DOCSLIB.ORG

State Gives Priority to Dupont Parkland

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
State Gives Priority to Dupont Parkland Downtown tract sold/ 4a Christin to seek ta·x hike/8a N 78th year, No. 7 Newark, Del. July 14, 1988 State gives priority to duPont parkland A state task force has recom­ work is now under way in the ac­ right to buy the property," said it will probably be aroun~ $6 Salkin said prioriU~ were mended the purchase of .321 quisition efforts. Salkin. "There are a lot .of dif­ million. given to those pieces of property by. Cathy Thomas acres of the duPont family pro­ "In each case, we'll be con­ ferent· alternatives, acquisition "With any luck, the land could that the owners wanted to sell. perty to create a land bridge bet­ tacting the landowners, notify­ techniques available to us." cost us less (than $20 million)," That is the case with UlP duPont The Hallock duPont property ween the Middle Rlin Natural ing them that the legislature has If the state were to purchase said Salkin. " We know it's going property, which is being sold by northeast of Newark is among Area, Carpenter State Park and authorized us to negotiate with all 'the property today, it would to take at least another $7 the family. several sites now being sought the White Clay Creek Preserve. them to pursue their property.'' likely cost taxpayers around $20 million next year. We always Because of financial by the state following legislative Some of the property will be million. However, the hope for good prices.'' pressures, the · duPont family State legislators appropriated decided to sell half of the 2,000 approval of the Governor's $7 million in state bond money purchased within the next year. legislature only appropriated $7 The majority of the $7 million parkland acquisition program. Of those sites not purchased million in the state bond pro­ appropriated this year will go to acre estate. Family members for the first year of the three­ originally wanted to sell the In the $20 million program, year acquisition program. right away, the state will pursue gram this year. the purchase of the duPont pro­ Gov. Michael N. Castle targeted options to buy them at a later Legislators are expected to perty, according to Salkin. , state about 150 of the 1,000 acres eight sites across the state for Charles Salkin, manager of date. appropriate another $7 million "We've clearly given priority up for sale. However, the state purchase in the largest single technical services for the "Even if we don't buy the pro­ next year. The amount of money to spend a good part of the $7 land acquisition program in Department of Natural perty right away, we will do set aside in the third year will million on the first parcel of the Delaware history. Resources, said preliminary whatever we can to secure our depend on actual land costs, but duPont property.'' See PARK/5a UofD Sen. Neal critical police of Newark area 'official' traffic study Legislation establishing a there will be a need for another· police department on the by Cathy Thomas . traffic study in the area in University of Delaware campus another five years. This study was signed into law last week by projects traffic problems and Gov. Michael N. Castle. The Greater Newark Area possible improvements through During ceremonies Thursday, Transportation Study is not the year 2010. Neal suggests that Castle signed: shaping up the way State Sen. the study look 40 to 50 years • House Bill 560, which James Neal had hoped. down the road. creates a University police Neal, a Newark Republican, is There have been some good department. disappointed in the narrow focus ideas to come out of the study, • H.B. 556 , which gives of the study. according to Neal. He said the University police statewide "My concern is this study is proposed Transportation authority similar to other police going to stop before it really gets Management Association departments. into the .serious solutions that (TMA) should play an important • H.B. 532, which gives the should be addressed now," said University police department Neal. "We probably need to con­ See NEAL/5a the right to enter into mutual sider extending this study or assist pacts with other police changing the scope." departments. Neal was instrumental in get­ • H.B. 561, which allows ting the study started last year University police to enter other by the Delaware Department of jurisdictions during pursuit. Transportation. Car stolen; The creation of the University The Boston consulting firm of r;olice department is considered V 1masse Hangen Brustlin, Inc. an administrative move for the recently issued short term no joyride mostpart. recommendations to improve "I know for the University