Susanne Goldfarb: Oral History Transcript
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A Resource Guide to Literature, Poetry, Art, Music & Videos by Holocaust
Bearing Witness BEARING WITNESS A Resource Guide to Literature, Poetry, Art, Music, and Videos by Holocaust Victims and Survivors PHILIP ROSEN and NINA APFELBAUM Greenwood Press Westport, Connecticut ● London Library of Congress Cataloging-in-Publication Data Rosen, Philip. Bearing witness : a resource guide to literature, poetry, art, music, and videos by Holocaust victims and survivors / Philip Rosen and Nina Apfelbaum. p. cm. Includes bibliographical references (p.) and index. ISBN 0–313–31076–9 (alk. paper) 1. Holocaust, Jewish (1939–1945)—Personal narratives—Bio-bibliography. 2. Holocaust, Jewish (1939–1945), in literature—Bio-bibliography. 3. Holocaust, Jewish (1939–1945), in art—Catalogs. 4. Holocaust, Jewish (1939–1945)—Songs and music—Bibliography—Catalogs. 5. Holocaust,Jewish (1939–1945)—Video catalogs. I. Apfelbaum, Nina. II. Title. Z6374.H6 R67 2002 [D804.3] 016.94053’18—dc21 00–069153 British Library Cataloguing in Publication Data is available. Copyright ᭧ 2002 by Philip Rosen and Nina Apfelbaum All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 00–069153 ISBN: 0–313–31076–9 First published in 2002 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America TM The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 Contents Preface vii Historical Background of the Holocaust xi 1 Memoirs, Diaries, and Fiction of the Holocaust 1 2 Poetry of the Holocaust 105 3 Art of the Holocaust 121 4 Music of the Holocaust 165 5 Videos of the Holocaust Experience 183 Index 197 Preface The writers, artists, and musicians whose works are profiled in this re- source guide were selected on the basis of a number of criteria. -
Community in Exile: German Jewish Identity Development in Wartime Shanghai, 1938-1945 Alice I
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2011 Community in Exile: German Jewish Identity Development in Wartime Shanghai, 1938-1945 Alice I. Reichman Claremont McKenna College Recommended Citation Reichman, Alice I., "Community in Exile: German Jewish Identity Development in Wartime Shanghai, 1938-1945" (2011). CMC Senior Theses. Paper 96. http://scholarship.claremont.edu/cmc_theses/96 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT McKENNA COLLEGE COMMUNITY IN EXILE: GERMAN JEWISH IDENTITY DEVELOPMENT IN WARTIME SHANGHAI, 1938-1945 SUBMITTED TO PROFESSOR ARTHUR ROSENBAUM AND DEAN GREGORY HESS BY ALICE REICHMAN FOR SENIOR THESIS ACADEMIC YEAR 2010-2011 APRIL 25, 2011 TABLE OF CONTENTS ACKNOWLEDGMENTS ……………………………………………………………………... iii INTRODUCTION …………………………………………………………………………....1 CHAPTER ONE FLIGHT FROM THE NAZIS AND ARRIVAL IN A FOREIGN LAND ……………………………....7 CHAPTER TWO LIFE AND CONDITIONS IN SHANGHAI ………………………………………………….......22 CHAPTER THREE RESPONDING TO LIFE IN SHANGHAI ……………………………………………………….38 CHAPTER FOUR A HETEROGENEOUS COMMUNITY : DIFFERENCES AMONG JEWISH REFUGEES ……………. 49 CHAPTER FIVE MAINTAINING A CENTRAL EUROPEAN IDENTITY : GERMANIC CULTURE COMES TO SHANGHAI ………………………………………………………………………………... 64 CHAPTER SIX YOUTH EXPERIENCE …………………………………………………………………….... 80 CHAPTER SEVEN A COSMOPOLITAN CITY : ENCOUNTERS AND EXCHANGES WITH OTHER CULTURES ……....98 CONCLUSION ………………………………………………………………………….... 108 DIRECTORY OF REFERENCED SURVIVORS ………………………………………………. 112 BIBLIOGRAPHY ………………………………………………………………………….. 117 ii ACKNOWLEDGMENTS I would first like to thank my reader, Professor Arthur Rosenbaum, for all the help that he has given me throughout this process. Without his guidance this thesis would not have been possible. I am grateful for how understanding and supportive he was throughout this stressful year. -
Refugees and Relief: the American Jewish Joint Distribution Committee and European Jews in Cuba and Shanghai 1938-1943
