Kings of Leon Will Be the First Band to Release an Album As An
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Completecoversonglist (Updated May 2020)
Classic/Vintage Rock Songs - 68 songs 1. Black Water - The Doobie Brothers 2. Jesus Is Just Alright - The Doobie Brothers 3. Listen To The Music - The Doobie Brothers 4. Long Train Runnin’ - The Doobie Brothers 5. No Time - The Guess Who 6. Share The Land - The Guess Who 7. Albert Flasher - The Guess Who 8. Undone - The Guess Who 9. Guns Guns Guns - The Guess Who 10. No Sugar Tonight / Good Times Bad Times Medley - The Guess Who / Led Zeppelin 11. Old Man - Neil Young 12. Ohio - CSN&Y 13. Suite Judy Blue Eyes - CSN&Y 14. Teach Your Children - CSN&Y 15. Find The Cost of Freedom - CSN&Y 16. Guinevere - CSN&Y 17. Helplessly Hoping - CSN&Y 18. Goodbye Stranger - Supertramp 19. Tiny Dancer - Elton John 20. Easy - The Commodores 21. Into The Mystic - Van Morrison 22. Ventura Highway - America 23. Sister Golden Hair - America 24. Two Tickets To Paradise - Eddie Money 25. Reelin’ In The Years - Steely Dan 26. Magic Carpet Ride - Steppenwolf 27. Whipping Post - The Allman Brothers 28. Can’t Buy Me Love - The Beatles 29. Revolution - The Beatles 30. Help - The Beatles 31. Serenade - Steve Miller Band 32. Fly Like An Eagle - Steve Miller Band 33. Jet Airliner - Steve Miller Band 34. Rock’n Me Baby - Steve Miller Band 35. Swingtown - Steve Miller Band 36. Dance, Dance, Dance - Steve Miller Band 37. Joker - Steve Miller Band 38. The Stake - Steve Miller Band 39. Black Magic Women - Santana 40. Night Moves - Bob Seger 41. Turn The Page - Bob Seger 42. Superstition - Stevie Wonder 43. Take It Easy - Eagles 44. -
Music Tech-1
Radnor Middle School Course Overview Music Technology I. Course Description Music Technology is offered as an eighth grade music elective, meeting three times a cycle. Students will be introduced to the study of music technology and music fundamentals. Areas of instruction will include instrument and equipment care, beginning level music literacy (reading and writing music), keyboard performance skills, music technology related history, concepts, terminology and experience with a variety of applications. II. Resources, Materials , Equipment • iMacs • GarageBand • Korg K61p MIDI Studio Contoller Keyboards • Student Journals III. Course Goals, Objectives (Essential Questions, Enduring Understandings) Students will be able to: 1. Accurately perform melody, harmony and rhythm parts of a composition and record the parts separately into the sequencer of the keyboard. 2. Accurately perform melody, harmony and rhythm parts of their own composition and record the parts separately into the sequencer of the keyboard. 3. Record multiple parts to an electronic “sound piece” using non-traditional instrument timbres and effects. 4. Orchestrate and perform three- and four-part synthesizer ensemble pieces within expected performance parameters for their individual levels of expertise. 5. Transfer sequenced MIDI files from the keyboard disk into the computer and, using appropriate software, edit needed corrections, format, and print out the composition. 6. Change instrumentation using an existing music composition stored as MIDI data; and alter tempo, range, and dynamics during the course of the piece, while still maintaining the original integrity of the composition. 7. Compose a four-part electronic sound piece using varied timbre (tone), texture, and dynamics of at least three minute length. Students may incorporate digitally recorded audio sounds into this piece. -
Use Somebody Kings of Leon Reckless Australian
