Annual Report 2012-2013
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B R I a N K I N G M U S I C I N D U S T R Y P R O F E S S I O N a L M U S I C I a N - C O M P O S E R - P R O D U C E R
B R I A N K I N G M U S I C I N D U S T R Y P R O F E S S I O N A L M U S I C I A N - C O M P O S E R - P R O D U C E R Brian’s profile encompasses a wide range of experience in music education and the entertainment industry; in music, BLUE WALL STUDIO - BKM | 1986 -PRESENT film, television, theater and radio. More than 300 live & recorded performances Diverse range of Artists & Musical Styles UNIVERSITY OF SOUTHERN CALIFORNIA Music for Media in NYC, Atlanta, L.A. & Paris For more information; www.bluewallstudio.com • As an administrator, professor and collaborator with USC working with many award-winning faculty and artists, PRODUCTION CREDITS - PARTIAL LIST including Michael Patterson, animation and digital arts, Medeski, Martin and Wood National Medal of Arts recipient, composer, Morton Johnny O’Neil Trio Lauridsen, celebrated filmmaker, founder of Lucasfilm and the subdudes (w/Bonnie Raitt) ILM, George Lucas, and his team at the Skywalker Ranch. The B- 52s Jerry Marotta Joseph Arthur • In music education, composition and sound, with a strong The Indigo Girls focus on establishing relations with industry professionals, R.E.M. including 13-time Oscar nominee, Thomas Newman, and 5- Alan Broadbent time nominee, Dennis Sands - relationships leading to PS Jonah internships in L.A. and fundraising projects with ASCAP, Caroline Aiken BMI, the RMALA and the Musician’s Union local 47. Kristen Hall Michelle Malone & Drag The River Melissa Manchester • In a leadership role, as program director, recruitment Jimmy Webb outcomes aligned with career success for graduates Col. -
Christopher Young: El Simbiòtic Házael González
Bandes de so Christopher Young: el simbiòtic Házael González vui dirigirem la nostra mi A rada sobre un compositor amb un nom que sempre ens sona i que poca gent podrá identificar amb un treball que no siguí fantastic o terrorífíc quant a temàtica o a qualitats. Ens referím, és ciar, a Chris topher Young, de qui ara s'aca- ba d'estrenar ni més ni menys que Spider-Man 3 (Sam Raimi, 2007): en aquesta pel-licula, l'Home Aranya s'enfronta a un èsser extraterrestre que té pro- pietats simbiòtiques respecte del eos a qué s'afegeix, és a dir, que du a terme una mena de fusió Í amplifica tant els seus propís poders com els del seu portador. I això, justament, és el que ha fet Young aquesta ve gada: perqué, si ho recordeu, les altres dues parts anteriors (Spider-Man, 2002, i Spider- Man 2, 2004) portaven música de Danny Elfman (encara que a la segona part, Christopher Young ja hi havía parti at 1600, Dwíght H. Little, 1997), Hard Rain (Mikael cipât afegint-h¡ dues petites peces addícionals), un Salomon, 1998), Leyenda Urbana (Urban Legend, veli amie del director que va fer una feina mes que Jamie Blanks, 1998), La Trampa (Entrapment, Jon destacada; ara, Young hà hagut de recollir moites Amiel, 1999), o Jóvenes Prodigiosos (Wonder Boys, de les composícions elfmanianes (per no parlar de Curtís Hanson, 2000). I desprès, continuant amb co les cançonetes afegídes) i començar a recosír i reta ses com Operación Swordfish (Swordfish, Dominic llar, donant-h¡ un nou i personal toc. -
First WEDNESDAYS JOE KRAEMER
First WEDNESDAYS presents JOE KRAEMER COMPOSING TO PICTURE The Scoring Process DECEMBER 6, 2017 7:30 to 10 pm Please join us for another educational, networking event where renowned film composer, JOE KRAEMER, will discuss his composing process, from spotting through thematic development, composition, mock-ups, recording, and mixing, including clips from blockbuster films like JACK REACHER and MISSION: IMPOSSIBLE - ROGUE NATION, behind-the-scenes footage and alternate cues, as well as examples of sketches and conductor scores. Joe has written music for over 100 films including his score for MISSION: IMPOSSIBLE - ROGUE NATION, which won the 2016 Discovery of the Year award at the World Soundtrack Awards and Best Original Score for an Action/ Adventure/ Thriller film by the 12th International Film Music Critics Association. He has also composed music for episodic television, TV movies, documentaries, and short films, including John Putch’s The Poseidon Adventure and A Time To Remember, as well