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Baltimore Symphony Orchestra Announces 2019 New Music Festival
Media contacts Linda Moxley, VP of Marketing & Communications 410.783.8020 [email protected] Devon Maloney, Director of Communications 410.783.8071 [email protected] For Immediate Release Baltimore Symphony Orchestra Announces 2019 New Music Festival Baltimore (April 18, 2019) Under the leadership of Music Director Marin Alsop, the Baltimore Symphony Orchestra (BSO) announces the 2019 New Music Festival. Launched by Alsop and the BSO in 2017, the New Music Festival brings contemporary classical music to Baltimore from June 19-22. The 2019 New Music Festival celebrates women composers ahead of the BSO’s 2019-20 season, which highlights women in music in conjunction with the 100th anniversary of women’s suffrage in the U.S. Performances include the Baltimore premiere of Jennifer Higdon’s Low Brass Concerto, a BSO co- commission, as well as the world premiere of Anna Clyne’s cello concerto, Dance, with Inbal Segev. “I’m thrilled that this year’s New Music Festival features such an outstanding group of contemporary composers, who happen to be women!” said Alsop. “Each piece of music that we’ve programmed tells a unique and compelling story, and we are proud to present a range of voices and perspectives that showcases some of the most inspired work happening in classical composition today.” The 2019 New Music Festival kicks off on Wednesday, June 19 when composer Sarah Kirkland Snider participates in a discussion on her composition process at Red Emma’s Bookstore Café. On Thursday, June 20, Associate Conductor Nicholas Hersh leads members of the BSO and Shara Nova, also known as My Brightest Diamond, in a free concert at the Ottobar. -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
Nightlight: Tradition and Change in a Local Music Scene
NIGHTLIGHT: TRADITION AND CHANGE IN A LOCAL MUSIC SCENE Aaron Smithers A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Folklore. Chapel Hill 2018 Approved by: Glenn Hinson Patricia Sawin Michael Palm ©2018 Aaron Smithers ALL RIGHTS RESERVED ii ABSTRACT Aaron Smithers: Nightlight: Tradition and Change in a Local Music Scene (Under the direction of Glenn Hinson) This thesis considers how tradition—as a dynamic process—is crucial to the development, maintenance, and dissolution of the complex networks of relations that make up local music communities. Using the concept of “scene” as a frame, this ethnographic project engages with participants in a contemporary music scene shaped by a tradition of experimentation that embraces discontinuity and celebrates change. This tradition is learned and communicated through performance and social interaction between participants connected through the Nightlight—a music venue in Chapel Hill, North Carolina. iii ACKNOWLEDGEMENTS Any merit of this ethnography reflects the commitment of a broad community of dedicated individuals who willingly contributed their time, thoughts, voices, and support to make this project complete. I am most grateful to my collaborators and consultants, Michele Arazano, Robert Biggers, Dave Cantwell, Grayson Currin, Lauren Ford, Anne Gomez, David Harper, Chuck Johnson, Kelly Kress, Ryan Martin, Alexis Mastromichalis, Heather McEntire, Mike Nutt, Katie O’Neil, “Crowmeat” Bob Pence, Charlie St. Clair, and Isaac Trogden, as well as all the other musicians, employees, artists, and compatriots of Nightlight whose combined efforts create the unique community that define a scene. -
Photography in Dialogue
