Results International Autumn Sale

Total Page:16

File Type:pdf, Size:1020Kb

Results International Autumn Sale Results International Autumn Sale, No. Item Hammer price 1 A WRITING COMMODE. 2 400 EUR 2 CHEST OF DRAWERS. 1 100 EUR 3 A SET OF FIVE CHAIRS. 1 000 EUR 4 A WRITING COMMODE. 3 100 EUR 5 CUPBOARD. 900 EUR 6 A PAIR OF CHAIRS. 850 EUR 7 AN EMPIRE STYLE MALACHITE TABLE. Unsold 8 A CARD TABLE. 5 800 EUR 9 A VITRINE TABLE. 1 400 EUR 10 A SUITE OF FURNITURE, 4 PIECES. Unsold 11 A DESK. 1 800 EUR 12 A SOFA. 1 000 EUR 13 A SEMI-ANTIQUE KIRMAN. 1 300 EUR 14 A NAIN. 7 800 EUR 15 A MALAYER. Unsold 16 A KIRMAN. Unsold 17 AN SEMI-ANTIQUE CHINESE CARPET. 900 EUR 18 AN AUBUSSON. 1 600 EUR 19 AN AUBUSSON. 1 000 EUR 20 A GHOM. 520 EUR 21 A NAIN. 850 EUR 22 A NAIN. 850 EUR 23 A SARUK. Unsold 24 A KIRMAN. 2 500 EUR 25 A KASHAN. 3 000 EUR 26 A GHOM. 1 700 EUR 27 A TÄBRIS. Unsold 28 A KIRMAN. 1 600 EUR 29 TÄBRIS. 1 300 EUR 30 AN ANTIQUE BIDJAR. 530 EUR Bukowski Auktioner AB +46 (0)8 6140800 Arsenalsgatan 2 www.bukowskis.com 1/20 111 47 Stockholm Results International Autumn Sale, No. Item Hammer price 31 AN ANTIQUE KASHGAI. 750 EUR 32 AN ANTIQUE TURKISH PRAYER CARPET. 200 EUR 33 "KIOT", ICON CABINET. 1 700 EUR 34 CIGAR CABINET. 800 EUR 35 A MINIATURE COMMODE. 400 EUR 36 A WALL CABINET. 400 EUR 37 A CHANDELIER. 1 300 EUR 38 A FOUR-LIGHT CHANDELIER. 700 EUR 39 A SET OF TWO 18TH CENTURY HALL LANTERNS. Unsold 40 A PAIR OF TWO-LIGHT CANDELABRA. 10 500 EUR 41 A PAIR OF THREE LIGHT CANDELABRA. 4 800 EUR 42 A PAIR OF TWO-LIGHT CANDELABRA. 1 200 EUR 43 A PAIR OF TWO-LIGHT WALL-LIGHTS. Unsold 44 A PAIR OF TAZZAS. 2 900 EUR 45 A PAIR OF CANDLESTICKS. 400 EUR 46 A SLEDGE, LETTER WEIGHT. 400 EUR 47 A CUT-GLASS CHANDELIER. 900 EUR 48 A PAIR OF CANDLESTICKS. 750 EUR 49 A PAIR OF CANDLESTICKS. 600 EUR 50 A THREE LIGHT CANDELABRA. 1 050 EUR 51 A PAIR OF PICTURE FRAMES. 220 EUR 52 A SNUFF-BOX. 350 EUR 53 A SNUFF-BOX. 200 EUR 54 A PAIR OF GARDEN URNS. 650 EUR 55 A MAP OF SOUTH-EAST FINLAND. 800 EUR 56 A MAP OF VAASA IN FINLAND. 380 EUR 57 A MAP OF EASTERN FINLAND. 300 EUR 58 A MAP OF SOUTHWEST FINLAND. 800 EUR 59 A MAP OF FINLAND. Unsold 60 A MAP OF OSTROBOTHNIA IN FINLAND. Unsold Bukowski Auktioner AB +46 (0)8 6140800 Arsenalsgatan 2 www.bukowskis.com 2/20 111 47 Stockholm Results International Autumn Sale, No. Item Hammer price 61 A MAP OF FINLAND. 300 EUR 62 A MAP OF THE GULF OF FINLAND. Unsold 63 A MAP OF SWEDEN. Unsold 64 A MAP OF THE WORLD. 1 200 EUR 65 A MAP OF BALTICUM. 800 EUR 66 A NAUTICAL CHART OF GULF OF FINLAND. 700 EUR 67 CHART OF SEA-LANE AT UTÖ, FINLAND. 430 EUR 68 A MAP OF RUSSIA. Unsold 69 A MAP OF SCANDINAVIA. 