Sparklehorse Spring 1999 Tour Diary Part 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Music - Best of Both Worlds - Phoenixnewtimes.Com Page 1 of 3
Phoenix - Music - Best of Both Worlds - phoenixnewtimes.com Page 1 of 3 c a b Music m Monday, February 12, 2007 r r j NEWS BLOGS RESTAURANTS ENTERTAINMENT MUSIC MOVIES BEST OF CLASSIFIED PROMOTIONS SEARCH AD INDEX p a s write to the editor | email a friend | print article Most Popular Most Viewed Most Emailed Music Best of Both Worlds The Curse Camping with Cracker Here's why the Cardinals have sucked forever, and why they might never suck again By Ed Masley Published: February 8, 2007 Boob's Tube Here's how publicity hound Joe Arpaio used a TV David Lowery lost his share of fans when he followed his days station to try to destroy rival Dan Saban with a bogus rape claim at the helm of one of independent rock's most willfully A Cancer on ASU eccentric acts — Camper Van Beethoven — with Cracker, a far Could Bob Pettit have cured cancer in his lifetime? more conventional roots-rock band in slacker-rock clothing. Of We might never know, thanks to nasty university politics course, as often happens when your second act is even slightly C The Real Rip-Off Report more conventional, he also gained a lot of fans. The concert Ed Magedson calls himself an advocate. His enemies call him an extortionist film Cracker & Camper Beethoven: The First Annual Camp Out Live (Pitch-A-Tent/MVD) is aimed at those open-minded Heaven Can Wait Served by the bell enough to appreciate both sides of the Lowery legacy, as captured live in 2005 at something called Pappy and Harriet's Pioneertown Palace in the California desert. -
WW1 CV for Randal S Gaulke Version November 2017
Curriculum Vitae Randal S. Gaulke Battlefield Tour Guide, Historian and Re-enactor 2017 Sabbatical in Doulcon, France • From 15 May to 15 November, 2017, Randal lived and worked as a Freelance tour guide to the American battlefields of WW1. • During this period he led numerous small-group tours; typically showing family members where their grandparents or parents fought. • He also participated in the filming of “A Golden Cross to Bear” (33rd Division, AEF) being produced by filmmaker Kane Farabaugh. o Viewing on various PBS stations in Illinois is planned for Memorial Day 2018. Previous Battlefield Tour Summary • Randal has visited the Western Front more than twenty times between 1986 and 2016. • Much of that time has been spent studying the Meuse-Argonne and St. Mihiel sectors. • Key tour summaries are listed below: --Verdun and Inf. Regt. Nr. 87 Tour, 2013 Randal spent three days leading an individual to the sites where his (German) great uncle fought, including the Verdun battlefield. --Western Front Association, USA Branch, 2007 Battlefield Tour Randal led the second half of the tour; focusing on the Meuse-Argonne and St. Mihiel Sectors. --8th Kuerassier (Reenacting) Regiment Trip to Germany and the Western Front, 2005 This was a five-day tour that followed in the regiment’s footsteps. --Verdun 1999 Tour Randal led participants on a two-day tour of the Verdun 1916 battlefield. --First Western Front Association, USA Branch, Battlefield Tour, 1998 The tour was organized by Tony and Teddy Noyes of UK-based Flanders Tours. Randal and Stephen Matthews provided significant input, US-based marketing, and logistical support to the effort. -
Lance Armstrong Has Something to Get Off His Chest
Texas Monthly July 2001: Lanr^ Armstrong Has Something to . Page 1 of 17 This copy is for your personal, non-commercial use only. For public distribution to your colleagues, clients or customers, contact [email protected] for reprint information and fees. (EJiiPfflNITHIS Lance Armstrong Has Something to Get Off His Chest He doesn't use performance-enhancing drugs, he insists, no matter what his critics in the European press and elsewhere say. And yet the accusations keep coming. How much scrutiny can the two-time Tour de France winner stand? by Michael Hall In May of last year, Lance Armstrong was riding in the Pyrenees, preparing for the upcoming Tour de France. He had just completed the seven-and-a-half-mile ride up Hautacam, a treacherous mountain that rises 4,978 feet above the French countryside. It was 36 degrees and raining, and his team's director, Johan Bruyneel, was waiting with a jacket and a ride back to the training camp. But Lance wasn't ready to go. "It was one of those moments in my life I'll never forget," he told me. "Just the two of us. I said, 'You know what, I don't think I got it. I don't understand it.1 Johan said, 'What do you mean? Of course you got it. Let's go.' I said, 'No, I'm gonna ride all the way down, and I'm gonna do it again.' He was speechless. And I did it again." Lance got it; he understood Hautacam—in a way that would soon become very clear. -