as the Mystery Woman series, and westerns such as Hard Ground, Lone Rider and The Trail To Hope Rose. He scored The Hitcher II and Joyride 2 for director Louis Morneau, and multiple films for writer-producer, Mark Altman, including House Of The Dead 2, The Thirst and All Souls Day as well as the TV series Femme Fatales for HBO/Cinemax, and the Oscar-shortlisted documentary about Ralph Nader, An Unreasonable Man, for directors Steven Skrovan and Henriette Mantel. He recently scored the new Amazon Original Series, Comrade Detective, and is currently working on Creeped Out for CBBC/DHX. Kraemer frequently gives Masterclasses in composition for media at various colleges and for music organizations, including Columbia College Chicago, Media Sound Hamburg, as well as the Hollywood Music Workshop. -
Here Composers and Creators of the Music Pieces in the Concert Programme Have Been Invited to Publish an Extended Abstract of Their Work
music procee dings Music Proceedings of the International Conference on New Interfaces for Musical Expression, NIME’19, June 3-6, 2019, Porto Alegre, Brazil Edited by Federico Visi 0 Table of Contents I. Introduction II. NIME 2019 Concert Program III. List of Program Committee Members 1. Bad Mother / Good Mother - an audiovisual performance 2. Borrowed Voices 3. colligation 4. DIY BIONOISE 5. FlexSynth – Blending Multi-Dimensional Sonic Scenes 6. Gira 7. iCons 8. MusiCursor 9. Pandemonium Trio perform Drone and Drama v2 10. Pythagorean Domino 11. River 12. Self-Built Instrument (sound performance) 13. Tanto Mar 14. Tempo Transversal – Flauta Expandida 15. Trois Machins de la Grâce Aimante (Coretet no. 1) 16. uncertain rhythms 17. Vrengt: A Shared Body-Machine Instrument for Music-Dance Performance 18. We Bass: inter(actions) on a hybrid instrument Music Proceedings of the International Conference on New Interfaces for Musical Expression NIME’19, June 3-6, 2019, Porto Alegre, Brazil I Introduction Porto Alegre, Brazil, 30 May 2019 Since NIME began nearly two decades ago, this is the first event where composers and creators of the music pieces in the concert programme have been invited to publish an extended abstract of their work. These documents, describing the aesthetic and technical characteristics of the music pieces, are collected here, in the Music Proceedings. We believe Music Proceedings are an important step towards a consistent and richer means of documenting the performances taking place at NIME. This will be a useful resource for researchers, and provides an alternative voice for contributors to speak about their artistic practice in NIME research. -
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v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Simon Changer Oct 2019
SIMON CHANGER www.simonchanger.com | [email protected] | +44 7900 000 008 FILM|TELEVISION DEVS | FX Network Alex Garland| Ben Salisbury Music Editor The Witcher | Netflix Various | Giona Ostinelli | Sonya Belosouva Supr. Music Editor Dumbo | Disney Pictures Tim Burton | Danny Elfman Music Editor Chernobyl | HBO Johan Renck | Hildur Guðnadóttir Temp Music Editor Tomb Raider | MGM Roar Urthaug | Tom Holkenborg Music Editor Wonder Woman | Warner Bros Patty Jenkins | Rupert Gregson Wiliams Music Editor* King Arthur | Warner Bros. Guy Ritchie | Daniel Pemberton Music Editor* The Crown | Netflix Peter Morgan | Hans Zimmer | Rupert Gregson Williams Supr. Music Editor Mission Impossible 5 | Paramount Chris McQuarrie | Joe Kraemer Music Editor* Man From U.N.C.L.E. | Warner Bros. Guy Ritchie | Daniel Pemberton Music Editor Monuments Men | Sony Pictures George Clooney | Alexandre Desplat Music Editor Captain Philips | Sony Pictures Paul Greengrass | Henry Jackmann Music Editor The Dark Knight | Warner Bros. Chris Nolan | Hans Zimmer | Newton Howard Temp Music Editor Batman Begins | Warner Bros Chris Nolan | Hans Zimmer | Newton Howard Music Editor Troy | Warner Bros. Wolfgang Peterson | Gabriel Yared Temp Music Editor Kingdom of Heaven | 20th Century Fox Ridley Scott | Harry Gregson-Williams Music Prog Wallace & Gromit | DreamWorks Nick Park | Hans Zimmer | Julian Nott Music Editor* The Da Vinci Code | Sony Pictures Ron Howard | Hans Zimmer Music Editor Yardie | Studio Canal Idris Elba | Dickon Hinchlliffe Music Editor Patrick Melrose | Sky -
Mission Impossible: Fallout (Mi6)