MARTY & DOC SONGLIST Use Somebody Kings of Leon Reckless Australian Crawl Mr Brightside The Killers These Days Powderfinger Riders in the Storm The Doors 3am Matchbox 20 Sex On Fire Kings of Leon Ain't No Sunshine Bill Withers The Way You Make Me Feel Michael Jackson All I Want Is You U2 Sweet about me Gabriela Cilmi Crying shame Diesel Rehab Amy Winehouse Times like these Foo Fighters Shake a Tailfeather Ray Charles Hold back the river James Bay Wicked Games Chris Isaac Easy Faith No More Happy Pharrell Williams Faith George Michael Thinking Out Loud Ed Sheeran Heroes David Bowie Raspberry Berre Prince Drive My Car The Beatles Stand By Me Ben E King Its still rocking roll to me Billy Joel Hide your love away The Beatles Hot in the city Billy Idol Locked out of heaven Bruno Mars Girls just wanna have fun Cyndi Lauper April Sun In Cuba Dragon Handle With Care Travelling Wilbury’s Summer Of 69 Bryan Adams Have You Ever Seen The Rain Creedence Clearwater Revival Rolling in the Deep Adele Dancing In The Dark Bruce Springsteen Love Destroyer Leeden Don't Look Back In Anger Oasis Proud Mary Creedence Clearwater Revival Don’t Change INXS Wandering Leeden April Sun In Cuba Dragon Hold Your Own Leeden Better Be Home Soon Crowded House Go Your Own Way Fleetwood Mac Bittersweet Symphony The Verve Steal My Kisses Ben Harper Blame It On Me George Ezra Valerie Amy Winehouse Champagne Supernova Oasis Nobody needs to know Leeden Come Together The Beatles Plush Stone Temple Pilots Honky Tonk Woman The Rolling Stones Never Tear Us Apart INXS Horses Darryl -
Crypto-Music to the Rescue
Crypto-music to the rescue FRANCESC PEIRON NEW YORK. CORRESPONDENT 03/27/2021 07:00 There will be those who think that the world has gone crazy, again. The symptoms detected include the sale a few days ago of a digital collage by the artist Beeple for 58.5 million euros. The transaction was carried out in the asset market NFT (non-fungible tokens), “the new frontier in the cryptocurrency gold rush”. This is how Kevin Roose defined it in an article he published in The New York Times on Thursday to explain the NFTs. Incidentally, he turned his column into an NFT and put it up for auction. He sold it for 475,000 euros, which he will use for charity. And what about the digital house, located on Mars (or in the territory of the imagination), designed by the Canadian artist Krista Kim, with the help of an architect, for which they have paid 424,000 euros (288 Ether, the cryptocurrency) , revealed Dezeen magazine . The owner will be able to virtually tour his Mars House - title of the work -, but will never reside in it. Crazy? “A fantastic idea for the music business, another way for artists to monetize their assets,” responded Jeff Walker, co-founder and CEO of Stellwagen Ventures, which aims to develop a platform to develop NFT transactions that are more accessible. for both musicians and ordinary fans. "They are opportunities, which did not exist ten years ago, that allow not only to earn money with the catalog or song sales, but also facilitate entering the digital market and generating income at a completely different level," he remarked. -
FOOTBALL CROWD BEHAVIORAL RESPONSES to a UNIVERSITY MARCHING BAND's MUSICAL PROMPTS by AMANDA L. SMITH a THESIS Presented To
FOOTBALL CROWD BEHAVIORAL RESPONSES TO A UNIVERSITY MARCHING BAND’S MUSICAL PROMPTS by AMANDA L. SMITH A THESIS Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Music June 2018 THESIS APPROVAL PAGE Student: Amanda L. Smith Title: Football Crowd Behavioral Responses to a University Marching Band’s Musical Prompts This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Music degree in the School of Music and Dance by: Dr. Eric Wiltshire Chair Dr. Melissa Brunkan Member Dr. Beth Wheeler Member and Sara D. Hodges Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2018. ii © 2018 Amanda L. Smith iii THESIS ABSTRACT Amanda L. Smith Master of Music School of Music and Dance June 2018 Title: Football Crowd Behavioral Responses to a University Marching Band’s Musical Prompts Decades of market research have investigated how music can influence consumer purchase, food consumption, and alcoholic drinking. Before market researchers declared music an influencer of atmospheric perception, sociologists discovered the sway of music on crowd collective action in sporting events, political rallies, and societal unrest. There remains a lack of research on how live music may influence football fan behavior during a game. Therefore, this study observed the number of behavioral responses from university students elicited by a university marching band’s music prompts (N = 11) at an American university football game. -