1 400 EUR 70 A MAP OF SWEDEN. 700 EUR 71 A MAP OF SWEDEN. Unsold 72 A MAP OF SCANDINAVIA. 1 700 EUR 73 A MAP OF SWEDEN. 300 EUR 74 A MAP OF THE BORDER BETWEEN NORWAY AND SWEDEN. Unsold 75 A MAP OF MOSCOW. 300 EUR 76 A BINDER WITH 71 LITHOGRAPHS. 17 000 EUR 77 A LITHOGRAPH. 520 EUR 78 A LITHOGRAPH. 500 EUR 79 A LITHOGRAPH. 560 EUR 80 A LITHOGRAPH. 540 EUR 81 AN AQUATINT, Kibitiki D`Hiver. Michel Francois Damane-Dimartrais (1763-1827). Unsold 82 AN AQUATINT, Ligne. Michel Francois Damane-Dimartrais, 1763-1827. Unsold 83 AQUATINT. 1 200 EUR 84 A LITHOGRAPH. 2 900 EUR 85 A LITHOGRAPH. 450 EUR 86 A LITHOGRAPH. 320 EUR 87 A LITHOGRAPH. 300 EUR 88 A LITHOGRAPH. 680 EUR 89 COAT OF ARMS. 430 EUR 90 AEROPLANE PROPELLER. 1 100 EUR Bukowski Auktioner AB +46 (0)8 6140800 Arsenalsgatan 2 www.bukowskis.com 3/20 111 47 Stockholm Results International Autumn Sale, No. Item Hammer price 91 A PAIR OF PISTOLS. 5 100 EUR 92 A RIFLE. Unsold 93 REVOLVER. 2 300 EUR 94 A RIFLE. 4 000 EUR 95 A PAIR OF MINIATURE PISTOLS. 1 100 EUR 96 PERCUSSION PISTOLS, A PAIR. Unsold 97 A PISTOL. 1 000 EUR 98 A PISTOL. 4 500 EUR 99 A BAYONET. 200 EUR 100 SHASKA. 700 EUR 101 Alfred William Finch, A MATCH STAND. 900 EUR 102 Alfred William Finch, A TUREEN WITH COVER. 920 EUR 103 Alfred William Finch, A MUG. 700 EUR 104 A FIGURE GROUP. 3 000 EUR 105 A FIGURE. 500 EUR 106 AN URN WITH COVER. Unsold 107 A SET OF TWO CANDELABRA. Unsold 108 A SERVICE, approx. 60 pieces. 9 000 EUR 109 A SET OF SIX CUPS AND SAUCERS. 420 EUR 110 A SET OF NINE CUPS AND SAUCERS. 420 EUR 111 A SET OF FOUR CUPS AND SAUCERS. 240 EUR 112 TWO PAIRS OF CUPS AND SAUCERS. 200 EUR 113 A TEA SERVICE, 14 PIECES. Unsold 114 A FLOWER POT. Unsold 115 A SET OF TWO PLATES. 3 500 EUR 116 A PLATE. 300 EUR 117 A PLATE. Unsold 118 A CORONATION MUG. 500 EUR 119 A FIGURINE. Unsold 120 A MATCH STICK HOLDER. 320 EUR Bukowski Auktioner AB +46 (0)8 6140800 Arsenalsgatan 2 www.bukowskis.com 4/20 111 47 Stockholm Results International Autumn Sale, No. Item Hammer price 121 A RING. 680 EUR 123 A RING. 820 EUR 124 A SAPPHIRE / DIAMOND RING. 700 EUR 125 A RING. 450 EUR 126 A RING. 1 700 EUR 128 A RING. 150 EUR 130 A RING. 650 EUR 131 A DIAMOND RING. 180 EUR 132 A DIAMOND RING. 160 EUR 133 A DIAMOND RING. 600 EUR 134 A DIAMOND RING. 820 EUR 136 A RING. 420 EUR 137 A RING. 180 EUR 140 AN EMERALD / DIAMOND RING. 350 EUR 141 A DIAMOND RING. 420 EUR 142 A RING. 950 EUR 143 A RING. Unsold 144 A DIAMOND RING. 1 400 EUR 145 A RING. Unsold 146 AN EMERALD RING. 300 EUR 147 A RING. 390 EUR 148 SOLITAIRE RING. 5 000 EUR 149 AN AMETHYST RING. 400 EUR 150 AN OPAL RING. 1 800 EUR 151 A RING. 800 EUR 152 A DIAMOND RING. 1 400 EUR 153 A DIAMOND RING. Unsold 154 A DIAMOND RING. 1 300 EUR 156 A DIAMOND RING. 1 000 EUR 157 A DIAMOND RING. Unsold Bukowski Auktioner AB +46 (0)8 6140800 Arsenalsgatan 2 www.bukowskis.com 5/20 111 47 Stockholm Results International Autumn Sale, No. Item Hammer price 158 A CARTIER RING. 26 000 EUR 159 PEARL RING + EARRINGS. 