Έκδοση Μηδενικού France 2018 OV French Athina Rachel Tsangari Cristi Puiu Εισιτηρίου P

Total Page:16

File Type:pdf, Size:1020Kb

Έκδοση Μηδενικού France 2018 OV French Athina Rachel Tsangari Cristi Puiu Εισιτηρίου P ΥΠΟΣΤΗΡΙΚΤEΣ ΠΡΟΓΡΑΜΜΑΤΟΣ | FESTIVAL PROGRAM SUPPORTERS ME THN ΥΠΟΣΤΗΡΙΞΗ WITH THE SUPPORT OF ΜΕΓAΛΟΣ ΧΟΡΗΓOΣ | MAIN SPONSOR ΧΟΡΗΓOΣ ΒΡΑΒΕIΩΝ ΚΟΙΝΟY ΕΠΙΣΗΜΟΣ ΑΕΡΟΜΕΤΑΦΟΡΕΑΣ ΕΠIΣΗΜΟΣ ΧΟΡΗΓOΣ ΕΠΙΚΟΙΝΩΝIAΣ AUDIENCE AWARDS SPONSOR ΟFFICIAL AIR CARRIER OFFICIAL MEDIA SPONSOR ΧΟΡΗΓΟΣ ΠΡΟΣΒΑΣΙΜΟΤΗΤΑΣ ACCESSIBILITY SPONSOR ΥΠΟΣΤΗΡΙΚΤEΣ | WITH THE SUPPORT OF ΧΟΡΗΓΟI ΕΠΙΚΟΙΝΩΝIΑΣ | MEDIA SPONSORS Διοικητικό Συμβούλιο Board of Directors Πρόεδρος President Γιώργος Αρβανίτης Yorgos Arvanitis Αντιπρόεδρος Vice President Αχιλλέας Κυριακίδης Achilleas Kyriakidis Μέλη Members Κυριακή Μάλαμα Yorgos Christianakis Σπύρος Πέγκας Kyriaki Malama Γιώργος Τούλας Spyros Pengas Γιώργος Τσεμπερόπουλος Yorgos Toulas Γιώργος Χριστιανάκης Yorgos Tsemperopoulos Νομικός Σύμβουλος Legal Advisor Μαριάννα Παπαδοπούλου Marianna Papadopoulou Γραμματέας Secretary Μαρία Τζιώλα Maria Tziola Το Φεστιβάλ Κινηματογράφου Θεσσαλονίκης εποπτεύεται από το Υπουργείο Πολιτισμού και Αθλητισμού. The Thessaloniki International Film Festival is supervised by the Hellenic Ministry of Culture and Sports. Επιτελείο Φεστιβάλ Festival Staff 6 Χαιρετισμοί Greetings 8 Επιτροπές & Βραβεία Juries & Awards 13 Διεθνές Διαγωνιστικό International Competition 22 Virtual Reality Virtual Reality 31 Εκτός Συναγωνισμού Οut of Competition 35 Aνοιχτοί Ορίζοντες Open Horizons 38 Κυρίως Πρόγραμμα Main Program 39 Another Take Another Take 50 Μαθήματα Ζωής Life Lessons 60 Ειδικές Προβολές Special Screenings 63 >>Film Forward >>Film Forward 71 Κυρίως Πρόγραμμα Main Program 72 Ειδική Προβολή Special Screening 74 Aφιέρωμα στους Κριστόμπαλ Λεόν Tribute to Cristóbal León 76 και Χοακίν Κοσίνια and Joaquín Cociña Round Midnight Round Midnight 81 Φεστιβάλ Ελληνικού Κινηματογράφου Greek Film Festival 85 Επίσημη Πρώτη First Run 86 Μια Δεύτερη Ματιά A Second Viewing 93 Ξεπερνώντας τα Σύνορα Crossing Borders 96 Ελληνικός Queer Κινηματογράφος Greek Queer Cinema 98 Aφιέρωμα στον Ιορδάνη Ανανιάδη Tribute to Jordan Ananiadis 118 Αcrobatics: Προβολές Εταιρείας Αcrobatics: Greek Directors’ 123 Ελλήνων Σκηνοθετών Guild Screenings Bραβευμένες Tαινίες του Short FF in Drama 126 Φεστιβάλ Μικρού Μήκους Δράμας Awarded Films Mατιές στα Βαλκάνια Balkan Survey 132 Κυρίως Πρόγραμμα Main Program 133 Ταινίες Μικρού Μήκους Short Films 139 Προτού Ξεσπάσει το Κύμα Before the Wave Breaks 141 Aφιερώματα Tributes 146 Aφιέρωμα στον Χάιμε Ροσάλες Tribute to Jaime Rosales 147 Aφιέρωμα στη Νάνουκ Λέοπολντ Tribute to Nanouk Leopold 151 Bραβείο Lux Ευρωπαικού Κοινοβουλίου Τhe European Parliament’s Lux Prize 156 Νεανική Οθόνη Youth Screen 159 Αγορά Agora 165 Παράλληλες Εκδηλώσεις Sidebar Events 171 Ωρολόγιο Πρόγραμμα Screening Schedule 185 Ευχαριστίες Acknowledgements 236 Ευρετήρια Indexes 238 Επιτελείο Φεστιβάλ Γενική Διευθύντρια Ελίζ Ζαλαντό ΓΡΑΦΕΙΟ ΤΥΠΟΥ ΚΑΙ ΕΠΙΚΟΙΝΩΝΙΑΣ ΔΗΜΟΣΙΕΣ ΣΧΕΣΕΙΣ / ΧΟΡΗΓΙΕΣ Διευθυντής Ορέστης Ανδρεαδάκης Δήμητρα Νικολοπούλου (υπεύθυνη), Άννα Μηλώση (υπεύθυνη), Μαρία Πολυβίου, Αλεξάνδρα Κόλια (υπεύθυνη Ξένου Τύπου), Μαρία Ιωαννίδου, Βάλια Παγωνίδου, ΠΡΟΓΡΑΜΜΑ & Τίνα Αντωνάκου, Αλεξάνδρα Κόλια, Τάνια