2530 Superior Ave., #403 Cleveland, OH 44114 www.spenational.org Collaborative Exchanges: HOST INSTITUTION Photography in Dialogue 51st SPE National Conference March 6-9, 2014 – Hilton Baltimore, MD Table of Contents GOLD LEVEL SPONSORS 2 Welcome from the Conference Chair 3 Welcome from the Host Institution 4 Sponsors Foldout Conference Schedule 5 Hotel Floor Plan PRESENTATION SCHEDULE & DETAILS Department of Photography 6 Thursday Sessions 9 Friday Sessions 15 Saturday Sessions 20 Presenter Bios & Index SPECIAL EVENTS 28 Daily Special Events Schedule 29 Silent Auction & Raffle 30 Film Festival 33 Book Signing Schedule EXHIBITS FAIR 34 Exhibits Fair Floor Plan & Exhibitor List 35 Sponsor & Exhibitor Contact Information SILVER LEVEL SPONSORS PORTFOLIO CRITIQUES & REVIEWS 38 Portfolio Critiques & Reviews Information 39 Portfolio Reviewers’ Index APPLAUSE 42 Awards & Recognitions 44 SPE Board of Directors, Staff, & Committees 45 Donors GENERAL INFORMATION 46 Map of Baltimore 48 Gallery & Museum Guide 50 Dining & Entertainment Guide 72 2015 Conference Description & Proposal Information Cover Image: Nicholas Kahn and Richard Selesnick, janus-symbiosis, 2010 Program Guide Design: Nina Barcellona Program Guide Co-Editors: Nina Barcellona and Ginenne Clark From The Conference Chair Welcome to Baltimore for the 51st SPE National Conference. Last year’s event celebrated a milestone of fifty years and I hope that this conference marks an auspicious beginning for the next fifty. We’ve worked hard to ensure that it will. The theme is Collaborative Exchanges: Photography in Dialogue. The key word in the title is “dialogue,” and we hope the programming will celebrate artistic practices that employ the photographic image while embracing relationships. This could be a social component, working directly with other artists or writers, creating dialogue with communities, forming collectives or shared resource banks, building public artworks, or otherwise working in expanded practice with others to make new art. -
Space and Governance in the Baltimore DIY Punk Scene: An
Wesleyan University The Honors College Space and Governance in the Baltimore DIY Punk Scene An Exploration of the postindustrial imagination and the persistence of whiteness as property by Mariama Eversley Class of 2014 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in Anthropology Middletown, Connecticut April, 2014 Table of Contents Images of Baltimore 3 Introduction 5 I: COMMON SENSE, CITIZENSHIP, AND HORIZONTALISM 16 A) DIY ethics and Common Sense 30 B) Insurgent Citizenship and Grassroots Space making 46 C) Horizontalism: Leaderlessness and Empowerment 67 D) Conclusion to Chapter I 83 II: BALTIMORE AS THE SETTING OF THE PUNK SCENE 87 A) Social History and Cheap Space 91 B) The effects of Neoliberalism in Baltimore 108 C) Whiteness as Property 115 D) Conclusion to Chapter II 133 III: CONCLUSION 136 2 1: Olson, Sherry H. Baltimore, The Building of an American City. Baltimore: Johns Hopkins UP 1980: 59 3 2: Olson, Sherry H. Baltimore, The Building of an American City. Baltimore: Johns Hopkins UP, 1980: 398 3: Olson, Sherry H. Baltimore, The Building of an American City: Johns Hopkins UP, 1980: xvi 4 Introduction The first Do-it-yourself (DIY) music show I ever went to was in my senior year of high school. I went with two other friends from my private high school in Baltimore County to see two local bands; a punk set from Dope Body and a hip-hop duo called The Rap Dragons. We drove from my friend’s white wealthy suburban enclave called Homeland toward east Baltimore, not too far from Johns Hopkins University. -
Sparklehorse Spring 1999 Tour Diary Part 1
Sparklehorseplay Page 1 of 6 Sparklehorse Spring 1999 tour diary part 1 The South Rises Again? This tour diary is entirely the fault of one musician, and is not sanctioned by Sparklehorse Inc. You may believe that the characters are fictitious if you like.... Well, it all starts with a show in San Francisco, Victor Krummenacher and Alison Faith Levy at the Hotel Utah March 6th 1999. I played a couple songs with Alison and then the whole set with Victor, we got back to Victor's at about 3am, so I dozed in a chair 'til 5 when the shuttle came to pick me up to take me to the airport. a short layover in chicago, many people stranded by the weather there, but i got safely to Richmond, VA. where eventually i got picked up by Scott Minor and Mark Linkous in Mark's old diesel Mercedes wagon. out to the farm in Dillwyn to rehearse. on th eway we pick up a new instrument for Mark, a nylon string guitar that he is having a pickup put into. Already at the farm is David Dreiwitz, our new bass player. I met Dave originally may years ago when i was playing with Camper Van Beethoven and he was playing with Tiny Lights, but recently re - met him while doing shows in NY last fall with John Kruth. Dave also plays with Ween. So the band is Mark on guitar and singing and other weird sounds, Scott on drums and sampler, Dave on electric and acoustic bass, me (Jonathan) on guitar, violin, keyboards and glockenspiel, with both Dave and I singing background vocals. -