600 EUR 160 EARRINGS. Unsold 161 EARRINGS. 380 EUR 163 DIAMOND EARRINGS. 600 EUR 164 EARRINGS. 500 EUR 165 EARRINGS. 520 EUR 166 EARRINGS. 1 900 EUR 167 EARRINGS. 580 EUR 168 EARRINGS. 720 EUR 169 EARRINGS. 820 EUR 170 EARRINGS. 870 EUR 171 EARRINGS. 1 850 EUR 172 EARRINGS. 1 850 EUR 177 A CAMEO. 250 EUR 179 A CAMEO. 300 EUR 180 A BROOCH. 420 EUR 181 A BROOCH. 370 EUR 182 A BROOCH. Unsold 183 A BROOCH. Unsold 184 A BROOCH. 300 EUR 185 A BROOCH. 430 EUR 186 A DIAMOND BROOCH. 530 EUR 187 A BROOCH. Unsold 188 A BROOCH / HATPIN. 1 150 EUR 189 A BROOCH. 1 300 EUR 190 A BROOCH DIAMONDS AND PEARLS. 4 600 EUR 191 A GOLD BROOCH. 1 300 EUR 192 A BROOCH. 500 EUR 193 A BRACELET. 400 EUR Bukowski Auktioner AB +46 (0)8 6140800 Arsenalsgatan 2 www.bukowskis.com 6/20 111 47 Stockholm Results International Autumn Sale, No. Item Hammer price 194 A BRACELET. 1 200 EUR 195 A BRACELET. 950 EUR 196 A BRACELET. 580 EUR 197 DIAMOND / EMERALD BRACELET. 550 EUR 198 A BRACELET. 480 EUR 199 AN AMETHYST BRACELET. 1 450 EUR 200 A BRACELET. Unsold 201 A BRACELET. 1 200 EUR 202 A BRACELET. 820 EUR 203 BRACELET BROOCH EARRINGS. 700 EUR 204 A DIAMOND BRACELET. 2 000 EUR 205 A DIAMOND BRACELET. 5 500 EUR 206 A DIAMOND BRACELET. Unsold 208 A BRACELET. 2 500 EUR 209 A DIAMOND BRACELET. Unsold 210 A BRACELET. 4 900 EUR 213 PENDANT GOLD COIN. 620 EUR 214 A DIAMOND PENDANT. 500 EUR 215 A BROOCH/PENDANT. 550 EUR 216 A GOLDEN EGG. 950 EUR 217 FABERGÉ EGG, PENDANT. 2 200 EUR 218 A PEARL COLLIER. 400 EUR 219 A PEARL COLLIER. 330 EUR 220 A PEARL COLLIER. 2 600 EUR 221 AN AMETHYST PENDANT. 650 EUR 222 A MEDALLION. 950 EUR 223 A PENDANT. 560 EUR 224 A DIAMOND PENDANT WITH CHAIN. Unsold 225 A PENDANT. 580 EUR 226 A PENDANT. 1 700 EUR Bukowski Auktioner AB +46 (0)8 6140800 Arsenalsgatan 2 www.bukowskis.com 7/20 111 47 Stockholm Results International Autumn Sale, No. Item Hammer price 229 A PLATINUM PENDANT. 750 EUR 231 A NECKLACE. 1 300 EUR 232 A SILVER NECKLACE. 1 300 EUR 233 AN AMETHYST NECKLACE. 1 600 EUR 234 A DIAMOND COLLIER. 3 600 EUR 235 A COLLIER. 1 900 EUR 240 DIAMOND / EMERALD NECKLACE. 800 EUR 241 A NECKLACE. 1 650 EUR 243 A COLLIER. 1 200 EUR 244 POCKETWATCH WITH 2 CHAINS. 1 650 EUR 245 POCKET WATCH / I. Wigdor, Bayonne N.J. 800 EUR 246 POCKET WATCH / Waltham. 1 450 EUR 247 POCKET WATCH / Zenith. 600 EUR 248 POCKET WATCH / Moser.
