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Passing: Intersections of Race, Gender, Class and Sexuality
Passing: Intersections of Race, Gender, Class and Sexuality Dana Christine Volk Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In ASPECT: Alliance for Social, Political, Ethical, and Cultural Thought Approved: David L. Brunsma, Committee Chair Paula M. Seniors Katrina M. Powell Disapproved: Gena E. Chandler-Smith May 17, 2017 Blacksburg, Virginia Keywords: passing, sexuality, gender, class, performativity, intersectionality Copyright 2017 Dana C. Volk Passing: Intersections of Race, Gender, Class, and Sexuality Dana C. Volk Abstract for scholarly and general audiences African American Literature engaged many social and racial issues that mainstream white America marginalized during the pre-civil, and post civil rights era through the use of rhetoric, setting, plot, narrative, and characterization. The use of passing fostered an outlet for many light- skinned men and women for inclusion. This trope also allowed for a closer investigation of the racial division in the United States. These issues included questions of the color line, or more specifically, how light-skinned men and women passed as white to obtain elevated economic and social status. Secondary issues in these earlier passing novels included gender and sexuality, raising questions as to whether these too existed as fixed identities in society. As such, the phenomenon of passing illustrates not just issues associated with the color line, but also social, economic, and gender structure within society. Human beings exist in a matrix, and as such, passing is not plausible if viewed solely as a process occurring within only one of these social constructs, but, rather, insists upon a viewpoint of an intersectional construct of social fluidity itself. -
The Pennsylvania State University the Graduate School College of the Liberal Arts
The Pennsylvania State University The Graduate School College of the Liberal Arts PASSING, PASSAGES, AND PASSKEYS: POST-CIVIL RIGHTS SATIRISTS UNLOCK THE MASTER’S HOUSE A Dissertation in English By Mahpiua-Luta Deas © 2012 Mahpiua-Luta Deas Submitted in Partial Fulfillment Of the Requirements For the Degree of Doctor of Philosophy December 2012 ii The dissertation of Mahpiua-Luta Deas was reviewed and approved by the following: Aldon L. Nielsen The George and Barbara Kelly Professor of American Literature Dissertation Adviser Chair of Committee Linda F. Selzer Associate Professor of English Shirley Moody Assistant Professor of English Lovalerie King Associate Professor of English Director of the Africana Research Center Garrett A. Sullivan Professor of English Director of Graduate Studies, English *Signatures are on file in the Graduate School. iii ABSTRACT In the post-civil rights era, which is marked by the eradication of legalized racial boundaries, racial passing should be unnecessary and obsolete. Yet contemporary satirists have found satiric portrayals of racial passing to be productive on two levels. On a plot-level, they use passing to interrogate contemporary racial subjectivity and to both explore racial advances and to critique persistent racial inequities. On a structural level, they write fiction that challenges the prescriptive and restrictive aesthetic criteria that they believe African American fiction is required to meet. Ultimately, this fiction offers dynamic critiques of contemporary racial identity and textual production. These authors use satire to examine how the fictional depiction of racial identities/bodies informs, depends on, and dictates the textual body and vice versa. The purpose of the study is to draw on two parallel contemporary literary theories, racial passing and satire, in order to analyze the works of five of the most important and recognized contemporary satiric writers of the post-civil rights generation: Percival Everett, Paul Beatty, Mat Johnson, Trey Ellis, and Adam Mansbach. -