it is traffic flow through the city. significant because it is a Long-term recommendations recognition of our officers with are due out this fall. for child other officers in the state," said However, Neal has relayed his Douglas F . Tuttle, University of concerns to DELDOT officials A five-year-old Stanton girl Delaware public safety director. and is hopeful that the study will was given an unexpected - and The University's public safety become more extensive. unwanted - ride Monday night department is split into two divi­ "This (study) is really not be­ · when the car in which she was sions - the department's 42 ing aggressive enough to really seated was stolen from a park­ police officers and 25 security of­ give us solutions that will last ing lot on Kirkwood Highway. ficers. more than a few years," said According to Delaware State For the past several years, Neal. "I'm afraid what the traf­ Police, the child was left unat­ University police have been con­ fic consultants are going to tell tended in a vehicle about 9: 15 sidered special officers to the Ci­ us. They're going to say, 'Well, p.m; while her mother's ty of Newark. That designation if you just widen Cleveland boyfriend went inside the 7-11 at allowed them to arrest students Avenue, that'll take care of the Kirkwood Highway and Duncan off campus and cooperate with problem' and from a purely Road to pick up an item. Newark Police. The new legisla­ traffic standpoint, that's the The keys were left in the vehi­ tion eliminates the need for the kind of solution that makes cle. special officer designation. sense. But, when you crank in When the man exited the store The University police officers concerns for the kind of city we about five minutes later, the have also been considered have, the kind of neighborhoods, vehicle and the child were gone. special constables to the state. Photo/Robert Craig that just goes against any kind The child was let out of the The constable status may be re­ A Delaware Enduro Rider finds Elk Creek a tou(#h, if cooling, road to travel during Sunday's Fair Hill of preservation of the quality of vehicle at a residence near tained. Hare Scramble. The creekbed was part of a 15-mile course which took riders over hill and dale. life." Delcastle High School in If the study does not become Newport, where she telephoned See POLICE/ 5a more extensive, Neal belives her mother. FYI A 'peak' at Ea~t Coast life Newa rk Police have issued a the northbound lane will be closed bike alert for Saturday, July 16 between East Park Place and . Rocky Mountain 4-H'ers visit Newark through special program Motorists using city streets are Delaware Avenue . advised that because of the Newark East Delaware Avenue will have Last year, several N~.wark we walked out of the airport and Jeremy Jarbo lives on ranch Bicycle Classic, traffic patterns will limited access; the right eastbound by Cathy Thomas teenagers visited teenagers in it was so hot. It was so hwnid," outside of Yampa, Colo. Last be altered fro m 7:30 a.m. to 6:30 lane will be closed between South Colorado. This year, the Col­ said Jeannie Zimmerman of year, he was visited by Ralph p.m. The race itself, part of the College Avenue and Academy orado teens came to Newark. Steamboat Springs, Colo. Farabaugh, a senior at St. First State Games, will begin at 8 Street . Some Colorado teenagers had During the week-long visit, the Jeannie and Rachel Smith of Mark's High School. a.m. and continue to 6 p.m. According to police, detours will the opportunity this past week to Colorado teens saw many of the Oak Creek, Colo. stayed with "It (Yampa) was dlfferent," Academy Street will be closed be marked and imposed . learn about the lifestyle of an sights along the East Coast. Signe Clayton, a Newark High said Ralph. "I didn't know from Delaware Avenue to East Park East Coast family. They suggest east and west­ Some of them visited New York School sophomore. Signe visited places like that existed. It was Place. The teenagers were part of an City, Washington, D.C. and Cape Jeannie in Colorado last year. really small. You stand at one East Park Place will be closed bound traffic use Cleveland exchange program sponsored by Henlopen. " I really liked it a lot. I learn­ Avenue, Main Street or Chestnut end of the town and you can see from Academy Street to South Col· the Cooperative Extension pro­ For some of the teenagers, it ed a lot about how (life) is out all the way across the town." lege Avenue . Hill Road . North and southbound grams at the University of was their first opportunity to be there," said Signe. "I never had South College Avenue will be traffic should use Library Avenue, Delaware and Colorado State outside of Colorado.
