Orwell-1949 Nineteen Eighty Four
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1984 by George Orwell Copyright Notice ©2011 eNotes.com Inc. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. All or part of the content in these eNotes comes from MAXnotes® for 1984, and is copyrighted by Research and Education Association (REA). No part of this content may be reproduced in any form without the permission of REA. ©1998-2002; ©2002 by Gale Cengage. Gale is a division of Cengage Learning. Gale and Gale Cengage are trademarks used herein under license. For complete copyright information on these eNotes please visit: http://www.enotes.com/1984/copyright eNotes: Table of Contents 1. 1984: Introduction 2. 1984: The Principles of Newspeak 3. 1984: Overview 4. 1984: George Orwell Biography 5. 1984: Summary 6. 1984: Summary and Analysis ♦ Part 1, Chapter 1 Summary and Analysis ♦ Part 1, Chapter 2 Summary and Analysis ♦ Part 1, Chapter 3 Summary and Analysis ♦ Part 1, Chapters 4 and 5 Summary and Analysis ♦ Part 1, Chapters 6 and 7 Summary and Analysis ♦ Part 1, Chapter 8 Summary and Analysis ♦ Part 2, Chapter 1 Summary and Analysis ♦ Part 2, Chapter 2 Summary and Analysis ♦ Part 2, Chapter 3 Summary and Analysis ♦ Part 2, Chapter 4 Summary and Analysis ♦ Part 2, Chapter 5 Summary and Analysis ♦ Part 2, Chapter 6 Summary and Analysis ♦ Part 2, Chapter 7 Summary and Analysis ♦ Part 2, Chapter 8 Summary and Analysis ♦ Part 2, Chapter 9 Summary and Analysis ♦ Part 2, Chapter 10 Summary and Analysis ♦ Part 3, Chapter 1 Summary and Analysis 1984 1 ♦ Part 3, Chapter 2 Summary and Analysis ♦ Part 3, Chapter 3 Summary and Analysis ♦ Part 3, Chapters 4 and 5 Summary and Analysis ♦ Part 3, Chapter 6 Summary and Analysis 7. -
Orwellian Methods of Social Control in Contemporary Dystopian Literature
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositorio Documental de la Universidad de Valladolid FACULTAD de FILOSOFÍA Y LETRAS DEPARTAMENTO de FILOLOGÍA INGLESA Grado en Estudios Ingleses TRABAJO DE FIN DE GRADO A Nightmarish Tomorrow: Orwellian Methods of Social Control in Contemporary Dystopian Literature Pablo Peláez Galán Tutora: Tamara Pérez Fernández 2014/2015 ABSTRACT Dystopian literature is considered a branch of science fiction which writers use to portray a futuristic dark vision of the world, generally dominated by technology and a totalitarian ruling government that makes use of whatever means it finds necessary to exert a complete control over its citizens. George Orwell’s 1984 (1949) is considered a landmark of the dystopian genre by portraying a futuristic London ruled by a totalitarian, fascist party whose main aim is the complete control over its citizens. This paper will analyze two examples of contemporary dystopian literature, Philip K. Dick’s “Faith of Our Fathers” (1967) and Alan Moore’s V for Vendetta (1982-1985), to see the influence that Orwell’s dystopia played in their construction. It will focus on how these two works took Orwell’s depiction of a totalitarian state and the different methods of control it employs to keep citizens under complete control and submission, and how they apply them into their stories. KEYWORDS: Orwell, V for Vendetta , Faith of Our Fathers, social control, manipulation, submission. La literatura distópica es considerada una rama de la ciencia ficción, usada por los escritores para retratar una visión oscura y futurista del mundo, normalmente dominado por la tecnología y por un gobierno totalitario que hace uso de todos los medios que sean necesarios para ejercer un control total sobre sus ciudadanos. -
How Does Context Shape Comedy As a Successful Social Criticism As Demonstrated by Eddie Murphy’S SNL Sketch “White Like Me?”
