A Show of Emotion
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The Ateneum's Spring 2018 Exhibitions to Feature Adel Abidin and Italian
Press release 7 Sept 2017 / Free for publication The Ateneum's spring 2018 exhibitions to feature Adel Abidin and Italian art The von Wright Brothers exhibition will open the Ateneum's winter season by presenting landscapes, still lifes, images of nature, and scientific illustrations by Magnus, Wilhelm and Ferdinand von Wright. In February, an exhibition of works by the contemporary artist Adel Abidin will explore the relationship between power and identity. In May, the halls on the third floor will be taken over by Italian art from the 1920s and 1930s. Exhibitions at the Ateneum Art Museum The von Wright Brothers 27 Oct 2017–25 Feb 2018 The exhibition will offer new perspectives on the work of the artist brothers Magnus, Wilhelm and Ferdinand von Wright, who lived during the period of the Grand Duchy of Finland. In addition to the familiar nature depictions and scientific illustrations, the exhibition will present an extensive display of landscapes and still lifes. The brothers' works will be accompanied by new art by the photographic artist Sanna Kannisto (born 1974) and the conceptual artist Jussi Heikkilä (born 1952). The historical significance of the von Wright brothers for Finnish art, culture and science is explored through 300 works. In addition to oil paintings, watercolours, prints and sketches, exhibits will include birds stuffed by Magnus von Wright, courtesy of the Finnish Museum of Natural History. The chief curator of the exhibition is Anne-Maria Pennonen. The Ateneum last staged an exhibition of works by the von Wright brothers in 1982. The exhibition is part of the programme celebrating the centenary of Finland's independence. -
Correspondences – Jean Sibelius in a Forest of Image and Myth // Anna-Maria Von Bonsdorff --- FNG Research Issue No
Issue No. 6/20161/2017 CorrespondencesNordic Art History in – the Making: Carl Gustaf JeanEstlander Sibelius and in Tidskrift a Forest för of Bildande Image and Konst Myth och Konstindustri 1875–1876 Anna-Maria von Bonsdorff SusannaPhD, Chief Pettersson Curator, //Finnish PhD, NationalDirector, Gallery,Ateneum Ateneum Art Museum, Art Museum Finnish National Gallery First published in RenjaHanna-Leena Suominen-Kokkonen Paloposki (ed.), (ed.), Sibelius The Challenges and the World of Biographical of Art. Ateneum ResearchPublications in ArtVol. History 70. Helsinki: Today Finnish. Taidehistoriallisia National Gallery tutkimuksia / Ateneum (Studies Art inMuseum, Art History) 2014, 46. Helsinki:81–127. Taidehistorian seura (The Society for Art History in Finland), 64–73, 2013 __________ … “så länge vi på vår sida göra allt hvad i vår magt står – den mår vara hur ringa Thankssom to his helst friends – för in att the skapa arts the ett idea konstorgan, of a young värdigt Jean Sibeliusvårt lands who och was vår the tids composer- fordringar. genius Stockholmof his age developed i December rapidly. 1874. Redaktionen”The figure that. (‘… was as createdlong as wewas do emphatically everything we anguished, can reflective– however and profound. little that On maythe beother – to hand,create pictures an art bodyof Sibelius that is showworth us the a fashionable, claims of our 1 recklesscountries and modern and ofinternational our time. From bohemian, the Editorial whose staff, personality Stockholm, inspired December artists to1874.’) create cartoons and caricatures. Among his many portraitists were the young Akseli Gallen-Kallela1 and the more experienced Albert Edelfelt. They tended to emphasise Sibelius’s high forehead, assertiveThese words hair were and addressedpiercing eyes, to the as readersif calling of attention the first issue to ofhow the this brand charismatic new art journal person created compositionsTidskrift för bildande in his headkonst andoch thenkonstindustri wrote them (Journal down, of Finein their Arts entirety, and Arts andas the Crafts) score. -