Ready... Aim... Despite Cuts, Officials Lack $400000 for Deficit
Marshall University Marshall Digital Scholar The Parthenon University Archives Fall 10-17-1991 The Parthenon, October 17, 1991 Marshall University Follow this and additional works at: https://mds.marshall.edu/parthenon Recommended Citation Marshall University, "The Parthenon, October 17, 1991" (1991). The Parthenon. 2962. https://mds.marshall.edu/parthenon/2962 This Newspaper is brought to you for free and open access by the University Archives at Marshall Digital Scholar. It has been accepted for inclusion in The Parthenon by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. UNIVERSITY Thursday Volume92 Oct. 17, 1991 PARTHENON Number25 Ready ... aim ... Despite cuts, officials lack $400,000 for deficit Editor's note: This Is the second of a three ferred to departments where their sala part series exploring the_ u nlverslty's budget ries could be paid using private funds, problems. This Installment will focus on the this action will save the university an university's attemptto balance the budget by estimated $88,000. the end of this flscal year. Part. I detailed the expenses that have caused the problem. Part Also in September, Gilley created a Ill will focus on possible long-term solutlons. "freeze committee" that reviews all out Budget Information was provided by Presi of-state travel requests and all purchases dent J. Wade GIiiey, Herbert J. Karlet, vice over $500 that require the use ofstate ac president for finance andadinlnlstratlvedocu co~nts. The committee will restrict spend ments. ing on any expense it deems unnecessary. It appears at least part of the money By Chris Rice needed to contain the defidt will be taken Staff Writer -----~---- back from the departments in addition to the 1.5 percent cut. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
ANDREA FERRANTE GIANNI DE BERARDINIS Con Una Sconcertante Puntualità Capace Di Superare Ogni Più Rosea Speranza, Arriva MAT2020 Di Aprile
MAT2020 - Anno II - n°15 - 04/14 CAMEL GLAD TREE SOPHYA BACCINI ANDREA FERRANTE GIANNI DE BERARDINIS Con una sconcertante puntualità capace di superare ogni più rosea speranza, arriva MAT2020 di aprile. Qualche nuova entrata tra i collaboratori occasionali porta una ventata di opinioni fresche, anche se chi le propone ha esperienza da vendere, come il giovane Jacopo Muneratti, che MAT 2020 - MusicArTeam racconta... si addentra nel mondo di Captain Beefheart, e il saggista Innocenzo Alfano, che ci racconta [email protected] l’ultimo libro di Mox Cristadoro, I cento migliori dischi del progressive italiano. Angelo De Negri Ritorna Claudio Milano che descrive l’album di OTEME, mentre Gianmaria Consiglio propone General Manager and Web Designer l’intervista realizzata con Sophya Baccini. Athos Enrile A proposito di botta e risposta, è con grande piacere che ritroviamo un mito televisivo di 1st Vice General Manager and Chief Editor qualche anno fa, più che mai sul campo, Gianni De Berardinis, così come va sottolineato lo Massimo ‘Max’ Pacini scambio di battute con Andrea Ferrante. 2nd Vice General Manager, Chief Editor and Webmaster Marta Benedetti, Paolo ‘Revo’ Revello La sezione live è ridotta, ma di estrema qualità, per effetto del racconto di Alberto Sgarlato Administration del concerto dei Camel, che mantiene comunque viva la sua rubrica mensile. Web Journalists: Innocenzo Alfano, Gianmaria Consiglio, Claudio Milano, Jacopo Muneratti, Tra quelli che non mollano mai possiamo ancora inserire Mauro Selis, titolare del “Prog del Fabrizio Poggi, Gianni Sapia, Mauro Selis, Alberto Sgarlato, Riccardo Storti. Sud America” e della sezione “Psicology”, Riccardo Storti, che rivisita Alberto Radius, Fabri- zio Poggi, titolare dell’angolo blues, e Gianni Sapia che sviscera l’opera prima di Marcello Faranna. -
