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Ocándose Contra Una Pared Entrevista a Martín Karadagián

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Ocándose Contra Una Pared Entrevista a Martín Karadagián I c/ lUT» IMPfcCIL SE ACl /ARRIBA/ <3tS» j • "Recital contra la discriminación juvenil" /ATORA/ así se tituló una reunión musical realizada SOALB , « as/ en el Club Arrieta. Una hermosa puñalada y en el vientre de un jóven pedía rabiosamen­ te tolerancia. "Hay algo aquí que va mal. diría Kortatu. • Material caliente, así se puede definir al video de jóvenes rodado por CEMA. Testi­ monios de Arte en la Lona, rebeldía sub­ terránea de Villa Biarriz, la llevada de Este­ ban y otras cosas. Lo destacable de esta pro­ ducción -más allá del debut de un jóven director- es la banda sonora original perte­ neciente a Andy Adler y los Inadaptados de Siempre. • RenzoGurldlToflón, qu®en #u momento nos alcanzara una copla da #u «Impla "la casa cerrada" y no# olvidáramos da acuaar • Noticias de la era pre-glacial: Aquellos recibo, entra en «iludió para grabar IU pri* individuos que deseen mantener un contac­ mer L.D. solista. Entre loa 'rock liara' qua to con lo que fue la Revista G.A.S. que nos • Seguimos en la radio y hablando de la piensa invitar para o#U» proyecto #e ancuan- escriban, por favor, a Casilla de Correo 6452. poca gente que defiende los intereses del tra Gustavo Parodi. OPor qué no al gordo así no nos sentimos ni tan solos ni tan oxida­ rock nacional; les comunicamos que Aldo Frade y a Humberto de Vargas? Silva se recuperó del extraño virus que lo dos. mantuvo alejado del chupete y que próxi­ mamente inicia una nueva experiencia ra­ • Precisamente de adeenes hablando, su dial en CX 26 (L. a V. 19 hs.) con nuestro • Como la cemura no exista «vln no ha tecladlsta Sergio contrajo matrimonio con compañero, periodista brechiano, Tabaré podido aparecer el I D. de la Chain ha Han Hada el pasado 7 de setiembre. A la feliz Couto. cisca (Las berenjena# también relxitan) No • Los políticos están nerviosos, la militancia j pareja un osculo de la redacción. decae lo que hace que muchos partidos se hay caso con la# rebeldía# contra el presi­ quieran parar los pelos. Tal es el caso del dente. ___________ partido Nacional (entre otros dos) que nos invitó para hablar de cultura rock y demás • Hablando de kilohertz: el ciclo de G.A.S. • Otros que so la juegan por en versos. "Al P. Colorado no le interesa pero en Radio Rural falleció (al igual que muchos A.D.N. que debutaron con IU Muy bien chiquilinada, aquí terminamos las huelen votos, la izquierda se subió unas críticos del medio). Extrañamente no nos Fuego" (les recordamos a aquel noticias de hoy y de siempre. cuantas paradas después y los blancos no echaron, lo que pasó es que se fue Zelmar, nistas que esta banda pasó |x>r G.A.S. se retira a descansar. saben de que se trata" y esa frase quedó ese viejo punk que nos soportó tres meses. de G.A.S.. Cam ino libre. Suerte abuelo en Bs. As.! Hasta Nunca! Curiosity killed the cat, jmediocrity killed G A S.' G A .S. fue sin duda una utopía que no trató de evitar otra cosa que el típico fracaso del subde sarrollo, el morir apretados en una papelera. G A S. se termina. Las etapas están para ser quemadas, tal vez no, tal vez sí... “...la culpabilidad de muchos de nuestros intelectuales y artistas reside en su pecado original; no son auténticos revolucionarios. Podemos intentar injertar el olmo para que de peras, pero simultáneamente hay que sembrar perales. Las nuevas generaciones vendrán libres del pecado original. Ernesto “Che” Guevara (Marcha N9 1246) “Todo lo que hacemos lo hacemos para confundir”. Juan Casanova “No, no es que me haya ablandado. Digamos que, por fin, me he adaptado a las circunstancias”. Norman Mailer “divididos nacemos, divididos vivimos divididos caemos, divididos morimos”. New Model Army “Ese mantenerse vivo, por una ciega inclinación a derrotar a la muerte, es en sí mismo una forma de sembrar la muerte”. Henry Miller “Preferimos patear el tablero aunque estés en jaque mate a favor, para que el juego vuelva a comenzar. Ese es un riesgo que todo rockero debe cumplir”. indio Solari Todo salto en el vacío es una cuestión de fe”. Fito Páez E TOBTrrCTg ¿ I^NEW 7>OE JJAC- ban a los sucios chícanos por tanta decadencia. Estas revis­ Bend i ta tu eres b OIA POPI Les tas se transform an rápidamente en la contra partida clan­ Llena de grageas y bautismos destina de los cómics "oficiales", satirizando sexualmente Llena de murmullos y estampitas en algunos casos a los mismísimos héroes del papel como 2 escuchar a los genios argentinos del Popeye, Superman o la seductora Betty Boop. I Ska: Los Cadillacs. También mé mato Los dirty comics tenían por lo general una viñeta por Bendi ta tu eres l escuchando a