Annual Report September 1, 2013 Through August 31, 2014 In-School Music Education Programs
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International Production Notes
INTERNATIONAL PRODUCTION NOTES PUBLICITY CONTACT Julia Benaroya Lionsgate +1 310-255-3095 [email protected] US RELEASE DATE: SEPTEMBER 28, 2018 RUNNING TIME: 89 MINUTES TABLE OF CONTENTS PRODUCTION INFORMATION ..................................... 4 ABOUT THE CAST ................................................ 14 ABOUT THE FILMMAKERS ..................................... 18 END CREDITS ...................................................... 26 3 PRODUCTION INFORMATION In this terrifying thrill ride, college student Natalie is visiting her childhood best friend Brooke and her roommate Taylor. If it was any other time of year these three and their boyfriends might be heading to a concert or bar, but it is Halloween which means that like everyone else they will be bound for Hell Fest – a sprawling labyrinth of rides, games and mazes that travels the country and happens to be in town. Every year thousands follow Hell Fest to experience fear at the ghoulish carnival of nightmares. But for one visitor, Hell Fest is not the attraction – it is a hunting ground. An opportunity to slay in plain view of a gawking audience, too caught up in the terrifyingly fun atmosphere to recognize the horrific reality playing out before their eyes. As the body count and frenzied excitement of the crowds continue to rise, he turns his masked gaze to Natalie, Brooke, Taylor and their boyfriends who will fight to survive the night. CBS FILMS and TUCKER TOOLEY ENTERTAINMENT present a VALHALLA MOTION PICTURES production HELL FEST Starring Amy Forsyth, Reign Edwards, Bex Taylor-Klaus and Tony Todd. Casting by Deanna Brigidi, CSA and Lisa Mae Fincannon. Music by Bear McCreary. Costume Designer Eulyn C. Hufkie. Editors Gregory Plotkin, ACE and David Egan. -
B R I a N K I N G M U S I C I N D U S T R Y P R O F E S S I O N a L M U S I C I a N - C O M P O S E R - P R O D U C E R
B R I A N K I N G M U S I C I N D U S T R Y P R O F E S S I O N A L M U S I C I A N - C O M P O S E R - P R O D U C E R Brian’s profile encompasses a wide range of experience in music education and the entertainment industry; in music, BLUE WALL STUDIO - BKM | 1986 -PRESENT film, television, theater and radio. More than 300 live & recorded performances Diverse range of Artists & Musical Styles UNIVERSITY OF SOUTHERN CALIFORNIA Music for Media in NYC, Atlanta, L.A. & Paris For more information; www.bluewallstudio.com • As an administrator, professor and collaborator with USC working with many award-winning faculty and artists, PRODUCTION CREDITS - PARTIAL LIST including Michael Patterson, animation and digital arts, Medeski, Martin and Wood National Medal of Arts recipient, composer, Morton Johnny O’Neil Trio Lauridsen, celebrated filmmaker, founder of Lucasfilm and the subdudes (w/Bonnie Raitt) ILM, George Lucas, and his team at the Skywalker Ranch. The B- 52s Jerry Marotta Joseph Arthur • In music education, composition and sound, with a strong The Indigo Girls focus on establishing relations with industry professionals, R.E.M. including 13-time Oscar nominee, Thomas Newman, and 5- Alan Broadbent time nominee, Dennis Sands - relationships leading to PS Jonah internships in L.A. and fundraising projects with ASCAP, Caroline Aiken BMI, the RMALA and the Musician’s Union local 47. Kristen Hall Michelle Malone & Drag The River Melissa Manchester • In a leadership role, as program director, recruitment Jimmy Webb outcomes aligned with career success for graduates Col. -
Chapter 2 T H E S U B T L E T I E S, I N T R I C a C I E S a N D
How Film & TV Music Communicate – Vol.2 Text © Brian Morrell 2013 Chapter 2 T H E S U B T L E T I E S, I N T R I C A C I E S A N D E X Q U I S I T E T E N S I O N S O F T V M U S I C In this chapter we will examine the music for some notable television dramas and documentaries, all of which have, to varying degrees, subtlety, introspection and /or elements of minimalism as hallmarks of their identity. This needn’t always mean ‘quiet and closed-off’ but that the composers in each case have scored the films using a degree of restraint and sensitivity. In all cases the music has been pivotal in defining the projects commercially and creatively. The television dramas and documentaries analysed are: Lost (Michael Giacchano) The Waking Dead (Bear McCreary) Midnight Man (Ben Bartlett) Twin Peaks (Angelo Badalmenti) Silent Witness (John Harle) Inspector Morse (Barrington Pheloung) Deep Water (Harry Escott) Inspector Lynley Mysteries (Andy Price) Ten Days to War (Daniel Pemberton) Red Riding (Adrian Johnston) Dexter (Rolf Kent and Daniel Licht) Lost Michael Giacchano Lost is an iconic and successful television series which aired between 2004 and 2010. It follows the lives of survivors of a plane crash on a mysterious tropical island somewhere in the South Pacific. Episodes typically feature a storyline on the island as well as a secondary storyline from another point in a character’s life. The enormously evocative and expressive music for Lost is striking both in terms of its style and its narrative function. -