I S C O R D E R Free
I S C O R D E R FREE IUTE K OGWAI ARHEAD NC HR IS1 © "DiSCORDER" 2001 by the Student Radio Society of the University of British Columbia. All rights reserved. Circuldtion 1 7,500. Subscriptions, payable in advance, to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN elsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money orders payable to DiSCORDER Mag azine. DEADLINES: Copy deadline for the August issue is July 14th. Ad space is available until July 21st and ccn be booked by calling Maren at 604.822.3017 ext. 3. Our rates are available upon request. DiS CORDER is not responsible for loss, damage, or any other injury to unsolicited mcnuscripts, unsolicit ed drtwork (including but not limited to drawings, photographs and transparencies), or any other unsolicited material. Material can be submitted on disc or in type. As always, English is preferred. Send e-mail to DSCORDER at [email protected]. From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 fM as well as through all major cable systems in the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ line at 822.2487, our office at 822.301 7 ext. 0, or our news and sports lines at 822.3017 ext. 2. Fax us at 822.9364, e-mail us at: [email protected], visit our web site at http://www.ams.ubc.ca/media/citr or just pick up a goddamn pen and write #233-6138 SUB Blvd., Vancouver, BC. -
Championsip Celebrating the Creators of Jobs, Innovation, Safety, and Access
April 23, 2014 U.S. Chamber of Commerce Washington, D.C. 2014 CHAMPIONSIP Celebrating the Creators of Jobs, Innovation, Safety, and Access 2014 IP Champions Agenda April 23, 2014 Hall of Flags | U.S. Chamber of Commerce Time Details 8:30 AM Registration 9:00 AM Opening Remarks • David Hirschmann, President & CEO, Global Intellectual Property Center 9:05 AM Business Innovations Panel Moderator: Mark Crowell, Executive Director, U.Va. Innovations • Reza Monazami, Ph.D, University of Virginia • Jalali Hartman, Founder & Chief Human, ROBAUTO, Inc 9:55 AM Presentation of Awards to Business Innovators • Mark Crowell, Executive Director, U.Va Innovations • Reza Monazami, Ph.D, University of Virginia • Jalali Hartman, Founder & Chief Human, ROBAUTO, Inc. 10:00 AM Consumer Awareness Campaigns - Panel Discussion • Marjorie Clifton, Executive Director, Center for Safe Internet Pharmacies • Libby Baney, Executive Director, Alliance for Safe Online Pharmacies • Alun Jones, Chief of Communication and Advocacy, United Nations Office of Drugs and Crime • Chuck Westfall, Technical Advisor, Professional Engineering & Solutions Division, Canon U.S.A. 10:55 AM Presentation of Awards to Consumer Awareness Campaigns • “Be Safe. Buy Smart.” - CSIP • “Counterfeit: Don’t buy into organized crime.” - UNODC • “Anti-Counterfeit Consumer Awareness Campaign” - Canon U.S.A. 11:00 AM Consumer Awareness Speech • Introduction by: Sandra Aistars, Chief Executive Officer, Copyright Alliance • David Lowery, Musician and Guest Lecturer, Terry College of Business, University of Georgia 11:20 AM Presentation of Award to Consumer Awareness Speaker • David Lowery, Musician and Guest Lecturer, Terry College of Business, University of Georgia 11:25 AM Presentation of Awards to Public Officials Introduction by: William Reid, Vice President, Global Anti- Counterfeiting Operations, Eli Lilly • Mark Cohen, Senior Counsel, China, U. -
S Aturday, November 5 November 6, 8 & 9 Friday, November 4 Opening
21 st Annual Film Arts Festival Opening Night Gala Premiere Thursday, Nov. 3, 7:30 pm Kanbar Hall (in the Jewish Community Center) Ballets Russes Dayna Goldfine and Dan Geller San Francisco filmmakers Dayna Goldfine and Dan Geller’s exquisite new film documents the ballet troupe that revolutionized 20th-century dance. Using a treasure trove of archival footage, entrancing and often hilarious interviews, and an evocative original score by Todd Boekelheide and David Conte, the filmmakers have crafted an extraordinary tribute to the artists of the Ballet Russe. Join the filmmakers, members of the Ballet Russe, and other special guests after the screening for a gala party at Sydney’s Restaurant, adjacent to the theater. Delicious desserts and savories, plenty of champagne and vodka will be on hand! A Zeitgeist Films