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Passing: Intersections of Race, Gender, Class and Sexuality
Passing: Intersections of Race, Gender, Class and Sexuality Dana Christine Volk Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In ASPECT: Alliance for Social, Political, Ethical, and Cultural Thought Approved: David L. Brunsma, Committee Chair Paula M. Seniors Katrina M. Powell Disapproved: Gena E. Chandler-Smith May 17, 2017 Blacksburg, Virginia Keywords: passing, sexuality, gender, class, performativity, intersectionality Copyright 2017 Dana C. Volk Passing: Intersections of Race, Gender, Class, and Sexuality Dana C. Volk Abstract for scholarly and general audiences African American Literature engaged many social and racial issues that mainstream white America marginalized during the pre-civil, and post civil rights era through the use of rhetoric, setting, plot, narrative, and characterization. The use of passing fostered an outlet for many light- skinned men and women for inclusion. This trope also allowed for a closer investigation of the racial division in the United States. These issues included questions of the color line, or more specifically, how light-skinned men and women passed as white to obtain elevated economic and social status. Secondary issues in these earlier passing novels included gender and sexuality, raising questions as to whether these too existed as fixed identities in society. As such, the phenomenon of passing illustrates not just issues associated with the color line, but also social, economic, and gender structure within society. Human beings exist in a matrix, and as such, passing is not plausible if viewed solely as a process occurring within only one of these social constructs, but, rather, insists upon a viewpoint of an intersectional construct of social fluidity itself. -
To Access the Inkling Language Guide!
- 1 - The following guide is a collection of phonetics, vocabulary and grammar points assembled by Splatoon players for a fan-made Inkling constructed language (or conlang). This language is not meant to serve as a guide to any in-game dialogue, lyrics, or written text. This is a fan project. This was undertaken out of love and respect for Nintendo and their fantastic and imaginative third-person shooter. We hope that all Splatoon fans worldwide can understand our very simple conlang and use this for their own creative fun projects from comics to posters to apparel to whatever their minds can cook up. The language nerds of Squidboards extend to everyone a hearty and fresh welcome to our Inkling conlang! Looking for a particular word? Ctrl + F and type it in! Otherwise, we have organized all of our content into manageable units and lessons for easy consumption and optimal relevance. There are eight Units, each containing two Lessons. Each Lesson teaches one set of Vocabulary and one bit of Grammar. At the end, there are more sections with supplementary material. Find a mistake? Did I make a typo somewhere? If there’s some sort of error in this guide that you find, please notify me (Piyoz) immediately so I can iron that out. You can contact me through the email form on the website where you downloaded this guide. Thanks to the following contributors for all their hard work: JosephStaleKnight (for creating all the vector images that made this guide possible), EclipseMT (for suggesting random ideas that usually made their way here), the Fizzynator -
Crypto-Music to the Rescue
Crypto-music to the rescue FRANCESC PEIRON NEW YORK. CORRESPONDENT 03/27/2021 07:00 There will be those who think that the world has gone crazy, again. The symptoms detected include the sale a few days ago of a digital collage by the artist Beeple for 58.5 million euros. The transaction was carried out in the asset market NFT (non-fungible tokens), “the new frontier in the cryptocurrency gold rush”. This is how Kevin Roose defined it in an article he published in The New York Times on Thursday to explain the NFTs. Incidentally, he turned his column into an NFT and put it up for auction. He sold it for 475,000 euros, which he will use for charity. And what about the digital house, located on Mars (or in the territory of the imagination), designed by the Canadian artist Krista Kim, with the help of an architect, for which they have paid 424,000 euros (288 Ether, the cryptocurrency) , revealed Dezeen magazine . The owner will be able to virtually tour his Mars House - title of the work -, but will never reside in it. Crazy? “A fantastic idea for the music business, another way for artists to monetize their assets,” responded Jeff Walker, co-founder and CEO of Stellwagen Ventures, which aims to develop a platform to develop NFT transactions that are more accessible. for both musicians and ordinary fans. "They are opportunities, which did not exist ten years ago, that allow not only to earn money with the catalog or song sales, but also facilitate entering the digital market and generating income at a completely different level," he remarked. -