Autobiographical Deformations and the Literary Lineage of Afro-Pessimism in 20Th and 21St Century African American Literature
UNIVERSITY OF CALIFORNIA, SAN DIEGO Outside Relationality: Autobiographical Deformations and the Literary Lineage of Afro-pessimism in 20th and 21st Century African American Literature A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Yumi Pak Committee in charge: Professor Camille F. Forbes, Chair Professor Patrick Anderson Professor Dennis R. Childs Professor Fatima El-Tayeb Professor Lisa Lowe 2012 Copyright © Yumi Pak, 2012 All rights reserved. The Dissertation of Yumi Pak is approved, and it is acceptable in quality and form for publication on microfilm and electronically: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Chair University of California, San Diego 2012 iii TABLE OF CONTENTS Signature Page………………………………………………………………………… iii Table of Contents……………………………………………………………………... iv List of Illustrations……………………………………………………………………. v Acknowledgements…………………………………………………………………… vi Vita……………………………………………………………………………………. xii Abstract……………………………………………………………………………….. xiii Introduction………………………………………………………………………….... 1 Chapter One – Alternative Modernity, Alternative Blackness: Lynching and the Oracular Swan-song of Jean Toomer’s Cane…………………………………………………… 30 -
Inkling 2014
INKLING Volume 24 Spring 2014 Number 1 Inkling is the creative arts magazine of Lone Star College-Tomball. Students of LSC-Tomball are invited to submit poetry, essays, short stories, or artwork for this annual publication. All copyrights revert to the authors and artists. No portion of Inkling may be reproduced without consent of the individual contributors. Senior Editor: Jeffrey Rodriguez Editors: Elizabeth Bailey Shanna Dudley Staff: Elizabeth Bailey Lorena Bentz Cody Copeland Shanna Dudley Udo Hintz Sarah Huntsman Khodi Jacks James Lambdin Clark Shaw Advisors: Amy Hirsch Mari-Carmen Marín Catherine Olson Melissa Studdard Cover Art: Midnight Snack Rachel Eckert The cover artist has found great joy playing with paints and the many colors in the world. The artist would also like to dedicate her cover painting to her brother Nick, who is not only the cover model but her partner in crime and with whom the artist has been making 3:00 a.m. pancakes since the beginning of time (thus inspiring the painting). Inkling Table of Contents Carry You with Me by Cassidy Krause........................................................................................................1 First Place Poetry Winner Evanescent Existence by Madison Estes......................................................................................................3 Lyric’s War by Andrew Robinson..................................................................................................................7 Second Place Prose Winner Fairy Tales of Youth by Emily Smethers....................................................................................................11 -
I STRICTLY for NIGGAS
STRICTLY FOR NIGGAS: NIGGAS MOVIN’ AROUND TO PEEP THE FOOT WERQ OF BLACK VOICE AND HUMANISM BY IGNACIO V. EVANS A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication May, 2020 Winston-Salem, North Carolina Approved By: Alessandra B. Von Burg, PhD, Advisor R. Jarrod Atchison, PhD, Chair Amber E. Kelsie, PhD Ron Von Burg, PhD i To my niggas I want to give thanks to the niggas who cared for me during the time it took to produce this werk, the niggas who was shootin’ wit me in the gym. This is not a ‘catch all’ or ‘a role call’ of niggas but I want to take this time to write this because niggas should know that niggas can do things with, for, and to niggas. I want s/o first and foremost niggas who don’t want to be recognized by they government or at all, I just wanna say thanks to you niggas for being y’all. I want to give thanks to my mamma ( Mema) my second mom, my third mom, and Mrs. Lavern and Mr. Eddie, my daddy ( pop pop) , my daughter (Tink), my brothers (Mike, Mark and James) Ro Ro, Nana, Popa and the other nigga families who let me sleep on they couch, get a room, get a plate or two, and took the time and energy to learn a nigga with care given that the world wants to school niggas in hard-knocks. -
