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How Does Context Shape Comedy As a Successful Social Criticism As Demonstrated by Eddie Murphy’S SNL Sketch “White Like Me?”
The University of Maine DigitalCommons@UMaine Honors College 5-2012 How Does Context Shape Comedy as a Successful Social Criticism as Demonstrated by Eddie Murphy’s SNL Sketch “White Like Me?” Abigail Jones Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons Recommended Citation Jones, Abigail, "How Does Context Shape Comedy as a Successful Social Criticism as Demonstrated by Eddie Murphy’s SNL Sketch “White Like Me?”" (2012). Honors College. 58. https://digitalcommons.library.umaine.edu/honors/58 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HOW DOES CONTEXT SHAPE COMEDY AS A SUCCESSFUL SOCIAL CRITICISM AS DEMONSTRATED BY EDDIE MURPHY’S SNL SKETCH “WHITE LIKE ME?” by Abigail Jones A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Communications) The Honors College University of Maine May 2012 Advisory Committee: Nathan E. Stormer, Professor of Communication, Advisor Kristin M. Langellier, Professor of Communication Sandra Hardy, Associate Professor of Theater Mimi Killinger, Honors College Rezendes Preceptor for the Arts Adam Kuykendall, Marketing Manager for the School of Performing Arts Abstract This thesis explores the theory of comedy as social criticism through an interpretive investigation. For comedy to be a potent criticism it is important for the audience to understand the context surrounding the sketch. Without understanding the context the sketch still has the ability to be humorous, but the critique is harder to acknowledge. -
The Polarisation Between Individual and Social Entrironment, from the Viowpoint of an Assertivo Individualism, Is One of the Commonplaces of Orwell Criticism
-62- THE INDIVIDUALISM OF ORWELL'S THINKING Cleusa Vieira de Aguiar - UFMG - The polarisation between individual and social entrironment, from the viowpoint of an assertivo individualism, is one of the commonplaces of Orwell criticism. In its own terms it appears as a valuable and 'rugged individualism' , but more criticaily it can be seen as a limiting 'bourgeois indivi duali sm . Caudwell describes the essentially illusory nature of this mode of thought and the associated conception of freedom: "The bourgeois believes that liberty consists in absence of social organiaation; that liberty is a negative quality, a deprivation of existing obstacles to it; and not a positive quality, the reward of endeavour and wisdom. This belief is itself the result of bourgeois social .-o lations. As a result of it, the bourgeois intellectual is unconscious of the causaiity that makes his consciousness what it is... He refuses to see that his own limited liberty; the captivity of the worker, and ali the contradictions of developing bourgeois relations — pacifism, fascism, war, hate, cruclty, ... are bound in one net of causality, that each is influenced by each, and that thereForo it is fallacious to suppose a simple effort of the will of the free man, without knowledge of the -63- causes, will banish fascism, war and slumps ... we have shown that the individual is never free. He can only attain frcedom by social cooperation ... If, therefore, he wi alies to stop poverty, war, and misery, he must do it, not by passive resistance, but by using social relations. But in ordcr to use social relations he must understand them." This account both reminds us of Orwell's anarchist sympathies 4 and explains how in a particular historical situation an assertive individualism turns into a deterministic view of social forces and a pessimistic attitude to the possibility of social change. -
The Sociology of Literature : Georg Lukács
KENNETH O'BRIEN B.A. (Honours) Social Sciences, University of Leicester, England, 1968. A THESIS SUBKITTED IN PAFtTIAL FULFILMENT OF THE REQUIREEl?f;;NTSFOR THE DEGREE OF MASTER OF ARTS in the Department Political Science, Sociology and Anthropology @ KENNETH OVBRIEN 1969 SIMON FRASER UNIVERSITY Novenber, 1969 EXAMINING COMMITTEE APPROVAL DAVID BETTI SON Senior Supervisor JOHN MILLS Examining Committee JERALD ZASLOVE Examining Comit tee iii ABSTRACT ~ukscslwritings on the sociology of literature are presented and examined; and his theory that there is a direct relation between the "dialectic movement of history and the great genres of literature which portray the totality of history.n This definition of the literary process is acce~ted as an hypothesis. &The sociology of literature in North America and Europe is examined in the context of Lukbcsr ideas. It is concluded that the positivism of North American sociology of literature ignores the historical specificity of