The University of Maine DigitalCommons@UMaine Honors College 5-2012 How Does Context Shape Comedy as a Successful Social Criticism as Demonstrated by Eddie Murphy’s SNL Sketch “White Like Me?” Abigail Jones Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons Recommended Citation Jones, Abigail, "How Does Context Shape Comedy as a Successful Social Criticism as Demonstrated by Eddie Murphy’s SNL Sketch “White Like Me?”" (2012). Honors College. 58. https://digitalcommons.library.umaine.edu/honors/58 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HOW DOES CONTEXT SHAPE COMEDY AS A SUCCESSFUL SOCIAL CRITICISM AS DEMONSTRATED BY EDDIE MURPHY’S SNL SKETCH “WHITE LIKE ME?” by Abigail Jones A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Communications) The Honors College University of Maine May 2012 Advisory Committee: Nathan E. Stormer, Professor of Communication, Advisor Kristin M. Langellier, Professor of Communication Sandra Hardy, Associate Professor of Theater Mimi Killinger, Honors College Rezendes Preceptor for the Arts Adam Kuykendall, Marketing Manager for the School of Performing Arts Abstract This thesis explores the theory of comedy as social criticism through an interpretive investigation. For comedy to be a potent criticism it is important for the audience to understand the context surrounding the sketch. Without understanding the context the sketch still has the ability to be humorous, but the critique is harder to acknowledge. -
The Polarisation Between Individual and Social Entrironment, from the Viowpoint of an Assertivo Individualism, Is One of the Commonplaces of Orwell Criticism
-62- THE INDIVIDUALISM OF ORWELL'S THINKING Cleusa Vieira de Aguiar - UFMG - The polarisation between individual and social entrironment, from the viowpoint of an assertivo individualism, is one of the commonplaces of Orwell criticism. In its own terms it appears as a valuable and 'rugged individualism' , but more criticaily it can be seen as a limiting 'bourgeois indivi duali sm . Caudwell describes the essentially illusory nature of this mode of thought and the associated conception of freedom: "The bourgeois believes that liberty consists in absence of social organiaation; that liberty is a negative quality, a deprivation of existing obstacles to it; and not a positive quality, the reward of endeavour and wisdom. This belief is itself the result of bourgeois social .-o lations. As a result of it, the bourgeois intellectual is unconscious of the causaiity that makes his consciousness what it is... He refuses to see that his own limited liberty; the captivity of the worker, and ali the contradictions of developing bourgeois relations — pacifism, fascism, war, hate, cruclty, ... are bound in one net of causality, that each is influenced by each, and that thereForo it is fallacious to suppose a simple effort of the will of the free man, without knowledge of the -63- causes, will banish fascism, war and slumps ... we have shown that the individual is never free. He can only attain frcedom by social cooperation ... If, therefore, he wi alies to stop poverty, war, and misery, he must do it, not by passive resistance, but by using social relations. But in ordcr to use social relations he must understand them." This account both reminds us of Orwell's anarchist sympathies 4 and explains how in a particular historical situation an assertive individualism turns into a deterministic view of social forces and a pessimistic attitude to the possibility of social change. -
1984 Sparknotes Summary Book 2
1984 SparkNotes Summary Book 2 Summary: Chapter I At work one morning, Winston walks toward the men’s room and notices the dark-haired girl with her arm in a sling. She falls, and when Winston helps her up, she passes him a note that reads “I love you.” Winston tries desperately to figure out the note’s meaning. He has long suspected that the dark-haired girl is a political spy monitoring his behavior, but now she claims to love him. Before Winston can fully comprehend this development, Parsons interrupts him with talk about his preparations for Hate Week. The note from the dark-haired girl makes Winston feel a sudden, powerful desire to live. After several days of nervous tension during which he does not speak to her, Winston manages to sit at the same lunchroom table as the girl. They look down as they converse to avoid being noticed, and plan a meeting in Victory Square where they will be able to hide from the telescreens amid the movement of the crowds. They meet in the square and witness a convoy of Eurasian prisoners being tormented by a venomous crowd. The girl gives Winston directions to a place where they can have their tryst, instructing him to take a train from Paddington Station to the countryside. They manage to hold hands briefly. Summary: Chapter II Executing their plan, Winston and the girl meet in the country. Though he has no idea what to expect, Winston no longer believes that the dark-haired girl is a spy. He worries that there might be microphones hidden in the bushes, but feels reassured by the dark-haired girl’s evident experience. -
Nineteen Eighty-Four