And “Southern Hospitality” from the Albums Incognegro and Back for the First Time
1. Pop Culture His first singles were “What’s Your Fantasy” and “Southern Hospitality” from the albums Incognegro and Back For The First Time. He has appeared in several movies, playing Tej in 2 Fast 2 Furious and Anthony in Crash. Name this rapper from Oak Park whose hits have included “Stand Up”, “Splash Waterfalls”, “Money Maker”, and “Runaway Love”. ANSWER: Ludacris (or (Chris) Bridges) 2. World Literature At the beginning of this novel, Charles introduces himself at a new school. The novel follows Charles as he grows up and becomes a doctor. His first wife dies, and he then marries a daughter of one of his patients. His second wife, who is the title character, has some affairs and bankrupts him. Name this 19th Century French novel by Gustave Flaubert. ANSWER: Madame Bovary 3. Algebra (30 Seconds) Find the largest of the four consecutive integers that add up to 294. ANSWER: 75 4. Art/Architecture One well-known example was moved from Alexandria to London in 1877. Many were moved to Rome after its military successes in ancient Egypt. In Egypt, they probably were used to worship the Sun. These sculptures get slightly thinner as you go up them and have a pyramid at the top. Name these works exemplified by The Washington Monument. ANSWER: Obelisk(s) (prompt Stele or Stela) 5. Chemistry (10 Seconds) In Valence Shell Electron Pair Repulsion theory, this shape corresponds to sp3d2 hybridization. Like a square planar molecule, it gives bond angles of 90 degrees. The most common example is sulfur hexachloride. Name this shape which corresponds to one of the five Platonic solids. -
Jabliss Dissertation Deposit
Copyright 2014 Jennifer Anderson Bliss PICTURING THE UNSPEAKABLE: TRAUMA, MEMORY, AND VISUALITY IN CONTEMPORARY COMICS BY JENNIFER ANDERSON BLISS DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature with a minor in Cinema Studies in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Associate Professor Brett Kaplan, Chair Professor Michael Rothberg Associate Professor James Hansen Professor Nancy Blake ii Abstract This dissertation explores the intersections of memory and trauma in comics, arguing that the interrelations of the visual and the textual elements of this medium allow for an expanded understanding of how representations of trauma and memory function. This project argues for the centrality of trauma studies in comics and graphic narratives, as well as the centrality of visuality—that is, how we see and how we understand what we see—in trauma studies. Moving away from a model of literary trauma studies that focuses on “the unspeakable,” this dissertation proposes that we look instead at the intersections of the visible and invisible, the speakable and the unspeakable, through the manipulation of space and time in the comics medium. Investigating these possibilities, my research spans national and generic boundaries in order to tease out the inherent qualities of traumatic representations in the medium itself. This analysis moves from superheroes to 9/11to epilepsy to family photographs, and from America to France to Rwanda, showing the ways in which comics’ juxtapositions of words and images, past, present, and future, and presence and absence, create possibilities for representing trauma and memory. -
Petey Pablo Is Crazy
