Stephen Max Kellen Berlin 1914 – New York 2004 Thank You
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Eva Baijens Eva Baijens S4131657 Torenstraat 23 B 3764 CK [email protected]
Die Darstellung von Pegida in Die Zeit Eva Baijens Eva Baijens S4131657 Torenstraat 23 B 3764 CK [email protected] Die Darstellung von Pegida in Die Zeit 1 Die Darstellung von Pegida in Die Zeit Eva Baijens Inhaltsverzeichnis 1. Abstract 2. Einleitung 3. Rechtspopulismus und Rechtsextremismus 3.1 Was ist Populismus? 3.2 Was ist Rechtsextremismus? 3.3 Unterschiede zwischen Rechtspopulismus und Rechtsextremismus 3.4 Fazit 4. Merkmale, die Pegida zugeschrieben werden 4.1 Rechtspopulistische Merkmale 4.2 Rechtsextremistische Merkmale 4.3 Andere Merkmale 4.4 Wird Pegida als ein deutsches Phänomen gesehen? 4.5 Fazit 5. Umgang mit Pegida 5.1 (Kein) Dialog 5.2 Anderer Umgang 5.3 Wird Pegida als eine Gefahr für die Demokratie gesehen? 5.4 Fazit 6. Fazit 7. Quellenangabe 8. Anhang 2 Die Darstellung von Pegida in Die Zeit Eva Baijens 2. Einleitung Deutschland ist in Aufregung. Wer die Zeitungen liest, kann es sicher nicht verpasst haben: in Dresden wird seit Oktober 2014 wöchentlich gegen den Islam und die Islamisierung Deutschlands und Europa demonstriert. Diese Protestbewegung nennt sich “Patriotische Europäer gegen die Islamisierung des Abendlandes”, kurz Pegida. Vor einem Jahr war alles noch ruhig in Dresden. Die Teilnehmerzahl der Demonstrationen wuchs aber schnell. Anfangs war die Teilnehmeranzahl noch relativ gering. Am 3. November lag sie auf ca. 1000. Am 8. Dezember lag sie schon auf 10.000, am 12. Januar sogar auf 25.000.1 Diese Arbeit beschäftigt sich damit, wie die deutsche Zeitung Die Zeit in dem Zeitraum von Dezember 2014 bis Ende April 2015 über Pegida geschrieben hat. Die Zeit ist eine deutsche Wochenzeitung, die sich selbst als liberal bezeichnet. -
17 by Francis Mallett and Simon Obert on 20 June 1962 Johanna
Beiträge A Case of Mistaken Identity? The Jalowetz Portrait by Richard Gerstl by Francis Mallett and Simon Obert On 20 June 1962 Johanna Jalowetz, the widow of the conductor and Schoenberg pupil Heinrich Jalowetz (d. 1946), wrote a letter to the art historian Otto Breicha. In those years Breicha was conducting research into the painter Richard Gerstl, in particular gathering information for a cata- logue of his works. In this connection he turned to Johanna Jalowetz, knowing that she owned “a painting by the artist.”1 Johanna Jalowetz re- sponded to his questions by noting that she possessed a Gerstl self-portrait, a “pointillist drawing” in ink on paper that probably “dates from the year 1906/7.” It bore, she continued, an “extraordinary resemblance” to the artist and was “a gift from him.”2 But she then added a paragraph whose contents can only have taken Breicha by surprise: At the same time, Gerstl painted to order a life-size three-quarter-length oil portrait of my husband in a pointillist technique. When we moved away from Vienna we left the said portrait for safekeeping with a relative, Alois Kurzweil. Our many changes of residence (at that time an opera conductor’s lot) made it impossible for us to look after the painting. And by the time we became more settled, after the First World War, we had lost all contact with and trace of Alois Kurzweil.3 1 Otto Breicha, letter of 4 June 1962 to Johanna Jalowetz, carbon copy in the Otto Breicha Archive, Leopold Museum, Vienna. We wish to thank Dominik Papst of the Leopold Museum for making available to us this and the following letter (see note 3). -
The Hungarian Economic “Renaissance”, Shows The
HUNGARIAN NATIONAL TRADING HOUSE STATE SECR. ECONOMIC DIPLOMACY Innovative solutions of high How Hungary specialization in frontline successfully dealt sectors p. 8-9 with the crisis p. 5 HUNGARY Supplement in Leaps in Growth Sunday 4 December 2016 ABOUT HUNGARY Hungarian Rhapsody... The Hungarian economic History, arts, sciences, inventions, great achievements of the past and present. “renaissance”, shows the way An impressive mixture creates the profile of a historic nation. p. 3 The country that leads the way to economic growth in Europe in recent years. STUDYING IN HUNGARY By changing their decade-long mentality in a short economy, particular emphasis was placed in encour- time, Hungarians managed to turn a statism-type aging foreign investments, mainly through incentives. The crucial role of education economy with watertight structures of the eastern Hungary, as a member of the European Union has block, into a market economy. The country, with created a favorable institutional framework that of- in development a midsize -for European