Release, 2005 35mm 118m Film & Gala: $50 general / $40 Film Arts and PALM members Generously underwritten by Maurice Kanbar Co-presented by San Francisco Performing Arts Library & Museum “ Enormously absorbing! Elegant and touching! An ebullient odyssey!” — Scott Foundas, Variety Roxie Cinema, 12:30 pm Phantom Limb Mariana of the Universe Jay Rosenblatt, 2005 28m Isabella La Rocca, 2005 10m A Tale of Two Cities Program co-presented by the San Francisco Film Society Abby Ginzberg Pounds Per Square Inch A moving portrait of San Heather Posner, 2004 16mm 6m Francisco’s innovative Youth Roxie Cinema, 8:00 pm Part of the Mother Jones Agitators & Instigators series Numerical Engagements Treatment and Education Center Chelsea Walton, 2004 16mm 4m Academy that combines inspired teaching and faith in Just Say It: A Revolution in the Making Program co-presented by The Exploratorium the students. -
Milkmen's Serenade
e - ' ------------ ~ t . --=-==:7 "-~ '• Ahem, rock 'n' roll fans and practitioners. We hold this truth to be self-evident: That money can't buy you love, but it can certainly buy you ~--~~- . "=--~= .----=- ~ ---::-:....~ .-: :: a hit when applied in the right places. And a hit single, as we all know, is the apex of suc cess, the brick and mortar of fame, fortune and a fabulous sex life. But what if you've rejected that scenario for ~~--'-'"'- - - ~ - =--c_ - ~ - - ·•--'*"'.:""' "'" tr & &&'':.·;iiiisMi ~~!rt'-- one you think has more honor: the indepen dent label route, and all that that engenders? What if success to you consists of putting out your own records, playing hard-won gigs touring america for less than around the country, touring in a van, sleeping $12.06 a day, according to on floors, getting heard on college radio and camper van beethoven, the mentioned in the Village Voice? What kind of money does that sort of career accrue? Is it dead .milkmen and dag nasty even worth pursuing, in a purely monetary sense? by -gina arnold illustration by ju lie ross I --- I ·- - -----47'"~ ·.. \ , ---- \r J. ----- ------- - -t1' -··~ -.. -=-~=: - lli1 Well, on the indie-label front, you can make Truth is, the independent record industry money at it, if you are so inclined: enough to serves as an unorganized farm team system live on, enough to pay taxes on, enough to for the majors-a system whose players have appease your parents, enough-in some fewer allegiances and make less profit than cases-even to get your own Visa. But no those in the big leagues. -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
83Rd Annual Purdue Christmas Show Indeed ‘A Christmas to Remember’
HIGHLIGHTING: ALL CAMPUS AND COMMUNITY CHORALE | HEART & SOUL | PURDUE BELLS | PURDUE VARSITY GLEE CLUB | PURDUETTES | UNIVERSITY CHOIR A publication from Purdue Musical Yours in Song Organizations 2017 WINTER 83rd Annual Purdue Christmas Show Indeed ‘A Christmas to Remember’ Heart & Soul with Director Rhonda Blacklock A Semester Review, Looking Forward We have had such an amazing start to In October, we welcomed PMO alumni our year and have experienced so much for our annual Homecoming Weekend. during our first semester! This fall, our All of our ensembles performed for and students continued to make Purdue proud interacted with distinguished PMO as ambassadors for the University while alumni from different eras. The free “Fall performing during their busy fall schedule. Show” in November featured outstanding performances by the Purdue Bells, In August, we welcomed new and University Choir, Heart & Soul and the All- returning students in the Purduettes Campus and Community Chorale at the and Purdue Varsity Glee Club back to Long Center in downtown Lafayette. campus for our pre-season camp at Camp Tecumseh in Brookston, Ind. Once classes The semester culminated with our began, both ensembles performed free pinnacle performance of the year: the concerts on campus—the Glee Club’s 83rd annual Purdue Christmas Show! annual “First Nighter” concert in Elliott This year, “A Christmas to Remember” William E. Griffel, Director, Purdue Musical Organizations and Purdue Varsity Glee Club Hall of Music, and the “Picnic with the provided stunning performances from Purduettes” performance on Slayter all of our ensembles, culminating in the alumni activities and a celebration gala. Hill.