Load more

Recommended publications
  • Vocal Jazz in the Choral Classroom: a Pedagogical Study
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-2019 Vocal Jazz in the Choral Classroom: A Pedagogical Study Lara Marie Moline Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Moline, Lara Marie, "Vocal Jazz in the Choral Classroom: A Pedagogical Study" (2019). Dissertations. 576. https://digscholarship.unco.edu/dissertations/576 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 LARA MARIE MOLINE ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School VOCAL JAZZ IN THE CHORAL CLASSROOM: A PEDAGOGICAL STUDY A DIssertatIon SubMItted In PartIal FulfIllment Of the RequIrements for the Degree of Doctor of Arts Lara Marie MolIne College of Visual and Performing Arts School of Music May 2019 ThIs DIssertatIon by: Lara Marie MolIne EntItled: Vocal Jazz in the Choral Classroom: A Pedagogical Study has been approved as meetIng the requIrement for the Degree of Doctor of Arts in College of VIsual and Performing Arts In School of Music, Program of Choral ConductIng Accepted by the Doctoral CoMMIttee _________________________________________________ Galen Darrough D.M.A., ChaIr _________________________________________________ Jill Burgett D.A., CoMMIttee Member _________________________________________________ Michael Oravitz Ph.D., CoMMIttee Member _________________________________________________ Michael Welsh Ph.D., Faculty RepresentatIve Date of DIssertatIon Defense________________________________________ Accepted by the Graduate School ________________________________________________________ LInda L. Black, Ed.D. Associate Provost and Dean Graduate School and InternatIonal AdMIssions Research and Sponsored Projects ABSTRACT MolIne, Lara Marie.
    [Show full text]
  • Southern Black Gospel Music: Qualitative Look at Quartet Sound
    LIBERTY UNIVERSITY SOUTHERN BLACK GOSPEL MUSIC: QUALITATIVE LOOK AT QUARTET SOUND DURING THE GOSPEL ‘BOOM’ PERIOD OF 1940-1960 A THESIS SUBMITTED TO THE FACULTY OF THE SCHOOL OF MUSIC IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY BY BEATRICE IRENE PATE LYNCHBURG, V.A. April 2014 1 Abstract The purpose of this work is to identify features of southern black gospel music, and to highlight what makes the music unique. One goal is to present information about black gospel music and distinguishing the different definitions of gospel through various ages of gospel music. A historical accounting for the gospel music is necessary, to distinguish how the different definitions of gospel are from other forms of gospel music during different ages of gospel. The distinctions are important for understanding gospel music and the ‘Southern’ gospel music distinction. The quartet sound was the most popular form of music during the Golden Age of Gospel, a period in which there was significant growth of public consumption of Black gospel music, which was an explosion of black gospel culture, hence the term ‘gospel boom.’ The gospel boom period was from 1940 to 1960, right after the Great Depression, a period that also included World War II, and right before the Civil Rights Movement became a nationwide movement. This work will evaluate the quartet sound during the 1940’s, 50’s, and 60’s, which will provide a different definition for gospel music during that era. Using five black southern gospel quartets—The Dixie Hummingbirds, The Fairfield Four, The Golden Gate Quartet, The Soul Stirrers, and The Swan Silvertones—to define what southern black gospel music is, its components, and to identify important cultural elements of the music.
    [Show full text]
  • Paper for B(&N
    International Journal of Humanities and Social Science Vol. 9 • No. 9 • September 2019 doi:10.30845/ijhss.v9n9p4 Biographies of Two African American Women in Religious Music: Clara Ward and Rosetta Tharpe Nana A. Amoah-Ramey Ph.D. Indiana University Department of African American and African Diaspora Studies College of Arts and Sciences Ballantine Hall 678 Bloomington IN, 47405, USA Abstract This paper‟s focus is to compare the lives, times and musical professions of two prominent African American women— Clara Ward and Rosetta Thorpe — in religious music. The study addresses the musical careers of both women and shows challenges that they worked hard to overcome, and how their relationship with other musicians and the public helped to steer their careers by making them important figures in African American gospel and religious music. In pursuing this objective, I relied on manuscripts, narratives, newspaper clippings, and published source materials. Results of the study points to commonalities or similarities between them. In particular, their lives go a long way to confirm the important contributions they made to religious music of their day and even today. Keywords: African American Gospel and Religious Music, Women, Gender, Liberation, Empowerment Overview This paper is structured as follows: It begins with a brief discussion of the historical background of gospel and sacred music. This is followed by an examination of the musical careers of Clara Ward and Rosetta Thorpe with particular attention to the challenges they faced and the strategies they employed to overcome such challenges; and by so doing becoming major figures performing this genre (gospel and sacred music) of music.