Micdi Productions, Inc
MICDI PRODUCTIONS, INC. CALIFORNIA STATE CORPORATION SIGNATORY OF I.A.T.S.E. MEMBER OF LOCAL 700 EDITOR’S GUILD [email protected] PHONE 818-563-3400 FAX 818-563-3800 MICDI PRODUCTIONS, INC. MICDI Productions is an award-winning, cutting-edge music editoriaL company and is home to a famiLy of taLented music editors, assistants, and support staff. Formed in 1987, MICDI holds among its credits many of film and television’s biggest hits and emerging favorites. We pride ourselves as creative colLaborators and host a Long and storied list of fiLmmakers, producers, composers, and music supervisors as our partners. We are adept in providing high-quaLity music editoriaL services for many media formats including broadcast television, feature fiLms, streaming, and new media. The MICDI faciLity is equipped with state-of-the-art technology including on-site ProtooLs editoriaL suites, mobiLe ProtooLs editoriaL systems, a fulLy networked faciLity and their very own high-speed server to secureLy transfer media fiLes with productions anywhere around the world. To colLaborate with remote productions and clienteLe, MICDI is equipped with remote playback systems such as Source Live and Source Connect, as welL as their very own hardware QVidium media streaming system. AdditionaLLy, our editors have access to a vast and exclusive fiLm & television score library containing many thousands of titLes, avaiLable only to MICDI. Being centraLLy located to aLL major studios in the greater Los Angeles area, our Burbank faciLity hosts amenities including a fulLy-stocked hospitaLity kitchen, runner & client services personnel, a conference room and electric vehicle charging stations. We look forward to Learning more about your project. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
You Can Find Details of All the Films Currently Selling/Coming to Market in the Screen
1 Introduction We are proud to present the Fís Éireann/Screen Irish screen production activity has more than Ireland-supported 2020 slate of productions. From doubled in the last decade. A great deal has also been comedy to drama to powerful documentaries, we achieved in terms of fostering more diversity within are delighted to support a wide, diverse and highly the industry, but there remains a lot more to do. anticipated slate of stories which we hope will Investment in creative talent remains our priority and captivate audiences in the year ahead. Following focus in everything we do across film, television and an extraordinary period for Irish talent which has animation. We are working closely with government seen Irish stories reach global audiences, gain and other industry partners to further develop our international critical acclaim and awards success, studio infrastructure. We are identifying new partners we will continue to build on these achievements in that will help to build audiences for Irish screen the coming decade. content, in more countries and on more screens. With the broadened remit that Fís Éireann/Screen Through Screen Skills Ireland, our skills development Ireland now represents both on the big and small division, we are playing a strategic leadership role in screen, our slate showcases the breadth and the development of a diverse range of skills for the depth of quality work being brought to life by Irish screen industries in Ireland to meet the anticipated creative talent. From animation, TV drama and demand from the sector. documentaries to short and full-length feature films, there is a wide range of stories to appeal to The power of Irish stories on screen, both at home and all audiences. -
Here Composers and Creators of the Music Pieces in the Concert Programme Have Been Invited to Publish an Extended Abstract of Their Work
music procee dings Music Proceedings of the International Conference on New Interfaces for Musical Expression, NIME’19, June 3-6, 2019, Porto Alegre, Brazil Edited by Federico Visi 0 Table of Contents I. Introduction II. NIME 2019 Concert Program III. List of Program Committee Members 1. Bad Mother / Good Mother - an audiovisual performance 2. Borrowed Voices 3. colligation 4. DIY BIONOISE 5. FlexSynth – Blending Multi-Dimensional Sonic Scenes 6. Gira 7. iCons 8. MusiCursor 9. Pandemonium Trio perform Drone and Drama v2 10. Pythagorean Domino 11. River 12. Self-Built Instrument (sound performance) 13. Tanto Mar 14. Tempo Transversal – Flauta Expandida 15. Trois Machins de la Grâce Aimante (Coretet no. 1) 16. uncertain rhythms 17. Vrengt: A Shared Body-Machine Instrument for Music-Dance