standards- economy, fers substantial incentives to domestic and especially based itself mainly on heavy industry, while the foreign investors. The latter have contributed to the The diplomas awarded by Hungarian universities sector of services has played a significant role economy more than $ 92 billion in direct foreign in- have a worldwide high prestige, while foreign in the ongoing development, which contributed vestments since 1989. language courses are of high quality, with very more than 60% to the GDP of the country. affordable -or even zero- tuition. To speed up Hungary’s transition to a market p. 4 p. 12 Building bridges between THE HUNGARIAN TOURISM An important growth Greece and Hungary engine for Hungary The medium-term prospects of the Greek The Hungarian economy is growing multidimen- sionally, utilizing all the areas that can contribute market, have sparked the interest of to the overall GDP. -
Quality Hungarian Style Sausages
www.bende.com No. 1R Quality Hungarian Style Sausages Always made with top quality natural ingredients and naturally smoked to make this a sausage our family is proud to produce. Sausage Excellence for Over 70 Years A Proud Heritage The Bende family has been in the food trade since 1935 when a young Miklos Sr. opened his first grocery store in Hungary. He ran several grocery stores in Budapest and Miskolc before immigrating with his wife and young son in 1956. Soon after arriving in the United States, the family returned to its meat cutting and grocery roots, opening the first Bende store in Chicago’s Burnside neighborhood. Sev- eral stores followed, as did a reputation for preparing out- standing smoked meats. While we have grown and adopted new technologies, we still use the original old world recipes carried from Hungary by our grandfather. Using only the most authentic ingredients allows us to remain true to our high family standards and proud Hungarian heritage. Left top, our Lincoln Avenue store, circa 1964. Left, second and third from top, the meat processing plant, distribution and retail shop in Vernon Hills, Illinois. Bottom, the retail shop in Glen Ellyn, Illinois. Near left, Miklos Bende Sr. and his wife Julia. Above, Miklos II and his wife Brigitte. Right, the Bende grocery store, Miskolc, Hungary, circa 1935. Below, the Bende third generation, Mark, Miklos III, Enikö and Erik. 2 Order at www.bende.com Order at www.bende.com 3 A. Long “Teli” Salami (In white casing, approx. 2LB) Vac. Packed #1111 B. Short “Teli” Salami Meat (In white casing, approx. -
A Heretic in the Schoenberg Circle: Roberto Gerhard's First Engagement with Twelve-Tone Procedures in Andantino
Twentieth-Century Music 16/3, 557–588 © Cambridge University Press 2019. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi: 10.1017/S1478572219000306 A Heretic in the Schoenberg Circle: Roberto Gerhard’s First Engagement with Twelve-Tone Procedures in Andantino DIEGO ALONSO TOMÁS Abstract Shortly before finishing his studies with Arnold Schoenberg, Roberto Gerhard composed Andantino,a short piece in which he used for the first time a compositional technique for the systematic circu- lation of all pitch classes in both the melodic and the harmonic dimensions of the music. He mod- elled this technique on the tri-tetrachordal procedure in Schoenberg’s Prelude from the Suite for Piano, Op. 25 but, unlike his teacher, Gerhard treated the tetrachords as internally unordered pitch-class collections. This decision was possibly encouraged by his exposure from the mid- 1920s onwards to Josef Matthias Hauer’s writings on ‘trope theory’. Although rarely discussed by scholars, Andantino occupies a special place in Gerhard’s creative output for being his first attempt at ‘twelve-tone composition’ and foreshadowing the permutation techniques that would become a distinctive feature of his later serial compositions. This article analyses Andantino within the context of the early history of twelve-tone music and theory. How well I do remember our Berlin days, what a couple we made, you and I; you (at that time) the anti-Schoenberguian [sic], or the very reluctant Schoenberguian, and I, the non-conformist, or the Schoenberguian malgré moi. -
You Know You're..." Group, So I Decided to Make One! :=) I'll Add Some Here, and As People Join and Post Their Own, I'll Add Them