Recommended publications
  • A Show of Emotion
    Issue No. 3/2018 A Show of Emotion Interview by Gill Crabbe, FNG Research As the Sinebrychoff Art Museum prepares to stage an exhibition on painting and the theatre, Gill Crabbe meets the show’s curator Laura Gutman, to discuss the research she carried out in order to bring this topic to life Meeting the independent curator Laura Gutman is like meeting a detective. As curator of several shows in Finland, where she moved from Paris 17 years ago, including the recent acclaimed ‘Air de Paris’ exhibition at Helsinki Art Museum (HAM), she has used her research skills and background studying art history under Guy Cogeval at the Ecole du Louvre in Paris in the 1990s to impressive effect in Finland. Not only has she been making intriguing connections between Finnish artists and their European counterparts, but also deepening understanding of European artworks in Finnish collections. It is a busy year for Gutman as she is now in the final stages of preparing a show on theatre and painting from the 17th to early 20th centuries titled ‘Moved to Tears: Staging Emotions’ at the Sinebrychoff Art Museum in Helsinki. The museum is an appropriate setting for such a subject as it is the house of the collector Paul Sinebrychoff, whose wife Fanny Grahn was herself an actress, and their rooms on the first floor are laid out almost as a series of theatrical sets, each reflecting a period from his collection. The theme of the Sinebrychoff exhibition which is held in the galleries on the ground floor, is also a subject close to Gutman’s heart, since at the Ecole du Louvre she studied the theoretical and philosophical background to painting and theatre ‘from David to Degas’.
    [Show full text]
  • Download Download
    Iconographisk Post • Nordisk tidskrift för bildtolkning Nordic Review of Iconography Nr 3/4, 2020. issn 2323-5586. pp. 157–205. Iconographisk Post Fred Andersson Nordisk tidskrift för bildtolkning Ph.D. in Art History, Adjunct prof. (Docent), Senior lecturer, Art History & Visual Nordic Review of Iconography studies, Åbo Akademi University, Finland. Email: [email protected] Nr 3/4, 2020 Iconography of the Labour Movement. Part 2: Socialist Iconography, 1848–1952 innehåll / contents Abstract: This is Part 2 of a two-part study which aims at preliminary conclusions re- garding the iconography of the international labour movement. Earlier research in the Förord / Editorial 3 fields of social history, art history and visual rhetorics has been consulted for this pur- pose. After 1848, emerging socialist parties and labour unions depended on republican Søren Kaspersen “Quale sit intus in his” – A Note about Abbot Suger's 9 iconography for their manifestation of collective identity. The republican virtues of Bronze Doors in Saint-Denis Liberty, Equality and Fraternity remained important, but Fraternity was gradually re- placed or merged with Unity and Solidarity. In a process akin to the identification of Anders Ödman the goddess of Liberty with a more common “Marianne”, the representation of Unity Östra Sallerups kyrka i Frosta härad, Skåne: 27 and manual work in socialist iconography became focused on images of individual kolonisation och kulturella kontakter male or female workers. In earlier prints and illustrations, these representations have Ragnhild M. Bø strong affinities with how the concept of labour was personified in official monuments Miracle, Moral and Memory: Situating the Miracles 53 of the same period.