Performance 18. We Bass: inter(actions) on a hybrid instrument Music Proceedings of the International Conference on New Interfaces for Musical Expression NIME’19, June 3-6, 2019, Porto Alegre, Brazil I Introduction Porto Alegre, Brazil, 30 May 2019 Since NIME began nearly two decades ago, this is the first event where composers and creators of the music pieces in the concert programme have been invited to publish an extended abstract of their work. These documents, describing the aesthetic and technical characteristics of the music pieces, are collected here, in the Music Proceedings. We believe Music Proceedings are an important step towards a consistent and richer means of documenting the performances taking place at NIME. This will be a useful resource for researchers, and provides an alternative voice for contributors to speak about their artistic practice in NIME research. -
Musical Worship As a Pentecostal Sacrament: Toward a Soteriological Liturgy Richard I
Southeastern University FireScholars Selected Honors Theses Spring 4-28-2017 Musical Worship as a Pentecostal Sacrament: Toward a Soteriological Liturgy Richard I. Griggs Southeastern University - Lakeland Follow this and additional works at: http://firescholars.seu.edu/honors Part of the Christianity Commons, and the Music Commons Recommended Citation Griggs, Richard I., "Musical Worship as a Pentecostal Sacrament: Toward a Soteriological Liturgy" (2017). Selected Honors Theses. 64. http://firescholars.seu.edu/honors/64 This Thesis is brought to you for free and open access by FireScholars. It has been accepted for inclusion in Selected Honors Theses by an authorized administrator of FireScholars. For more information, please contact [email protected]. MUSICAL WORSHIP AS A PENTECOSTAL SACRAMENT: TOWARD A SOTERIOLOGICAL LITURGY by Richard Isaac Griggs Submitted to the Honors Program Committee in partial fulfillment of the requirements for University Honors Scholars Southeastern University 2017 Griggs – Musical Worship as a Pentecostal Sacrament © Copyright by Richard Griggs 2017 All Rights Reserved 2 Griggs – Musical Worship as a Pentecostal Sacrament Dedication This thesis is dedicated to the incredible faculty of the College of Christian Ministries and Religion. Without your support and encouragement, I would never have been able to accomplish a work like this. Thank you for challenging me. Thank you for sticking with me through my hard questions, my doubts, and my disappointments. Thank you for seeing the call of God in each of your students and for drawing the best out of us. The world is better because of your determination and dedication to the truth. You have helped me to build and to rebuild. -
GARY KRAUSE Music Editor FILM CREDITS
GARY KRAUSE Music Editor Emmy Award winning Music Editor, Gary L. Krause has been an active member of the Motion Picture Editors Guild, Academy of Television Arts and Sciences, and Motion Picture Sound Editors for over 20 years. His career has allowed him to work at movie studios, scoring stages, and recording studios all over the globe including Walt Disney Studios, Warner Bros. Studios, Universal Pictures Studios, Paramount Pictures Studios, Sony Pictures Studios, Twentieth Century Fox Studios, Lucas Film/ Skywalker Ranch, Barbra Streisand Scoring Stage, Clint Eastwood Scoring Stage, Paramount Scoring Stage, Todd AO Scoring Stage, Capitol Records, The Village Studios, Conway Studios, Abbey Road, Studio City Sound, and Signet Sound. He has worked directly with many prominent film makers which include Justin Lin, James Wan, F. Gary Gray, Francis Lawrence, Sylvester Stallone, William Friedken, Richard Donner, Bill Paxton, Alex Kurtzman, Peter Lenkov, and Brian Tyler. Gary began his career as a musician working at the world famous West LA Music, ushering in the digital recording era. While there he worked with many prominent artists, producers and composers such as Hans Zimmer’s Remote Control (formerly known as Media Ventures), Columbia Pictures, David Foster, Brenda Russell, Christopher Cross, Greg Wells, Anthony Hopkins, Ronald and Nancy Reagan, Donny Osmond, Ringo Star, John Debney, Danny Elfman, William Ross and Charlie Fox. He left West LA Music to join Todd AO Sound in 1996, where he collaborated with many talented colleagues and honed his editorial and mixing skills working on many film and television projects. He segued from sound editorial to music editorial in the late 90’s - early 2000’s to assist A-List composer Brian Tyler with the launch of his then nascent career. -
Bass Clarinets