Δούλαλα ΠΑΡΑΛΛΗΛΑ ΠΡΟΓΡΑΜΜΑΤΑ Ζωή-Χάρις Μπελενιώτη Επικεφαλής Προγράμματος Σύμβουλος Μέσων Κοινωνικής Δικτύωσης ΟΡΓΑΝΩΣΗ ΕΚΔΗΛΩΣΕΩΝ Γιώργος Κρασσακόπουλος Ιφιγένεια Κωνσταντινίδου Μαρία Πολυβίου (υπεύθυνη), Υπεύθυνη Συντονισμού Διεθνούς Άννα Μηλώση, Έλενα Αθανασιάδου, Προγράμματος-Σύμβουλος ΠΕΡΙΟΔΙΚΟ «ΠΡΩΤΟ ΠΛΑΝΟ» Γιάννης Τικτόπουλος (Συντονισμός Προγράμματος Ίλσε Ασεβέδο Διευθυντής Έκδοσης Ορέστης Ανδρεαδάκης CineΚάρταF / FestivalShops) Επιλογή-Συντονισμός Προγράμματος Αρχισυντάκτρια Δήμητρα Νικολοπούλου «Ματιές στα Βαλκάνια» Δημήτρης Κερκινός Συντακτική ομάδα Γιώργος Κρασσακόπουλος, ΟΡΓΑΝΩΣΗ ΠΑΡΑΓΩΓΗΣ Συντονισμός Προγράμματος VR Γιάννης Σμοΐλης, Αλεξάνδρα Κόλια, Δάνης Κόκκινος (Υπεύθυνος), Γιάννα Σαρρή Γιάννα Σαρρή, Δημήτρης Κερκινός Αντιγόνη Μιξαφέντη Υπεύθυνη Φεστιβάλ Ελληνικού Φωτογράφοι Βασίλης Βερβερίδης, Βραβείο Κοινού Μαρία Τζιώλα, Κινηματογράφου Ελένη Ανδρουτσοπούλου Γιάννης Στεφανίδης, Άρης Ράμμος Αναστασία Συρά Επιμέλεια αφιερώματος Γραμματεία Γιάννης Μπάμπαλης στον Ελληνικό Queer Κινηματογράφο ΦΙΛΟΞΕΝΙΑ (Θεσσαλονίκη), Δημήτρης Σάννας (Αθήνα) Κωνσταντίνος Κυριακός Στέλλα Σταυρινοδάκη (Υπεύθυνη), Διεθνής Κριτική Επιτροπή Παυλίνα Βοσινάκη Συνεργάτες Διεθνούς Προγράμματος Στέλλα Βλαχομήτρου, Σοφία Τιμπλαλέξη, Κλητήρες Γιάννης Τσουκαλίδης Αγγελική Πέτρου, Θάνος Σταυρόπουλος, Μίκαελ Τσάινλινγκερ (Θεσσαλονίκη), Δημήτρης Βαγγέλης (Αθήνα) Γιάννης Παλαβός, Γιάννης Σμοΐλης Κίνηση φιλοξενούμενων Λευτέρης Καζαντζίδης Σύμβουλοι ευρωπαϊκών προγραμμάτων Βοηθοί Προγράμματος Πρακτορεία ταξιδιών GS Travel, Services Αλέξης Φραγκιάδης, Ελένη Ράμμου Βασίλης Τερζόπουλος, Ανδρέας Θωμόπουλος Dion Tours & Red Elephant Ειδικός Σύμβουλος Προγράμματος ΥΠΟΤΙΤΛΙΣΜΟΣ & ΔΙΕΡΜΗΝΕΙΑ Αλέξης Γρίβας ΧΩΡΟΙ ΦΕΣΤΙΒΑΛ Μεταφράσεις-Υποτιτλισμός Film Forward Guest Programmer Δάνης Κόκκινος (Σχεδιασμός/Επίβλεψη), Νεανικό Πλάνο Subtitles Ντένις Λιμ Νίκη Χουλιάρα (Υπεύθυνη κινηματογραφικών Διερμηνεία Μαρίνα Διάφα & Συνεργάτες Πρόγραμμα «Νεανική Οθόνη» αιθουσών), Δημήτρης Κουρτίδης (Συντονισμός Αγγελική Πέτρου, Μαρία Παπασωτήρη, κινηματογραφικών αιθουσών) ΕΝΤΥΠΑ – ΕΚΔΟΣΕΙΣ Ειρήνη Δελιδάκη Σύστημα έκδοσης εισιτηρίων Συντονισμός Ύλης Γκέλυ Μαδεμλή Λάζαρος Μπουδακίδης, (Επίσημος Κατάλογος, Α/Κατάλογος), ΑΓΟΡΑ Γρηγόρης Αλεξανδρίδης Ντενίς Ανδρεώλα, Έλενα Χριστοπούλου Γιάννα Σαρρή (Υπεύθυνη), Υπεύθυνος τεχνικής υποστήριξης (Agora Manual) Μαρί-Πιέρ Μασιά (Καλλιτεχνική Διεύθυνση και μηχανικών προβολής Άκης Σταυρόπουλος Μεταφράσεις Γκέλυ Μαδεμλή, Crossroads Co-Production Forum, Κίνηση ταινιών Ανδρέας Θωμόπουλος, Γιάννης Φωτόπουλος (Επίσημος Κατάλογος), συντονισμός Αγοράς), Αγγελική Βέργου, Ηρακλής Καστρινάκης Σταύρος Λαζαρίδης, Γιάννης Φωτόπουλος Ντενίς Ανδρεώλα, Τεχνικοί Περικλής Δημόπουλος (Α/Κατάλογος) Έλενα Χρηστοπούλου (τεχνικός ασφαλείας), Λάζαρος Σεϊτανίδης, Γλωσσική Επιμέλεια Κώστας Κωνσταντίνου Συντονιστής́ Προγράμματο Αχιλλέας Εταιρίδης (Επίσημο Πρόγραμμα, Α/ Κατάλογος), Locarno Industry Academy International Γιάννης Παλαβός (Agora Manual) Ιωάννα Στάη ΔΙΟΙΚΗΣΗ Διορθώσεις Γκέλυ Μαδεμλή, Επιλογή Agora Works in Progress Συνεργάτις Γενικής Διευθύντριας Κώστας Κωνσταντίνου Γιάννα Σαρρή, Μαρί-Πιέρ Μασιά, Μαρία Ναλτσατζιάδου Συντονισμός έντυπων υλικών Αγγελική Βέργου, Ντενίς Ανδρεώλα, Συνεργάτις Διευθυντή Στέλλα Καραγιαννίδου Μπάμπης Μοσκόφογλου Έλενα