MGiordano Lingua Inglese II Nineteen Eighty-Four Adapted from : http://en.wikipedia.org/wiki/Nineteen_Eighty-Four Nineteen Eighty-Four, sometimes published as 1984, is a dystopian novel by George Orwell published in 1949. The novel is set in Airstrip One (formerly known as Great Britain), a province of the superstate Oceania in a world of perpetual war, omnipresent government surveillance, and public manipulation, dictated by a political system euphemistically named English Socialism (or Ingsoc in the government's invented language, Newspeak) under the control of a privileged Inner Party elite that persecutes all individualism and independent thinking as "thoughtcrimes". The tyranny is epitomised by Big Brother, the quasi-divine Party leader who enjoys an intense cult of personality, but who may not even exist. The Party "seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power." The protagonist of the novel, Winston Smith, is a member of the Outer Party who works for the Ministry of Truth (or Minitrue), which is responsible for propaganda and historical revisionism. His job is to rewrite past newspaper articles so that the historical record always supports the current party line. Smith is a diligent and skillful worker, but he secretly hates the Party and dreams of rebellion against Big Brother. As literary political fiction and dystopian science-fiction, Nineteen Eighty-Four is a classic novel in content, plot, and style. Many of its terms and concepts, such as Big Brother, doublethink, thoughtcrime, Newspeak, Room 101, Telescreen, 2 + 2 = 5, and memory hole, have entered everyday use since its publication in 1949. -
1984 Reading Schedule & Questions
1984 Reading Schedule & Questions Due Date (Monday/Tuesday) Chapters Pages April 11th/12th Book 1: 2-5 Pg. 20-55 (35) April 18th/19th Book 1: 6-8 Pg. 55-87 (32) April 25th/26th Book 2: 1-4 Pg. 88-122 (34) May 2nd/3rd Book 2: 5-9 Pg. 122-151 (29) May 9th/10th Book 2: 9-10 Pg. 152-185 (33) May 16th/17th Book 3: 1-2 Pg. 186-215 (29) May 23rd/24th Book 3: 4-6 Pg. 215-245 (30) Reading quizzes and in-class discussions may only be made up if you had an excused absence. You will have one week to make them up. If your absence is unexcused, you will receive a zero for any missed quizzes and discussions. In addition to your reading, you will complete study guide questions to go with the assigned chapters. Those will be collected at the beginning of class for each due date. To receive full credit, answers must be written legibly and in complete sentences. If you are absent, they must be turned in the day you return to class. Book One, Chapter 1 1. What bothers Winston? What is wrong with his society? 2. What are the three slogans of the Inner Party? What are the four ministries? 3. How does the Two Minute Hate work? What happens to Winston during the chant? 4. What happens between O’Brien and Winston? 5. What is "thoughtcrime"? What are the Thought Police? 6. Who is Emmanuel Goldstein? Book One, Chapters 2-5 1. Who is Mrs. -
Year 8 English Extract Pack
Year 8 English Extract Pack Extract 1- for Task 1 George Orwell George Orwell was the pen name of a man called Eric Blair. A pen name is a name used by a writer instead of their own name. Even though his real name was Eric Blair, he is known as his pen name, George Orwell. Early Life George Orwell was born in India in 1903. At the time, India was still one of Britain’s colonies. You may remember from The Tempest that a colony is a country that is controlled by a different country. At the time, India was a British colony, so many British people lived and worked in India. Orwell’s father worked as a civil servant in India. Even though he was helping to run India, he was employed by the British government as India was a part of the British Empire. When he was one, Orwell moved back to live in England with his mother. He did not see his father again until 1912, as his father had to stay in India for work. The young Orwell was very intelligent. He went to exclusive boarding schools as he was growing up. He only had to pay half the fees for his education because he was so smart. At these exclusive schools, Orwell spent a lot of time around the richest people in the country. But when he read the newspapers he saw that the majority of people around the world were not rich. He wanted to find out more about these people and their lives. -
Report to UCL Octagon Small Grants Fund Sarah Gibbs 1 Conference: Rebel? Prophet? Relic? Perspectives on George Orwell in 2019
Report to UCL Octagon Small Grants Fund Sarah Gibbs 1 Conference: Rebel? Prophet? Relic? Perspectives on George Orwell in 2019 24-25 May 2019 University College London (UCL) Conference Programme Summary UCL’s first George Orwell conference, Rebel? Prophet? Relic? Perspectives on George Orwell in 2019, took place on May 24th and 25th. The event explored all aspects of the author’s oeuvre and presence in popular culture, from the continuing significance of his masterpiece, the political dystopia Nineteen Eighty-Four (1949), to his relationship to the British Empire and mid-century Fascism. Panelists discussed his reception history in different parts of the world, and adaptations of his work in a variety of media. The speaker list was international, and truly interdisciplinary. Presenters, who were academics, theatre directors, video game designers, authors, journalists, and members of the Armed Forces, traveled Report to UCL Octagon Small Grants Fund Sarah Gibbs 2 from Australia, Canada, Iraq, the United States, China, Germany, Scotland, and all parts of England to participate. The conference brought together a number of Orwell-focused organizations and institutions: the Orwell Foundation, the Orwell Society, and UCL Special Collections, holder of the Orwell Archive. Approximately forty members of the public also joined the event. The support of the Octagon Small Grants Fund not only allowed scholars to participate in a conference dedicated to Orwell, very few of which exist, but also enabled the University to positively engage with the community and publicize its projects and collections. Twitter: @UCL_Orwell_2019; #UCLOrwell2019 Report In 1945, George Orwell wrote of war-time rumours that American troops had come to England to thwart a communist revolution: “One has to belong to the intelligentsia to believe things like that. -