Well, every other culture has their "You Know You're..." group, so I decided to make one! :=) I'll add some here, and as people join and post their own, I'll add them. So let's see... You Know You're Hungarian... 1. When you use sour cream more than ketchup. 2. When your parents come to visit for 3 weeks and you all stay in a one bedroom apartment. 3. When feeding your guests is your main priority even if they claim they're not hungry and in which case you get slightly offended/upset that they don't want your hospitality. 4. When someone says that Hungarian "is like Russian and all those other Slavic languages," and then you have to go into great detail about the origins of Hungarian with a scolding history lesson. 5. When Paprika is just as important as salt & pepper on the table & in food. 6. When you know what Unicum is and prefer it over Jagermeister. 7. When it's shocking for you to realize that TV channels of foreign countries don't broadcast full live coverage of kayak-canoe and water polo world championships in prime time. 8. When you tell someone that you are Hungarian, they ask "Are you hungry?" Then you congratulate them on being the millionth person to say that to you. 9. When you've heard, "If you're hungry, why not go to Turkey?" at least once in your life. 10. When you have a relative who's named Attila. Or Jozsef. Or Janos. Or Laszlo. -
Report on the Importance of the Local Level As a Venue and Political Base for the CEAS
Report on the importance of the local level as a venue and political base for the CEAS Vincenzo Gomes, Jeroen Doomernik and Djoeke Ardon Chemnitz, August 2019 CEASEVAL RESEARCH ON THE COMMON EUROPEAN ASYLUM SYSTEM; Nr. 39 CEASEVAL Research on the Common European Asylum System publishes results of empirical research conducted for the H2020 Project “CEASEVAL” (Evaluation of the Common European Asylum System). This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 770037. Herausgeberschaft: Prof. Birgit Glorius and Dr. Melanie Kintz Technische Universität Chemnitz Institut für Europäische Studien Humangeographie mit Schwerpunkt Europäische Migrationsforschung 09107 Chemnitz http://www.tu-chemnitz.de/phil/europastudien/geographie Alle Rechte vorbehalten, Chemnitz 2019 ISSN: 2627-339X Vincenzo Gomes, Jeroen Doomernik and Djoeke Ardon University of Amsterdam (UvA), Amsterdam [email protected]; [email protected]; [email protected] Report on the importance of the local level as a venue and political base for the CEAS Abstract This report provides a comparative overview of the analysis of research results established in work packages 1 to 7 of the CEASEVAL project and formulates, which and how, alternative forms of asylum policies ensue. After presenting the theoretical basis for this report, which builds on an earlier project’s publication (Doomernik & Ardon 2018) and is enriched by the empirical findings of the CEASEVAL research that connects the relevance of a local perspective with an analysis and review of alternative forms of shaping the Common European Asylum System. To transform the CEAS into a sustainable and equitable common asylum and migration framework this report points towards three possible fundamental changes that might make the CEAS more sustainable and foster equity. -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 THE COMPLETED SYMPHONIC COMPOSITIONS OF ALEXANDER ZEMLINSKY DISSERTATION Volume I Presented in Partial Fulfillment of the Requirement for the Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Robert L. -
The Secret Is in the Sauce! MY COOKING, OUR HERITAGE
The Secret is in the Sauce! MY COOKING, OUR HERITAGE The Secret is in the Sauce! MY COOKING, OUR HERITAGE Table des matières INTRODUCTION ................................................................................................................... 8 1. FOR MAHIN KALANTARY, FOOD IS EVERYTHING ZERESHK POLO BA MORGH – IRAN ......................................................................... 10 2. ESZTER ANDOR: STILL USING THE SAME OLD COOKBOOK LECSO – HUNGARY .................................................................................................... 12 3. KAMAL MALIK COOKS FROM HER HEART TARKA DAL – INDIA ................................................................................................... 15 4. CZECH BEER – MONIKA FORMANOVA’S SECRET INGREDIENT CHICKEN SCHNITZEL – CZECH REPUBLIC .............................................................. 19 5. HENRI NASR KNOWS THE BEST LEBANESE RESTAURANT IN TOWN FATTOUSH – LEBANON ............................................................................................. 22 6. CHILDHOOD BIRTHDAY DINNER REMAINS KATHELIJNE KEEREN’S FAVOURITE BOERENKOOL – THE NETHERLANDS ...................................................................... 25 7. BAKING IS PART OF HELGA RUDOLF’S DNA PLUM KUCHEN – GERMANY ..................................................................................... 28 8. NO ROOM IN VELIA ANDERSON’S CHILDHOOD KITCHEN PIZZETTE FRITTE – ITALY ......................................................................................... 30 9. A LITTLE LIKE -