Janus: the Monstrosity of Genre
Janus: the Monstrosity of Genre by Gianni Washington ! Submitted for the Degree of Doctor of Philosophy in Creative Writing University of Surrey Faculty of Arts and Social Sciences School of Literature and Languages Supervisors: Dr. Paul Vlitos & Dr. Allan Johnson © Gianni Washington 2018 !1 Declaration This thesis and the work to which it refers are the results of my own efforts. Any ideas, data, images or text resulting from the work of others (whether published or unpublished) are fully identified as such within the work and attributed to their originator in the text, bibliography or in footnotes. This thesis has not been submitted in whole or in part for any other academic degree or professional qualification. I agree that the University has the right to submit my work to the plagiarism detection service TurnitinUK for originality checks. Whether or not drafts have been so-assessed, the University reserves the right to require an electronic version of the final document (as submitted) for assessment as above. Signature: _______________________________________ Date: _____________________ !2 Acknowledgements I am sincerely grateful for the opportunity to conduct my research as part of the School of Literature and Languages at the University of Surrey. I am even more grateful to have worked with my supervisors: Dr. Paul Vlitos, Dr. Alan Johnson, and (for far too short a time) Professor Justin Edwards. Thank you to every teacher who encouraged my love of literature. Thank you, thank you, thank you, to the friends who kept me sane as I took up in a new country away from everything I’ve ever known. -
Crinew Music Re Uoft
CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released. -
Kings of Leon Will Be the First Band to Release an Album As An
1. Mark your confusion. 2. Show evidence of a close reading. 3. Write a 1+ page reflection. Kings of Leon Will Be the First Band to Release an Album as an NFT The band’s revolutionary tokens will unlock special perks like limited-edition vinyl and front row seats to future concerts Source: Samantha Hissong, RollingStone.com, March 3, 2021 On Friday, Kings of Leon will release their new album, titled When You See Yourself, in the form of a non-fungible token (NFT) — becoming the first band to ever do so. The band is actually dropping three types of tokens as part of a series called “NFT Yourself,” people involved in the project tells Rolling Stone. One type is a special album package, while a second type offers live show perks like front-row seats for life, and a third type is just for exclusive audiovisual art. All three types of tokens offer art designed by the band’s longtime creative partner Night After Night; the smart contracts and intelligence within the tokens were developed by YellowHeart, a company that wants to use blockchain technology to bring value back to music and better direct-to-fan relationships. A quick rundown: NFTs are a type of cryptocurrency, but instead of holding money, they can hold assets like art, tickets, and music. NFTs operate on a blockchain, which is a publicly accessible and transparent network — meaning anyone can see the details of any NFT transaction. Computers involved in the transactions become part of the network, which keeps updating and can’t be hacked due its nature as many-headed hydra. -
Triller Network Acquires Verzuz: Exclusive
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 9, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Triller Network Acquires Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Verzuz Albums Founders chart dated April 18. In its first week (endingVerzuz: April 9), it Exclusive earnedSwizz 46,000 Beatz equivalent & album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingTimbaland to Nielsen Talk Music/MRC Data. andBY total GAIL Country MITCHELL Airplay No. 1 as “Catch” (Big Machine Label Group) ascends SouthsideTriller Partnership: marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart‘This and fourthPuts a top Light 10. It followsVerzuz, freshman the LPpopular livestream music platform creat- in music todayYoung’s than Verzuz,” first of six said chart Bobby entries, Sarnevesht “Sleep With,- MontevalloBack on, which Creatives’ arrived at theed summit by Swizz in No Beatz- and Timbaland, has been acquired executive chairmanout You,” andreached co-owner No. 2 in of December Triller, in 2016. an- He vember 2014 and reigned for nineby weeks. Triller To Network, date, parent company of the Triller app. -