    [Show full text]
  • JAMES BROWN Tennessee (1928) Or Georgia (1933) ¡©Si
    r ; k Jf ||p ji „ > ■ Ip > V - » I ■ JAMES BROWN Tennessee (1928) or Georgia (1933) ¡©Si- James Brown once said of Elvis Presley, “He recorded at Harlem’s Apollo Theater on September taught white America to get down.” Brown himself 24th, 1962, sold a million copies and remained on did Elvis one better in that regard: he encouraged ev­ the Billboard charts for more than a year, an unprec­ eryone to do it. Brown, an indefatigable performer edented achievement for a hard-core R&B album. In who still maintains a grading touring schedule for has 1965, with the success of “Papa’s Got a Brand New fine-tuned funk revue, has earned many tides over the Bag” and “I Got You (I Feel Good),” Brown proceed­ years. ed to break his sound down to a groove as basic and He’s been called “the Hardest-Working Man in bad as you could get. That same year, rock and roll Show Business.” As an impoverished child of the De­ fans were willingly hoodwinked by the slickly re ­ pression, Brown picked cotton, shined shoes and hearsed drama of Brown’s fainting-and-reviving ritual danced for spare change on the streets. He also during “Please Please Please” in The TAJUJ. Show. served time in a reform atory and tried his hand at He’s been called “Soul Brother Number One” for boxing and baseball. When a leg injury put an end to his willingness to “say it loud, I’m black and I’m his big-league pitching aspirations, Brown turned to proud.” In 1968, when he was addressing black so­ music.
    [Show full text]
  • Descriptive Metadata in the Music Industry 1
    DESCRIPTIVE METADATA IN THE MUSIC INDUSTRY 1 Descriptive Metadata In The Music Industry: Why It Is Broken And How To Fix It Tony Brooke December 2014 Author Note Tony Brooke is a media asset manager in San Francisco, California. He holds a Master’s degree in Library and Information Science (with a concentration in media asset management and audiovisual metadata) from San José State University, and has been an audio engineer in San Francisco since 1992. Correspondence regarding this should be made to Tony Brooke, Silent Way Media Asset Management, San Francisco, (415) 826-2888. http://www.silentway.com/research This is a corrected postprint of an article originally published in two parts, February- March 2014 in the Journal of Digital Media Management. Keywords: metadata, standards, music, descriptive, open, proprietary, database, identifier, credits, schema, persistent DESCRIPTIVE METADATA IN THE MUSIC INDUSTRY 2 Table Of Contents Abstract 3 Introduction 4 Descriptive Metadata: Now And Then 5 Terminology 8 Reasons for the Lack of Descriptive Metadata 17 The Silos 20 The DDEX Suite of Standards and CCD 30 Part Two 33 Why Hasn’t This Been Fixed Yet? 33 Toward A Globally Unique Abstracted Persistent Identifier (GUAPI) 40 Proposed Study: Quantifying Descriptive Metadata Value 49 Research Questions 49 Participants 50 Data Collection Instrument 50 Procedure 51 Conclusion And Recommendations 53 References 59 Appendix: Acronym Reference 67 Document Control Version history Version Date Version notes 1.0 June 19, 2013 Initial draft, circulated privately, APA citations. 1.1 July 14, 2013 Revised draft. 2.0 October 15, 2013 Significant rewrite, with different conclusion.