Χρηστοπούλου, Δημήτρης Κερκινός, Τμήμα Ανθρώπινου Δυναμικου Εκτυπωση Cloudprint Ελένη Ανδρουτσοπούλου Μαρία Τζιώλα Παραγωγή Αγοράς Νίκος Μποζάνης Οικονομικό τμήμα VISUAL IDENTITY Επιμέλεια ψηφιοποίησης ταινιών Απόστολος Παπασωτηρίου (υπεύθυνος), Beetroot Design Group Γιώργος Νούνεσης Νίκη Χουλιάρα, Κάλλη Γκανούδη, Σχεδιασμός εξωφύλλου Συντονισμός δράσης «Ταινίες Αλεξάνδρα Σολτάτου, Μαρία Σαπουντζόγλου Beetroot Design Group για τα παιδιά στη Νοτιοανατολική Ευρώπη» Εθελοντισμός Στέλλα Καραγιαννίδου, Σχεδιασμός έκδοσης MNP Design Ελένη Χανδρινού Ευαγγελία Μακρή Ασκούμενοι Ξένου και Ελληνικού Πληροφορική & Τηλεπικοινωνίες ΔΙΑΦΗΜΙΣΤΙΚΑ ΣΠΟΤ Προγράμματος και τμήματος ΑΓΟΡΑΣ Λάζαρος Μπουδακίδης Ιδέα & Σκηνοθεσία Ζακλίν Λέντζου Μαρί Ντουρί, Αντώνης Λαγαριάς, (υπεύθυνος, Θεσσαλονίκη), Παραγωγή Φένια Κοσοβίτσα, Blonde Πέτρος Αρώνης, Αλέξανδρος Μηνάς, Γιώργος Στούνος (Αθήνα), Μάρθα Ρούσσου, Βίτους Μπάχαουζεν Μιχάλης Λαφτσίδης, Ανέστης Σιδηρόπουλος To Φεστιβάλ Κινηματογράφου Συντονισμός Website Μιχάλης Λαφτσίδης Θεσσαλονίκης χρησιμοποιεί το πρόγραμμα MARKETING Συντονιστής Κινηματογραφικών Αιθουσών Datakal Festival Database για τη διαχείριση Μπάμπης Μοσκόφογλου (υπεύθυνος) Ετήσιας Δραστηριότητας Τέλλος Φίλης και οργάνωση πληροφοριών. 6 59th TIFF Festival Staff General Director Elise Jalladeau “FIRST SHOT” MAGAZINE PRODUCTION ORGANIZATION Director Orestis Andreadakis Principal Editor Orestis Andreadakis Danis Kokkinos (Head), Antigoni Mixafenti Editor-in-Chief Dimitra Nikolopoulou Audience Award Maria Tziola, PROGRAM AND PARALLEL PROGRAMS Editorial Team Yorgos Krassakopoulos, Anastasia Syra Head of International Program Yiannis Smoilis, Alexandra Kolia, Secretariat Yannis Babalis (Thessaloniki), Yorgos Krassakopoulos Yianna Sarri, Dimitris Kerkinos Dimitris Sannas (Athens) Head of International Program Photographers Vassilis Ververidis, International Jury Coordinator Coordination-Program Consultant Yiannis Stephanidis, Aris Rammos Pavlina Vossinaki Ilse Acevedo Assistants-Messengers Yiannis Tsoukalidis “Balkan Survey” Selection-Coordination GUEST OFFICE (Thessaloniki), Dimitris Vangelis (Athens) Dimitris Kerkinos Stella Stavrinodaki (Head), European Programs Consultants VR Program Coordination Yianna Sarri Stella Vlachomitrou, Sofia Tiblalexi, Alexis Franghiadis, Eleni Rammou Head of Greek Film Festival Michael Zeinlinger Eleni Androutsopoulou Transportations Coordinator SUBTITLING & TRANSLATIONS Greek Queer Cinema Tribute Lefteris Kazantzidis Translations-Subtitles Neaniko Plano Curator Konstantinos Kyriakos Travel Agencies GS Travel, Subtitles Simultaneous Translation International Program Collaborators Dion Tours & Red Elephant Marina Diafa & Associates Angeliki Petrou, Thanos Stavropoulos, Yannis Palavos, Yiannis Smoilis FESTIVAL VENUES PUBLICATIONS Program Assistants Vassilis Terzopoulos, Danis Kokkinos (Design/Supervision), Content Management Geli Mademli Andreas Thomopoulos Niki Houliara (Venue Manager), (Official Catalog, Non-Catalog), Special Program Consultant Dimitris Kourtidis (Venue Coordinator) Denise Andreola, Elena Christopoulou Alexis Grivas Ticketing Policy Lazaros Boudakidis, (Agora Manual) >>Film Forward Guest Programmer Grigoris Alexandridis Translations Geli Mademli, Dennis Lim Technical Support Coordination,