Call your cable provider to request MTV Jams Comcast Cable 1-800-COMCAST www.comcast.com Atlanta, GA Comcast ch. 167 Augusta, GA Comcast ch. 142 Charleston, SC Comcast ch. 167 Chattanooga, TN Comcast ch. 142 Ft. Laud., FL Comcast ch. 142 Hattiesburg, MS Comcast ch. 142 Houston, TX Comcast ch. 134 Jacksonville, FL Comcast ch. 470 Knoxville, TN Comcast ch. 142 Little Rock, AR Comcast ch. 142 Miami, FL Comcast ch. 142 Mobile, AL Comcast ch. 142 Montgomery, AL Comcast ch. 304 Naples, FL Comcast ch. 142 Nashville, TN Comcast ch. 142 Panama City, FL Comcast ch. 142 Richmond, VA Comcast ch. 142 Savannah, GA Comcast ch. 142 Tallahassee, FL Comcast ch. 142 Charter Digital 1-800-GETCHARTER www.charter.com Birmingham, AL Charter ch. 304 Dallas, TX Charter ch. 227 Greenville, SC Charter ch. 204 Ft. Worth, TX Charter ch. 229 Spartanburg, SC Charter ch. 204 Grande Communications www.grandecom.com Austin, TX Grande ch. 185 PUBLISHERS: Julia Beverly (JB) Chino EDITOR-IN-CHIEF: Julia Beverly (JB) MUSIC REVIEWS: ADG, Wally Sparks CONTRIBUTORS: Bogan, Cynthia Coutard, Dain Bur- roughs, Darnella Dunham, Felisha Foxx, Felita Knight, Iisha Hillmon, Jaro Vacek, Jessica Koslow, J Lash, Katerina Perez, Keith Kennedy, K.G. Mosley, King Yella, Lisa Cole- man, Malik “Copafeel” Abdul, Marcus DeWayne, Matt Sonzala, Maurice G. Garland, Natalia Gomez, Ray Tamarra, Rayfield Warren, Rohit Loomba, Spiff, Swift SALES CONSULTANT: Che’ Johnson (Gotta Boogie) LEGAL AFFAIRS: Kyle P. King, P.A. (King Law Firm) STREET REPS: Al-My-T, B-Lord, Bill Rickett, Black, Bull, Cedric Walker, Chill, Chilly C, Control- ler, Dap, Delight, Dereck Washington, Derek Jurand, Dwayne Barnum, Dr. -
The Pacific Sentinel, December 2019
Portland State University PDXScholar University Archives: Campus Publications & The Pacific Sentinel Productions 12-2019 The Pacific Sentinel, December 2019 Portland State University. Student Publications Board Follow this and additional works at: https://pdxscholar.library.pdx.edu/pacificsentinel Part of the Mass Communication Commons, and the Publishing Commons Let us know how access to this document benefits ou.y Recommended Citation Portland State University. Student Publications Board, "The Pacific Sentinel, December 2019" (2019). The Pacific Sentinel. 25. https://pdxscholar.library.pdx.edu/pacificsentinel/25 This Book is brought to you for free and open access. It has been accepted for inclusion in The Pacific Sentinel by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. DECEMBER 2019 CONTENTS Letter From the Editor 3 NEWS Making Oregon Count 4-5 Sandwich Ministry 6-7 Racist Propaganda at PSU 8-11 OPINION Perils of Commuting 12 Pricey Parking 14 Further Thoughts on Phrases 15-26 Merry Krampus 17 SPECIAL SECTION: PORTLAND BOOK FESTIVAL Festival Highlights 18 Pop up Readings 19 Impact ofYA on Teens 20 Deep River 21 Hard Conversations 22-24 Portland Review & Ooligan Press 25 ARTS AND CULTURE Schnitzer Museum 26-29 Exguisite Creatures 30-31 Giant Poop 32-33 3 From Hell 34 FUNNY PAGE 35 The Pacifi,c Sentinel is a monthly student-run magazine at PSU. We seek to uplift student voices and advocate on behalf of the marginalized. We analyze culture, politics, and -
Jim Morrison: P R O J E C T E D R U M O U R
Jim Morrison: P r o j e c t e d R u m o u r * by LeonBarnard “Testing The Bounds of Reality” copyright 1987 ~ all rides reserved rewritten: July 1, 2013 MorrisonMoments.Com in the beginning... One word leads into another until they all add up to make a sentence. In 1970 Jim Morrison was sentenced to three years in Raiford Prison in Dade County, Florida for misusing his words during a Doors’ concert there in 1969. Although no photography was presented at his trial showing genital exposure, Jim had threatened theatrically to do so, and the power of suggestion & hysteria that followed convicted him of a crime he did not actually commit. Was it lewd and lascivious behavior in public? Perhaps yes, if you consider bad language to be detrimental to the health and well being of an audience populated primarily by teenagers. But do you really suppose he exposed himself and nobody took a picture? Hundreds of flesh-seeking flash cubes signaled the use of myriad instamatics that evening, yet none recorded a single inch of evidence revealing Morrison’s prick at posterity. Time passed future opportunity... Months later, Jim and I had lunch together weeks before his flight to Paris where he eventually disappeared. We talked about his trial of tribulation and the probability of serving several years behind bars in the slammer. During the conversation he touched lightly on his thoughts for the future and mentioned the possibility of a change in identity. We joked about his putting on blackface and going underground ‘incognegro’, but that was just because we couldn’t resist the play on words, and it had absolutely nothing to with anything racial, just facial. -
Interpreting the New Music Videos of Childish Gambino, Kendrick Lamar, and Beyoncé Knowles-Carter
UNIVERSITY OF CALIFORNIA, IRVINE “Watching Their Souls Speak”: Interpreting the New Music Videos of Childish Gambino, Kendrick Lamar, and Beyoncé Knowles-Carter THESIS submitted in partial satisfaction of the requirements for the degree of MASTER OF FINE ARTS in Music by Sarah Allison Lindmark Thesis Committee: Assistant Professor Nicole Grimes, Chair Professor Nicole Mitchell Assistant Professor Stephan Hammel 2019 © 2019 Sarah Allison Lindmark TABLE OF CONTENTS ACKNOWLEDGEMENTS ......................................................................................................................... iii ABSTRACT OF THE THESIS ................................................................................................................... iv INTRODUCTION ........................................................................................................................................ 1 CHAPTER ONE ......................................................................................................................................... 10 Iconic Memory and Signifyin(g)............................................................................................................. 11 A Distinct Social Justice-Minded Message ............................................................................................ 14 Manipulating the Anchoring of Sound within a Music Video ................................................................ 17 CHAPTER TWO ....................................................................................................................................... -
Blacklivesmatter 1 the Art Galleries at Tcu Stand in Solidarity with People of Color Seeking Social Justice and Equality
ORGANIZATIONS, ARTISTS, AND RESOURCES LIST #BLACKLIVESMATTER 1 THE ART GALLERIES AT TCU STAND IN SOLIDARITY WITH PEOPLE OF COLOR SEEKING SOCIAL JUSTICE AND EQUALITY. WE ARE COMMITTED TO WORKING WITH A DIVERSE RANGE OF ARTISTS, INCLUDING THOSE WHO EXPOSE RACISM AND ABUSES OF POWER. WE ARE DEDICATED TO PROVIDING A PLATFORM FOR STUDENTS, FACULTY AND STAFF TO TALK ABOUT RACE, VIOLENCE AND PRIVILEGE. 2 TABLE OF CONTENTS BLACK ARTISTS 4 TEXAS ARTISTS 5 ARTISTS WHO HAVE SHOWN AT TCU 9 MORE ARTISTS 10 BLACK-OWNED BUSINESSES AND SUPPORT 14 FOOD & DRINK 15 NIGHTLIFE & ENTERTAINMENT 25 RETAIL 26 HEALTH & BEAUTY 27 SERVICES 28 RECREATION & CULTURE 29 BLACK-OWNED BOOKSTORES (ONLINE) 30 DFW ORGANIZERS & RESOURCES 32 NATIONAL ORGANIZATIONS 34 DFW LAWYERS & BAIL 35 FUNDING SUPPORT 36 QUEER & TRANS ORGANIZATIONS 39 DISABILITY ORGANIZATIONS 40 PHOTOGRAPHY ORGANIZATIONS 41 ART-FOCUSED ORGANIZATIONS SUPPORTING BLACK ARTISTS, THINKERS, AND MAKERS 43 MEDIA 45 BOOKS TO READ 46 CHILDREN’S BOOKS, COMICS, AND GRAPHIC NOVELS 48 COMICS & GRAPHIC NOVELS 50 WEB COMICS 51 CULTURAL RESOURCES FOR STUDENTS TO EXPLORE 52 ARTICLES TO READ 53 PHOTOGRAPHY SPECIFIC ARTICLES 54 VIDEOS TO WATCH 55 PODCASTS TO SUBSCRIBE TO 56 FILMS & TV SERIES TO WATCH 57 BLACK DOCUMENTARIES 58 ORGANIZATIONS TO FOLLOW ON SOCIAL MEDIA 61 MORE ANTI-RACISM RESOURCES 62 BLACK ARTISTS TEXAS ARTISTS Taylor Barnes Vicki Meek Austin Dallas Barnes lives and works in Austin, Texas Meek, a native of Philadelphia, recently receiving her MFA in Fibers from Pennsylvania, is a nationally recognized the University of North Texas. She has artist who has exhibited widely. Meek exhibited in solo exhibitions at Erin Cluley is in the permanent collections of the Gallery, Dallas, TX and 500X Gallery, African American Museum in Dallas, The Dallas, TX.