    [Show full text]
  • How They Got Over: a Brief Overview of Black Gospel Quartet Music
    How They Got Over: A Brief Overview of Black Gospel Quartet Music Jerry Zolten October 29, 2015 Jerry Zolten is Associate Professor of Communication Arts & Sciences, American Studies, and Integrative Arts at the Penn State-Altoona. his piece takes you on a tour through black gospel music history — especially the gospel quartets T — and along the way I’ll point you to some of the most amazing performances in African American religious music ever captured on film. To quote the late James Hill, my friend and longtime member of the Fairfield Four gospel quartet, “I don't want to make you feel glad twice—glad to see me come and glad to see me go.” With that in mind I’m going to get right down to the evolution from the spirituals of slavery days to the mid-twentieth century “golden age” of gospel. Along the way, we’ll learn about the a cappella vocal tradition that groups such as the Fairfield Four so brilliantly represent today. The black gospel tradition is seeded in a century and a half of slavery and that is the time to begin: when the spirituals came into being. The spirituals evolved out of an oral tradition, sung solo or in groups and improvised. Sometimes the music is staid, sometimes histrionic. Folklorist Zora Neale Hurston famously described how spirituals were never sung the same way twice, “their truth dying under training like flowers under hot water.”1 We don’t know the names of the people who wrote these songs. They were not written down at the time.
    [Show full text]
  • 500 Songs That Shaped Rock
    500 Songs That Shaped Rock James Henke, chief curator for the Rock and Roll Hall of Fame, with the help of music writers and critics, selected 500 songs (not only rock songs) that they belie e ha e been most influential in shaping rock and roll! "he list is alphabetical by artist! A AC/DC, #$ack in $lack% AC/DC, #Highway to Hell% Roy Acuff and the Smoky Mountain Boys, #&abash 'annonball% Aerosmith, #(ream )n% Aerosmith, #"oys in the *ttic% Afrika Bambaataa, #+lanet Rock% The Allman Brothers Band, #Ramblin, -an% The Allman Brothers Band, #&hipping +ost% The Animals, #"he House of the Rising .un% The Animals, #&e /otta /et )ut of "his +lace% Louis Armstrong, #&est 0nd $lues% Arrested De elo!ment, #"ennessee% B The B"#$%s, #Rock 1obster% 1 of 19 The B-#$%s La&ern Baker, #Jim (andy% 'ank Ballard and the Midnighters, #&ork &ith -e *nnie% The Band, #"he 2ight "hey (ro e )ld (i3ie (own% The Band, #"he &eight% Beach Boys, #'alifornia /irls% Beach Boys, #(on,t &orry $aby% Beach Boys, #/od )nly 4nows% Beach Boys, #/ood 5ibrations% Beach Boys, #.urfin, 6!.!*!% The Beastie Boys, #(7ou /otta) Fight for 7our Right (to +arty)% The Beatles, #* (ay in the 1ife% The Beatles, #Help8% The Beatles, #Hey Jude% The Beatles, #9 &ant to Hold 7our Hand% The Beatles, #2orwegian &ood% The Beatles, #.trawberry Fields Fore er% The Beatles, #7esterday% The Beau Brummels, #1augh 1augh% Beck, #1oser% (eff Beck )rou!, #+lynth (&ater (own the (rain)% The Bee )ees, #.tayin, *li e% Archie Bell and the Drells, #"ighten 6p% Chuck Berry, #Johnny $! /oode% 2 of 19 Chuck Berry, #-aybelline% Chuck Berry, #Rock and Roll -usic% The Big Bo!!er, #'hantilly 1ace% Big Brother and the 'olding Com!any, #+iece of -y Heart% Big Star, #.eptember /urls% Black Sabbath, #9ron -an% Black Sabbath, #+aranoid% Bobby Blue Bland, #"urn )n 7our 1o e 1ight% Blondie, #Heart of /lass% *urtis Blo+, #"he $reaks% )ary ,-S- Bonds, #:uarter to "hree% Booker T- .