Recommended publications
  • European Qualifiers
    EUROPEAN QUALIFIERS - 2014/16 SEASON MATCH PRESS KITS Helsinki Olympic Stadium - Helsinki Saturday 11 October 2014 20.45CET (21.45 local time) Finland Group F - Matchday -11 Greece Last updated 12/07/2021 16:57CET Official Partners of UEFA EURO 2020 Previous meetings 2 Match background 4 Squad list 5 Head coach 7 Match officials 8 Competition facts 9 Match-by-match lineups 10 Team facts 12 Legend 14 1 Finland - Greece Saturday 11 October 2014 - 20.45CET (21.45 local time) Match press kit Helsinki Olympic Stadium, Helsinki Previous meetings Head to Head FIFA World Cup Stage Date Match Result Venue Goalscorers reached Forssell 14, 45, Riihilahti 21, Kolkka 05/09/2001 QR (GS) Finland - Greece 5-1 Helsinki 38, Litmanen 53; Karagounis 30 07/10/2000 QR (GS) Greece - Finland 1-0 Athens Liberopoulos 59 EURO '96 Stage Date Match Result Venue Goalscorers reached Litmanen 44, Hjelm 11/06/1995 PR (GS) Finland - Greece 2-1 Helsinki 54; Nikolaidis 6 Markos 22, Batista 69, 12/10/1994 PR (GS) Greece - Finland 4-0 Salonika Machlas 76, 89 EURO '92 Stage Date Match Result Venue Goalscorers reached Saravakos 49, 30/10/1991 PR (GS) Greece - Finland 2-0 Athens Borbokis 51 Ukkonen 50; 09/10/1991 PR (GS) Finland - Greece 1-1 Helsinki Tsalouchidis 74 1980 UEFA European Championship Stage Date Match Result Venue Goalscorers reached Nikoloudis 15, 25, Delikaris 23, 47, 11/10/1978 PR (GS) Greece - Finland 8-1 Athens Mavros 38, 44, 75 (P), Galakos 81; Heiskanen 61 Ismail 35, 82, 24/05/1978 PR (GS) Finland - Greece 3-0 Helsinki Nieminen 80 1968 UEFA European Championship
    [Show full text]
  • THE STOPOVER (Voir Du Pays)
    ArchiPel 35 PreseNTs THE STOPOVER (Voir Du pays) A fILm wRITTEN & dIREcTEd by DELphINE & MURIEL COULIN 102 min – DcP – 2.39 INTERNATIONAL PRESS RENDEZ-VOUS Viviana Andriani, Audrey Grimaud 2 rue Turgot 75009 Paris, France Ph. +33 1 42 66 36 35 In Cannes: +33 6 80 16 81 39 [email protected] INTERNATIONAL SALES FILMS DISTRIBUTION 5 rue Nicolas Flamel 75004 Paris, France www.filmsdistribution.com Download press materials: www.rv-press.com SYNOPSIS At the end of their tour of duty in Afghanistan, two young military women, Aurore and Marine, are given three days of “decompression leave” with their unit, among tourists, at a five-star resort in cyprus. But it’s not that easy to forget the war and leave violence behind. DECOMPRESSION PROGRAM since 2008, every French soldier returning from a tour of duty goes through a “decompression period” (canadians do the same thing – us soldiers too). They are taken to a five-star hotel for three days where they are supposed to forget about the war and relax among tourists enjoying their vacation. The program, devised by army psychologists, includes aqua- gym and relaxation classes, boat excursions and group mee- tings where everyone must tell the story of their individual experience during the six months spent in a war zone. This military therapy is more or less successful. TWO POWERFUL WOMEN Aurore and Marine are two young women with strong per- sonalities. They’ve known each other since childhood, come from modest backgrounds and grew up in lorient, an ave- rage town, where there aren’t a lot of alternatives for young people to build a future.