    [Show full text]
  • The Arts and Crafts Movement: Exchanges Between Greece and Britain (1876-1930)
    The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) M.Phil thesis Mary Greensted University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Contents Introduction 1 1. The Arts and Crafts Movement: from Britain to continental 11 Europe 2. Arts and Crafts travels to Greece 27 3 Byzantine architecture and two British Arts and Crafts 45 architects in Greece 4. Byzantine influence in the architectural and design work 69 of Barnsley and Schultz 5. Collections of Greek embroideries in England and their 102 impact on the British Arts and Crafts Movement 6. Craft workshops in Greece, 1880-1930 125 Conclusion 146 Bibliography 153 Acknowledgements 162 The Arts and Crafts Movement: exchanges between Greece and Britain (1876-1930) Introduction As a museum curator I have been involved in research around the Arts and Crafts Movement for exhibitions and publications since 1976. I have become both aware of and interested in the links between the Movement and Greece and have relished the opportunity to research these in more depth. It has not been possible to undertake a complete survey of Arts and Crafts activity in Greece in this thesis due to both limitations of time and word constraints.
    [Show full text]
  • Magnus Enckell's Early Work
    Issue No. 1/2021 Tones of Black – Magnus Enckell’s Early Work Anna-Maria von Bonsdorff, PhD, Chief Curator, Finnish National Gallery / Ateneum Art Museum, co-curator, ‘Magnus Enckell’ exhibition 2020–21 Also published in Hanne Selkokari (ed.), Magnus Enckell 1870−1925. Ateneum Publications Vol. 141. Helsinki: Finnish National Gallery / Ateneum Art Museum, 2020. Transl. Don McCracken Magnus Enckell may not be a household name but some of his works are very well known. Boy with Skull (1892) and The Awakening (1894) are paintings that have retained their fascination for generations in Finnish art history. But what was Enckell like, as a man and an artist? How did his career begin and how did it progress from the late 19th to the early 20th century? Enckell was already an influential person from a young age, and his interests and bold artistic experiments were the subject of much attention. His artistic career differed from others of his generation, not least because from the start, he received support from Finland’s most prominent artist, Albert Edelfelt, who also later served as his mentor, yet he was also very international in his artistic taste. When many of his fellow artists were involved with the transnational ideas of national revival, Enckell’s interests were focussed on international art and especially on Symbolism. Enckell’s life as an artist is intriguingly contradictory, and on a personal level he was apparently complex and often divided opinion.1 Yet he had many supporters, and he influenced ideas and perceptions about art among his close artist friends. Enckell was also good at networking and he forged his own international connections with artists in Paris.
    [Show full text]
  • Symbolism of Surface and Depth in Edvard
    MARJA LAHELMA want life and its terrible depths, its bottomless abyss. to hold on to the ideal, and the other that is at the same Lure of the Abyss: – Stanisław Przybyszewski1 time ripping it apart. This article reflects on this more general issue through Symbolist artists sought unity in the Romantic spirit analysis and discussion of a specific work of art, the paint- Symbolism of Ibut at the same time they were often painfully aware of the ing Vision (1892) by Edvard Munch. This unconventional impossibility of attaining it by means of a material work of self-portrait represents a distorted human head floating in art. Their aesthetic thinking has typically been associated water. Peacefully gliding above it is a white swan – a motif Surface and with an idealistic perspective that separates existence into that is laden with symbolism alluding to the mysteries of two levels: the world of appearances and the truly existing life and death, beauty, grace, truth, divinity, and poetry. The Depth in Edvard realm that is either beyond the visible world or completely swan clearly embodies something that is pure and beautiful separated from it. The most important aim of Symbolist art as opposed to the hideousness of the disintegrating head. would then be to establish a direct contact with the immate- The head separated from the body may be seen as a refer- Munch’s Vision rial and immutable realm of the spirit. However, in addition ence to a dualistic vision of man, and an attempt to separate to this idealistic tendency, the culture of the fin-de-siècle the immaterial part, the soul or the spirit, from the material (1892) also contained a disintegrating penchant which found body.