2013 March 26 April 2
NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE STREET DATES: MARCH 26 APRIL 2 ORDERS DUE: FEB 27 ORDERS DUE: MARCH 6 ISSUE 7 wea.com 2013 3/26/13 AUDIO & VIDEO RECAP ORDERS ARTIST TITLE LBL CNF UPC SEL # SRP DUE A Rocket To The Moon Wild & Free FBY CD 075678766725 530448 $13.99 2/27/13 The Carol Burnett Show: This Time Burnett, Carol TSV DV 610583447392 27576-X $59.95 2/27/13 Together (6DVD) Original Album Series (5CD) - Has Chicago FLA CD 081227980139 524559 $21.95 2/27/13 been CANCELLED Original Album Series (5CD) - Cooper, Alice FLS CD 081227983574 522056 $21.95 2/27/13 BUMPED TO 4/23/13 Original Album Series (5CD) - Doobie Brothers, The FLS CD 081227975401 528898 $21.95 2/27/13 BUMPED TO 4/23/13 Doors, The Morrison Hotel FLE CD 603497924554 535080 $4.98 2/27/13 Original Album Series (5CD) - Franklin, Aretha FLE CD 081227982799 522563 $21.95 2/27/13 BUMPED TO 4/23/13 Kvelertak Meir RRR CD 016861761325 176132 $13.99 2/27/13 Manhattan Transfers, The Best Of The Manhattan Transfers FLE CD 081227966690 19319-F $4.98 2/27/13 The Marconi Marconi LAT CD 825646468805 535023 $11.98 2/27/13 530386- Shelton, Blake Based On A True Story… WNS CD 093624946113 $18.98 2/27/13 W Stills, Stephen Carry On (4CD) ACG CD 081227967864 534539 $54.98 2/27/13 Original Album Series (5CD) - Stone Temple Pilots FLE CD 081227971854 532180 $21.95 2/27/13 BUMPED TO 4/23/13 Wavves Afraid Of Heights WB CD 093624945369 534721 $13.99 2/27/13 Wavves Afraid Of Heights (Vinyl w/Bonus CD) WB A 093624945376 534721 $22.98 2/27/13 Last Update: 02/12/13 For the latest up to date info on this release visit WEA.com. -
Paul Weller Wild Wood
The Venus Trail •Flying Nun-Merge Paul Weller Wild Wood PAUL WELLER Wild Wood •Go! Discs/London-PLG FAY DRIVE LIKE JEHU Yank Crime •Cargo-Interscope FRENTE! Marvin The Album •Mammoth-Atlantic VOL. 38 NO.7 • ISSUE #378 VNIJ! P. COMBUSTIBLE EDISON MT RI Clnlr SURE THING! MESSIAH INSIDE II The Grays On Page 3 I Ah -So-Me-Chat In Reggae Route ai DON'T WANT IT. IDON'T NEED IT. BUT ICAN'T STOP MYSELF." ON TOUR VITH OEPECHE MOUE MP.'i 12 SACRAMENTO, CA MAJ 14 MOUNTAIN VIEV, CA MAI' 15 CONCORD, CA MA,' 17 LAS, VEGAS, NV MAI' 18 PHOENIX, AZ Aff.q 20 LAGUNA HILLS, CA MAI 21 SAN BERNARDINO, CA MA,' 24 SALT LAKE CITY, UT NOTHING MA,' 26 ENGLEVOOD, CO MA,' 28 DONNER SPRINGS, KS MA.,' 29 ST. LOUIS, MO MP, 31 Sa ANTONIO, TX JUNE 1HOUSTON. TX JUNE 3 DALLAS, TX JUNE 5BILOXI, MS JUNE 8CHARLOTTE, NC JUNE 9ATLANTA, GA THE DEBUT TRACK ON COLUMBIA .FROM THE ALBUM "UNGOD ." JUNE 11 TILE ,' PARX, IL PROOUCED 81.10101 FRYER. REN MANAGEMENT- SIEVE RENNIE& LARRY TOLL. COLI MI-31% t.4t.,• • e I The Grays (left to right): Jon Brion, Jason Falkner, Dan McCarroll and Buddy Judge age 3... GRAYS On The Move The two started jamming together, along with the band's third songwriter two guys who swore they'd never be in aband again, Jason Falkner and Buddy Judge and drummer Dan McCarron. The result is Ro Sham Bo Jo Brion sure looked like they were having agreat time being in the Grays (Epic), arecord full of glorious, melodic tracks that owe as much to gritty at BGB's earlier this month. -
Send Cash, Checks, Or Money Orders Made Payable to “MUTANT POP RECORDS.” QTY
