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Special Forces' Wear of Non-Standard Uniforms*
Special Forces’ Wear of Non-Standard Uniforms* W. Hays Parks** In February 2002, newspapers in the United States and United Kingdom published complaints by some nongovernmental organizations (“NGOs”) about US and other Coalition special operations forces operating in Afghanistan in “civilian clothing.”1 The reports sparked debate within the NGO community and among military judge advocates about the legality of such actions.2 At the US Special Operations Command (“USSOCOM”) annual Legal Conference, May 13–17, 2002, the judge advocate debate became intense. While some attendees raised questions of “illegality” and the right or obligation of special operations forces to refuse an “illegal order” to wear “civilian clothing,” others urged caution.3 The discussion was unclassified, and many in the room were not * Copyright © 2003 W. Hays Parks. ** Law of War Chair, Office of General Counsel, Department of Defense; Special Assistant for Law of War Matters to The Judge Advocate General of the Army, 1979–2003; Stockton Chair of International Law, Naval War College, 1984–1985; Colonel, US Marine Corps Reserve (Retired); Adjunct Professor of International Law, Washington College of Law, American University, Washington, DC. The views expressed herein are the personal views of the author and do not necessarily reflect an official position of the Department of Defense or any other agency of the United States government. The author is indebted to Professor Jack L. Goldsmith for his advice and assistance during the research and writing of this article. 1 See, for example, Michelle Kelly and Morten Rostrup, Identify Yourselves: Coalition Soldiers in Afghanistan Are Endangering Aid Workers, Guardian (London) 19 (Feb 1, 2002). -
List of Available Videos
Artist Concert 3 Doors Down Live at the Download Festival 3 Doors Down Live At The Tabernacle 2014 30 Odd Foot Of Grunts Live at Soundstage 30 Seconds To Mars Live At Download Festival 2013 5 Seconds of Summer How Did We End Up Here? 6ft Hick Notes from the Underground A House Live on Stage A Thousand Horses Real Live Performances ABBA Arrival: The Ultimate Critical Review ABBA The Gold Singles Above And Beyond Acoustic AC/DC AC/DC - No Bull AC/DC In Performance AC/DC Live At River Plate\t AC/DC Live at the Circus Krone Acid Angels 101 A Concert - Band in Seattle Acid Angels And Big Sur 101 Episode - Band in Seattle Adam Jensen Live at Kiss FM Boston Adam Lambert Glam Nation Live Aerosmith Rock for the Rising Sun Aerosmith Videobiography After The Fire Live at the Greenbelt Against Me! Live at the Key Club: West Hollywood Aiden From Hell with Love Air Eating Sleeping Waiting and Playing Air Supply Air Supply Live in Toronto Air Supply Live in Hong Kong Akhenaton Live Aux Docks Des Sud Al Green Everything's Going To Be Alright Alabama and Friends Live at the Ryman Alain Souchon J'veux Du Live Part 2 Alanis Morissette Guitar Center Sessions Alanis Morissette Live at Montreux 2012 Alanis Morissette Live at Soundstage Albert Collins Live at Montreux Alberta Cross Live At The ATO Cabin Alejandro Fernández Confidencias Reales Alejandro Sanz El Alma al Aire en Concierto Ali Campbell Live at the Shepherds Bush Empire Alice Cooper AVO Session Alice Cooper Brutally Live Alice Cooper Good To See You Again Alice Cooper Live at Montreux Alice Cooper -
Council Votes to Permanently Close Springtown Golf Course
Thursday, June 16, 2016 VOLUME LIII, NUMBER 24 Your Local News Source Since 1963 SERVING DUBLIN, LIVERMORE, PLEASANTON, SUNOL Council Votes to Permanently Close Springtown Golf Course The Springtown Golf Course more City Council at its meeting the Springtown Homeowners As- request of members of the public, will be closed permanently; the on Monday. sociation. who spoke during the public hear- See Inside Section A process to create a master plan for The Livermore Area Recreation The council directed staff to ing, the guidelines will be adopted Section A is filled with the area will begin. In addition, a and Park District (LARPD) will prepare a maintenance plan for as an ordinance at a future meet- information about arts, people, ballot measure will be placed on serve as the lead agency in the the golf course area during the 12 ing. The ordinance will include entertainment and special events. the November ballot to ensure that master plan process. The city will to 18 months that it is projected it information on enforcement and There are education stories, a the land remains as permanent fund a master plan consultant up would take to complete the master penalties. variety of features, and the arts open space. to $250,000. plan process. The guidelines include no golf- Separate parcels were also ing, no motorized vehicles, no and entertainment and Those were among the unani- Guidelines for interim open established for the Springtown bulletin board. mous actions taken by the Liver- space use of the property were Library and land belonging to approved in a resolution. -