contemporary literary forms. Part of the explanation for the perspective of Kenneth Burke and Hugh Duncan is shown to derive from partial elements of the epistemology of the Classical Greeks and Hegelianism. Similarly Luk;csr philosophy of literary criticism are shown to be modifications on a rigidly Marxist econoniic determinism as well as Hegelian idealism. ~ukgcs'concept of literary realism -- in contemporary society as those forms of the novel which portray the specific problems of individuals and classes and the resolution of social contradictions within the "totality of the movement of historyn-- is examined in relation to the pracesses of capitalist development in Europe. It is zrgued that literature provides more than nextensions of social realityv, as Burke and Duncan imply. -
Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y. -
Does Literature Work As Social Science? the Case of George Orwell
University of Chicago Law School Chicago Unbound Journal Articles Faculty Scholarship 2002 Does Literature Work as Social Science? The Case of George Orwell Richard A. Epstein Follow this and additional works at: https://chicagounbound.uchicago.edu/journal_articles Part of the Law Commons Recommended Citation Richard A. Epstein, "Does Literature Work as Social Science? The Case of George Orwell," 73 University of Colorado Law Review 987 (2002). This Article is brought to you for free and open access by the Faculty Scholarship at Chicago Unbound. It has been accepted for inclusion in Journal Articles by an authorized administrator of Chicago Unbound. For more information, please contact [email protected]. DOES LITERATURE WORK AS SOCIAL SCIENCE? THE CASE OF GEORGE ORWELL RICHARD A. EPSTEIN* LITERARY AND SOCIAL SCIENCE TRADITIONS We live in a world that has, to say the least, a certain fas- cination with public intellectuals. Some public intellectuals are drawn from the academy, but many of the most influential members of this hardy, if indefinable, breed come from other pursuits. Because they have not undergone the rigors of a pro- fessional or Ph.D. degree, they show little respect for the con- ventional boundaries that separate one field of inquiry from another. They can, and often do, move quickly from the hu- manities to the social sciences and back again, and are often not aware as to how, or even whether, they have made the journey. Lawyers, especially academic lawyers, are frequently able to fill the niche of public intellectuals. Law is a parasitic discipline. It attaches to all human endeavors that involve ei- ther disputes or cooperation between two or more people, which is to say that it touches all aspects of human life, either as an unwelcome intruder or an indispensable aid. -
The Social Criticism of Charles Dickens: a Point of View
THE SOCIAL CRITICISM OF CHARLES DICKENS: A POINT OF VIEW THE SOCIAL CRITICISM OF CHARLES DICKENS: A POINT OF VIEW BY V. CHRISTINE MCCARTHY A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University September 1971 MASTER OF ARTS MCMASTER UNIVERSITY (English) Hamilton, Ontario. TITLE: The Social Criticism of Charles Dickens: A Point of View AUTHOR: Va Christine McCarthy, B.A o (McMaster University) SUPERVISOR: Dr. M.L. Ross NUMBER OF PAGES: v, 76 SCOPE AND CONTENTS: This thesis deals with Dickens' social criticism in Oliver Twist (1838), Dombey and Son (1846), Hard Times (1854) and Little Dorrit (1855). The major consider ationis the discrepancy betto1een Dickens' stated intentions and his achievement as a social critic. The analysis of the four novels revolves around an examination of the characterization, the explicit and implicit levels of meaning, and the es capist tendencies in the fiction. ii ACKNOl>1LEDGEMENT I would like to thank Dr. M.L. Ross and Dr. J. Ferns whose interest and attention were invaluable throughout the writing of this thesis. iii TABLE OF CONTENTS INTRODUCTION 1 CHAPTER ONE: OLIVER TWIST 8 CHAPTER TWO: DOMBEY AND SON 22 CHAPTER THREE: HARD TIMES 36 CHAPTER FOUR: LITTLE DORRIT 52 CONCLUSION 66 NOTES 68 BIBLIOGRAPHY 75 iv TEXTUAL NOTES AND ABBREVIATIONS Frequent reference will be made to the following works: Dickens, Charles. Oliver Twist. Introduction by 'Ka:t:hle,en Tillotson!d)Oxford: Clarendon Press, 1966 (first published as a book in 1840). 2. -------. Dombey and Son. Introduction by H.W. -
Network Culture and the Aesthetics of Dissension1