    [Show full text]
  • Exploring the Gospel Fusion Arrangements of the Recording Collective
    Belmont University Belmont Digital Repository Composition/Recording Projects School of Music Fall 11-20-2020 Exploring the Gospel Fusion Arrangements of The Recording Collective Tyler Williams [email protected] Follow this and additional works at: https://repository.belmont.edu/music_comp Part of the Composition Commons, and the Musicology Commons Recommended Citation Williams, Tyler, "Exploring the Gospel Fusion Arrangements of The Recording Collective" (2020). Composition/Recording Projects. 2. https://repository.belmont.edu/music_comp/2 This Thesis is brought to you for free and open access by the School of Music at Belmont Digital Repository. It has been accepted for inclusion in Composition/Recording Projects by an authorized administrator of Belmont Digital Repository. For more information, please contact [email protected]. EXPLORING THE GOSPEL FUSION ARRANGEMENTS OF THE RECORDING COLLECTIVE By TYLER WILLIAMS A PRODUCTION PAPER Submitted in partial fulfillment of the requirements for the degree of Master of Music in Commercial Music, Media Composition and Arranging in the School of Music of the College of Music and Performing Arts Belmont University NASHVILLE, TENNESSEE November 2020 Acknowledgements This project would not have been possible without the contributions of numerous individuals. I first want to thank Dr. Tony Moreira for being such an encouraging presence during my time here at Belmont. The fruits of his musical instruction can be seen and heard in the arrangements included in this production. Thank you also to Keith Mason and Dr. Peter Lamothe, whose seminar classes directly impacted the trajectory and execution of this project. I am deeply grateful to the musicians whose incredible talents brought pure magic to the recording process.
    [Show full text]
  • The Mississippi Mass Choir
    R & B BARGAIN CORNER Bobby “Blue” Bland “Blues You Can Use” CD MCD7444 Get Your Money Where You Spend Your Time/Spending My Life With You/Our First Feelin's/ 24 Hours A Day/I've Got A Problem/Let's Part As Friends/For The Last Time/There's No Easy Way To Say Goodbye James Brown "Golden Hits" CD M6104 Hot Pants/I Got the Feelin'/It's a Man's Man's Man's World/Cold Sweat/I Can't Stand It/Papa's Got A Brand New Bag/Feel Good/Get on the Good Foot/Get Up Offa That Thing/Give It Up or Turn it a Loose Willie Clayton “Gifted” CD MCD7529 Beautiful/Boom,Boom, Boom/Can I Change My Mind/When I Think About Cheating/A LittleBit More/My Lover My Friend/Running Out of Lies/She’s Holding Back/Missing You/Sweet Lady/ Dreams/My Miss America/Trust (featuring Shirley Brown) Dramatics "If You come Back To Me" CD VL3414 Maddy/If You Come Back To Me/Seduction/Scarborough Faire/Lady In Red/For Reality's Sake/Hello Love/ We Haven't Got There Yet/Maddy(revisited) Eddie Floyd "Eddie Loves You So" CD STAX3079 'Til My Back Ain't Got No Bone/Since You Been Gone/Close To You/I Don't Want To Be With Nobody But You/You Don't Know What You Mean To Me/I Will Always Have Faith In You/Head To Toe/Never Get Enough of Your Love/You're So Fine/Consider Me Z. Z.
    [Show full text]
  • African American Sacred Music and the Romantic Aesthetic
    Fayetteville State University DigitalCommons@Fayetteville State University Faculty Working Papers English 7-13-2020 African American Sacred Music and the Romantic Aesthetic Brooksie Harrington Follow this and additional works at: https://digitalcommons.uncfsu.edu/eng_wp Part of the African American Studies Commons, Music Theory Commons, Other American Studies Commons, and the Other Music Commons Running head: AFRICAN AMERICAN SACRED MUSIC 1 African American Sacred Music and the Romantic Aesthetic Brooksie Harrington Fayetteville State University AFRICAN AMERICAN SACRED MUSIC 2 Abstract Gospel music affects every aspect of African American culture, and the similarities between the African American sacred music aesthetic and the Romantic aesthetic share a theme of religiosity that is contained in the correlative of the mythopoetic “seam.” This seam meshes together analysis that explores the natural sublime, as suggested in the writings of such scholars as William Wordsworth, Pierre Proudhon, Samuel Coleridge, James Weldon Johnson, Henry L. Gates, and Anthony Heilbut. Keywords: African American, gospel music, aesthetic, Romanticism, sublime AFRICAN AMERICAN SACRED MUSIC 1 African American Sacred Music and the Romantic Aesthetic Of all the qualities of Art, the sublime is that which appears to be the most vague, irregular, and undefined . for those who talk rationally on other subjects, no sooner touch on this than they go off in a literary delirium; fancy themselves, like Longinus, “the great sublime they draw” and rave like Methodists, of inward lights, and enthusiastic emotions, which if you cannot comprehend, you are set down as un-illumined by the grace of criticism, and excluded from the elect of Taste. —Martin Shee, Elements of Art (as cited in Pipkin, 1998, p.