Baltimore Symphony Orchestra Announces 2019 New Music Festival
Media contacts Linda Moxley, VP of Marketing & Communications 410.783.8020 [email protected] Devon Maloney, Director of Communications 410.783.8071 [email protected] For Immediate Release Baltimore Symphony Orchestra Announces 2019 New Music Festival Baltimore (April 18, 2019) Under the leadership of Music Director Marin Alsop, the Baltimore Symphony Orchestra (BSO) announces the 2019 New Music Festival. Launched by Alsop and the BSO in 2017, the New Music Festival brings contemporary classical music to Baltimore from June 19-22. The 2019 New Music Festival celebrates women composers ahead of the BSO’s 2019-20 season, which highlights women in music in conjunction with the 100th anniversary of women’s suffrage in the U.S. Performances include the Baltimore premiere of Jennifer Higdon’s Low Brass Concerto, a BSO co- commission, as well as the world premiere of Anna Clyne’s cello concerto, Dance, with Inbal Segev. “I’m thrilled that this year’s New Music Festival features such an outstanding group of contemporary composers, who happen to be women!” said Alsop. “Each piece of music that we’ve programmed tells a unique and compelling story, and we are proud to present a range of voices and perspectives that showcases some of the most inspired work happening in classical composition today.” The 2019 New Music Festival kicks off on Wednesday, June 19 when composer Sarah Kirkland Snider participates in a discussion on her composition process at Red Emma’s Bookstore Café. On Thursday, June 20, Associate Conductor Nicholas Hersh leads members of the BSO and Shara Nova, also known as My Brightest Diamond, in a free concert at the Ottobar. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Oshkosh Waterfest in August
TO THE MUSIC MUSIC MOVES OUTDOORS 10+ SUMMER FESTIVALS Get Out & Do What You Like to do JUNE 2018 Colin Mochre Warming up to Wisconsin weather by default LOVERBOY Reliably rocking Oshkosh Waterfest in August FOX CITIES PAC Music for all this fall UPcomiNG EVENts: PLUS! Fox Cities | Green Bay MARK’S Marshfield | Oshkosh Stevens Point | Waupaca EAST SIDE NO Detail too small Wausau | Wisconsin Rapids FOR success Waterfest Tickets Celebrates on sale now Summer C l i c k h e r e BY ROCKING THE FOX Advance Ticket Availability Also appearing VIP & General Admission Season Passes The Producers Thomas Wynn & Copper Box (On Line, Oshkosh Chamber & Bank First) Single Event VIP Admission Paul Sanchez and The Believers The Legendary (On Line, Oshkosh Chamber, Bank First) The Rolling Road Show Davis Rogan Band Shadows of Knight Single Event General Admission (On Line-only) The Tin Men REMO DRIVE Brett Newski & No Tomorrow Admissions are also available at the gate day of show Questions: Call Oshkosh Chamber (920) 303-2265 Alex McMurray Road Trip The Pocket Kings For Group Discounts, Gazebo & Stage Right admissions The Lao Tizer Quartet Nick Schnebelen And more! Sponsorships: Mike at (920) 279-7574 or John at (920) 303-2265 x18 WATERFEST.ORG FOR MORE INFO Get Out & Do What You Like to Do JUNE 2018 p.12 COLIN MOCHRE PROFESSES HE HAS NO PLANS P. 4 P. 8 P.18 P.28 DEPARTMENTS LOWDOWN LOVERBOY MUSIC FEsts FALL FOX PUBLISHER’S NOTE p. 2 BRASS Still lovin’ every 11 Wisconsin CITIES PAC A little of everything minute of summer festivals Musical variety SUPPER CLUB - musical in Milwaukee working for the on sale now Mark’s East Side weekend in Appleton p.24 EVENts CALENdaR p.34 PUBLISHER’S NOTE Move It Outdoors JuneFa mily2018, Fu Vol.n Edit2, Issueion 6 June is here and it is time to get Supper Club Guy- David Brierely PUBLISHERS NORMA JEAN FOCHS outside and enjoy some warm goes German at Mark’s East Side PATRICK BOYLE weather and sunshine. -
Indigo in Motion …A Decidedly Unique Fusion of Jazz and Ballet
A Teacher's Handbook for Pittsburgh Ballet Theatre's Production of Indigo in Motion …a decidedly unique fusion of jazz and ballet Choreography Kevin O'Day Lynne Taylor-Corbett Dwight Rhoden Music Ray Brown Stanley Turrentine Lena Horne Billy Strayhorn Sponsored by Pittsburgh Ballet Theatre's Arts Education programs are supported by major grants from the following: Allegheny Regional Asset District Claude Worthington Benedum Foundation Pennsylvania Council on the Arts The Hearst Foundation Sponsoring the William Randolph Hearst Endowed Fund for Arts Education Additional support is provided by: Alcoa Foundation, Allegheny County, Bayer Foundation, H. M. Bitner Charitable Trust, Columbia Gas of Pennsylvania, Dominion, Duquesne Light Company, Frick Fund of the Buhl Foundation, Grable Foundation, Highmark Blue Cross Blue Shield, The Mary Hillman Jennings Foundation, Milton G. Hulme Charitable Foundation, The Roy A. Hunt Foundation, Earl Knudsen Charitable Foundation, Lazarus