    [Show full text]
  • Thimios Bakatakis Director of Photography
    THIMIOS BAKATAKIS DIRECTOR OF PHOTOGRAPHY FILM MASTER OF NONE (SERIES 3) Director: Aziz Ansari Production Company : NBC & Universal HETV THE LODGE Director: Veronika Franz & Severin Fiala Production Company: Hammer Films Official Selection, Sundance Film Festival (2019) Official Selection, London Film Festival (2019) THE KILLING OF A SACRED DEER Director: Yorgos Lanthimos Production Company: Element Pictures & Film4 Nominated, Best Cinematography, Independent Spirit Awards (2017) Winner, Best Screenplay, Cannes Film Festival (2017) Official Selection, Toronto Film Festival (2017) Official Selection, London Film Festival (2017) UNA Director: Benedict Andrews Production Company: Jean Doumanian Productions & Film4 Official Selection, Toronto Film Festival (2016) Official Selection, London Film Festival (2015) THE LOBSTER Director: Yorgos Lanthimos Production Company: Sony Pictures Classics Nominated, Outstanding British Film, BAFTA Awards (2016) Winner, Jury Prize, Cannes Film Festival (2015) Official Selection, Toronto Film Festival (2015) Official Selection, London Film Festival (2015) Official Selection, Sundance Film Festival (2015) LUX ARTISTS | 1 BLIND Director: Eskil Vogt Production Company: Motlys Winner, Label Europa, Berlin Film Festival (2014) Winner, Screenwriting Award, Sundance Film Festival (2014) KEEP THE LIGHTS ON Director: Ira Sachs Production Company: Parts & Labor Winner, Best Feature Film, Berlin International Film Festival (2012) Official Selection, Sundance Film Festival (2012) L Director: Babis Makridis Production
    [Show full text]
  • Avramopoulos Tells TNH That Athens-DC Ties Maybe Best Ever
    S o C V ΓΡΑΦΕΙ ΤΗΝ ΙΣΤΟΡΙΑ Bringing the news W ΤΟΥ ΕΛΛΗΝΙΣΜΟΥ to generations of E ΑΠΟ ΤΟ 1915 The National Herald Greek- Americans N c v A weekly Greek-AmericAn PublicAtion www.thenationalherald.com VOL. 16, ISSUE 795 January 5-11, 2013 $1.50 Avramopoulos Tells Archbishop Anastasios: I am Not Afraid of Threats TNH that Athens-DC Extremists Call upon Religious Leader to Ties Maybe Best Ever Depart from Albania By Aris Papadopoulos done its best, because if we By Theodore Kalmoukos TNH Staff Writer want to overcome the crisis it is TNH Staff Writer important to consolidate the po - ATHENS – Greek Foreign Min - sition of the country and safe - BOSTON, MA – “I am not afraid ister Dimitris Avramopoulos, in guard its vital interests at the of any type of threats,” Arch - an exclusive interview with European, regional, and inter - bishop Anastasios of Tirana and TNH, looks back on 2012 and national levels. As far as the All Albania told TNH, concern - expresses his hopes for the fu - neighbors are concerned, every - ing some recent threats chan - ture. body now understands that neled against him by an extrem - Avramopoulos characterizes Athens is and will remain in the ist group called “Red-Black Greek-American relations the Eurozone. In other words, after Coalition” that called upon him best they have been in a long a brief period of doubt and un - to leave Albania. time and expresses the view that certainty, Athens remains, for its Although the tone could be Washington can play a more ac - neighbors, the nearest point of interpreted as “life threats,” tive role in the financial crisis contact with the hard core of Anastasios said “I am not sur - in Europe.