    [Show full text]
  • Imaging the Spiritual Quest Spiritual the Imaging
    WRITINGS FROM THE ACADEMY OF FINE ARTS 06 Imagingthe Spiritual Quest Imaging the Spiritual Quest Explorations in Art, Religion and Spirituality FRANK BRÜMMEL & GRANT WHITE, EDS. Imaging the Spiritual Quest Explorations in Art, Religion and Spirituality WRITINGS FROM THE ACADEMY OF FINE ARTS 06 Imaging the Spiritual Quest Explorations in Art, Religion and Spirituality FRANK BRÜMMEL & GRANT WHITE, EDS. Table of Contents Editors and Contributors 7 Acknowledgements 12 Imaging the Spiritual Quest Introduction 13 Explorations in Art, Religion and Spirituality. GRANT WHITE Writings from the Academy of Fine Arts (6). Breathing, Connecting: Art as a Practice of Life 19 Published by RIIKKA STEWEN The Academy of Fine Arts, Uniarts Helsinki The Full House and the Empty: On Two Sacral Spaces 33 Editors JYRKI SIUKONEN Frank Brümmel, Grant White In a Space between Spirituality and Religion: Graphic Design Art and Artists in These Times 41 Marjo Malin GRANT WHITE Printed by Mutual Reflections of Art and Religion 53 Grano Oy, Vaasa, 2018 JUHA-HEIKKI TIHINEN Use of Images in Eastern and Western Church Art 63 ISBN 978-952-7131-47-3 JOHAN BASTUBACKA ISBN 978-952-7131-48-0 pdf ISSN 2242-0142 Funerary Memorials and Cultures of Death in Finland 99 © The Academy of Fine Arts, Uniarts Helsinki and the authors LIISA LINDGREN Editors and Contributors Stowaway 119 PÄIVIKKI KALLIO On Prayer and Work: Thoughts from a Visit Editors to the Valamo Monastery in Ladoga 131 ELINA MERENMIES Frank Brümmel is an artist and university lecturer. In his ar- tistic practice Brümmel explores how words, texts and im- “Things the Mind Already Knows” ages carved onto stone semiotically develop meanings and and the Sound Observer 143 narratives.
    [Show full text]
  • Föglö Kyrka Från Medeltid Till Nutid
    Heikki Hanka Kyrkokonstens och den visuella kulturens epoker FÖGLÖ KYRKA FRÅN MEDELTID TILL NUTID Föglö medeltida kyrka på Åland gör ett sakligt och okonstlat intryck på besökaren. Artikeln granskar med hjälp av källkritisk närläsning textmaterial och originalkäl- lor som berör kyrkan och dess föremål. Detta kunskapsunderlag, i kombination med observationer som gjorts på plats, öppnar för betydelser som ligger bakom kyrkans nuvarande utformning och ger också insyn i dess äldre historiska skeden. Den skenbara arkaismen döljer ett konsthistoriskt rikt landskap. Finska fornminnesföreningen, grundad år 1870, åtog sig uppdraget att vårda kulturarvet genom att organisera konsthistoriska expeditioner vars mål var att identifiera och dokumentera vårt lands konsthistoriskt betydelsefulla platser. Fram till år 1902 organiserades åtta fältexpeditioner varav den första på som- maren 1871 riktades till Åbo med omgivningar och Åland.1 I slutet av juli be- sökte en expedition bestående av åtta personer, ledd av Emil Nervander, även Föglö.2 Denna artikel är en hedersbetygelse till föreningens banbrytande insats för fornminnesforskningen i vårt land. Samtidigt får vi tacka föreningen för att den konsthistoriska forskningens första frön såddes och att studiet av kyrko- konst inleddes. Även om mycket har förändrats under de gångna 150 åren, så är de forskningsmetoder som expeditionerna skapade och använde fortfarande grundläggande verktyg i den konsthistoriska forskningen. Via observationer gjorda på plats och insamling av kunskapsskärvor från varierande källmaterial fortsätter den nutida forskaren i de konsthistoriska expeditionernas fortspår. Kyrkorna har, förutom agerat plats för religionsutövning, också varit en cen- tral del av det finska kulturarvet. Överföringen av kyrkans kulturarv till fram- tiden är utmanande. Både den evangelisk-lutherska och den ortodoxa kyrkan utreder för närvarande i sina strategier hur de bör förvalta kyrkans materi- ella och immateriella kulturarv3.
