What Is Magic to the Laveyan-Satanist Ideal Type?: a Content-Analysis of the Satanic Bible's Descriptions of Magic
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4.1.2 Chronology of False Religions/Heresies of Satan (App.)
The Need for Teaching the Eschatological Gospel of Both Comings of Jesus Christ in the 21st Century . 4.1.2 Chronology of False Religions/Heresies of Satan 0(app. 4,000 BC) 0 (app.) -- The Fall (Original Sin) of Humanity in the Garden of Eden (Gen 3) 75 (app.) -- Cain murders Abel and is cursed (Gen 4:1-16) 475 (app.) -- Lamech (descendent of Cain) murders 2 men & from his two wives (1st polygamist) & 4 kids came “human knowledge” vs. godly knowledge (Gen 4:20-24) 1,000 (3,000 BC) 1500 (app.) -- Angels marry women and procreate giants (Gen 6:1-8) 1656 (2344 BC) -- Flood wipes out sinful man on earth (only Noah & Family survive--Gen 7-8) 1757 (app.) -- Nimrod/Tower of Babel (Gen 11)—Nimrod & wife, Semiramis (from Ham, cursed son of Noah), establish Babylonian Mysteries Cults, Witchcraft/Pantheism (app.) = approximate Chronology of False Religions/Heresies of Satan (cont.) 2000 (2000 BC) 2000 (app.) -- Babylonian Mysteries Cult False Religion begins to spread over the entire earth (Becomes Baal and Ishtar/Ashteroth worship in Canaan) 2600-4400 -- Persians, Indians, Greeks, and Romans worship the god Mithras (1400 BC-400 AD) 2980 (app.) -- Sun god (Ra) and animal worship in Egypt (Egypt descended from Ham) 3,000 (1,000 BC) 3000 (app.) -- Sun worship and Animism established in India/Humanism in China 3278 (722 BC) -- Israel (Samaria) exiled to Assyria (resettled by Assyrian Mysteries cult/Judaism mixed races and religion, became the Samaritans) 3395 (605 BC) -- Beginning of Judah to exile in Babylon 3412 (588 BC) -- Taoism in China/Zoroastrianism -
Black Magic & White Supremacy
Portland State University PDXScholar University Honors Theses University Honors College 2-23-2021 Black Magic & White Supremacy: Witchcraft as an Allegory for Race and Power Nicholas Charles Peters Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Film and Media Studies Commons, Race, Ethnicity and Post-Colonial Studies Commons, and the Television Commons Let us know how access to this document benefits ou.y Recommended Citation Peters, Nicholas Charles, "Black Magic & White Supremacy: Witchcraft as an Allegory for Race and Power" (2021). University Honors Theses. Paper 962. https://doi.org/10.15760/honors.986 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Black Magic & White Supremacy: Witchcraft as an Allegory for Race and Power By Nicholas Charles Peters An undergraduate honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science in English and University Honors Thesis Adviser Dr. Michael Clark Portland State University 2021 1 “Being burned at the stake was an empowering experience. There are secrets in the flames, and I came back with more than a few” (Head 19’15”). Burning at the stake is one of the first things that comes to mind when thinking of witchcraft. Fire often symbolizes destruction or cleansing, expelling evil or unnatural things from creation. “Fire purges and purifies... scatters our enemies to the wind. -
Transgressive Representations: Satanic Ritual Abuse, Thee Temple Ov Psychick Youth, and First Transmission Danielle Kirby
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals... Transgressive Representations: Satanic Ritual Abuse, Thee Temple ov Psychick Youth, and First Transmission Danielle Kirby Introduction Articulating the acceptable and unacceptable limits of representation is an unquestionably fraught undertaking. In this issue, Norman Simms astutely states that when it comes to the artistic the very notion of representation suffers “epistemological and aesthetic problems,” limited by the fact that art and literature are “in essence duplicitous, acts of imitation and products of deceit.”1 Late Western modernity provides ample illustration of the often-contentious nature of representation, with recent events supplying a surfeit of examples where normative limits of representation have been uncomfortably transgressed, often generating public outcry and claims of wrongdoing. This article explores one such instance, the 1992 broadcast of an episode of the Channel 4 programme Dispatches, entitled „Beyond Belief,‟ in the United Kingdom. Now, twenty years after the fact, this episode and its broader context provide a fascinating, if disturbing, view into an extraordinary, though somewhat predictable, series of events. Taking the inherent ambiguity posed by the notion of the limits of representation as a starting point, this article will address the incident through a framework of transgression, seeking to articulate some of the varying ways in which such limits were breached, exceeded, and redefined. Beyond Belief On 19 February 1992, the UK television programme Dispatches aired an episode entitled „Beyond Belief.‟2 The episode purported to provide evidence Danielle Kirby is a Lecturer in the School of Media and Communication at RMIT University. -
Satanism in Finland Satanism in Finland
474 Hjelm Chapter 59 Satanism in Finland Satanism in Finland Titus Hjelm Satanism entered the Finnish public consciousness in the mid-1980s. Per- haps not surprisingly, the first people who were interested in and concerned about Satanism were Pentecostalist Christians, namely the Finnish preacher/ prophet Leo Meller. Meller’s book Rock (1986) “exposed” the “satanic” content of contemporary rock and Heavy Metal music, very much in line with the con- temporary discussions in the USA. Although little discussed in the mainstream media at the time, Meller’s role set an example for later religious commenta- tors who posed and were received as experts on Satanism. Whereas the public attention generated by Meller and others denouncing the “satanic” popular culture of the times was regarded more or less sceptically or even with mild amusement in the media, Satanism acquired a more sinister image in the early 1990s with the church burnings and homicides connected to Satanists in Norway. Mainstream newspapers discussed the possibility of satanic cults in Finland and some murders were linked − no matter how tenu- ously − to an allegedly satanic motivation (Hjelm 2005a). The reality of Satanism was finally “proven” in the public eye when some people, namely the Finnish rock singer Kauko Röyhkä, publicly professed to be practising Satanists. Finnish Satanism in the Early 1990s Some anti-Satanist commentators (such as the abovementioned Leo Meller) have suggested that satanic ritual groups existed in Finland already in the 1970s, but this allegation hardly stands the test of critical scrutiny. There may, however, have been magical/occult groups or individuals in Finland at that time, but there is no knowledge of explicitly satanic involvement by any of these. -
Contemporary Esotericism
CHAPTER 10 HIDDEN KNOWLEDGE, HIDDEN POWERS ESOTERICISM AND CONSPIRACY CULTURE Asbjørn Dyrendal !e relation between esotericism and conspiracy theory takes many forms. However, the scholarly literature has focused mainly on conspiracy theories about esoteric societies. !is is understandable. Lea"ng through the literature of conspiracy culture one may often be struck by the prominence given to eso- teric societies in these alternative versions of history. Many websites of con- spiracy theory pay an enormous amount of attention to “occult” groups, some imaginary, others well known. Seemingly small and powerless societies like the Ordo Templi Orientis may be presented as the polar opposite. Societies long defunct according to academic historiography may be presented as driv- ing forces in history, the crowning example being the Bavarian secret society Illuminati, theories about which have grown only more expansive since the order’s demise in the 1780s.1 Such theories are often viewed as quaint expressions of fundamentalist out- rage against unorthodox and largely unknown expressions of religion. !ey may, however, be related to more than fundamentalisms and become anything but quaint. Both recently, such as during the Satanism scare, and more dis- tantly, in the aftermath of the French Revolution,2 conspiratorial versions of history and society have acquired prominence. In such cases fear and outrage may reach the level of moral panic. !ese occasions of collective action have “mainstreamed” certain theories for a limited period of time, and have sparked both public and academic interest in conspiracy theories about esoteric soci- eties. !is is why we know so much, relatively speaking, about them. -
Handbook of Religious Beliefs and Practices
STATE OF WASHINGTON DEPARTMENT OF CORRECTIONS HANDBOOK OF RELIGIOUS BELIEFS AND PRACTICES 1987 FIRST REVISION 1995 SECOND REVISION 2004 THIRD REVISION 2011 FOURTH REVISION 2012 FIFTH REVISION 2013 HANDBOOK OF RELIGIOUS BELIEFS AND PRACTICES INTRODUCTION The Department of Corrections acknowledges the inherent and constitutionally protected rights of incarcerated offenders to believe, express and exercise the religion of their choice. It is our intention that religious programs will promote positive values and moral practices to foster healthy relationships, especially within the families of those under our jurisdiction and within the communities to which they are returning. As a Department, we commit to providing religious as well as cultural opportunities for offenders within available resources, while maintaining facility security, safety, health and orderly operations. The Department will not endorse any religious faith or cultural group, but we will ensure that religious programming is consistent with the provisions of federal and state statutes, and will work hard with the Religious, Cultural and Faith Communities to ensure that the needs of the incarcerated community are fairly met. This desk manual has been prepared for use by chaplains, administrators and other staff of the Washington State Department of Corrections. It is not meant to be an exhaustive study of all religions. It does provide a brief background of most religions having participants housed in Washington prisons. This manual is intended to provide general guidelines, and define practice and procedure for Washington State Department of Corrections institutions. It is intended to be used in conjunction with Department policy. While it does not confer theological expertise, it will, provide correctional workers with the information necessary to respond too many of the religious concerns commonly encountered. -
Magic: a Theory from the South
MAGIC Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Throop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com Magic A THEORY FROM THE SOUTH Ernesto de Martino Translated and Annotated by Dorothy Louise Zinn Hau Books Chicago © 2001 Giangiacomo Feltrinelli Editore Milano (First Edition, 1959). English translation © 2015 Hau Books and Dorothy Louise Zinn. All rights reserved. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9905050-9-9 LCCN: 2014953636 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by The University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Contents Translator’s Note vii Preface xi PART ONE: LUcanian Magic 1. Binding 3 2. Binding and eros 9 3. The magical representation of illness 15 4. Childhood and binding 29 5. Binding and mother’s milk 43 6. Storms 51 7. Magical life in Albano 55 PART TWO: Magic, CATHOliciSM, AND HIGH CUltUre 8. The crisis of presence and magical protection 85 9. The horizon of the crisis 97 vi MAGIC: A THEORY FROM THE SOUTH 10. De-historifying the negative 103 11. Lucanian magic and magic in general 109 12. Lucanian magic and Southern Italian Catholicism 119 13. Magic and the Neapolitan Enlightenment: The phenomenon of jettatura 133 14. Romantic sensibility, Protestant polemic, and jettatura 161 15. The Kingdom of Naples and jettatura 175 Epilogue 185 Appendix: On Apulian tarantism 189 References 195 Index 201 Translator’s Note Magic: A theory from the South is the second work in Ernesto de Martino’s great “Southern trilogy” of ethnographic monographs, and following my previous translation of The land of remorse ([1961] 2005), I am pleased to make it available in an English edition. -
The Satanic Bible Anton Szandor Lavey
Called “The Black Pope” by many of his followers, Anton LaVey began the road to High Priesthood of the Church of Satan when he was only 16 years old and an organ player in a carnival: “On Saturday night I would see men lusting after half‐naked girls dancing at the carnival, and on Sunday morning when I was playing the organ for tent‐show evangelists at the other end of the carnival lot, I would see these same men sitting in the pews with their wives and children, asking God to forgive them and purge them of carnal desires. And the next Saturday night they’d be back at the carnival or some other place of indulgence. “I knew then that the Christian Church thrives on hypocrisy, and that man’s carnal nature will out!” From that time early in his life his path was clear. Finally, on the last night of April, 1966– Walpurgisnacht, the most important festival of the believers in witchcraft–LaVey shaved his head in the tradition of ancient executioners and announced the formation of The Church Of Satan. He had seen the need for a church that would recapture man’s body and his carnal desires as objects of celebration. “Since worship of fleshly things produces pleasure,” he said, “there would then be a temple of glorious indulgence. .” The Satanic Bible Anton Szandor LaVey For Diane Dedications To: Bernadino Logara, who knew the value of money Karl Haushofer, a teacher without a classroom Rasputin, who knew the magic of a child Sir Basil Zaharoff, a gentleman Cagliostro, a rogue Barnabas Saul, the link with Mount Lalesh Ragnar Redbeard, whose might is right William Mortensen, who looked . -
Magic & Witchcraft in Africa
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Kohnert, Dirk Article — Accepted Manuscript (Postprint) Magic and witchcraft: Implications for Democratization and poverty-alleviating aid in Africa World Development Suggested Citation: Kohnert, Dirk (1996) : Magic and witchcraft: Implications for Democratization and poverty-alleviating aid in Africa, World Development, ISSN 0305-750X, Elsevier, Amsterdam, Vol. 24, Iss. 8, pp. 1347-1355, http://dx.doi.org/10.1016/0305-750X(96)00045-9 This Version is available at: http://hdl.handle.net/10419/118614 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu Authors version – published in: World Development, vol. 24, No. 8, 1996, pp. 1347-1355 Magic and Witchcraft Implications for Democratization and Poverty-Alleviating Aid in Africa Dirk Kohnert 1) Abstract The belief in occult forces is still deeply rooted in many African societies, regardless of education, religion, and social class of the people concerned. -
The Devil's Music