    [Show full text]
  • Season Two of HBO S BETTY Debuts June 11
    Season Two Of HBO’s BETTY Debuts June 11 Based on creator Crystal Moselle’s 2018 Sundance hit “Skate Kitchen,” BETTY will return to HBO for a second season FRIDAY, JUNE 11. The series follows five young women on journeys of self-discovery against the backdrop of New York City’s male-dominated skateboarding scene. The six-episode season will air on HBO and be available to stream on HBO GO. Horarios por país visita Hbocaribbean.com In season two, our five protagonists are stepping firmly into womanhood and tackling all the challenges it brings. As they navigate the pressures of adulthood, their male counterparts start to step up, step in, and become true allies, forming a united front for the greater good. Set in the last chapter of 2020, the season captures the pandemic in New York City, where masks and outside activities are the norm. This season stars Nina Moran as “Kirt,” Dede Lovelace as “Janay,” Moonbear as “Honeybear,” Rachelle Vinberg as “Camille” and Ajani Russell as “Indigo.” Recurring cast this season include: Katerina Tannenbaum (AJ and the Queen) as Honeybear’s girlfriend, “Ash”; Andrew Darnell as Janay’s adversarial love interest, “Sylvester”; Lil’ Dre as Camille’s new skating partner and content collaborator, “Tai”; Chef Roblé Ali as Janay’s cousin, “Jzabel”; Rad Pereira (HBO’s “High Maintenance”) as “Victoria,” Honeybear and Ash’s alluring third; Isabel Palma as betty “Shelby”; Eisa Davis (HBO’s “The Wire”) as Indigo’s mom, “Jeanne”; Danielle Melendez (“Skate Kitchen”) as Indigo’s sugarbaby guide, “Paloma”; Aya Aldamin as the crew’s beloved “Deli Mama”; Florence Pedrosa Blake Mourad as Honeybear’s “Grandma Sue”; Alexander Cooper (“Skate Kitchen”), Raekwon Haynes (White Boy Rick), Moisés Acevedo (“Remember Me”), Judah Lang (“Skate Kitchen”), Joe Apollonio (“High Fidelity”), and Sage Ceasar as skater boys “Charlie,” “Philip,” “Micah,” “Scruffy,” “Joe,” and “Teddy.” Episodes Include: Season 2, Episode 1 “Octopussy” Debut Date: FRIDAY, JUNE 11 Kirt’s (Nina Moran) (probably) on a quest.
    [Show full text]
  • BAM Announces the Full Lineup for the 10Th Annual Bamcinemafest, A
    BAM announces the full lineup for the 10th annual BAMcinemaFest, a festival of American independents featuring 22 New York premieres and three world premieres, Jun 20—Jul 1 Opening night—Boots Riley’s Sorry to Bother You Closing night—Josephine Decker’s Madeline’s Madeline Centerpiece—Debra Granik’s Leave No Trace Spotlight—Bo Burnham’s Eighth Grade & Stephen Maing’s Crime + Punishment Outdoor screening—Kasi Lemmons’ Eve’s Bayou (1997) The Wall Street Journal is the title sponsor for BAMcinemaFest, BAMcinématek, and BAM Rose Cinemas. May 1, 2018/Brooklyn, NY—BAM announces the full lineup for the tenth annual BAMcinemaFest (Jun 20—Jul 1). Described as “filmgoers’ most exhilarating annual opportunity for discovery” (The Village Voice), BAMcinemaFest has evolved into a platform for both emerging and established filmmakers as well as unconventional and often overlooked films. This year’s 12-day festival presents all New York premieres and three world premieres. Gina Duncan, BAM’s Associate Vice President of Cinema explains "We are proud to present work that is compelling, defiant, and ultimately thrilling. It feels appropriate to celebrate the tenth BAMcinemaFest with a line-up of films and filmmakers whose energy and adventurousness hints at something profound taking root. I can't wait to see what it bears." Opening this year’s festival on Wednesday, June 20 is the head-spinningly surreal debut from musician-turned-filmmaker Boots Riley, Sorry to Bother You. Struggling to make ends meet in Oakland, CA, Cassius Green (Lakeith Stanfield) lands a job as a RegalView telemarketer. Realizing perfecting his “white voice” is the key to his monetary success, Green soon discovers it’s not without considerable consequences.
    [Show full text]
  • Writers and Creative Advisors Selected for Faliro House | Sundance Institute Mediterranean Screenwriters Workshop in Greece, July 3-9
    FOR IMMEDIATE RELEASE Media contacts: June 29, 2017 Esmeralda Momferratou [email protected] Writers and Creative Advisors Selected for Faliro House | Sundance Institute Mediterranean Screenwriters Workshop in Greece, July 3-9 Eight Projects Selected for 2017 Faliro House | Sundance Institute Mediterranean Screenwriters Workshop, in Recognition and Support of Emerging Independent Filmmakers from Greece, Cyprus, Italy, Portugal and Spain Athens, Greece: Christos V. Konstantakopoulos’ Faliro House Productions (The Founder, The Lobster), in collaboration with Sundance Institute, will host the second edition of the Faliro House | Sundance Institute Mediterranean Screenwriters Workshop in Costa Navarino, Greece July 3-9. The workshop is designed to support emerging filmmakers from Greece, Spain, Italy, Portugal, and this year will include filmmakers from Cyprus. The Workshop is a five-day writer’s intensive that gives independent screenwriters the opportunity to work on their feature film scripts in an environment that encourages innovation and creative risk-taking. Greek filmmaker Athina Rachel Tsangari (Chevalier, Attenberg), who initiated the Workshop with Christos and serves as Co-Director, consulted with Sundance Institute and Faliro House during project selection. Filmmaker Gyula Gazdag, longtime Artistic Director at the Institute’s renowned Directors Lab in the U.S., will serve as Artistic Director, and will lead group sessions, alongside one-on-one story meetings with each project, where Tsangari and Gazdag will be joined by Creative Advisors Lisa Cholodenko (Olive Kitteridge, The Kids Are Alright), Julie Delpy (Before Midnight, 2 Days In Paris), Jeff Nichols (Loving, Take Shelter), Ruben Östlund (Palme d’Or winner The Square, Force Majeure), Ira Sachs (Little Men, Love Is Strange), Zach Sklar (JFK), and Eva Stefani (Bathers, Acropolis).