Social Justice Sampler
SAA SAAMPLER SAA SAASAMPLER MPLER LAWSOCIAL & ETHICS LAW & LAW & 6” 11/16” LAW6” JU &S TICE6” ETHICS.78” 6” PRIVACY & CONFIDENTIALITY PERSPECTIVES MPLER “ Today, legal issues are pervading archival administration more intensively and in more areas ETHICS ETHICS than ever before. Fortunately, a superb new manual, Navigating Legal Issues in Archives, “Privacy and Confidentiality Perspectives brings together a diverse selection of thoughtful and provocative essays that explore the legal, ethical, written by Menzi Behrnd-Klodt and published by the Society of American Archivists, is now administrative, and institutional considerations that shape archival available to guide archivists in facing such problems. While its predecessor, Archives and debates concerning the administration of access to records containing Manuscripts: Law, by Gary and Trudy Peterson, served the last generation well, the current personal information. It is essential reading for archivists, records impact of the law on archives has changed in both detail and extent. The coverage of this new managers, archival educators and students who wish to gain a deeper under-standing of this difficult archival issue—and it is bound to stimu- book reflects these changes well—its presentation is clear, thorough, and well-documented. late broader reflection and debate.” 9” The organization, index, and notes make the book easy to use and give assurance to its quality. — Nadine Strossen Its author and publisher are to be commended for an outstanding aid to their profession.” President, American Civil Liberties Union, and ORRIS OHEN Professor of Law, New York Law School – M L. C 9” ARCHIVISTS & ARCHIVAL RECORDS Professor Emeritus of Law, and Librarian (Retired), Yale Law School “Privacy and Confidentiality Perspectives fills a crucial void in the corpus of archival literature. -
Topic Abstract When the Clocks Were Striking Thirteen: 1984
Topic Abstract When the Clocks Were Striking Thirteen: 1984 Non-Traditionals | Washington, D.C. | February 11-14, 2021 A Georgetown International Relations Association, Inc. Conference Dear Delegates and Advisors, Greetings from NAIMUN LVIII! The staff has been working hard to make the conference the most rewarding and educational experience yet, and we are excited to welcome you all to D.C. in February! This document is the topic abstract for When the Clocks Were Striking Thirteen: 1984. It contains three key elements to allow you to prepare well in advance for the committee: topic descriptions, questions to consider, and research avenues. This abstract will give you a better understanding of the committee’s content and procedures, and it can act as a starting point for further research. We hope to be of assistance to you in your preparation for NAIMUN LVIII. If you have any questions, comments, or concerns, please feel free to contact the Secretary- General, Director-General, or your Under-Secretaries-General. You may also contact your dais directly at [email protected]. We look forward to welcoming you to the NAIMUN family! Best, Alexander Chen Sanjna Jain Secretary-General Director-General [email protected] [email protected] Kate Reeves Hellen Kuang Under-Secretary-General, Under-Secretary-General, Non-Traditionals Non-Traditionals [email protected] [email protected] Topic Abstract | naimun.modelun.org | 2 What is a Crisis Committee? Crisis Committees are markedly different from both GAs and ECOSOCs. They tend to focus on specific issues, geographic areas, and historical periods. For example, the Court of Louis XIV, 1665 simulates the peak years of King Louis XIV in power, tackling issues from the international expansion of the French empire to developing domestic institutions. -
1984 – Propaganda Poster Assignment
1984 Propaganda Hello comrades. As a member of the Party, it is your task to communicate to the citizens of your great nation their responsibilities to our version of Big Brother. What is our version? Corporate greed? Political agendas? Government rule? Building a wall? Your Assignment: In groups of no more than six, create a propaganda poster for “The Party” from this day and age (the year you’re living in now). You and your comrades are working for the Ministry of Truth and are in charge of making posters for Hate Week. This is a big deal! You need to get the people to hate something as much as you can, or to love Big Brother and The Party. You may also choose to do corporate slogans. The Alternative: Same as above, except replace “The Party” with “The Resistance”. You work for the resistance in awakening the population to some truth about our world. Your task is to awaken the population to the things that control everything from our personal habits such as what we consume, to how we are expected to comport ourselves in the world. Your digital or paper poster should have: An illustration or graphic. If hand drawn, then great. If your own digital picture, fine. If from the internet, make sure you’ve doctored it, or created a collage of some sort. A message or slogan of the party or resistance The purpose of this poster is to present one concept that is valued or hated in our great civilization. This assignment tests your general understanding and comprehension of '1984' It is primarily focused on the general ideas and philosophies of how we are all controlled in some way, and the ways we can awaken to this (legally and with respect for other beliefs).