The Pennsylvania State University the Graduate School College of the Liberal Arts
The Pennsylvania State University The Graduate School College of the Liberal Arts PASSING, PASSAGES, AND PASSKEYS: POST-CIVIL RIGHTS SATIRISTS UNLOCK THE MASTER’S HOUSE A Dissertation in English By Mahpiua-Luta Deas © 2012 Mahpiua-Luta Deas Submitted in Partial Fulfillment Of the Requirements For the Degree of Doctor of Philosophy December 2012 ii The dissertation of Mahpiua-Luta Deas was reviewed and approved by the following: Aldon L. Nielsen The George and Barbara Kelly Professor of American Literature Dissertation Adviser Chair of Committee Linda F. Selzer Associate Professor of English Shirley Moody Assistant Professor of English Lovalerie King Associate Professor of English Director of the Africana Research Center Garrett A. Sullivan Professor of English Director of Graduate Studies, English *Signatures are on file in the Graduate School. iii ABSTRACT In the post-civil rights era, which is marked by the eradication of legalized racial boundaries, racial passing should be unnecessary and obsolete. Yet contemporary satirists have found satiric portrayals of racial passing to be productive on two levels. On a plot-level, they use passing to interrogate contemporary racial subjectivity and to both explore racial advances and to critique persistent racial inequities. On a structural level, they write fiction that challenges the prescriptive and restrictive aesthetic criteria that they believe African American fiction is required to meet. Ultimately, this fiction offers dynamic critiques of contemporary racial identity and textual production. These authors use satire to examine how the fictional depiction of racial identities/bodies informs, depends on, and dictates the textual body and vice versa. The purpose of the study is to draw on two parallel contemporary literary theories, racial passing and satire, in order to analyze the works of five of the most important and recognized contemporary satiric writers of the post-civil rights generation: Percival Everett, Paul Beatty, Mat Johnson, Trey Ellis, and Adam Mansbach. -
Autobiographical Deformations and the Literary Lineage of Afro-Pessimism in 20Th and 21St Century African American Literature
UNIVERSITY OF CALIFORNIA, SAN DIEGO Outside Relationality: Autobiographical Deformations and the Literary Lineage of Afro-pessimism in 20th and 21st Century African American Literature A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Yumi Pak Committee in charge: Professor Camille F. Forbes, Chair Professor Patrick Anderson Professor Dennis R. Childs Professor Fatima El-Tayeb Professor Lisa Lowe 2012 Copyright © Yumi Pak, 2012 All rights reserved. The Dissertation of Yumi Pak is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Chair University of California, San Diego 2012 iii TABLE OF CONTENTS Signature Page………………………………………………………………………… iii Table of Contents……………………………………………………………………... iv List of Illustrations……………………………………………………………………. v Acknowledgements…………………………………………………………………… vi Vita……………………………………………………………………………………. xii Abstract……………………………………………………………………………….. xiii Introduction………………………………………………………………………….... 1 Chapter One – Alternative Modernity, Alternative Blackness: Lynching and the Oracular Swan-song of Jean Toomer’s Cane…………………………………………………… 30 -
Inkling 2015