Fund of the Federated Foundation, Matthews Educational and Charitable Foundation,, McFeely-Rogers Fund of The Pittsburgh Foundation, William V. and Catherine A. McKinney Charitable Foundation, Howard and Nell E. Miller Foundation, The Charles M. Morris Charitable Trust, Pennsylvania Department of Community and Economic Development, The Rockwell Foundation, James M. and Lucy K. Schoonmaker Foundation, Target Corporation, Robert and Mary Weisbrod Foundation, and the Hilda M. Willis Foundation. INTRODUCTION Dear Educator, In the social atmosphere of our country, in this generation, a professional ballet company with dedicated and highly trained artists cannot afford to be just a vehicle for public entertainment. We have a mission, a commission, and an obligation to be the standard bearer for this beautiful classical art so that generations to come can view, enjoy, and appreciate the significance that culture has in our lives. -
Sophomore Student Publishes Book About Faith Ship in Sammamish, Wash
thurSday , M arch 25 , 2010 life & arts Graphic b3 Sophomore student publishes book about faith ship in Sammamish, Wash. at Pepperdine in fall 2008. contract from Tate Publishing saying the Hawks added that he is not compar - His book addresses 15 issues many During his first semester, Hawks con - group liked his openly abrasive, sarcastic ing himself to these figures, but said that A.J. Hawks Christians struggle with in a “grey” soci - ducted scriptural research and word stud - and confrontational writing style. if people aspire to live like Jesus, they ety that condones moral relativity. ies in their original languages. By “People are tired of being told that should not run away from their ministry. finished book Hawks supports each point with a pas - Thanksgiving break, his manuscript was their sense of justice is wrong in the After an extensive process of editing sage from Scripture, clarifying each point 65 pages. name of tolerance,” and sifting through options for titles and at age 19. for the reader with his characteristically Ceri Fox, a youth Hawks said. “For our cover art, he received advance copies of forthright delivery. program leader at “S tatistically, I message to get across, his book on Christmas Eve. “I think that in our postmodern era, Evergreen, saw the let - it has to make people While abroad in London for the By SONYA SINGH shouldn’t be at college, Staff writer where everyone can be right and truth is ter and encouraged a angry, and whether year, Hawks has been working with For sophomore A.J. -
Youtube As a Virtual Springboard: Circumventing Gender Dynamics in Offline and Online Metal Music Careers
MMS 1 (3) pp. 303–318 Intellect Limited 2015 Metal Music Studies Volume 1 Number 3 © 2015 Intellect Ltd Article. English language. doi: 10.1386/mms.1.3.303_1 PauwKe BerKers and Julian schaaP Erasmus University Rotterdam youTube as a virtual springboard: circumventing gender dynamics in offline and online metal music careers aBsTracT Keywords Studies have shown that learning to play in a band is largely a peer-based – rather gender inequality than individual – experience, shaped by existing sex-segregated friendship networks. online With the rise of the Internet and do-it-yourself recording techniques, new possibili- offline ties have emerged for music production and distribution. As male-dominated offline YouTube metal scenes are often difficult to enter for aspiring female metal musicians, online musical careers participation might serve as a possibility to circumvent these gender dynamics. This virtual springboard article therefore addresses to what extent female and male musicians navigate online metal scenes differently, and how this relates to the gender dynamics in offline metal scenes. By conducting ten in-depth interviews with women and men who produce vocal covers on YouTube, this article focuses on the understudied relationship between online and offline scene participation. Vocal covers are used for entertainment, skill development, online skill recognition and as a virtual springboard with which women in particular can (partially) circumvent gender inequality by allowing them to (initially) participate as individuals and pursue musical careers in metal music. 303 MMS_1.3_Berkers and Schaap_303–318.indd 303 8/8/15 6:31:41 PM Pauwke Berkers | Julian Schaap inTroducTion Music scenes in general – and metal scenes in particular – are highly stratified along gender lines. -
2020-RSD-Drops-List.Pdf
THESE RELEASES WILL BE AVAILABLE AUGUST 29TH DROP ARTIST TITLE FORMAT QTY August Marie-Mai Elle et Moi 12” Vinyl 400 August The Trews No Time For Later (Limited Edition) 2XLP 750 August Ron Sexsmith Hermitage (RSD20EX) 12” Vinyl 250 August Milk & Bone Dive 12” Vinyl 250 August You Say Party XXXX (10th Anniversary Limited Edition) 12” LP 200 August Teenage Head Drive In 7” Single 500 August The Neil Swainson Quintet 49th Parallel 500 12” