(2010) Prince of Persia the Forgotten Sands
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
2015-2016 Annual Report Years Of10 Providing Quality Music Education
2015-2016 Annual Report years of10 providing quality music education. A COMMITMENT TO OUR MISSION Education Through Music-Los Angeles partners with inner-city schools with the mission to provide and pro- mote music in disadvantaged schools as a part of the core curriculum for every child to enhance students’ academic achievement, creativity and overall develop- ment. IN-SCHOOL MUSIC EDUCATION PROGRAMS Education Through Music-Los Angeles (ETM-LA) integrated its in-school music programs for under-served student populations with the mission to provide and promote the integration of mu- sic into the curriculum of disadvantaged schools in order to en- hance students’ academic performance, creativity, and general development. ETM-LA provides each of our partner schools with a 45-minute weekly music class on a yearlong basis. These classes provide an assortment of musical disciplines including violin, cello, guitar, recorder, general music, and chorus. Each school’s programs are tailored to meet the needs of each specific population based on the vision of the school’s principal, with the guidance of an ETM-LA consultant or mentor. Students at all partner schools performed in two concerts to showcase their musical learning in the fall and spring semesters. 2015-2016 Annual Report | 3 OUR PARTNER SCHOOLS To support the quality of instruction in the classroom and teach- ing artist’s ability to educate children, ETM-LA provided ongoing mentorship and evaluation of our music teachers by multiple staff (Executive Director, Program Director, and Mentor Teacher Supervisors). On August 15-19, 2016, ETM-LA held our week-long, intensive Summer Training Institute for new and returning music teachers and guest teaching artists from other arts organizations. -
Duke Magazine Featuring Production Shot
NONPROFIT ORG. U.S. POSTAGE • DUKE MAGAZINE PAID DUKEMAGAZINE PPCO DUKE UNIVERSITY, BOX 90572 DURHAM, NORTH CAROLINA 27708-0572 SPRING 2017 COVERSTORY SPRING 2017 MAGAZINE + At the Marine Lab, and other labs across campus, DRONES and ROBOTS are taking research to new heights. What’s going on up there? With the advances made in drones and robots, are people still necessary? We explore that issue and more in our cover story. Here, graduate student Rett Newton, far right, launches a copter-style drone while fellow student researchers John Wilson, Elizabeth Mason, Julian Dale, and Nick Alcaraz look on. Go to dukemagazine.duke.edu to watch senior writer Scott Huler’s short video on drones at the Marine Lab in Beaufort, N.C. Photo by Chris Hildreth Carol Ensinger ’82, Ph.D.’88, never forgot that her chemistry education flourished under the mentorship of the late Duke professor emeritus of chemistry Pelham Wilder Jr. “Pelham believed in me,” said Ensinger. “He was the key to my success at Duke and beyond.” Named after her professor, mentor, and friend, Ensinger made April 7-9, 2017 a bequest in her will to endow a professorship in the chemistry department. Her gift will Time changes everything, except true Blue enable chemistry faculty to continue to friendships. Come back to reconnect, deliver an impactful classroom experience recapture, and recreate all of your special like she had. “I hope my gift will strengthen moments at your 2017 Duke reunion. chemistry at Duke and foster meaningful connections between students and faculty.” Your reunion begins online at: YOUR INSPIRATION IS JUST THE STARTING POINT. -
Goldsmith 1929-2004
Volume 9, Number 7 Original Music Soundtracks for Movies and Television Goodbye, David pg. 4 JERRY GOLDSMITH 1929-2004 07> 7225274 93704 $4.95 U.S. • $5.95 Canada v9n07COV.id 1 9/7/04, 3:36:04 PM v9n07COV.id 2 9/7/04, 3:36:07 PM contents AUGUST 2004 DEPARTMENTS COVER STORY 2 Editorial Jerry Goldsmith 1929-2004 Let the Healing Begin. It would be difficult to reflect on both Jerry Goldsmith’s film music legacy and his recent passing without devoting an entire 4 News issue of FSM to him; so that’s what we’ve done. From fan Goodbye, David. letters and remembrances to an in-depth look at his life and 5 Record Label musical legacy, we’ve covered a lot of ground. Just as impor- Round-up tant, we hope you, Jerry’s fans, find it a fitting tribute to a man What’s on the way. whose monumental work meant so much to so many. 5 Now Playing Movies and CDs in The Artist, release. 12 The Gold Standard 6 Concerts Quantifying Jerry Goldsmith’s contribution to film scoring Film music performed isn’t easy...but we’ll try anyway. around the globe. By Jeff Bond 7 Upcoming Film Assignments 19 Goldsmith Without Tears Who’s writing what The imagined, decades-long conversation with Goldsmith for whom. may be over, but his music lives on. By John S. Walsh 9 Mail Bag Lonely Are the Brave. 24 Islands in the Stream 10 Pukas Jerry’s industry contemporaries chime in on If Only It Were True. -
Women Warriors: the Voices of Change
Friday Evening, September 20, 2019, at 8:00 Orchestra Moderne NYC Amy Andersson, Founder and Music Director Women Warriors: The Voices of Change Introductory Remarks MASIH ALINEJAD, Author and Activist Prologue* LOLITA RITMANIS Chapter One The Long Road LOLITA RITMANIS The Long Road* Chapter Two Freedom MIRIAM CUTLER Women Unite* Chapter Three The 1980s AIDS/HIV Crisis PENKA KOUNEVA AIDS Crisis* Chapter Four Love is Love STARR PARODI Joy of the Waters* Chapter Five Women Build Peace PENKA KOUNEVA Build Peace* NATHALIE BONIN, Violin Chapter Six Yearning to Breathe Free SHARON FARBER HURRIYA Wind in My Hair* Chapter Seven Mother Earth Protectors NATHALIE BONIN Tender Dismay* PENKA KOUNEVA Standing Rock* MIRIAM CUTLER Earth Activists* Intermission Alice Tully Hall Please make certain your cellular phone, pager, or watch alarm is switched off. Chapter Eight Our Truth is Our Power SONITA ALIZADEH/MAHDI Daughters for Sale MANDY HOFFMAN Orchestral Arrangement* NATHALIE BONIN Prayer* PENKA KOUNEVA Our Truth – Our Power* Chapter Nine Seeking Justice and Equality SHARON FARBER Say Their Name* ANNE-KATHRIN DERN He is Not Coming Back** Chapter Ten Parkland ISOLDE FAIR/STARR PARODI Rise* ISOLDE FAIR, Soloist Featuring THE VISIONARY SINGERS Chapter Eleven Hell Hath No Fury Like a Woman Scorned PENKA KOUNEVA Me Too* Chapter Twelve We Will Honor Her PENKA KOUNEVA Honor Her* Finale Women Hold Up Half the Sky AMY ANDERSSON/LOLITA RITMANIS We Rise* GILLIAN HASSERT, Soloist Featuring RIGA CATHEDRAL GIRLS’ CHOIR TIARA * World Premiere **U.S. Premiere Lincoln Center At a Glance Women Warriors: The Voices of Change Orchestra Moderne NYC proudly presents a new world premiere production featuring the works of composers and singer/songwriters Sonita Alizadeh, Amy Andersson, Nathalie Bonin, Miriam Cutler, Anne-Kathrin Dern, Isolde Fair, Sharon Farber, Mandy Hoffman, Pen- ka Kouneva, Starr Parodi, and Lolita Ritmanis. -
Production Notes for Additional Publicity Materials and Artwork, Please Visit
Production Notes For additional publicity materials and artwork, please visit: http://lionsgatepublicity.com/epk/thebigwedding/ www.lionsgatepublicity.com Rating: R for language, sexual content and brief nudity Run time: 90 minutes For more information, please contact: Jennifer Peterson Meghann Burns Jodie Magid Lionsgate Lionsgate Lionsgate 2700 Colorado Avenue 2700 Colorado Avenue 75 Rockefeller Plaza Suite 200 Suite 200 16th Floor Santa Monica, CA 90404 Santa Monica, CA 90404 New York, New York 10019 P: 310-255-5066 P: 310-255-3999 P: 212-386-6885 E: [email protected] E: [email protected] E: [email protected] Cast (Character): Robert De Niro (Don), Katherine Heigl (Lyla), Diane Keaton (Ellie), Amanda Seyfried (Missy), Topher Grace (Jared), with Susan Sarandon (Bebe), and Robin Williams (Father Moinighan), Ben Barnes (Alejandro), Christine Ebersole (Muffin), David Rasche (Barry), Patricia Rae (Madonna), Ana Ayora (Nuria) Directed by: Justin Zackham Screenplay by: Justin Zackham Produced by: Clay Pecorin, Harry J. Ufland, Justin Zackham Produced by: Richard Salvatore, Anthony Katagas Executive Producers: Thierry Spicher, Philippe Martin Executive Producers: Michael Paseornek, Jason Constantine, Eda Kowan Executive Producers: Avi Lerner, Danny Dimbort, Trevor Short, Boaz Davidson, John Thompson Co-Producer: Matt O’Toole Music by: Nathan Barr A Film by: Justin Zackham Based on the Motion Picture: “Mon frère se Marie” and based on an original screenplay written by Jean-Stéphane Bron and Karine Sudan and produced by Box Productions and Les Films Pelleas -2- ABOUT THE PRODUCTION Mr. and Mrs. Griffin Request The Honor of Your Presence . his Spring, when an all-star, multi-generational cast led by Robert De Niro, Katherine Heigl, Diane Keaton, Amanda Seyfried, Topher Grace, Ben Barnes, Susan Sarandon and T Robin Williams gathers together for The Big Wedding, you can bet a hilarious family fiasco is about to ensue. -
Annual Report September 1, 2013 Through August 31, 2014 In-School Music Education Programs
Education Through Music-Los Angeles 2013-2014 Annual Report September 1, 2013 through August 31, 2014 In-School Music Education Programs Education Through Music-Los Angeles (ETM-LA) expanded its in- school music programs for underserved student populations with the mission to provide and promote the integration of music into the curricula of disadvantaged schools in order to enhance students’ academic performance and creative and general development. ETM-LA provided 45-minute weekly music classes at each of our partner schools on a yearlong basis with a variety of music disciplines– including violin, cello, guitar, recorder, general music, and chorus. The programs at each school were tailored to meet the needs of each population based on the vision of the Principal with guidance from ETM-LA. Students at all partner schools performed in two concerts to showcase their musical learning in the Fall and Spring semesters. Students visit Sonic Fuel Studios and participate in a recording session in partnership with One Voice. o support the quality of instruction in the classroom and teaching artists’ ability to educate children, ETM-LA provided In-School Music Education Programs ongoing mentorship and evaluation of its music teachers by multiple staff (Executive Director, Program Director, and other Tveteran teachers). In September 2013, ETM-LA held its weeklong intensive Summer Training Institute for its new and returning music teachers and guest teaching artists from other arts organizations. The institute focused on topics including Lesson Planning, Classroom Management, Integration, Creative Strategies, Assessment of Student Learning, Concert Preparation and Presentation, Singing Technique, Strings Methods, Teaching Copyright, and Pedagogy (Orff, Kodaly, Dalcroze, Suzuki, et al.). -
The 5Th Annual North American Conference on Video Game Music
THE 5TH ANNUAL NORTH AMERICAN CONFERENCE ON VIDEO GAME MUSIC Saturday, January 13, 2018 & Sunday, January 14, 2018 E. V. Moore Building, 1100 Baits Dr., Britton Recital Hall Te Original Cottage Inn, 512 E. Williams St., Te Michigan Room Duderstadt Center, Computer & Video Game Archive, 2281 Bonisteel Blvd, Room B 474 THE NORTH AMERICAN CONFERENCE ON VIDEO GAME MUSIC 5 Made possible by support from THE U-M SCHOOL OF MUSIC, THEATRE & DANCE THE U-M OFFICE OF RESEARCH and THE BENARD L. MAAS FOUNDATION twitter: #nacvgm Wif access: MGuest Please turn of all cell phones and pagers or set ringers to silent mode. www.smtd.umich.edu NACVGM 5 SCHEDULE All events are in the E. V. Moore building, Britton Recital Hall, except where noted Saturday, January 13, 2018 8:00 am Registration, Cofee & Breakfast Hors d’Oeuvres (Brehm Pavillion) 9:00 am Welcome and announcements 9:15 am Session I: Space, Presence, Place, Karen Cook, chair “Sound and Semiosis in the Selenitic Age: Navigating Presence and Absence in the Soundscapes of Myst,” Stephen Armstrong “Sensing Toreau’s Maps, Tracks, and Trails: Spatial Listening and Game Audio in Walden,” Kate Galloway “120 Shrines which are Related Only with One Another: Modernist Style and Neo- Narrative in Te Legend of Zelda: Breath of the Wild,” Wesley Bradford 10:45 am Break 11:00 am Session II: Medievalisms FTW, Steven Reale, chair “On Adaptation, Ayres, and Assembly Language: Paul Webb’s Score for Robin Hood: Prince of Tieves (1991),” Dana Plank “‘Te Tings I Do For Lust …’: Humor and Subversion in ‘Te Bard’s Tale’ -
REVENGE of the SEQUEL Format: High
SURGE OF POWER: CONTACT: REVENGE OF THE SEQUEL Vincent J. Roth Format: High Definition 1080p Executive Producer Aspect ratio: 16:9 P.O. Box 80665 Running time: 90 minutes (1:29:36) San Diego, CA 92138 USA Completed: September 2017 Phone: 818-486-5425 Rated: PG-13 Fax: 866-508-4391 www.surgeofpower.org Email: [email protected] SURGE OF POWER: REVENGE OF THE SEQUEL SYNOPSIS Time has passed since Surge’s first big screen adventure. Surge has settled in as Big City’s superhero. His nemesis, the Metal Master, is out of jail again, trying to reconcile with his estranged parents (played by Linda Blair and Gil Gerard). Are they more concerned about their son being gay than being a supervillain? Metal Master is tempted to continue a life of crime by Augur (Eric Roberts), old arch enemy of Omen, the sage superhero from the first movie (played by Robert Picardo and Nichelle Nichols). Augur sends Metal Master on a mission to Las Vegas for a strange crystal with unique properties key to Augur’s diabolical scheme. Surge tracks Metal Master to Las Vegas and is out of his element in a strange town. Surge is soon aided by local college students, Wendy, Marvin and Todd, deploying their own talents to help Surge uncover Metal Master’s activities, which also puts Surge in awkward situations. Cut off from his support in Big City and in need of more help, Surge activates the artificial intelligence in his high-tech car, the Surgemobile (portrayed first by Bruce Vilanch, six-time Emmy Award winner, comedian and writer, and later another artificial intelligence personality played by Shannon Farnon, Wonder Woman from the Super Friends!). -
ROLFE KENT Scores Sideways Flanders Film Festival Report 7 252 74 93704 2 $4.95 U.S
Volume 9, Number 9 Original Music Soundtracks for Movies and Television Swinging! PG. 12 09 > Plus: ROLFE KENT scores Sideways Flanders Film Festival Report 7 252 74 93704 2 $4.95 U.S. • $5.95 Canada contents OCTOBER 2004 DEPARTMENTS COVER STORY 2 Editorial Elmer Bernstein 1922-2004 Leave No We’ve lost another one of the greats; to describe Elmer Bernstein’s Composer Behind. contributions to film music is an exercise in understatement. Still, we hope we’ve done his legacy justice with this tribute issue. 4 News 2004: One Bad Year. 16 Amazing Grace and Pluck 5 Record Label Throughout his long career, Elmer Bernstein navigated Round-up seamlessly from genre to genre, pioneering styles and What’s on the way. somehow avoiding typecasting at the same time. 5 Now Playing By Jeff Bond 16 Conductor... Movies and CDs in release. 19 The Good Artist 6 Pukas Tributes by colleagues, peers and friends. Sideburned. 7 Upcoming 22 By Film Possessed Assignments From mere table scraps to the top films of the era, Bernstein Who’s writing what saw it all in his first decade of composing music for film. for whom. By Ross Care 8 Concerts Film music performed 26 Elmer’s Magnificent 7 around the globe. The 1960s saw Elmer at the top of his game, including these seven standouts. 9 Mail Bag By Roger Hall Love With the Proper Film Score. 28 Musings of a Maestro Elmer enjoyed over 50 years as one of the most celebrated 22 Composer... 10 Downbeat composers of all time. And fortunately for us, he shared his The Price of Payne. -
June 2016: LA Loves Prince
AFM LOCAL 47 Vol. 2 No. 6 June 2016 online LA Loves Prince A sea of purple descends upon City Hall for an epic live concert tribute NEXT GENERAL MEMBERSHIP MEETING 100,000 Signatures: Monday, July 25, 7:30pm Signed, Sealed, Delivered @ Serena Kay & Earl Williams Auditorium Build Better LA initiative heads to November ballot ISSN: 2379-1322 Publisher Editor AFM Local 47 Gary Lasley 817 Vine Street Managing Editor / Advertising Manager Hollywood, CA 90038-3779 Linda A. Rapka p 323.462.2161 f 323.993.3195 Graphic Designer / Asst. Layout Editor www.afm47.org Candace Evans AFM LOCAL 47 EXECUTIVE BOARD Hearing Board & COMMITTEES Allen Savedoff, chair Overture Online is the official monthly elec- Alan Estes, Chuck Flores, tronic magazine of the American Federa- Titled Officers Jon Kurnick, Jeff Lass, tion of Musicians Local 47, a labor union for President John Acosta Norman Ludwin, Helen Nightengale, Vice President Rick Baptist Marc Sazer professional musicians located in Holly- Secretary/Treasurer Gary Lasley wood. Hearing Representative Trustees Vivian Wolf Judy Chilnick, Dylan Hart, Formed by and for Los Angeles musicians Bonnie Janofsky Salary Review Board Stephen Green, Norman Ludwin, over a century ago, Local 47 promotes and Directors Marie Matson, Paul Sternhagen, protects the concerns of musicians in all Pam Gates, John Lofton, Mark Zimoski areas of the music business. Our jurisdic- Andy Malloy, Phil O’Connor, Bill Reichenbach, Vivian Wolf Fair Employment Practices tion includes all counties of Los Angeles Committee (except the Long Beach area). With more Delegates to AFM Convention Ray Brown, Beverly Dahlke-Smith John Acosta, Rick Baptist, than 7,000 members, Local 47 negotiates Pam Gates, Bonnie Janofsky, Grievance Committee with employers to establish fair wages Gary Lasley, Norman Ludwin Ray Brown, Lesa Terry and working conditions for our members. -
Composers Forum Annual Report 2006
American Composers Forum New Board Members Annual Report 2006 for FY 2006 July 2005-June 2006 The Forum welcomes these four new directors National Office Meredith B. Alden attended Aaron Coplands lecture,On Listening to 20th John Nuechterlein, Century Music, in what would be the President and CEO, 651. 251. 2811 last summer before World War II, and Craig Carnahan, his words influenced Merediths interest Vice President of Programs, 651. 251. 2833 in new music ever since. She served on O M P the Minnesota Orchestra Board from W . C O S Philip Blackburn, 1979-1984 and the Minnesota W E R Director of Artist Services, 651. 251. 2823 Landmarks Board from 1978-1985. In Board of Directors FY 2006 1986, she became a Trustee for W S Chris Campbell, F Mary Deissler, Chair Northland College in Ashland,Wisconsin innova Operations Manager, 651. 251. 2840 where she served until 1995, and is cur- O Wendy Collins, Anthony Tansimore,Vice Chair rently a Trustee with Emeritus. R Senior Program and Member Services Sam Hseng-Hung Hsu,Treasurer Manager, 651. 251. 2824 Steve Heitzeg, Secretary Ken Freed is a U David Ranheim, Past Chair Paul Hanson, violist and assistant M Finance Manager, 651. 251. 2813 John Nuechterlein, Ex Officio conductor with The Kelli Hirsch, Minnesota Orchestra. Development Associate, 651. 251. 2815 James N. Berdahl He joined the O Karen Brooks Orchestra in 1998 John Michel, R Harry Brull after nearly five Director of Media Projects, 651. 251. 2817 years as a member Carey Nadeau, Richard Cisek G Raphael Cung of the Manhattan National Program Manager, 651. -
Attractions Management Issue 2 2018
www.attractionsmanagement.com @attractionsmag VOL23 Q2 2018 www.simworx.co.uk www.simworx.co.uk [email protected] CLICK TO PLAY VIDEO www.attractionsmanagement.com @attractionsmag VOL23 2 2018 ART IN A DAMIEN DIGITAL AGE HIRST Tokyo collective of Artist takes over 'ultra-technologists' country estate opens museum Multi-Oscar-winning director on the power of VR Alejandro González Iñárritu Sanrio Hello Kitty Town, Malaysia Happy Magic Watercube, China Centara Grand Mirage Beach Resort, Thailand Qingdao International Tourist City, China Wanda Nanchang, China www.forrec.com [email protected] [email protected] [email protected] [email protected] www.nwave.com Page Attraction Management.indd 1 23/02/18 15:16 Editor’s letter a New hotel geNre Attractions operators are discovering the profits that can be made from selling accommodation of all types – from hotels and resorts, to shared ownership. Early adopters have led the way and now the wider market is poised for growth recent visit to the wonderful Europa Park in Germany Personally, I can’t wait for someone to create a Harry Potter gave me serious pause for thought, as the scale of hotel – can you imagine how amazing it would be to actually stay Roland Mack’s hotel aspirations became clear. at Hogwarts? Occupancy would be 100 per cent year-round. A We did a hard hat tour of the park’s new hotel With such strong catalogues of IPs to use as the basis which is under construction, and it’s ambitious – the size for themed hotels, attractions owners and operators are of the project is such it seems Europa Park is pivoting to ideally placed to either go it alone and own, build and operate become a hotel operator with a theme park attached, rather themselves, or to do so in collaborate with hotel investors and than a theme park operator with hotels on the side.