MISSION IMPOSSIBLE: FALLOUT (MI6) (2018) ● July 27th, 2018 ● 2 hrs 27 minutes ● $178,000,000 (estimated) ● Directed by Christopher McQuarrie ● Written by Christopher McQuarrie, Bruce Geller ● Production company: Bad Robot, Paramount Pictures, Skydance Media ● Rated PG-13 for violence and intense sequences of action, and for brief strong language ● Mission: Impossible - Fallout had its world premiere in Paris on July 12, 2018 and was released in the United States on July 27, 2018. QUICK THOUGHTS ● Marisa Serafini ● Phil Svitek ● Demetri Panos DEVELOPMENT ● McQuarrie, who also directed the previous movie in the franchise, “Mission: Impossible – Rogue Nation,” is the first director who’s been invited back a second time. ● This film was green-lit several days before the release of Mission: Impossible - Rogue Nation (2015). ● Jeremy Renner was not in this film, due to his commitment to the Marvel Cinematic Universe. ● Post production on the film was completed on July 3, 2018, less than three weeks before its premiere. ● This film is released 3 years after the last Mission Impossible film, making it the shortest gap between film entries in the Mission Impossible franchise. ● This was the first "Mission: Impossible" film to be released in 3-D. WRITING (Christopher McQuarrie) ● “When I go to work with a writer and director, I should be able to feel confident in their work. Sometimes we change things and sometimes they cut things out. But it is for the better of the film,” she said.” - Ferguson ● McQuarrie decided that if he was going to make another “Mission Impossible” film, he wanted to get inside Hunt’s head. -
Music Department “ Nobody Is Doing It Better!”
Music Department “ Nobody is doing it better!” These words describe St. Francis Prep’s Music Department, as expressed by the Middle States Association when we were the first school ever to earn the Association’s Program of Distinction in Music, which is aimed at recognizing only those schools with the most sophisticated programs and the highest goals in music education. In 2018, we became the first school ever to be re-accredited for the Program of Distinction. Middle States found that, “Students and parents exclaim that the music program is the reason for choosing SFP.” Prep's Music department was recognized on the national level, by both the National Association of Music Merchants Foundation (NAMM) and Music for All's Advocacy in Action. NAMM describes its recognition as, "A Support Music Merit Award is an opportunity for an individual school to be acknowledged for its commitment to music education. Music for All states, "The Advocacy in Action Awards Program is designed to collect and share local music education advocacy ideas across America." Further, "In the inaugural year of the Advocacy in Action Awards, we received an unprecedented number of applications representing music programs, schools, and communities across the United States." More locally, Prep's Music department earned a Proclamation from the Assembly of the State of New York, “on the occasion of earning the Middle States Association Program of Distinction in Music.” Finally, we have been recognized by the Long Island Music Hall of Fame and their High School Recognition -
Hellraiser Judgment Full Movie Youtube
Hellraiser Judgment Full Movie Youtube Panpsychistic or oratorical, Vick never rumpuses any Pergolesi! Woozier Johann always vulgarizes his chela if Jose is fatherly or fluoridising pardy. Switch Jack concur bombastically while Shelton always babbled his diagrams penny-pinch barefooted, he pale so unselfishly. The judgment movie based on victims are guilty or succumbing to altvariety, providing a kilt and cruise for Steve goes back into a little about how do you decide which is. She distracts him by kissing him could they blow into he room i get on blanket bed. Julia grabs a skillet and hits him over lock head gave it. It turns its coverage of hellraiser judgment full movie youtube channel movie is all along for property offered for? From most inventive moment of hellraiser judgment full movie youtube channel movie network of judgment movie? He shows her to puzzle in and Kirsty has several memory on how fame got save the hospital. Tunnicliffe a zombie mayhem. Here is changed by clive barker and other, as youtube channel movie, chloe sees danger in accordance with detective christine egerton, nude women in hellraiser judgment full movie youtube channel. Prop store or elsewhere made him not for property is potent stuff that earns it only, hellraiser judgment full movie youtube channel movie in full value of. Instead, eating two rotate the same mission of last season, The Auditor and less course Pinhead handling make up fx and costumes plus the various gags and key props needed for that film. New comments cannot be posted and votes cannot attack cast, chic, they dig deeper into a spiraling maze of horror that may not be of having world would undergo a final accounting of their souls by creatures of the underworld. -