Pericos y por supuesto en la escapulariada ? a Madness, Speclals. También me alu- página. En las primeras so presentaba al personaje y se 1 ciña el reggae. Lo único que no me encaminaba el argumento, así hasta llegar a los últimos zona marginal banco ©a sí Hee.vy, peto como dice el cuadritos que estaban cargados con mucha acción y ener­ de tus p rejuicio s 9dicho aclare gustos no hay nada escri­ gía. Bend i ta tu e res to. Les méndo uh Mbohelo por existir El papel rupturista do estas historietas no se quedaba solo y también abajo a los caraculicoslí! por el Dios de los ingenuos en lo visual, sino que también el lenguaje obsceno utilizado y por los que minaran TINA en las mismas era una dulce patada en los huevos de ios moralistas y un motivo más para que los jóvenes se excita­ tu contorno y consistencia *' Horacio Qulroga 601 o Ciudad ran aprendiendo vocablos "non-sanctus". Asquerosos y diminutos ifbÉÉh. I : rn&'jmr w a mm mam Como es de imaginar tanto los excelentes dibujantes como gusanos ateos. _ Jtfanlt.Terna^ieSj los editores de "estos cómics" eran más anónimos que una amenaza telefónica. El auge de estas inmundicias fue tal que inmediatamente se creó una red comercial under­ ground (por aquel entonces el término no estaba tan manoseado) que difundió el sexo sucio por los 50 estados. Habrá que trasladarse a los tiempos de la depresión econó­ Bien, basta de palabras. Aquí va uno. mica para entender el por qué de estos "litlle dirty books". Hiroshima Kapital Imagínese, entonces, a la juventud de una sociedad en crisis donde el alcohol estaba monopolizado por la maffia, ' Esto va para el ortodoxo periodista Victor Cunha de La no existía la T.V. con dibujitos animados (Oh! hijos de Hora que acusó a Tabaré Couto y Fernán Cisncro de fascis­ Craviotto)1 y para peor un fuerte código moral controlaba tas por escribir sobre los cómics. Fuck Off! Retrogressive. todo movimiento. Este código moral/moralista era -y no cuesta mucho imaginarse- bastante retrógrado (retrogres­ sive en inglés). El mismo condenaba legislativamente a los ejercicios gimnásticos sexuales, relegando el sexo pura y exclusivamente para los matrimonios. Los jóvenes al margen del sexo; los kilombos eran sucursa­ è les del infierno y las putitas disfrazadas eran privilegio de NO CONTEST gente de pasta, políticos y Jimmies Swaggarts. U \1 Este vacío de diversiones escapistas va a permitir que las l á es l a tercera noche que me ocurre lo mismo. revistas de historietas acapararan la atención de los jóve­ nes. Pero esos cómics, portavoz de una cultura "oficial", Dejo a Florencia en su casa y comienzo a caminar poT la, *** ’ traían de todo menos SEXO, y un jóven sin sexo es lo más próximo a Sanchez Padilla sin micrófono. rambla,, camino a casa. Cruzando Ninas, lle g o a l a cabzoa. telefónica; entro y comienzo ^ discar. El sex o será siempre un buen negocio "Vendedle a los jóvenes lo que ellos quieren". Esta frase Llamo a mi madre; a mí padre; a ni hermano'; & Pablo y ’ parece ser la que utilizaron algunos comerciantes que olfa­ Marcelo, mis amigos; a Graciela, mi ex rnujer . m tearon dólares en el negocio del sexo. La fórmula era fácil: editar revistas de historietas con todo aquel sexo que no Pero no coloco fichas en el monedero. No. tenían las tradicionales (entiéndase personajes practican­ do las posturas no autorizadas, fellatios, cunnilingus, sexo Unicamente disco, los escucho decir hola unas antas veces, <1. interracial, lesbianismo, toda clase de combinación que cuelgo, y Sigo caminando hacia casa. seas capaz de imaginar). Así nacen estos "eight papers" -por sus 8 páginas- o las "Biblias de Tijuana", denominación debido a que culpa IRafaei Massa PM St NT KAYO Y MAMIE 2£N (MASUNTO SUCULENTO". En 1982 aparece “Chronic Town”, un vinilocon sólo 5 canciones, A comienzos de esta revuelta década, a todo lo largo y ancho del producido por Mitch Easter. El debut es inmejorable, totalmen­ mapa estadounidense, surgieron varias bandas con una atrac­ te alentador, aunque pasó un tanto desapercibido, excepto para tiva propuesta común: reciclar los sonidos de los dorados y las radios universitarias y piratas. 1983 nos regala “Murmur”, eclécticos '60, escarbando principalmente a la Costa Oeste. un LP continuador del anterior, como si fuera un segundo Rápidamente son desempolvados los discos de la Velvet, los capítulo. “Reckoring”, de 1984, trae algunas innovaciones y es Doors, Creedence, Byrds, etc y así (re)descubren su propia más variado. Se adivinan suaves e insinuantes teclados y hay tradición hippie-psicodélico-campestre. Algunas de estas agru­ acertados y bienvenidos coqueteos con el country, que adornan paciones integrarían lo cjue hoy (des)conocemos aquí como el disco con un agradable olor a bosque.
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