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2015 Refugees And Relief: The American Jewish Joint Distribution Committee And European Jews In Cuba And Shanghai 1938-1943 Zhava Litvac Glaser Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/561 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] REFUGEES AND RELIEF: THE AMERICAN JEWISH JOINT DISTRIBUTION COMMITTEE AND EUROPEAN JEWS IN CUBA AND SHANGHAI 1938-1943 by ZHAVA LITVAC GLASER A dissertation submitted to the Graduate Faculty in History in partial fulfillment of the reQuirements for the degree of Doctor of Philosophy, The City University of New York 2015 ii © 2015 ZHAVA LITVAC GLASER All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation reQuirement for the degree of Doctor of Philosophy. Prof. Dagmar Herzog ________________________ _________________________________________ Date Chair of Examining Committee Prof. Helena Rosenblatt ________________________ _________________________________________ Date Executive Officer Prof. Jane S. Gerber Prof. Atina Grossmann Prof. Benjamin C. Hett Prof. Robert M. Seltzer Supervisory Committee The City University of -
Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler a Dissertati
Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2018 Reading Committee: Sasha Su-Ling Welland, Chair Ann Anagnost Stevan Harrell Danny Hoffman Program Authorized to Offer Degree: Anthropology ©Copyright 2018 Darren T. Byler University of Washington Abstract Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler Chair of the Supervisory Committee: Sasha Su-Ling Welland, Department of Gender, Women, and Sexuality Studies This study argues that Uyghurs, a Turkic-Muslim group in contemporary Northwest China, and the city of Ürümchi have become the object of what the study names “terror capitalism.” This argument is supported by evidence of both the way state-directed economic investment and security infrastructures (pass-book systems, webs of technological surveillance, urban cleansing processes and mass internment camps) have shaped self-representation among Uyghur migrants and Han settlers in the city. It analyzes these human engineering and urban planning projects and the way their effects are contested in new media, film, television, photography and literature. It finds that this form of capitalist production utilizes the discourse of terror to justify state investment in a wide array of policing and social engineering systems that employs millions of state security workers. The project also presents a theoretical model for understanding how Uyghurs use cultural production to both build and refuse the development of this new economic formation and accompanying forms of gendered, ethno-racial violence. -
Jewish Ghettos in Europe
Jewish ghettos in Europe Jewish ghettos in Europe were neighborhoods of European cities in which Jews were permitted to live. In addition to being confined to the ghettos, Jews were placed under strict regulations as well as restrictions in many European cities.[1] The character of ghettos varied over the centuries. In some cases, they comprised aJewish quarter, the area of a city traditionally inhabited by Jews. In many instances, ghettos were places of terrible poverty and during periods of population growth, ghettos had narrow streets and small, crowded houses. Residents had their own justice system. Around the ghetto stood walls that, during pogroms, were closed from inside to protect the community, but from the outside during Christmas, Pesach, and Easter Week to prevent the Jews from leaving at those times. In the 19th century, Jewish ghettos were progressively abolished, and their walls taken down. However, in the course of World War II the Third Reich created a totally new Jewish ghetto-system for the purpose of persecution, terror, and exploitation of Jews, mostly in Eastern Europe. According to USHMM archives, "The Germans established at least 1,000 ghettos inGerman-occupied and annexed Poland and the Soviet Union alone."[2] Contents Ghettos during World War II and the Holocaust Jewish ghettos in Europe by country Austria The distribution of the Jews in Central Europe (1881, Soviet Belarus German). Percentage of local population: Croatia 13–18% Dubrovnik Split 9–13% Czech Republic 4–9% France 3–4% Germany 2–3% Frankfurt Friedberg 1–2% The Third Reich and World War II 0.3–1% Hungary 0.1–0.3% Italy < 0.1% Mantua Piedmont Papal States Venice Sicily Southern Italy Lithuania Poland The Holocaust in German-occupied Poland Spain The Netherlands Turkey United Kingdom References Ghettos during World War II and the Holocaust During World War II, the new category of Nazi ghettos was formed by the Third Reich in order to confine Jews into tightly packed areas of the cities of Eastern and Central Europe. -