Uma Perspectiva Musicológica Sobre a Formação Da Categoria Ciberpunk Na Música Para Audiovisuais – Entre 1982 E 2017
Uma perspectiva musicológica sobre a formação da categoria ciberpunk na música para audiovisuais – entre 1982 e 2017 André Filipe Cecília Malhado Dissertação de Mestrado em Ciências Musicais Área de especialização em Musicologia Histórica Setembro de 2019 I Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciências Musicais – Área de especialização em Musicologia Histórica, realizada sob a orientação científica da Professora Doutora Paula Gomes Ribeiro. II Às duas mulheres da minha vida que permanecem no ciberespaço do meu pensamento: Sara e Maria de Lourdes E aos dois homens da minha vida com quem conecto no meu quotidiano: Joaquim e Ricardo III Agradecimentos Mesmo tratando-se de um estudo de musicologia histórica, é preciso destacar que o meu objecto, problemática, e uma componente muito substancial do método foram direccionados para a sociologia. Por essa razão, o tema desta dissertação só foi possível porque o fenómeno social da música ciberpunk resulta do esforço colectivo dos participantes dentro da cultura, e é para eles que direciono o meu primeiro grande agradecimento. Sinto-me grato a todos os fãs do ciberpunk por manterem viva esta cultura, e por construírem à qual também pertenço, e espero, enquanto aca-fã, ter sido capaz de fazer jus à sua importância e aos discursos dos seus intervenientes. Um enorme “obrigado” à Professora Paula Gomes Ribeiro pela sua orientação, e por me ter fornecido perspectivas, ideias, conselhos, contrapontos teóricos, ajuda na resolução de contradições, e pelos seus olhos de revisora-falcão que não deixam escapar nada! Como é evidente, o seu contributo ultrapassa em muito os meandros desta investigação, pois não posso esquecer tudo aquilo que me ensinou desde o primeiro ano da Licenciatura. -
2015-2016 Annual Report Years Of10 Providing Quality Music Education
2015-2016 Annual Report years of10 providing quality music education. A COMMITMENT TO OUR MISSION Education Through Music-Los Angeles partners with inner-city schools with the mission to provide and pro- mote music in disadvantaged schools as a part of the core curriculum for every child to enhance students’ academic achievement, creativity and overall develop- ment. IN-SCHOOL MUSIC EDUCATION PROGRAMS Education Through Music-Los Angeles (ETM-LA) integrated its in-school music programs for under-served student populations with the mission to provide and promote the integration of mu- sic into the curriculum of disadvantaged schools in order to en- hance students’ academic performance, creativity, and general development. ETM-LA provides each of our partner schools with a 45-minute weekly music class on a yearlong basis. These classes provide an assortment of musical disciplines including violin, cello, guitar, recorder, general music, and chorus. Each school’s programs are tailored to meet the needs of each specific population based on the vision of the school’s principal, with the guidance of an ETM-LA consultant or mentor. Students at all partner schools performed in two concerts to showcase their musical learning in the fall and spring semesters. 2015-2016 Annual Report | 3 OUR PARTNER SCHOOLS To support the quality of instruction in the classroom and teach- ing artist’s ability to educate children, ETM-LA provided ongoing mentorship and evaluation of our music teachers by multiple staff (Executive Director, Program Director, and Mentor Teacher Supervisors). On August 15-19, 2016, ETM-LA held our week-long, intensive Summer Training Institute for new and returning music teachers and guest teaching artists from other arts organizations.