religions Article The Devil’s Music: Satanism and Christian Rhetoric in the Lyrics of the Swedish Heavy Metal Band Ghost P.C.J.M. (Jarell) Paulissen Department of Biblical Sciences and Church History, Tilburg School of Catholic Theology, P.O. Box 90153, 5000 LE Tilburg, The Netherlands; [email protected] Abstract: This paper is an inquiry into a contemporary heavy metal band from Sweden called Ghost. Ghost released its first studio album in 2010 and, while there is some discussion as to what their genre is exactly, they immediately became a rising star in the metal scene. Yet what is of particular interest from a storytelling point of view, especially with regard to theological answers to philosophical questions in popular culture, is that the band presents itself as a satanic version of the Catholic Church through their stage act and lyrics. This made me curious whether they are trying to convey a message and, if yes, what that message might be. For the present paper, I have focused on the latter by performing a non-exhaustive textual analysis of the lyrics in a selection of songs from each of the four studio albums released so far. Ghost turns Christian liturgy on its head by utilizing devout language that is normally reserved for God and Christ to describe Satan and the Antichrist, a strategy I have called the ”satanification” of Christian doctrine, and in doing so their songs evoke imagery of a satanic faith community at prayer. The band then uses this radical inversion of traditional Christian themes to criticize certain elements of society, especially those aspects they associate with organized religion. -
The Punishment of Clerical Necromancers During the Period 1100-1500 CE
Christendom v. Clericus: The Punishment of Clerical Necromancers During the Period 1100-1500 CE A Thesis Presented to the Academic Faculty by Kayla Marie McManus-Viana In Partial Fulfillment of the Degree Requirements for the Bachelor of Science in History, Technology, and Society with the Research Option Georgia Institute of Technology December 2020 1 Table of Contents Section 1: Abstract Section 2: Introduction Section 3: Literature Review Section 4: Historical Background Magic in the Middle Ages What is Necromancy? Clerics as Sorcerers The Catholic Church in the Middle Ages The Law and Magic Section 5: Case Studies Prologue: Magic and Rhetoric The Cases Section 6: Conclusion Section 7: Bibliography 3 Abstract “The power of Christ compels you!” is probably the most infamous line from the 1973 film The Exorcist. The movie, as the title suggests, follows the journey of a priest as he attempts to excise a demon from within the body of a young girl. These types of sensational pop culture depictions are what inform the majority of people’s conceptions of demons and demonic magic nowadays. Historically, however, human conceptions of demons and magic were more nuanced than those depicted in The Exorcist and similar works. Demons were not only beings to be feared but sources of power to be exploited. Necromancy, a form of demonic magic, was one avenue in which individuals could attempt to gain control over a demon. During the period this thesis explores, 1100-1500 CE, only highly educated men, like clerics, could complete the complicated rituals associated with necromancy. Thus, this study examines the rise of the learned art of clerical necromancy in conjunction with the re-emergence of higher learning in western Europe that developed during the period from 1100-1500 CE. -
The Baphomet a Discourse Analysis of the Symbol in Three Contexts
UPPSALA UNIVERSITY Department of Theology History of Religions and Social Sciences of Religion C2, 15 credits Spring 2013 Supervisor: Eva Hellman The Baphomet A discourse analysis of the symbol in three contexts by Carl Karlson-Weimann Abstract This essay examines how the Baphomet symbol is understood in three different contexts. Firstly, the understanding of the Baphomet is analysed in the book Dogme et Rituel de la Haute Magie, written by the French 19th century occultist Éliphas Lévi. Secondly, I analyse the symbol in The Satanic Bible by Anton Szandor LaVey, the person responsible for having introduced Satanism to modernity. Thirdly, the Baphomet as understood in contemporary metal music culture is analysed. Ultimately, I find the Baphomet to be viewed as a symbol associated with Satan, but in very different ways. The reason to why these differences exist I find to be partially explained by the initial mystery surrounding the Baphomet. The understanding of the Baphomet depends also on the role of Satan in each context. Due to Satan representing different things in the three different contexts, so does the Baphomet. Keywords: Baphomet, Western esotericism, Satanism, occulture, discourse theory, Éliphas Lévi, Anton Szandor LaVey, metal music, culture, religion Table of contents 1 Introduction.....................................................................................................................................1 1.1 Introductory remarks and purpose statement.....................................................................1