It’s the incredible free! MutantMutant PopPop AE Mailorder Catalog http://members.aol.com/mutantpop/ After a humongo delay MP-35 THE CHUBBIES “She Wanted More” is finally on the street... Thanks very much for your patience! It was my fault all the way, I dragged my tail and dragged my tail again, no excuses. Anyway, it’s finally time for us to savor two more blasts of Jeannette the King’s power-pop magic—the title track roars and purrs with a growling guitar and sultry vocals, the classic CHUBBIES formula. It’s very fine! We all know that female-fronted power pop is outside of Maximum Rocknroll’s area of coverage these days (whereas boys can go as wussy as they wanna and still draw a review!) but that doesn’t mean you should be ignoring this sub-genre of the pop-punk world or this band in particular. Jeannette Chubbie simply must be counted among the relatively small number of first rank songwriters of the current period. She is that talented! While Jeannette’s guitar work punches hard, The King’s lyrics tend towards the smart and artistic. I’d no sooner give you my detailed interpretation of her work than I would give you my inter- pretation of collage art by Winston Smith or a Sue Coe painting. Listen and derive your own meaning. I will say in general terms that the A-side deals with angst and expectations from a female perspective and the flipside, a song called “Pseudo-Christ,” is an understated howl of anti-religious fury and artis- tic hope. -
Razorcake Issue #84 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California non-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. This is just a beginning to document this important field of study. [email protected] ------------------------------ 1977-05-18 P --------- 1977-05-18 / CP061454 / CP061454 Sid's Birthday Bash Artist: Frank Kozik Venue: Ritz Promoter: No Reply Production Items: Original poster / CP061454 / CP061454 (14 x 20) Performers: 1977-05-18: Ritz Pocket Fishermen / Wannabes / Jesus Christ Superfly / Rockbusters / Happy Family / Friendly Truckers / Danned / Hollywood Indians ------------------------------ 1982-09-05 P --------- 1982-09-05 / CP060650 / CP060650 Jitters, Ty Gavin and the Next at Former Skyline Club Benefit: 1st Annual Survival 82 Artist: Frank Kozik Venue: Former Skyline Club Items: Original poster / CP060650 / CP060650 (11 x 17) Performers: 1982-09-05: Former Skyline Club Jitters / Ty Gavin and the Next / Twistyze / Talmadge D' Amour / Stick Figures / Doctors Mob / Mystery Dates / Kamikaze Refrigerators / ArtMaggots ------------------------------ 1982-09-05 P --------- 1982-09-05 / CP701654 / CP701654 Stray Cats, Leroi Brothers at Club Foot - Austin, TX Notes: This item appears in the book 'The Art of Modern Rock' as AMR # 028.6 Artist: Frank Kozik Venue: Club Foot Items: Original poster / CP701654 / CP701654 (8-1/2 x 11) Performers: 1982-09-05: -
Introduction to Classical Music by Way of Bach HEARD the MUSIC? by Dave Iden
18 ARTS 02.19.08 The RetrIever Weekly Introduction to classical music by way of Bach HEARD the MUSIC? by Dave Iden Now Playing BARCLAY HOUSE (2101 N. CHARLES STREET) turbingly like James Hurley from BARCLAY STREET) http://www.lofi socialclub.com/ the television show Twin Peaks. Unfortunately for Fools & Horses, http://www.myspace.com/barclay- James’ music was MUCH better. house MR. MOCCASIN, RED COLLAR, BIRTHING NETS, BAD LIEUTENANT The other bands are a vicious brew of bad 90s rock. ‘Til Sunrise has a ASRA, THREE FACES OF EVE, Feb. 22, 7:00 p.m. synth player and likes Particle, so TOMBS, TRIAC, SLOTH OMEGA it might not be that bad... actually, DOOM You’ve probably seen Mr. Moccasin yes, it will be. Feb 22, 7:00 pm in or around Baltimore at one time or another, so you know the Sweaty basement death metal! Lo-Fi show will be another one of RED ROOM (425 E. 31ST The Barclay House offers up some those hole-in-the-wall, vaguely STREET) ear-gouging sonic abuse in New “indie” gigs all the kids love these http://www.redroom.org/ York’s ASRA, apparently short days. They’ve got a couple UMBC for Alleged Satanic Ritual Abuse, peoples/Solidarity Coalition mem- MICHELLE WEBB (guitar), SUSAN while fellow NYC psychgrinders bers/Vonnegut lovers among their ALCORN (pedal steel guitar) Tombs sound like a healthy mix number, so if any of those three Feb. 23, 8:30 p.m., $6 of late-period Swans, Celtic Frost, things apply to you, then get your and the Jesus Lizard.