    [Show full text]
  • Infiltrate Hate
    “THE MOST IMPORTANT FILM OF THE YEAR” EMPIRE ++++ ++++ ++++ ++++ EMPIRE THE TIMES TIME OUT THE TELEGRAPH ++++ +++++ ++++ TOTAL FILM THE INDEPENDENT LITTLE WHITE LIES “RIOTOUSLY “MAGNIFICENT & ENTERTAINING” CONTROVERSIAL” ESQUIRE THE INDEPENDENT INFILTRATE HATE. Based on a true story. JOHN DAVID ADAM WASHINGTON DRIVER A SPIKE LEE JOINT FROM PRODUCER JORDAN PEELE IN CINEMAS AUGUST 24 ALITA: BATTLE ANGEL INSIDE JAMES CAMERON’S LONG-AWAITED SCI-FI HAN SOLO SEPTEMBER 2018 £4.99 $10.99 USD $11.99 CAN THE NUN ABOUT TO SCARE YOU SENSELESS BUMBLEBEE THEGAGS! THE BUZZ ON THE THEACTION! ’80S-SET SPIN-OFF THE BEAVER! CREED II FIRST LOOK AT THE RETURN OF DRAGO Old favouritestakeonnewhopesin the ultimatevote HEATHERS REVISITING THE DARK-HEARTED TEEN COMEDY THE HUNT HAS EVOLVED IN CINEMAS & IN 3D SEPT 12 THIS MONTH ATEMPIRE WHENW CHOOSING YOUR favourite Star Wars character, there are several things to take into consideration. They include (but are not limited to): your age when you first encountered them, how good their outfit is, how quick they are with a quip, where they place on the spectrum of saint to scoundrel (and your feelings about that position). Behind the scenes with photographer Art Streiber and Ethan Hawke joins Ben Travis for a chat aboutPodcast. It’s far from an easy decision but, when Samuel L. Jackson at Smashbox Studios in Los Angeles. for the Empire First Reformed we asked you to make that call for our poll, you rose to the task admirably. AndA this month, we’re excited to reveal the results. Who’s the top twin: Luke or Leia? Who’s master of the Jedi: Yoda or Obi-Wan (or Mace Windu)? And can Rey and the new crop challenge the Original Trilogy’s icons? The answers to all these questions (and others — how high is Jar Jar?) are inside.
    [Show full text]
  • Karriere-Tore (Verein, Nationalteam)
    KARRIERE-TORE (Verein + Nationalteam) Stand: 15.07.2021 Gesamt 1. Liga Div. Ligen Cup / Supercup Int. Cup Länderspiele Torschütze geb.Land Liga Karriere Sp. Tore Qu. Sp. Tore Qu. Sp. Tore Qu. Sp. Tore Qu. Sp. Tore Qu. Sp. Tore Qu. 1 Pelé Edson Arantes 1940 BRA1 BRA,USA 1957-1977 854 784 0,92 237 137 0,58 412 470 1,14 96 76 0,79 18 24 1,33 91 77 0,85 2 Cristiano Ronaldo 1985 POR1 POR,ENG,ESP,ITA 2002-2021 1073 783 0,73 610 479 0,79 - - - 92 51 0,55 192 144 0,75 179 109 0,61 3 Josef Bican 1913 AUT1/CSR1 AUT,CSR 1931-1955 492 756 1,54 216 260 1,20 165 313 1,90 61 130 2,13 15 15 1,00 35 38 1,09 4 Lionel Messi 1987 ARG1 ESP 2004-2021 929 748 0,81 520 474 0,91 - - - 100 70 0,70 158 128 0,81 151 76 0,50 5 Romário de Souza 1966 BRA2 BRA,NED,ESP,QAT,AUS 1985-2007 956 736 0,77 424 293 0,69 278 246 0,88 113 92 0,81 71 50 0,70 70 55 0,79 6 Ferenc Puskás 1927 HUN1/ESP1 HUN,ESP 1943-1966 717 706 0,98 529 514 0,97 - - - 52 66 1,27 47 42 0,89 89 84 0,94 7 Gerd Müller 1945 GER1 GER,USA 1965-1981 745 672 0,90 498 403 0,81 26 33 1,27 80 98 1,23 79 70 0,89 62 68 1,10 8 Zlatan Ibrahimovic 1981 SWE1 SWE,NED,ITA,ESP,FRA,ENG,USA 1999-2021 954 565 0,59 586 385 0,66 26 12 0,46 80 49 0,61 144 57 0,40 118 62 0,53 9 Eusébio Ferreira 1942 POR2 MOZ,POR,USA,MEX 1960-1977 593 555 0,94 361 339 0,94 32 39 1,22 61 79 1,30 75 57 0,76 64 41 0,64 10 Jimmy McGrory 1904 SCO1 SCO 1922-1938 547 550 1,01 408 408 1,00 - - - 126 130 1,03 6 6 1,00 7 6 0,86 11 Fernando Peyroteo 1918 POR3 POR 1937-1949 351 549 1,56 197 329 1,67 91 133 1,46 43 73 1,70 - - - 20 14 0,70 12 Uwe Seeler 1936
    [Show full text]
  • European Central Bank Executive Board 60640 Frankfurt Am Main Germany Brussels, 30 August 2017 Confirmatory Application to Th
    The European Parliament Fabio De Masi - European Parliament - Rue Wiertz 60 - WIB 03M031 - 1047 Brussels European Central Bank Executive Board 60640 Frankfurt am Main Germany Brussels, 30 August 2017 Confirmatory application to the ECB reply dated 3 August 2017 Reference: LS/PT/2017/61 Dear Sir or Madam, We hereby submit a confirmatory application (Art. 7 (2) ECB/2004/3) based on your reply dated 3 August 2017, in which you fully refused access to the legal opinion “Responses to questions concerning the interpretation of Art. 14.4 of the Statute of the ESCB and of the ECB”. We submit the confirmatory application on the following grounds that the ECB has a legal obligation to disclose documents based on Article 2 (1) ECB/2004/3 in conjunction with Article 15 (3) TFEU. Presumption of the exceptions set out in Article 4 (2) ECB/2004/3 (undermining of the protection of court proceedings and legal advice) and Article 4 (3) ECB/2004/3 (undermining of the deliberation process) is unlawful. 