Paul Mccartney, 1980-1999
Paul McCartney from Wings through the 90's McCartney II Columbia FC‐36511 May 21, 1980 About ten years after recording McCartney by himself, Paul got several songs together and recorded them‐‐again alone‐‐on somewhat of a lark. Then Paul embarked on his ill‐fated 1980 tour of Japan (which resulted in his being jailed for drug possession). After returning to the safety of his own home, he was urged to release the album, and he did. The album contrasts well with McCartney, for this second production contains numerous instruments and electronic tricks that were not present on the 1970 release. Side One is particularly interesting. The solo version of "Coming Up" is followed by the fun track, "Temporary Secretary" (released as a single in England). The almost‐lament, "On the Way," is then succeeded by "Waterfalls," Paul's second (US) single from the album. "Bogey Music," from Side Two, is also a standout. John Lennon heard a song from McCartney II and thought that Paul sounded sad. When the album was released in the US, a bonus one‐sided single ‐‐ the hit version of "Coming Up"‐‐was included with the LP. This hit was enough to propel the album to the #3 position on the charts, during a time when disco was now on the wane. "Waterfalls" Columbia 1‐11335 Jul. 22, 1980 The lovely ballad about protectiveness was one of the standouts from McCartney II. After "Coming Up," it received the most airplay and the most positive response from Paul's friends. As a single, though, the song fared poorly, only reaching #83...one of Paul's worst showings to date. -
Doctoral of Musical Arts Degree Band Conducting
DOCTORAL OF MUSICAL ARTS DEGREE BAND CONDUCTING Course Checklist □ 72 post baccalaureate semester hours completed □ Residency requirement satisfied (2 semesters of 9 s.h., or 3 semesters of 6 s.h. while holding at least a 25% assistantship) A. General Music Requirements (20 s.h.) □ 025:321 Introduction to Graduate Study in Music (2 s.h.) Music Theory: 9 s.h. (up to 6 s.h. can be counted from the master’s degree, upon written approval of the Associate Director for Graduate Studies) □ 025:240 Analytical Techniques (unless exempt through advisory exam) (3 s.h.) Students exempted from 025:240 through the advisory examination in music theory must substitute an additional theory elective from the following: □ 025:145 Counterpoint before 1600 (3 s.h.) □ 025:147 Counterpoint after 1600 (3 s.h) □ 025:247 Post-Tonal Analysis (3 s.h.) □ 025:249 Tonal Analysis (3 s.h.) □ 025:256 Special Topics in Theory and Analysis (3 s.h.) Electives chosen from the following courses: □ 025:145 Counterpoint before 1600 (3 s.h.) □ 025:147 Counterpoint after 1600 (3 s.h.) □ 025:241 History of Music Theory I (3 s.h.) □ 025:242 History of Music Theory II (3 s.h.) □ 025:247 Post-Tonal Analysis (3 s.h.) □ 025:249 Tonal Analysis (3 s.h.) □ 025:256 Special Topics in Theory and Analysis (3 s.h.) □ 025:311 Advanced Post-Tonal Theory and Analysis (3 s.h.) □ 025:312 Advanced Tonal Theory and Analysis (3 s.h.) Music History: 9 s.h. (up to 6 s.h. can be counted from the Master’s Degree, upon written approval of the Associate Director for Graduate Studies) □ 025:301 Advanced History -
Introduction to Music Technology