    [Show full text]
  • European Revivals from Dreams of a Nation to Places of Transnational Exchange
    European Revivals From Dreams of a Nation to Places of Transnational Exchange EUROPEAN REVIVALS From Dreams of a Nation to Places of Transnational Exchange FNG Research 1/2020 Akseli Gallen-Kallela, Illustration for the novel, Seven Brothers, by Aleksis Kivi, 1907, watercolour and pencil, 23.5cm x 31.5cm. Ahlström Collection, Finnish National Gallery / Ateneum Art Museum Photo: Finnish National Gallery / Hannu Aaltonen European Revivals From Dreams of a Nation to Places of Transnational Exchange European Revivals From Dreams of a Nation to Places of Transnational Exchange European Revivals. From Dreams of a Nation to Places of Transnational Exchange FNG Research 1/2020 Publisher Finnish National Gallery, Helsinki Editors-in-Chief Anna-Maria von Bonsdorff and Riitta Ojanperä Editor Hanna-Leena Paloposki Language Revision Gill Crabbe Graphic Design Lagarto / Jaana Jäntti and Arto Tenkanen Printing Nord Print Oy, Helsinki, 2020 Copyright Authors and the Finnish National Gallery Web magazine and web publication https://research.fng.fi/ ISBN 978-952-7371-08-4 (paperback) ISBN 978-952-7371-09-1 (pdf) ISSN 2343-0850 (FNG Research) Table of Contents Foreword .................................................................................................. vii ANNA-MARIA VON BONSDORFF AND RIITTA OJANPERÄ VISIONS OF IDENTITY, DREAMS OF A NATION Ossian, Kalevala and Visual Art: a Scottish Perspective ........................... 3 MURDO MACDONALD Nationality and Community in Norwegian Art Criticism around 1900 .................................................. 23 TORE KIRKHOLT Celticism, Internationalism and Scottish Identity: Three Key Images in Focus ...................................................................... 49 FRANCES FOWLE Listening to the Voices: Joan of Arc as a Spirit-Medium in the Celtic Revival .............................. 65 MICHELLE FOOT ARTISTS’ PLACES, LOCATION AND MEANING Inventing Folk Art: Artists’ Colonies in Eastern Europe and their Legacy .............................
    [Show full text]
  • Spiritual Treasures in Finnish Art
    BOOK REVIEW Spiritual treasures in Finnish art DOI: https://doi.org/10.30664/ar.99492 Attribution 4.0 International (CC BY 4.0) Spiritual Treasures: Esotericism in the Finn ish Art World 1890–1950, eds. Nina Kokki nen and Lotta Nylund (Helsinki: Parvs, 2020), 192 pp. Following the explosive interest in art and Western esotericism, in part a result of the discovery of the Swedish occult painter Hilma af Klint, a large number of books and catalogues have been released on the sub­ ject. While there is still fairly little research on the manifestations of esoteric ideas in Scandinavian artistic milieus, Finnish scholars have in recent years come to the forefront in the study of how fin-de-siècle occultism affected national painters, and intersected with dominant currents such as romanticism, folklore traditions, and Finland, from June to October 2020. The nationalism. Spiritual Treasures: Esoteri- exhibition reflected esoteric ideas in Finn­ cism in the Finnish Art World 1890–1950 is ish art from 1890 to 1950 and was based a valuable addition to this growing interest, on the art collection of the Finnish banker, as another example of the vital role esoteri­ Freemason, and Anthroposophist Ane cism played in Finnish art history and in Gyllen berg – whose home has become the Nordic region as a whole. the Villa Gyllenberg Museum – as well as Edited by the art historian Nina Kokki­ pieces from public museums and other pri­ nen and chief curator Lotta Nylund, Spirit- vate collectors. Since many of these works ual Treasures was produced in conjunc­ are presented in Spiritual Treasures, the tion with the exhibition entitled The Path book combines an exhibition catalogue to Hidden Knowledge, which took place at with an anthology of thirteen art­historical the Villa Gyllenberg Museum in Helsinki, essays by Finnish scholars.