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Iconographisk Post • Nordisk tidskrift för bildtolkning Nordic Review of Iconography Nr 3/4, 2020. issn 2323-5586. pp. 157–205. Iconographisk Post Fred Andersson Nordisk tidskrift för bildtolkning Ph.D. in Art History, Adjunct prof. (Docent), Senior lecturer, Art History & Visual Nordic Review of Iconography studies, Åbo Akademi University, Finland. Email: [email protected] Nr 3/4, 2020 Iconography of the Labour Movement. Part 2: Socialist Iconography, 1848–1952 innehåll / contents Abstract: This is Part 2 of a two-part study which aims at preliminary conclusions re- garding the iconography of the international labour movement. Earlier research in the Förord / Editorial 3 fields of social history, art history and visual rhetorics has been consulted for this pur- pose. After 1848, emerging socialist parties and labour unions depended on republican Søren Kaspersen “Quale sit intus in his” – A Note about Abbot Suger's 9 iconography for their manifestation of collective identity. The republican virtues of Bronze Doors in Saint-Denis Liberty, Equality and Fraternity remained important, but Fraternity was gradually re- placed or merged with Unity and Solidarity. In a process akin to the identification of Anders Ödman the goddess of Liberty with a more common “Marianne”, the representation of Unity Östra Sallerups kyrka i Frosta härad, Skåne: 27 and manual work in socialist iconography became focused on images of individual kolonisation och kulturella kontakter male or female workers. In earlier prints and illustrations, these representations have Ragnhild M. Bø strong affinities with how the concept of labour was personified in official monuments Miracle, Moral and Memory: Situating the Miracles 53 of the same period. -
International Evaluation of the Finnish National Gallery
International evaluation of the Finnish National Gallery Publications of the Ministry on Education and Culture, Finland 2011:18 International evaluation of the Finnish National Gallery Publications of the Ministry on Education and Culture, Finland 2011:18 Opetus- ja kulttuuriministeriö • Kulttuuri-, liikunta- ja nuorisopolitiikan osasto • 2011 Ministry of Education and Culture• Department for Cultural, Sport and Youth Policy • 2011 Ministry of Education and Culture Department for Cultural, Sport and Youth Policy Meritullinkatu 10, Helsinki P.O. Box 29, FIN-00023 Government Finland www.minedu.fi/minedu/publications/index.html Layout: Timo Jaakola ISBN 978-952-263--045-2 (PDF) ISSN-L 1799-0327 ISSN 1799-0335 (Online) Reports of the Ministry of Education and Culture 2011:18 Kuvailulehti Julkaisija Julkaisun päivämäärä Opetus- ja kulttuuriministeriö 15.4.2011 Tekijät (toimielimestä: toimielimen nimi, puheenjohtaja, sihteeri) Julkaisun laji Opetus- ja kulttuuriministeriön Kansainvälinen arviointipaneeli: projektipäällikkö Sune Nordgren työryhmämuistioita ja selvityksiä (pj.) Dr. Prof. Günther Schauerte, johtaja Lene Floris, ja Toimeksiantaja Opetus- ja kulttuuriministeriö oikeustieteen tohtori Timo Viherkenttä. Sihteeri: erikoissuunnittelija Teijamari Jyrkkiö Toimielimen asettamispvm Dnro 23.6.2010 66/040/2010 Julkaisun nimi (myös