    [Show full text]
  • Guide to the Sue Cassidy Clark Collection
    Columbia College Chicago Digital Commons @ Columbia College Chicago CBMR Collection Guides / Finding Aids Center for Black Music Research 2020 Guide to the Sue Cassidy Clark Collection Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cmbr_guides Part of the History Commons, and the Music Commons Columbia COL L EGE CHICAG, 0 CENTER FOR BLACK MUSIC RESEARCH COLLECTION The Sue Cassidy Clark Collection, 1948-1999 EXTENT Papers: 36 boxes, 25.5 linear feet COLLECTION SUMMARY Sue Cassidy Clark was a music journalist and photographer who specialized in soul, gospel, and rock music in the late 1960s and early 1970s. The Sue Cassidy Clark papers include Clark's recorded interviews, interview transcripts, photographs, published articles, correspondence, handwritten notes, clippings, promotional print material, and commercial sound recordings. PROCESSING INFORMATION Processed by CLIR funded Black Metropolis Research Consortium “Color Curtain Processing Project.” By T.J. Szafranski and Dominique Fuqua, September 26, 2012 BIOGRAPHICAL NOTE Sue Cassidy Clark was a music journalist and photographer who specialized in soul, gospel, and rock music in the late 1960s and early 1970s. She authored the books Rock: A World Bold as Love (Cowles, 1970) and The Superstars: In Their Own Words (Music Sales, 1972), and she contributed articles and record reviews to several periodicals, including Billboard, Black Stars, Creem, Hit Parader, Rolling Stone, Rock, Soul Illustrated, and Soul Sounds. SCOPE & CONTENT/COLLECTION DESCRIPTION The collection includes recorded interviews that Clark conducted with significant and influential African-American musicians, typed transcriptions of many of these interviews, copies of published articles, photographs, many of which were taken by Clark, correspondence, handwritten notes, research material (including clippings and promotional print material), and her collection of recordings.
    [Show full text]
  • CONFIGURATIONS in MOTION: Performance Curation and Communities of Color
    CONFIGURATIONS IN MOTION: Performance Curation and Communities of Color Hosted by SLIPPAGE: Performance|Culture|Technology at Duke University June 27-28, 2015 CONTENTS HISTORIES, LEGACIES REFLECTIONS, VISIONS Dancing While Black Rep’ing Blackness: Curating Performance as a Paloma McGregor 10 Practice of Radical Care Nicole L. Martin 54 Thinking from Within Marýa Wethers 15 Black Joy in the Hour of Chaos: Reflections on Movement and Social Movements Narrating Parallels Christina Knight 58 Ishmael Houston-Jones 20 BLACK MALE REVISITED: Movement Research as a NYC case study— Imaging The Dark Divine my subjective view Jaamil Olawale Kosoko 64 Levi Gonzalez* 26 Inclusion-based Curation Below The Radar: Visibility and Representation Rasu Jilani 68 of Independent Artists of Color in Community, University and Other Performance Venues Bodies in Motion, Moving through the Andrea E. Woods Valdés 31 University Dasha A. Chapman 73 Programming from the Soul Aaron Greenwald 36 Thoughts on Curatorial Practice Joseph F. Jordan 78 Lessons from the South Bronx Jane Gabriels 40 identifying the end-game thomas f. defrantz 82 My Foundation is A Legacy of Liberation A. Nia Austin-Edwards 46 Cover image: Screenshot from Ase Dance Collective performance at Dancing While Black: Collective(s) Action, NYU Hemispheric Institute, February 2014 2 CONFIGURATIONS IN MOTION: PERFORMANCE CURATION AND COMMUNITIES OF COLOR CONFIGURATIONS IN MOTION: Performance Curation and Communities of Color How do we imagine twenty-first century configurations of performance curation and
    [Show full text]