Study Guide REFUGE
A Guide for Educators to the Film REFUGE: Stories of the Selfhelp Home Prepared by Dr. Elliot Lefkovitz This publication was generously funded by the Selfhelp Foundation. © 2013 Bensinger Global Media. All rights reserved. 1 Table of Contents Acknowledgements p. i Introduction to the study guide pp. ii-v Horst Abraham’s story Introduction-Kristallnacht pp. 1-8 Sought Learning Objectives and Key Questions pp. 8-9 Learning Activities pp. 9-10 Enrichment Activities Focusing on Kristallnacht pp. 11-18 Enrichment Activities Focusing on the Response of the Outside World pp. 18-24 and the Shanghai Ghetto Horst Abraham’s Timeline pp. 24-32 Maps-German and Austrian Refugees in Shanghai p. 32 Marietta Ryba’s Story Introduction-The Kindertransport pp. 33-39 Sought Learning Objectives and Key Questions p. 39 Learning Activities pp. 39-40 Enrichment Activities Focusing on Sir Nicholas Winton, Other Holocaust pp. 41-46 Rescuers and Rescue Efforts During the Holocaust Marietta Ryba’s Timeline pp. 46-49 Maps-Kindertransport travel routes p. 49 2 Hannah Messinger’s Story Introduction-Theresienstadt pp. 50-58 Sought Learning Objectives and Key Questions pp. 58-59 Learning Activities pp. 59-62 Enrichment Activities Focusing on The Holocaust in Czechoslovakia pp. 62-64 Hannah Messinger’s Timeline pp. 65-68 Maps-The Holocaust in Bohemia and Moravia p. 68 Edith Stern’s Story Introduction-Auschwitz pp. 69-77 Sought Learning Objectives and Key Questions p. 77 Learning Activities pp. 78-80 Enrichment Activities Focusing on Theresienstadt pp. 80-83 Enrichment Activities Focusing on Auschwitz pp. 83-86 Edith Stern’s Timeline pp. -
April Alford, Mary Shielding the Amish Witness
The Elyria Public Library System Fiction List Spring 2021 provided by your librarians April Alford, Mary Shielding the Amish Witness – When Faith Cooper seeks refuge in Amish Country she puts everyone she loves in danger, and it is up to her childhood friend Eli to protect her against a ruthless killer who has nothing left to lose. Ames, Jonathan A Man Named Doll -mystery - Happy Doll is a PI living with his dog, George, and working at a local Thai spa.He has two rules: bark loudly and act first. When faced with a violent patron he finds himself out of his depth. Anderson, Natalie Stranded for One Scandalous Week – romance – (Book One in the Rebels, Brothers, Billionaires Series) The innocent, the playboy, and their seven night passion – is it enough to ignite a lifetime of love? Archer, Jeffrey Turn a Blind Eye-mystery- (Book 3 in the William Warwick Chronicle Series) New Detective Inspector William Warwick is tasked to go undercover and expose corruption at the heart of the Metropolitan Police Force. Baldacci, David A Gambling Man -mystery- (Book 2 in the Aloysius Archer Series) When two seemingly unconnected people are murdered at a burlesque club, Archer must dig deep to reveal the connection between the victims. Bannalec, Jean-Luc The Granite Coast Murders -mystery- (Book 6 in the Brittany Mystery Series) Commissaire Dupin returns to investigate a murder at a gorgeous Brittany beach resort. Beck, Kristin Courage My Love -romance- When the Nazi occupation of Rome begins, two courageous young women are plunged deep into the Italian Resistance to fight for their freedom in this captivating debut novel. -
TRUTH.FICTION.LIES Confessions of an Italian-Irish-Catholic- American Immigrant to Canada by PATRICK X WALSH NONFICTION