PUBLIC SCHOOLS OF EDISON TOWNSHIP DIVISION OF CURRICULUM AND INSTRUCTION INTRODUCTION TO MUSIC TECHNOLOGY Length of Course: Semester (Full Year) Elective / Required: Elective Schools: High Schools Student Eligibility: Grade 9-12 Credit Value: 5 credits Date Approved: September 24, 2012 Introduction to Music Technology TABLE OF CONTENTS Statement of Purpose ----------------------------------------------------------------------------------- 3 Introduction ------------------------------------------------------------------------------------------------- 4 Course Objectives ---------------------------------------------------------------------------------------- 6 Unit 1: Introduction to Music Technology Course and Lab ------------------------------------9 Unit 2: Legal and Ethical Issues In Digital Music -----------------------------------------------11 Unit 3: Basic Projects: Mash-ups and Podcasts ------------------------------------------------13 Unit 4: The Science of Sound & Sound Transmission ----------------------------------------14 Unit 5: Sound Reproduction – From Edison to MP3 ------------------------------------------16 Unit 6: Electronic Composition – Tools For The Musician -----------------------------------18 Unit 7: Pro Tools ---------------------------------------------------------------------------------------20 Unit 8: Matching Sight to Sound: Video & Film -------------------------------------------------22 APPENDICES A Performance Assessments B Course Texts and Supplemental Materials C Technology/Website References D Arts -
Ellen Drive Song List
Billie Jean - Michael Jackson Get ready - Sublime Long Train Running - The Doobie Brothers Good People - Jack Johnson Use Somebody - Kings of Leon Crazy - Gnarles Barkley My Hero - Foo Fighters Soul2squeeze - Red Hot Chili Peppers Island in the Sun - Weezer Amber - 311 Stand by Me - Ben King Stuck in the Middle - Stealers Wheel Sex on Fire - Kings of Leon Roses - Outkast Bulls on Parade - Rage Against the Machine Joker - Steve Miller F$#k you - CeeLo Badfish - Sublime Too Close - Alex Clare Under the Bridge - Red Hot Chili Peppers How's it Going to Be - Third Eye Blind My Own Worst Enemy - LIT The Middle - Jimmy Eat World Possum Kingdom - The Toadies Wrong Way - Sublime All Mixed Up - 311 Santeria - Sublime Drive - Incubus Say it Ain't So - Weezer Interstate Love Song - Stone Temple Pilots Friends in Low Places - Garth Brooks Chicken Fried - Zac Brown My Girl - The Temptations Red Red Wine - UB40 Let's Get it On - Marvin Gaye Take Me Home Tonight - Eddie Money Best of You - Foo Fighters Get Lucky - Daft Punk Are You Gonna Kiss Me or Not - Thompson Square (Country Girl) Shake it For Me - Luke Bryan I’m From the Country - Tracy Byrd Save a Horse - Big & Rich T-r-o-u-b-l-e - Travis Tritt Cruise - Florida Georgia Line Wake Me Up - Aloe Blac Lay Me Down - THe Dirty Heads Free - Zac Brown Band Loving You easy -Zac Brown Band Keep Me In Mind - Zac Brown Band Ho Hey - The Luminers Safe and Sound - Capital Cities Your Loving Arms - Ed Sheeran Remix to Ignition - R.Kelly 7 O'Clock - Usher Maneater - Hall and Oates Carry On My Wayward Son - Kansas Locked Out Of Heaven - Bruno Mars Take It Easy - The Eagles Hotel California - The Eagles. -
Band Arrangement License (School/Educational Requests Only) From
Band Arrangement License (School/Educational Requests Only) from DUNVAGEN MUSIC PUBLISHERS Please fill out this form and email to [email protected] We will review, complete, sign your request and fax it back to you ------------------------REQUEST FOR PERMISSION TO ARRANGE------------------------- Based on the Standard Form Recommended by: Music Publishers’ Association of the United States and National Music Publishers’ Association Inc. INSTRUCTIONS After completing and signing where indicated, forward to the publisher who will complete sections 3 and 6 of the form and return it to you. If the publisher indicates a payment for the permission you request, and if the conditions are agreeable to you, remit the amount to the publisher together with the original copy, which they will have signed, where upon the agreement will be completed. To:__ Dunvagen Music_______________________________ Date: ____________ (Name of Publisher) Address:_______40 Exchange Place, Suite 1906 ____________________________________ _______New York NY 10005____________________________________ Publisher: We hereby request your permission and non-exclusive license to arrange the following musical composition. _______________________________________________________ By:___Philip Glass_________________________________(Music) (hereinafter referred to as "The Arrangement") 1. The Arrangement will be for ___________________________________________ (Type of arrangement: marching band, percussion, etc) in __________________________________________________________________. (Number of instrumental and/or vocal parts) We will produce ____ copies of the Arrangement for use and performance only by our _________________________________________________________________. (Teachers, students, members etc.) 2. No right to record or to reproduce additional copies is granted to us. We understand that if we wish to record The Arrangement a separate license will be required. We agree not to distribute (except for use of copies as provided in Paragraph 1), sell, loan or lease copies of The Arrangement to anyone. -
Triller Network Acquires Verzuz: Exclusive
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 9, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Triller Network Acquires Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Verzuz Albums Founders chart dated April 18. In its first week (endingVerzuz: April 9), it Exclusive earnedSwizz 46,000 Beatz equivalent & album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingTimbaland to Nielsen Talk Music/MRC Data. andBY total GAIL Country MITCHELL Airplay No. 1 as “Catch” (Big Machine Label Group) ascends SouthsideTriller Partnership: marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart‘This and fourthPuts a top Light 10. It followsVerzuz, freshman the LPpopular livestream music platform creat- in music todayYoung’s than Verzuz,” first of six said chart Bobby entries, Sarnevesht “Sleep With,- MontevalloBack on, which Creatives’ arrived at theed summit by Swizz in No Beatz- and Timbaland, has been acquired executive chairmanout You,” andreached co-owner No. 2 in of December Triller, in 2016. an- He vember 2014 and reigned for nineby weeks. Triller To Network, date, parent company of the Triller app. -
Classic Era Ufo Wayway Too Good! Too Good!Rock Candy Mag in Their ’70S Heyday Ufo Set the Standard for Thinking Man’S Metal
FEATURE CLASSIC ERA UFO WAYWAYTOOTOO GOOD!GOOD! IN THEIR ’70S HEYDAY UFO SET THE STANDARD FOR THINKING MAN’S METAL. BASSIST AND BON VIVEUR PETE WAY GIVES ROCK CANDY MAG THE EXCLUSIVE INSIDE SCOOP ON THE BAND’S CLASSIC ALBUMS FROM ‘PHENOMENON’ TO ‘STRANGERS…’ INTERVIEW BY HOWARD JOHNSON SURE, WE CAN ALL agree that it was Michael But during this hugely creative period the band’s Schenker’s virtuoso guitar performances and Phil core line-up – Schenker, Mogg, Way and drummer Mogg’s uniquely emotive singing that created that Andy Parker – recorded six albums. Keyboardist unforgettable UFO sound. But it was bassist Pete Danny Peyronel played on one of them, 1976’s Way who really summed up the UFO attitude. ‘No Heavy Petting’, before keyboardist and A true rock star in both mind and body, the man rhythm guitarist Paul Raymond completed what is from Enfield, north London walked the walk and acknowledged as the band’s definitive line-up when talked the talk 24 hours a day, seven days a week. he joined for 1977’s ‘Lights Out’. Wild Way spanked his Gibson Thunderbird bass with obvious relish whenever UFO played live, I GOT to know Pete, though not very well, just which was often. He snied and snorted like it was after that astonishing run of rock creativity, around going out of fashion and didn’t care who knew it. the time of 1980’s ‘No Place To Run’. I was 16 and As the old joke goes, did he take drugs in the ’70s? starting out as a rock writer.