1. Protection of legal advice, no undermining of legitimate interests – irrelevance of intentions, future deliberations and ‘erga omnes’ effects In your letter you state, “In the case at hand, public release of the legal opinion – which was sought by the ECB’s decision-making bodies and intended exclusively for their information and consideration – would undermine the ECB’s legitimate interest in receiving frank, objective and comprehensive legal advice. This especially so since this legal advice was not only essential for the decision-making bodies to feed
    [Show full text]
  • The Capsule Athina Rachel Tsangari Press Kit July 2012 Copy 3
    1 2012 — Greece — 35’ DCP, 1:1.78, Color, 5.1 surround, French Synopsis Seven girls, a mansion perched on a Cycladic rock, a cycle of lessons on discipline, desire and demise—infinitely. 2 The film Athina Rachel Tsangari has created both a film and a projection installation for the DesteFashion- Collection 2012, commissioned by art collector Dakis Joannou. It is a “Greek Gothic” mystery inspired by the work of the young Polish artist Aleksandra Waliszewska. Tsangari curated an haute couture “capsule” for the DesteFashionCollection 2012, selecting works by young, avant-garde designers who boldly challenge the boundaries of fashion as wearable sculpture. 3 The pieces feature in both her film and projection installation, re-agitating the ongoing, essential dialogue between cinema, fashion, and the fine arts. A distinguished international all-female cast of seven is participating, including Ariane Labed, winner of the Coppa Volpi for Best Actress at the 2010 Venice Film Festival in Tsangari’s “Attenberg”; Clémence Poésy, known for her roles in the “Harry Potter” series and Danny Boyle’s “127 hours”; and Isolda Dychauk, the lead in Aleksander Sokurov’s “Faust”. 4 The installation The CAPSULE installation repurposes digital 3D technology to create a kaleidoscopic illusion apparatus, a modern-day adaptation of early cinema’s “Kinetoscope”. It invites an unsuspecting audience of passers-by to enter an adventure of visual perception, dependent on their distance from the screen and their respective heights. Viewers are invited to either fully engage and “discover” the story 5 unfolding on the screen, or fleetingly experience the images as mysterious, oneiric tableaux.
    [Show full text]
  • GREEK CINEMA PERSISTS AGAINST ALL ODDS By: Niko Franghias
    1 HELLENIC CURRENT: GREEK CINEMA PERSISTS AGAINST ALL ODDS By: Niko Franghias (Article reproduced with the kind permission of THE GREEK STAR - February 9, 2012 Edition "DOES GREECE MATTER?") It started early 2008, when an unusual Greek thriller, TALE 52, was announced in official competition at the Rotterdam International Film Festival, the essential hub in Holland for discovering film talent from around the globe. The film, written and directed by young filmmaker Alexis Alexiou with the support of the government-funded Greek Film Centre (GFC), was well received and soon was acquired by a European distribution label. TALE 52 moved on to Sitges – the Catalonian International Film Festival in Spain - where it won best Screenplay. And then, there was Light! An awakening! Every filmmaker went through a revelation “why can’t I?” That’s not to imply that in the past, Greek films were not recognized by major European film events and international audiences. Visual storytellers like Michael Cacoyannis, Costa Gavras, Pantelis Voulgaris, the late Theo Angelopoulos, Greece’s exceptional film poet, and others, have been embraced by Cannes, Berlin and Venice respectively. But, in my view, all these worthy distinctions through such a long passage of time loomed more like rare flashes of clarity in a storyteller’s mind that has been in a coma for the last 37 years. Three Greek films lit sunbeams in major European festivals in 2009 and the Greek film community could not believe the stroke of good luck. In Berlinale’s Panorama, STRELLA, A WOMAN’S WAY, by director/writer/producer Panos H.
    [Show full text]