INKLING 25th Anniversary Ed. Spring 2015 Inkling is the creative arts magazine of Lone Star College-Tomball. Students of LSC-Tomball are invited to submit poetry, essays, short stories, or artwork for this annual publication. All copyrights revert to the authors and artists. No portion of Inkling may be reproduced without consent of the individual contributors. Senior Editor: Jeffrey Rodriguez Editors: Susan Strickland Canter Lauren Clark Samantha Fanning W. Shun Foote Lucy Goodson Khodi Jacks Deborah L. Tritico Staff: Susan Strickland Canter Lauren Clark Samantha Fanning W. Shun Foote Lucy Goodson Miguel Guzman Khodi Jacks David Romo Deborah L. Tritico Faculty Advisors: Mari-Carmen Marín Catherine Olson Kyle Solak Melissa Studdard Special Advisor: Udo Hintze Cover Art: Red Hands Louise Mallon After high school, I continued my education at LSC Tomball. For my first couple of semesters I took art classes like design and drawing, where the main focus was on black and white. This piece, “Red Hands,” was one of my first serious uses of color. I used black and red Prismacolor pencils on sketch paper. I studied multiple images of hands and used reference pictures while creating “Red Hands.” My goal was to give the effect of a liquid dripping off of two hands without defining the hands themselves. Inkling Table of Contents Mint Green by Valentina Osuna......................................................................................................................1 First Place Poetry Winner Deadly Assumptions by Jackie R. Beisert......................................................................................................2 -
Kings of Leon When You See Yourself
KINGS OF LEON ANNOUNCE EIGHTH STUDIO ALBUM VIA FANS WHEN YOU SEE YOURSELF OUT MARCH 5TH THE BAND TOOK TO SOCIALS TO TEASE NEW MUSIC ANNOUNCED NEW ALBUM DIRECTLY TO FANS IN SURPRISE LYRIC T-SHIRT MAILER ALONG WITH CHARITY INITIATIVE TO RAISE FUNDS FOR MUSIC TOURING CREWS FIRST TRACKS “THE BANDIT” AND “100,000 PEOPLE” OUT EVERYWHERE NOW PRE-ORDER ALBUM HERE DOWNLOADABLE PHOTO LINK HERE (photo credit: Matthew Followill) (Los Angeles – January 8, 2021) – Grammy Award-winning, multi-platinum selling rock band KINGS OF LEON officially announces the release of their highly anticipated eighth studio album When You See Yourself coming March 5, 2021, on RCA Records. Lead single, “The Bandit” is available now with an accompanying music video that sets the sonic and visual tone for the album. The band has also made a second track, “100,000 People” available as well. Recorded at Nashville’s famed Blackbird Studios and produced by Grammy Award-winning Markus Dravs (Arcade Fire, Coldplay, Florence + the Machine) the album propels Kings of Leon into 2021 with a modern evolution of their sound. Pre-order When You See Yourself HERE. Listen to “The Bandit” & “100,000 People” HERE. Watch the video for “The Bandit” HERE. The album, which comes four years after their first-ever number one U.S. album debut, WALLS, has been teased in various formats over the past few weeks. The band even began announcing the album directly through their fans with a special t-shirt mailer revealing album tracks and lyrics, using the moment to raise awareness and money for Live Nation’s Crew Nation relief fund for live music crews. -
Rock & Roll Hall of Fame Exhibits Kings of Leon Historic
FOR IMMEDIATE RELEASE: Rock & Roll Hall of Fame Exhibits Kings of Leon Historic NFT Display honors music industry first and exciting new era for musicians and fans Rock Hall open daily with special draft hours on April 30 and May 1 from 9 a.m. to 9 p.m. CLEVELAND (April 29, 2021) – The Rock & Roll Hall of Fame is adding a digital NFT display to its Right Here, Right Now exhibit celebrating Grammy Award-winning band Kings of Leon, the first band to ever release an album in cryptocurrency format. “Rock and roll is filled with innovation, from electric guitars to CDs to digital streams. Today we are honored to recognize another industry first by adding Kings of Leon “When You See Yourself” the first music related NFT to our Hall of Fame collection,” said Greg Harris, CEO & President, Rock & Roll Hall of Fame. “We are excited to exhibit it to the public so they can experience the enhanced content and learn more about NFTs and where they fit in the rock and roll timeline of innovation.” In advance of headlining the first night of the NFL Draft in Cleveland, Kings of Leon visited the Rock Hall to check out the new display, designed in collaboration with their long-term creative partners Night After Night. ]=- Photo credit: Rock & Roll Hall of Fame Click here for more images Along with their innovative ticketing partner, YellowHeart, Kings of Leon issued three separate NFT token sets: one for a limited issue vinyl of their new album NFT Yourself and a digital download; one for a Golden Ticket auction to own a unique piece of art related to the band’s album covers plus front row tickets to future tours, special access, and merch; and one charitable component that raised more than half a million dollars for Crew Nation, a global relief fund in support of crew members laid off because of the global shut down of live events.