Alban Berg's Filmic Music
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula Melissa Ursula Dawn Goldsmith Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Goldsmith, Melissa Ursula Dawn, "Alban Berg's filmic music: intentions and extensions of the Film Music Interlude in the Opera Lula" (2002). LSU Doctoral Dissertations. 2351. https://digitalcommons.lsu.edu/gradschool_dissertations/2351 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. ALBAN BERG’S FILMIC MUSIC: INTENTIONS AND EXTENSIONS OF THE FILM MUSIC INTERLUDE IN THE OPERA LULU A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The College of Music and Dramatic Arts by Melissa Ursula Dawn Goldsmith A.B., Smith College, 1993 A.M., Smith College, 1995 M.L.I.S., Louisiana State University and Agricultural and Mechanical College, 1999 May 2002 ©Copyright 2002 Melissa Ursula Dawn Goldsmith All rights reserved ii ACKNOWLEDGMENTS It is my pleasure to express gratitude to my wonderful committee for working so well together and for their suggestions and encouragement. I am especially grateful to Jan Herlinger, my dissertation advisor, for his insightful guidance, care and precision in editing my written prose and translations, and open mindedness. -
The Mathilde Album QUATUOR AROD Elsa Dreisig
The Mathilde album QUATUOR AROD Elsa Dreisig 1 2 The Mathilde Album ANTON VON WEBERN 1883–1945 1 Langsamer Satz for string quartet 9.31 ARNOLD SCHÖNBERG 1874–1951 String Quartet No.2 Op.10 2 I. Mässig 6.22 3 II. Sehr rasch 6.40 4 III. “Litanei”: Langsam 5.43 . 5 IV “Entrückung”: Sehr langsam 12.08 (III. & IV. – text from Der siebente Ring by Stefan George) ALEXANDER VON ZEMLINSKY 1871–1942 String Quartet No.2 Op.15 6 Sehr mässig (quasi andante) – 10.37 7 Adagio – 8.58 8 Schnell – 5.41 9 Andante – 8.44 10 Langsam 5.56 80.26 Lahav Shani piano QUATUORRenaud AROD Capuçon violin, violon JordanKian Victoria Soltani violin cello, violoncelle AlexandreKian Soltani Vu violin appears courtesy of Deutsche Grammophon GmbH Tanguy Parisot viola Samy Rachid cello with Elsa Dreisig soprano (4–5) 3 PORTRAIT D’UNE MUSE L’histoire commence au printemps 1906. Arnold Schönberg rencontre Richard Gerstl, un jeune peintre autrichien de vingt-trois ans. Le compositeur, dont la musique peine à rencontrer le succès, décide d’inviter le jeune homme dans sa maison du 9e arrondissement de Vienne afin qu’il lui enseigne la peinture, ainsi qu’à sa femme Mathilde, sœur d’Alexander von Zemlinsky. Au fil des mois, Gerstl gagne la confiance et l’estime de Schönberg qui, de neuf ans son aîné, le prend sous son aile et l’aide à obtenir des commandes de portraits. Cette inégalable proximité permet au jeune peintre de rencontrer de nombreux artistes et de se lier d’amitié avec les élèves du compositeur au rang desquels figurent Alban Berg, Anton Webern, Heinrich Jalowetz, Karl Horwitz et Erwin Stein. -
Knolwedge Acquisi$On from Music Digital Libraries
Knolwedge Acquision from Music Digital Libraries Sergio Oramas, Mohamed Sordo Mo0vaon • Musicological Knowledge is hidden between the lines • Machines don’t know how to read Why Knowledge Acquisi0on? • Obtain knowledge automacally • Make complex ques0ons • Visualize the informaon • Improve navigaon • Share knowledge 4 Musical Libraries Musical Libraries digital recording, scan Musical Libraries OCR, manual transcrip0on digital recording, scan Musical Libraries Informaon Extrac0on, seman0c annotaon OCR, manual transcrip0on digital recording, scan Musical Libraries Informaon Extrac0on, seman0c annotaon Current DL OCR, manual transcrip0on digital recording, scan Musical Libraries Web search Informaon Extrac0on, seman0c annotaon Current DL OCR, manual transcrip0on digital recording, scan Musical Libraries Web search Informaon Extrac0on, seman0c annotaon Current DL OCR, manual transcrip0on digital recording, scan Seman0c Web • The Semanc Web aims at conver0ng the current web, dominated by unstructured and semi-structured documents into a web of linked data. • Achievements useful for Digital Libraries – Common framework for data representaon and interconnec0on (RDF, ontologies) – Seman0c technologies to annotate texts (En0ty Linking) – Language for complex queries (SPARQL) Wikipedia and DBpedia - Digital Encyclopedia - Knowledge Base - Unstructured - Structured - Keyword search - Query search 13 14 15 DBpedia • Dbpedia example queries – Composers born in Vienna in XVIII Century – American jazz musicians that have wri\en songs recorded by RCA