    [Show full text]
  • Travelling in a Palimpsest
    MARIE-SOFIE LUNDSTRÖM Travelling in a Palimpsest FINNISH NINETEENTH-CENTURY PAINTERS’ ENCOUNTERS WITH SPANISH ART AND CULTURE TURKU 2007 Cover illustration: El Vito: Andalusian Dance, June 1881, drawing in pencil by Albert Edelfelt ISBN 978-952-12-1869-9 (digital version) ISBN 978-952-12-1868-2 (printed version) Painosalama Oy Turku 2007 Pre-print of a forthcoming publication with the same title, to be published by the Finnish Academy of Science and Letters, Humaniora, vol. 343, Helsinki 2007 ISBN 978-951-41-1010-8 CONTENTS PREFACE AND ACKNOWLEDGEMENTS. 5 INTRODUCTION . 11 Encountering Spanish Art and Culture: Nineteenth-Century Espagnolisme and Finland. 13 Methodological Issues . 14 On the Disposition . 17 Research Tools . 19 Theoretical Framework: Imagining, Experiencing ad Remembering Spain. 22 Painter-Tourists Staging Authenticity. 24 Memories of Experiences: The Souvenir. 28 Romanticism Against the Tide of Modernity. 31 Sources. 33 Review of the Research Literature. 37 1 THE LURE OF SPAIN. 43 1.1 “There is no such thing as the Pyrenees any more”. 47 1.1.1 Scholarly Sojourns and Romantic Travelling: Early Journeys to Spain. 48 1.1.2 Travelling in and from the Periphery: Finnish Voyagers . 55 2 “LES DIEUX ET LES DEMI-DIEUX DE LA PEINTURE” . 59 2.1 The Spell of Murillo: The Early Copies . 62 2.2 From Murillo to Velázquez: Tracing a Paradigm Shift in the 1860s . 73 3 ADOLF VON BECKER AND THE MANIÈRE ESPAGNOLE. 85 3.1 The Parisian Apprenticeship: Copied Spanishness . 96 3.2 Looking at WONDERS: Becker at the Prado. 102 3.3 Costumbrista Painting or Manière Espagnole? .
    [Show full text]
  • Artist Brothers Magnus, Wilhelm and Ferdinand Von Wright at the Intersection of Art and Science // Anne-Maria Pennonen --- FNG Research Issue No
    Issue No. 6/2017 Artist Brothers Magnus, Wilhelm and Ferdinand von Wright at the Intersection of Art and Science Anne-Maria Pennonen, MA, Curator, Finnish National Gallery / Ateneum Art Museum, Helsinki Also published in Erkki Anttonen & Anne-Maria Pennonen (eds.), The Brothers von Wright – Art, Science and Life. Ateneum Publications Vol. 99. Helsinki: Finnish National Gallery / Ateneum Art Museum, 11–34. Transl. Wif Stenger Magnus, Wilhelm and Ferdinand von Wright are integral figures in the history of science and culture in 19th-century Finland and Sweden. They are sometimes referred to as if they were one and the same person, although each had his own, distinct career. The brothers are best known for their paintings and prints of birds but, as well as scientific illustrations, the work of Magnus and Ferdinand also includes many drawings, paintings and still-lifes. In fact, the eldest of the brothers, Magnus, became one of the most prominent landscape painters in Finland in the 1840s, and the youngest, Ferdinand, in the 1850s. Ferdinand also painted several portraits. The middle brother, Wilhelm, who made his career in Sweden, concentrated on scientific illustration, mostly in graphic prints. Over the many years of depicting and observing birds, the brothers acquired a depth of scientific knowledge that justifies calling them ornithologists; Magnus in particular is generally considered to be a pioneer of Finnish ornithology.1 It is clear, when we look at their work, that their careers unfolded at the intersection of science and art, and it is sometimes difficult to tell the two apart. While the works are regarded stylistically as part of the tradition of Biedermeier or Romanticism, the scientific accuracy and detail of the pictures is far more important.
    [Show full text]
  • From Stockholm to Tallinn the North Between East and West Stockholm, Turku, Helsinki, Tallinn, 28/6-6/7/18
    CHAIN Cultural Heritage Activities and Institutes Network From Stockholm to Tallinn the north between east and west Stockholm, Turku, Helsinki, Tallinn, 28/6-6/7/18 Henn Roode, Seascape (Pastose II, 1965 – KUMU, Tallinn) The course is part of the EU Erasmus+ teacher staff mobility programme and organised by the CHAIN foundation, Netherlands Contents Participants & Programme............................................................................................................2 Participants............................................................................................................................3 Programme............................................................................................................................4 Performance Kalevala..............................................................................................................6 Stockholm................................................................................................................................10 Birka...................................................................................................................................11 Stockholm...........................................................................................................................13 The Allah ring.......................................................................................................................14 The Vasa.............................................................................................................................15
    [Show full text]