ruotsinkielinen) International evaluation of the Finnish National Gallery Julkaisun osat Muistio ja liitteet Tiivistelmä Opetus- ja kulttuuriministeriö päätti arvioida Valtion taidemuseon toiminnan vuonna 2010. Valtion taidemuseo on ollut valtion virasto vuodesta 1990 lähtien ja sen muodostavat Ateneumin taidemuseo, Nykytaiteen museo Kiasma, Sinebrychoffin taidemuseo ja Kuvataiteen keskusarkisto. Tulosohjattavan laitoksen tukitoimintoja hoitavat konservointilaitos, koko maan taidemuseoalan kehittämisyksikkö sekä hallinto- ja palveluyksikkö. Organisaatiorakenne on pysynyt suurinpiirtein samanlaisena sen koko olemassaolon ajan. Taidemuseon vuosittainen toimintamääräraha valtion budjetissa on n. 19 miljoonaa euroa ja henkilötyövuosia on n. -
Magnus Enckell's Early Work
Issue No. 1/2021 Tones of Black – Magnus Enckell’s Early Work Anna-Maria von Bonsdorff, PhD, Chief Curator, Finnish National Gallery / Ateneum Art Museum, co-curator, ‘Magnus Enckell’ exhibition 2020–21 Also published in Hanne Selkokari (ed.), Magnus Enckell 1870−1925. Ateneum Publications Vol. 141. Helsinki: Finnish National Gallery / Ateneum Art Museum, 2020. Transl. Don McCracken Magnus Enckell may not be a household name but some of his works are very well known. Boy with Skull (1892) and The Awakening (1894) are paintings that have retained their fascination for generations in Finnish art history. But what was Enckell like, as a man and an artist? How did his career begin and how did it progress from the late 19th to the early 20th century? Enckell was already an influential person from a young age, and his interests and bold artistic experiments were the subject of much attention. His artistic career differed from others of his generation, not least because from the start, he received support from Finland’s most prominent artist, Albert Edelfelt, who also later served as his mentor, yet he was also very international in his artistic taste. When many of his fellow artists were involved with the transnational ideas of national revival, Enckell’s interests were focussed on international art and especially on Symbolism. Enckell’s life as an artist is intriguingly contradictory, and on a personal level he was apparently complex and often divided opinion.1 Yet he had many supporters, and he influenced ideas and perceptions about art among his close artist friends. Enckell was also good at networking and he forged his own international connections with artists in Paris. -
Christmas and New Year.2019
OPENING HOURS Mon Tue Wed Thurs Tue Wed Mon CHRISTMAS & NEW YEAR 2019 23.12. 24.12. 25.12. 26.12. 31.12. 1.1. 6.1. ART MUSEUMS Amos Rex - - - 11-17 - - 11-18 Ateneum Art Museum - - - 10-17 10-17 - - Didrichsen Art Museum - - - 11-18 11-18 11-18 - Free entry 26.-29.12. Gallen-Kallela museum - - 11-17 11-17 11-16 11-17 11-17 HAM – Helsinki Art Museum (Tennispalace) - - - 11-19 11-17 - - Kunsthalle Helsinki - - - 11-17 - - - Kiasma, Contemporary Art Museum - - - 10-17 10-17 - - WeeGee building + EMMA – Espoo museum of - - - 11-17 - - - modern art Sinebrychoff Art Museum - - - 10-17 10-17 10-17 - HISTORICAL MUSEUMS Helsinki City Museums: -Helsinki City Museum - - - - 11-15 - - -Hakasalmi Villa - - - - 11-15 - - -Tram Museum - - - - 11-15 - - -Burgher’s House - - - - - - 11-17 Mannerheim museum - - - - - - - National Museum of Finland - - - 11-18 11-18 - - Urho Kekkonen Museum, Tamminiemi - - - - - - - CABLE FACTORY Hotel and Restaurant Museum - - - - - - - Theatre Museum - - - - - - - Finnish Museum of Photography - - - - - - - OTHER MUSEUMS Alvar Aalto Studio (Riihitie 20), only open for guided tours - - - 11.30 11.30 11.30 - House (Tiilimäki 20), only open for guided tours - - - 13 13 13, 14, 15 13, 14, 15 Design Museum - - - - 11-15 - - Lab & Design Museum Arabia - - - - - - - Iittala & Arabia Design Centre Store 10-20 10-13 - - 10-18 - 10-16 Helsinki University Museum - - - - - - - Closed 23.12.2019-6.1.2020 Natural History Museum - - - - - - - Helsinki Observatory - - - - - - - Päivälehti-press museum 11-17 - - - 11-17 - 11-17 Seurasaari Open Air Museum opens - - - - - - 15.5.2019 Museum of Finnish Architecture - - - - 11-16 - - Sports Museum of Finland opens in - - - - - - 2020 Museum of Technology - - - - - - - Helsinki Tourist Information, Helsinki Marketing 12/2019 Helsinki Marketing is not responsible for any changes OPENING HOURS Mon Tue Wed Thurs Tue Wed Mon CHRISTMAS & NEW YEAR 2019 23.12. -
See Helsinki on Foot 7 Walking Routes Around Town
Get to know the city on foot! Clear maps with description of the attraction See Helsinki on foot 7 walking routes around town 1 See Helsinki on foot 7 walking routes around town 6 Throughout its 450-year history, Helsinki has that allow you to discover historical and contemporary Helsinki with plenty to see along the way: architecture 3 swung between the currents of Eastern and Western influences. The colourful layers of the old and new, museums and exhibitions, large depart- past and the impact of different periods can be ment stores and tiny specialist boutiques, monuments seen in the city’s architecture, culinary culture and sculptures, and much more. The routes pass through and event offerings. Today Helsinki is a modern leafy parks to vantage points for taking in the city’s European city of culture that is famous especial- street life or admiring the beautiful seascape. Helsinki’s ly for its design and high technology. Music and historical sights serve as reminders of events that have fashion have also put Finland’s capital city on the influenced the entire course of Finnish history. world map. Traffic in Helsinki is still relatively uncongested, allow- Helsinki has witnessed many changes since it was found- ing you to stroll peacefully even through the city cen- ed by Swedish King Gustavus Vasa at the mouth of the tre. Walk leisurely through the park around Töölönlahti Vantaa River in 1550. The centre of Helsinki was moved Bay, or travel back in time to the former working class to its current location by the sea around a hundred years district of Kallio. -
New Students' Guide 2018
New Students' Guide 2018 University of the Arts Student Union PUBLISHER University of the Arts Student Union ArtSU RENEWED EDITION (2018) Riikka Pellinen PHOTOS Mikael Kinanen (cover, ArtSU’s anniversary party 2015) Tiitus Petäjäniemi (p. 17, the capping of Havis Amanda statue 2016) UNIARTS HELSINKI Helsinki 2018 2 DEAR NEW STUDENT, It is my pleasure to welcome you as a member of the University of the Arts Student Union ArtSU! You are currently reading your copy of the New Students’ Guide, a compact data pack- age put together by the Student Union and the organisation of the University of the Arts Helsinki (Uniarts Helsinki). It contains some important things you as a new stu- dent need to know. If you have any questions, you can look for additional information at the Uniarts Helsinki website, intranet Artsi, or ask your department/degree pro- gramme director or your tutor. There is no shame in asking! You, just like any other new student at Uniarts Helsinki, have been appointed a per- sonal student tutor. A tutor is an older student, who wants to direct and guide you dur- ing the coming autumn. Feel free to ask your tutor about anything related to student life, university practices or studies. All tutors have been trained by ArtSU, and your tutor will act as your guide to Uniarts Helsinki, Student Union activities, your own academy and your new fellow students. You will meet your tutor at the beginning of the new students’ orientation period. It is my goal and that of our tutors to make you feel at home in our student community. -