MONOGRÁFICO Escritura e Imagen ISSN: 1885-5687 http://dx.doi.org/10.5209/esim.73038 Network culture and the aesthetics of dissension1 Juan Martín Prada2 Recibido: 25 de marzo de 2020 / Aceptado: 25 de octubre de 2020 Abstract: This article addresses the complex relationship between digital activism and Internet art, from the initial proposals in the 1990s up to the present day. The analysis focuses on those projects that have most impacted the convergence of net art and “net-activism” during this period, with a particular emphasis on the relationship between artistic practice and hacktivism. Likewise, phenomena such as virtual sit-ins, DDOS-based strategies and several others that have emerged in the new context of social networks and participatory online platforms (memes, flash mobs, etc.) are analysed, in order to reflect on the new practices of social media art and their potential for specific critical action. Keywords: Internet art; net art; hacktivism; online activism; social media art; virtual sit-in. [es] Cultura red y estéticas de la disensión Resumen: En este artículo se aborda la compleja relación entre el activismo digital y el Internet art desde los inicios de este en la década de los noventa del pasado siglo hasta la actualidad. El centro del análisis lo constituyen las propuestas que de forma más intensa han reclamado a lo largo de este periodo la confluencia entrenet art y “net-activismo”, poniendo especial énfasis en las relaciones entre práctica artística y hacktivismo. Asimismo, se analizan fenómenos como las virtual sit-ins, las estrategias basadas en DDOS, los surgidos en el nuevo contexto de las redes sociales y de las plataformas participativas en línea (memes, flash mobs, etc.) para, finalmente, abordar la capacidad de actuación crítica específica de las nuevas prácticas de social media art. -
Eadbanging Against Repressive Regimes
Mark LeVine FREEMUSE (Freedom of Musical Expression) The World Forum on Music and Censorship is an international organisation advocating freedom of expression for musicians and composers worldwide OUR MAIN OBJECTIVES ARE TO – Document violations – Inform media and the public – Describe the mechanisms of censorship – Support censored musicians and composers – Develop a global support network eadbanging against YOU CAN SUPPORT US – VISIT FREEMUSE.ORG – the world’s largest knowledge base on music censorship H repressive regimes ensorship of heavy metal in the Middle East, C North Africa, Southeast Asia and China F R E E M U S E Y Mark LeVine eadbanging against H repressive regimes ensorship of heavy metal in the Middle East, CC North Africa, Southeast Asia and China F R E E M U S E 3 Headbanging against repressive regimes. Heavy metal in the Middle East, North Africa, Southeast Asia and China By Mark LeVine Published by Freemuse Editor-in-Chief: Marie Korpe Graphic design: Mik Aidt Cover: Guitarist of an Iranian heavy metal band Printed in Denmark by Special-Trykkeriet Viborg Report no. 09/2009 • © Freemuse 2009 • ISSN 1601-2127 • ISBN 978-87-988163-3-1 The views in the report do not necessarily represent the views of Freemuse. Other publications by Freemuse • ‘1st World Conference on Music and Censorship’, 2001, ISBN: 87-988163-0-6 • ‘Can you stop the birds singing? – The Censorship of Music in Afghanistan’ by John Baily, 2001, ISSN: 1601-2127 • ‘A Little Bit Special – Censorship and the Gypsy Musicians of Romania’ Y by Garth Cartwright, 2001, ISSN: 1601-2127 • ‘Playing With Fire – Fear and Self-Censorship in Zimbabwean Music’ by Banning Eyre, 2001, ISSN: 1601-2127 • ‘Which way Nigeria? – Music under threat: A Question of Money, Morality, Self-censorship and the Sharia’ by Jean Christophe Servant, 2003, ISSN: 1601-2127. -
Nineteen Eighty-Four
Nineteen Eighty-Four as a critique of British colonialism By: Niclas Olsson 1 Abstract This essay explored the possibilities of Nineteen Eighty-Four being read as a critique of British colonialism in Kenya. The questions I have tried to answer are: What are the significant aspects found in Nineteen Eighty-Four that correlates to postcolonial literature? What are the significant parallels drawn between Orwell’s Airstrip One and the British colonial state in Kenya? In regards to similarities between Oceania and colonial Kenya, do they shed a new light on Nineteen Eighty-Four in terms of themes? I have tried to answer these questions by using the theory of postcolonialism, and reference literature from colonial Kenya. This ultimately led to many similarities made apparent between Nineteen Eighty-Four and colonial Kenya. Keywords: Postcolonialism, Colonialism, Language, Kenya, British Empire Student Vt 2018 Examensarbete för kandidatexamen, 15 hp Engelska 2 Table of Contents 2 Abstract 1 Introduction 3 Background 4 - The Author 4 - British presence in Kenya 4 - Theory 5 - Previous Research 6 - Structure 8 Overview of Orwell’s government 9 Culture 11 Politics 19 Economy 24 Conclusion 26 Note 27 Works Cited 28 Student Vt 2018 Examensarbete för kandidatexamen, 15 hp Engelska 3 Introduction The famous Nineteen Eighty-Four is a dystopian novel written by George Orwell and was published in 1949. The novel is set in Airstrip One, formerly Great Britain, which currently is a provincial state in the country of “Oceania”. Oceania is run by “The Party”, who uses what is most probably a symbolic figurehead by the name of “Big Brother”. -