A DECADE OF JOURNEYS TAKEN & STORIES TOLD 257 million words, 1.7 million books sold, & over 5,000 unique titles (and counting). FriesenPress turns 10 years old on July 13, 2019! And we’re marking the occasion by looking back at the authors and stories that made it possible. Join us as we celebrate a decade of journeys taken and stories told: visit friesenpress.com/ friesenpress10 for infographics, video, a suite of original stories about the past, present and future of self-publishing, and more! F FICTION BOOKS FICTION 2019 BESTSELLERS ENCOMPASSING THE BREAD MAKER OR SO IT SEEMED THE JOY OF DISCOVERY CELTIC KNOT DARKNESS BY MOIRA LEIGH BY MOIRA LEIGH BY J.R. GILLETTE BY ANN SHORTELL BY TERAH MARIE MACLEOD MACLEOD HARDCOVER HARDCOVER HARDCOVER HARDCOVER HARDCOVER $35.99 USD | Reg Disc $26.99 USD | Reg Disc $31.99 USD | Reg Disc $41.99 USD | Reg Disc $37.99 USD | Reg Disc 978-1-4602-0113-8 978-1-5255-2090-7 978-1-5255-3119-4 978-1-4602-7217-6 978-1-5255-1734-1 PAPERBACK PAPERBACK PAPERBACK PAPERBACK PAPERBACK $23.99 USD | Reg Disc $19.6 USD | Reg Disc $15.99 USD | Reg Disc $31.99 USD | Reg Disc $22.99 USD | Reg Disc 978-1-4602-0114-5 978-1-5255-2091-4 978-1-5255-3120-0 978-1-4602-7218-3 978-1-5255-1735-8 EBOOK EBOOK EBOOK EBOOK EBOOK $1.99 USD $3.99 USD $3.99 USD $6.99 USD $6.99 USD 978-1-4602-0115-2 978-1-4602-9207-5 978-1-5255-3121-7 978-1-4602-7219-0 978-1-5255-1736-5 M.C. -
The Dysphoric Style in Contemporary American Independent Cinema David C
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 The Dysphoric Style in Contemporary American Independent Cinema David C. Simmons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA By DAVID C. SIMMONS A Dissertation submitted to the Program in the Humanities in partial fulfillment of the requirements for the degree of Doctorate of Philosophy Degree Awarded: Spring Semester, 2005 Copyright (c) 2005 David C. Simmons All Rights Reserved The members of the Committee approve the dissertation of David C. Simmons defended on April 11, 2005. ____________________________________ Karen L. Laughlin Professor Co-Directing Dissertation ____________________________________ Mark Garrett Cooper Professor Co-Directing Dissertation ____________________________________ Valliere Richard Auzenne Outside Committee Member ____________________________________ William J. Cloonan Committee Member Approved: ___________________________________ David F. Johnson Director, Program in the Humanities The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS This dissertation would not have been possible without the assistance of Sandefur Schmidt and my mother, Rita Simmons. I gratefully acknowledge both of them for the immense kindness and help they’ve provided me. iii TABLE OF CONTENTS Abstract ................................................................... v INTRODUCTION: THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA ................. 1 1. TRYING TO HOLD ONTO A PIECE OF PI: THE DYSPHORIC STYLE’S STRUCTURING OF CAUSAL RELATIONS ......... 7 2. FACT OR PULP FICTION: THE DYSPHORIC STYLE AND TEMPORAL RELATIONS .................... 26 3. “THE COOKIE STAND IS NOT PART OF THE FOOD COURT”: THE DYSPHORIC STYLE AND SPATIAL RELATIONS ...................... -
Blurbs for Books
1 Writing as Witness Project Stockton’s Sara and Sam Schoffer Holocaust Resource Center Memoirs Memoirs can be ordered from ComteQ Publishing: http://www.comteqpublishing.com Georges Raymond Beck and Maryann McLoughlin Forced to War: The WWII Memoir of Frenchman Following the German annexation of Alsace and Lorraine in 1940, Berlin forcibly integrated the French citizens of Alsace and Lorraine into the German army. From 1942, they were made German citizens, and 100,000 Alsatians and 30,000 Mosellans (north Lorraine) were enrolled by force into the German Wehrmacht, especially to fight on the Eastern front against Stalin's army. These men were called the malgré-nous (literally, in spite of ourselves), or in English as the "unwilling" or the "against our will.” Georges Raymond Beck, an Alsatian, was one of these malgré-nous. In the spring of 