The Best of Nordic Contemporary Dance
18 6 – 12 DECEMBER 2012 WHERE TO GO HELSINKI TIMES COMPILED BY ANNA-MAIJA LAPPI Until Sun 13 January 2013 Osmo Rauhala In his paintings, Rauhala complements animal and plant SOEREN MEISNER symbolism with a pure world of abstract signs. Kiasma Mannerheiminaukio 2 The best of Nordic Helsinki Tue 10:00-17:00 contemporary dance Wed-Thu 10:00-20.30 Fri 10:00-22:00 ICE HOT Nordic Dance Platform takes place in Helsinki between 12 and Sat 10:00-18:00 Sun 10:00-17:00 15 December and will be presenting today’s most fascinating contem- Tickets €0/8/10 porary dance from the five Nordic countries, Finland, Sweden, Norway, www.kiasma.fi Denmark and Iceland. ICE HOT is a Nordic collaboration project be- tween Dance Info Finland, Dansens Hus Stockholm (Sweden), Danse- Until Sun 13 January 2013 hallerne (Denmark), Dansens Hus Oslo (Norway), and Performing Arts Home Multifaceted kaleidoscopic overview Iceland; the programme was selected by a jury of international dance of the home as a physical space and experts. The platform will be featuring 21 dance performances, out of state of mind. which about a half is open for audience. Design Museum The cavalcade of performances open for audiences is impressive and Korkeavuorenkatu 23 Helsinki will be presenting many worldwide renowned names as well as upcoming Tue 11:00-20:00 and interesting new choreographers and dance companies. Among the Wed-Sun 11:00-18:00 performances open for all audiences are Björn Säfsten’s (SWE) Display, Tickets €0/3/8 bringing more questions than answers, Carte Blanche’s (NOR) Corps de www.designmuseum.fi Walk with a unique language of movement created by choreographer Until Sun 13 January 2013 Sharon Eyal, and Recoil Performance Group’s (DNK) Living Room, where A Romantic View – The human body and almost organically living video scenography meet. -
Föglö Kyrka Från Medeltid Till Nutid
Heikki Hanka Kyrkokonstens och den visuella kulturens epoker FÖGLÖ KYRKA FRÅN MEDELTID TILL NUTID Föglö medeltida kyrka på Åland gör ett sakligt och okonstlat intryck på besökaren. Artikeln granskar med hjälp av källkritisk närläsning textmaterial och originalkäl- lor som berör kyrkan och dess föremål. Detta kunskapsunderlag, i kombination med observationer som gjorts på plats, öppnar för betydelser som ligger bakom kyrkans nuvarande utformning och ger också insyn i dess äldre historiska skeden. Den skenbara arkaismen döljer ett konsthistoriskt rikt landskap. Finska fornminnesföreningen, grundad år 1870, åtog sig uppdraget att vårda kulturarvet genom att organisera konsthistoriska expeditioner vars mål var att identifiera och dokumentera vårt lands konsthistoriskt betydelsefulla platser. Fram till år 1902 organiserades åtta fältexpeditioner varav den första på som- maren 1871 riktades till Åbo med omgivningar och Åland.1 I slutet av juli be- sökte en expedition bestående av åtta personer, ledd av Emil Nervander, även Föglö.2 Denna artikel är en hedersbetygelse till föreningens banbrytande insats för fornminnesforskningen i vårt land. Samtidigt får vi tacka föreningen för att den konsthistoriska forskningens första frön såddes och att studiet av kyrko- konst