The Role of the Artist As a Social Critic: As Interpreted Through the Art of Swoon, Allora & Calzadilla, and Ai Wei
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses Fall 2014 The Role of the Artist as a Social Critic: as Interpreted through the Art of Swoon, Allora & Calzadilla, and Ai Wei Wei Jessica A. Hasara MLS, [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Part of the Contemporary Art Commons, and the Fine Arts Commons Recommended Citation Hasara, Jessica A., "The Role of the Artist as a Social Critic: as Interpreted through the Art of Swoon, Allora & Calzadilla, and Ai Wei Wei" (2014). Master of Liberal Studies Theses. 67. http://scholarship.rollins.edu/mls/67 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. Rollins College Rollins Scholarship Online Masters of Liberal Studies Theses Fall 2014 The Role of the Artist as a Social Critic: as interpreted through the art of Swoon, Allora & Calzadilla, and Ai Wei Wei Jessica A. Hasara Follow this and additional works at: http://scholarship.rollins.edu/mls This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Masters of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. The Role of the Artist as a Social Critic: as interpreted through the art of Swoon, Allora & Calzadilla, and Ai Wei Wei A Project Submitted in Partial Fulfillment of the requirements for the Degree of Master of Liberal Studies by Jessica Hasara December 2014 Mentor: Dr. -
Social Criticism As Reflected by William Blake's Selected Poems .....28
SOCIAL CRITICISM AS REFLECTED BY WILLIAM BLAKE’S SELECTED POEMS THESIS Submitted to the Board of Examiners In Partial Fulfilment of the Requirement for Literature Degree at English Literature Department By MONALISA NIM.AI.150315 ADAB AND HUMANITIES FACULTY THE STATE ISLAMIC UNIVERSITY SULTHAN THAHA SAIFUDDIN JAMBI 2019 MOTTO بِ ْس ِم هَّللاِ ال هر ْح َم ِن ال هر ِحيم ُ ْ َو ْلتَ ُك ْه ِم ْن ُك ْم أ َّمةٌ يَ ْد ُعى َن إِلَى ا ْل َخ ْي ِر َويَأ ُم ُرو َن بِب ْل َم ْع ُرو ِف َويَ ْنهَ ْى َن َع ِه ا ْل ُم ْن َك ِر ۚ َٰ 1 َوأُولَئِ َك هُ ُم ا ْل ُم ْفلِ ُحىن ََ ―And let there be among you a community calling to virtue, and advocating righteousness, and deterring from evil. These are the succesful‖.2 ―Dan hendaklah diantara kamu ada segolongan orang yang menyeru kepada kebajikan, menyuruh berbuat yang makruf, dan mencegah dari yang mungkar. Dan mereka itulah orang-orang yang beruntunng‖.3 1 Alqur’an dan Terjemahannya “Sepecial for woman”. Surah Ali-Imran :104. p.63 2 Al-Qur’an Arabic and English Translation. Surah Ali-Imran Ayat 104 3 Alqur’an dan Terjemahannya “Sepecial for woman”. Surah Ali-Imran :104. p.63 DEDICATION بِ ْس ِم هَّللاِ ال هر ْح َم ِن ال هر ِحيم In the name of Allah SWT for the blessing and the merciful, with deep thanks and proud, sholawat to the prophet Muhammad SAW, his coming really changed the world. Special thanks to: My parents, my beloved father (Bandung) and my beloved mother (Badria) who always give me everlasting love, guidance, motivation and praying. -
The Music of the Goth Subculture: Postmodernism and Aesthetics Charles Allen Mueller
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 The Music of the Goth Subculture: Postmodernism and Aesthetics Charles Allen Mueller Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE MUSIC OF THE GOTH SUBCULTURE: POSTMODERNISM AND AESTHETICS By CHARLES ALLEN MUELLER A Dissertation submitted to the College of Music In partial fulfillment of the Requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2008 Copyright 2008 Charles Mueller All Rights Reserved The members of the Committee approve the dissertation of Charles Allen Mueller defended on June 12, 2008. __________________________ Charles E. Brewer Professor Directing Dissertation __________________________ Barry Faulk Outside Committee Member __________________________ Denise Von Glahn Committee Member __________________________ Douglass Seaton Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOLEDGEMENTS I would like to extend my most sincere gratitude to the Presser Foundation who funded my research in Great Britain. I would also like to thank journalist Mick Mercer and the staff at Rough Trade in London who provided me with important insights into the development of goth music. All of the past and present goth participants and musicians who took the time to share with me their passion for music and life experiences also