1942, he received a notice to report for the Reichsarbeitsdienst, Reich Labor Service, compulsory pre-military service. In July 1942, he was inducted into the German army and ordered to report for basic training. By October 1942, Georges and fellow malgré-nous were on a military train, traveling through Germany, Poland, and finally into the U.S.S.R. His convoy traversed unending Russian forests and along the way was strafed by the Soviet Air Force. During the Soviet counter offensive in 1943, George and a friend decided to escape. He said, “We had no allegiance to the German Nazi doctrine whatsoever. We had no interest in helping the German war effort and had no qualms about escaping, if and when the time was right.” The rest of Georges’ memoir describes his dangerous journey back to France and his subsequent marriage and immigration to the United States, where he prospers. -
Cinéma Du Nord
A North Wind THE NEW REALISM OF THE FRENCH- WALLOON CINÉMA DU NORD A DISSERTATION SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY NIELS NIESSEN IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY ADVISER: CESARE CASARINO NOVEMBER, 2013 © Niels Niessen, 2013 i ACKNOWLEDGMENTS Ideas sometimes come in the middle of the night yet they are never fully one’s own. They are for a very large part the fruits of the places and organizations one works or is supported by, the communities one lives in and traverses, and the people one loves and is loved by. First of all, I would like to acknowledge the support I received from the following institutions: the American Council of Learned Societies, the Huygens Scholarship Program of the Dutch government, the Prins Bernard Cultuurfonds (The Netherlands), and, at the University of Minnesota, the Center for German & European Studies (and its donor Hella Mears), the Graduate School (and the Harold Leonard Memorial Fellowship in Film Study), as well as the Department of Cultural Studies and Comparative Literature. As for my home department, I could not have wished for a warmer and more intellectually vibrant community to pursue my graduate studies, and I express my gratitude to all who I have worked with. A special word of thanks to my academic adviser, Cesare Casarino, who has taught me how to read many of the philosophies that, explicitly or implicitly, have shaped my thinking in the following pages, and who has made me see that cinema too is a form of thought. -
The Road Narrative in Contemporary American
THIS IS NOT AN EXIT: THE ROAD NARRATIVE IN CONTEMPORARY AMERICAN LITERATURE AND FILM by JILL LYNN TALBOT, B.S.Ed., M.A. A DISSERTATION IN ENGLISH Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Accepted Dean (C(f the Graduate School May, 1999 ACKNOWLEDGEMENTS I would like to thank my dissertation director, Dr. Bryce Conrad, for agreeing to work with me on this project and for encouraging me to remain cognizant of its scope and its overall significance, both now and in the future. Thanks also to committee member Dr. Patrick Shaw, who not only introduced me to an American fiction that I could appreciate and devote myself to in both my personal and professional life, but who has guided me from my first analysis of On the Road, which led to this project. Thanks also to committee member Dr. Bill Wenthe, for his friendship and his decision to be a part of this process. I would also like to thank those individuals who have been supportive and enthusiastic about this project, but mostly patient enough to listen to all my ideas, frustrations, and lengthy ruminations on the aesthetics of the road narrative during this past year. Last, I need to thank my true companion, who shares my love not only for roads, but certain road songs, along with all the images promised by the "road away from Here." 11 TABLE OF CONTENTS ACKNOWLEDGEMENTS ii ABSTRACT v CHAPTER I. INTRODUCTION 1 II. THE REALITY OF THE ROAD: THE NON-FICTION ROAD NARRATIVE 2 6 John Steinbeck's Travels with Charley: In Search of America 27 William Least Heat-Moon's Blue Highways: A Journey into America 35 John A.