausoleum were examined systematically by using optical microscopy and electron microscopy. It was found that the armor strips were made of pure copper. Based on the morphology of α-Cu recrystal grain and copper sulphide (Cu2S) inclusions in the armor strips, the manufacturing techniques were proposed as follows: smelting pure copper, casting a lamellar plate, forming the cast ingots into sheets through repeated cold forging combined with annealing heat treatment, and finally cutting the sheets into filaments. Furthermore, through the deformation of copper sulphide (Cu2S) inclusions in the strips, the work rate during forging was evaluated and calculated to be close to 75%. Key words: Qin Shi Huang’s mausoleum; armor strips; copper; manufacturing techniques; cold forging; annealing complex techniques were employed. However, the 1 Introduction ancient technicians could not manufacture such slender armor strips with the same process in the productive In 1998, the stone armors were excavated in the condition over 2 000 years ago. As a matter of fact, accessory pit K9801 of the Emperor Qin Shi Huang’s following the flourishing period for bronze, Spring and mausoleum[1]. -
Performing Chinese Contemporary Art Song
Performing Chinese Contemporary Art Song: A Portfolio of Recordings and Exegesis Qing (Lily) Chang Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Elder Conservatorium of Music Faculty of Arts The University of Adelaide July 2017 Table of contents Abstract Declaration Acknowledgements List of tables and figures Part A: Sound recordings Contents of CD 1 Contents of CD 2 Contents of CD 3 Contents of CD 4 Part B: Exegesis Introduction Chapter 1 Historical context 1.1 History of Chinese art song 1.2 Definitions of Chinese contemporary art song Chapter 2 Performing Chinese contemporary art song 2.1 Singing Chinese contemporary art song 2.2 Vocal techniques for performing Chinese contemporary art song 2.3 Various vocal styles for performing Chinese contemporary art song 2.4 Techniques for staging presentations of Chinese contemporary art song i Chapter 3 Exploring how to interpret ornamentations 3.1 Types of frequently used ornaments and their use in Chinese contemporary art song 3.2 How to use ornamentation to match the four tones of Chinese pronunciation Chapter 4 Four case studies 4.1 The Hunchback of Notre Dame by Shang Deyi 4.2 I Love This Land by Lu Zaiyi 4.3 Lullaby by Shi Guangnan 4.4 Autumn, Pamir, How Beautiful My Hometown Is! by Zheng Qiufeng Conclusion References Appendices Appendix A: Romanized Chinese and English translations of 56 Chinese contemporary art songs Appendix B: Text of commentary for 56 Chinese contemporary art songs Appendix C: Performing Chinese contemporary art song: Scores of repertoire for examination Appendix D: University of Adelaide Ethics Approval Number H-2014-184 ii NOTE: 4 CDs containing 'Recorded Performances' are included with the print copy of the thesis held in the University of Adelaide Library.