inleddes. Även om mycket har förändrats under de gångna 150 åren, så är de forskningsmetoder som expeditionerna skapade och använde fortfarande grundläggande verktyg i den konsthistoriska forskningen. Via observationer gjorda på plats och insamling av kunskapsskärvor från varierande källmaterial fortsätter den nutida forskaren i de konsthistoriska expeditionernas fortspår. Kyrkorna har, förutom agerat plats för religionsutövning, också varit en cen- tral del av det finska kulturarvet. Överföringen av kyrkans kulturarv till fram- tiden är utmanande. Både den evangelisk-lutherska och den ortodoxa kyrkan utreder för närvarande i sina strategier hur de bör förvalta kyrkans materi- ella och immateriella kulturarv3. -
Results International Autumn Sale
Results International Autumn Sale, No. Item Hammer price 1 A WRITING COMMODE. 2 400 EUR 2 CHEST OF DRAWERS. 1 100 EUR 3 A SET OF FIVE CHAIRS. 1 000 EUR 4 A WRITING COMMODE. 3 100 EUR 5 CUPBOARD. 900 EUR 6 A PAIR OF CHAIRS. 850 EUR 7 AN EMPIRE STYLE MALACHITE TABLE. Unsold 8 A CARD TABLE. 5 800 EUR 9 A VITRINE TABLE. 1 400 EUR 10 A SUITE OF FURNITURE, 4 PIECES. Unsold 11 A DESK. 1 800 EUR 12 A SOFA. 1 000 EUR 13 A SEMI-ANTIQUE KIRMAN. 1 300 EUR 14 A NAIN. 7 800 EUR 15 A MALAYER. Unsold 16 A KIRMAN. Unsold 17 AN SEMI-ANTIQUE CHINESE CARPET. 900 EUR 18 AN AUBUSSON. 1 600 EUR 19 AN AUBUSSON. 1 000 EUR 20 A GHOM. 520 EUR 21 A NAIN. 850 EUR 22 A NAIN. 850 EUR 23 A SARUK. Unsold 24 A KIRMAN. 2 500 EUR 25 A KASHAN. 3 000 EUR 26 A GHOM. 1 700 EUR 27 A TÄBRIS. Unsold 28 A KIRMAN. 1 600 EUR 29 TÄBRIS. 1 300 EUR 30 AN ANTIQUE BIDJAR. 530 EUR Bukowski Auktioner AB +46 (0)8 6140800 Arsenalsgatan 2 www.bukowskis.com 1/20 111 47 Stockholm Results International Autumn Sale, No. Item Hammer price 31 AN ANTIQUE KASHGAI. 750 EUR 32 AN ANTIQUE TURKISH PRAYER CARPET. 200 EUR 33 "KIOT", ICON CABINET. 1 700 EUR 34 CIGAR CABINET. 800 EUR 35 A MINIATURE COMMODE. 400 EUR 36 A WALL CABINET. 400 EUR 37 A CHANDELIER. 1 300 EUR 38 A FOUR-LIGHT CHANDELIER. -
Travelling in a Palimpsest
MARIE-SOFIE LUNDSTRÖM Travelling in a Palimpsest FINNISH NINETEENTH-CENTURY PAINTERS’ ENCOUNTERS WITH SPANISH ART AND CULTURE TURKU 2007 Cover illustration: El Vito: Andalusian Dance, June 1881, drawing in pencil by Albert Edelfelt ISBN 978-952-12-1869-9 (digital version) ISBN 978-952-12-1868-2 (printed version) Painosalama Oy Turku 2007 Pre-print of a forthcoming publication with the same title, to be published by the Finnish Academy of Science and Letters, Humaniora, vol. 343, Helsinki 2007 ISBN 978-951-41-1010-8 CONTENTS PREFACE AND ACKNOWLEDGEMENTS. 5 INTRODUCTION . 11 Encountering Spanish Art and Culture: Nineteenth-Century Espagnolisme and Finland. 13 Methodological Issues . 14 On the Disposition . 17 Research Tools . 19 Theoretical Framework: Imagining, Experiencing ad Remembering Spain. 22 Painter-Tourists Staging Authenticity. 24 Memories of Experiences: The Souvenir. 28 Romanticism Against the Tide of Modernity. 31 Sources. 33 Review of the Research Literature. 37 1 THE LURE OF SPAIN. 43 1.1 “There is no such thing as the Pyrenees any more”. 47 1.1.1 Scholarly Sojourns and Romantic Travelling: Early Journeys to Spain. 48 1.1.2 Travelling in and from the Periphery: Finnish Voyagers . 55 2 “LES DIEUX ET LES DEMI-DIEUX DE LA PEINTURE” . 59 2.1 The Spell of Murillo: The Early Copies . 62 2.2 From Murillo to Velázquez: Tracing a Paradigm Shift in the 1860s . 73 3 ADOLF VON BECKER AND THE MANIÈRE ESPAGNOLE. 85 3.1 The Parisian Apprenticeship: Copied Spanishness . 96 3.2 Looking at WONDERS: Becker at the Prado. 102 3.3 Costumbrista Painting or Manière Espagnole? .