Cinematic Tension FX 2 User Manual Bass Clarinets Cinematic Tension FX 2: Bass Clarinets is our second offering of a unique new woodwind library that offers original composed and orchestrated runs up, spills down, crescendo pushes, hits, textures and ambiences, phrase gestures and ostinatos of 8 bass clarinets. In the future we are planning on offering more of these in the same layout with woodwinds such as the piccolo, flute, contrabass flute, clarinet, contrabass clarinet, alto and tenor saxophones, bari and bass saxophones, ethnic winds and more. Included with the library is a pdf score of all the composed samples in case you would like to augment these sounds with a live woodwind section. Notes from Frank Macchia: One of the main things I wanted to accomplish with CTFX2 was the ability to tempo sync the various phrases and textures to the DAW's tempos, and we have accomplished that with this volume. This means that when you trigger a sample phrase that will do a one bar effect, whether the tempo is mm= 76, mm= 123 or mm= 276 the phrase will play at that tempo for one bar. I feel this is a big deal for composers who want a flurry upward, a crescendo push or a spill downward to not have to spend time trying to "fly in" one of those effects and randomly have to keep adjusting it until it fits correctly. Now you can just start your sequence one bar before the hit point and perfectly play in your phrase. I have also included reverse samples of the sounds which get triggered by using the mod wheel, to give even more sound possibilities with this library. -
Annual Report 2012-2013
ANNUAL REPORT 2012-2013 September 1, 2012 – August 31, 2013 IN-SCHOOL MUSIC EDUCATION PROGRAMS Education Through Music-Los Angeles (ETM-LA) expanded its in-school music programs for underserved student populations with the mission to provide and promote the integration of music into the curricula of disadvantaged schools in order to enhance students' academic performance and creative and general development. Over 5,000 students received free yearlong music instruction during the school day in the following partner schools: Castelar Elementary, Cleveland Elementary, Dorris Place Elementary, El Dorado Elementary, Foster Elementary, Norwood Elementary, Our Lady of the Holy Rosary, Providencia Elementary, Rio Vista Elementary, St. Ignatius, St. Sebastian, and West Hollywood Elementary Schools. ETM-LA provided 45-min weekly music classes at each partner school on a yearlong basis with a variety of music disciplines– including violin, cello, guitar, recorder, general music, and chorus. The programs at each school were tailored to meet the needs of each population based on the vision of the Principal with guidance from ETM-LA. Students at all partner schools performed in two concerts to showcase their musical learning in the Fall and Spring semesters. To support the quality of instruction in the classroom and teaching artists’ ability to educate children, ETM-LA provided ongoing mentorship and evaluation of its music teachers by multiple staff (Executive Director, Program Director, and other veteran teachers). In September 2012, ETM-LA held its weeklong intensive Summer Training Institute for its new and returning music teachers and guest teaching artists from other arts organizations. The institute focused on topics including Lesson Planning, Classroom Management, Integration, Creative Strategies, Assessment of Student Learning, Concert Preparation and Presentation, Singing Technique, Strings Methods, Teaching Copyright, and Pedagogy (Orff, Kodaly, Dalcroze, Suzuki, et al.). -
Brian Simpson Again Tops Album and Singles Charts
JazzWeek with airplay data powered by jazzweek.com • Jan. 23, 2006 Volume 2, Number 9 • $7.95 In This Issue: J@LC, Radio Salute Pittsburgh. 4 Botti In PBS Spring Pledge Special . 5 MakeMusic Offers IAJE Special on SmartMusic . 6 Passings: Bob Weinstock, Phil Elwood . 6 Reviews and Picks . 15 Jazz Radio . 18 Smooth Jazz IAJE 2006 Radio. 25 WRAPUP Radio page 11 Panels. 24, 29 News. 4 Charts: #1 Jazz Album – Houston Person #1 Smooth Album –Brian Simpson #1 Smooth Single – Brian Simpson JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger othing does more to charge my jets than to attend IAJE each MUSIC EDITOR year. While I’m usually exhausted by the end of the conference, Tad Hendrickson Nit’s energizing to catch up with friends and colleagues, to meet CONTRIBUTING EDITORS people face-to-face for the first time, to pick up new ideas, and to be Keith Zimmerman immersed in great music. Getting to spend time at a couple NYC clubs Kent Zimmerman is a big bonus. CONTRIBUTING WRITER/ The most thrilling thing, though, is to see the reactions of young PHOTOGRAPHER Tom Mallison students. The unbridled enthusiasm the young crowd displayed at the PHOTOGRAPHY Stefon Harris and Javon Jackson (with show-stealer Dr. Lonnie Smith) Barry Solof sets was contagious. And it gives me great hope for the vitality and fu- ture health of jazz. Founding Publisher: Tony Gasparre ••• ADVERTISING: Devon Murphy On the subject of young people, I’m watching with great interest the Call (866) 453-6401 ext. 3 or efforts to attract a younger audience at night on WEMU and KUVO.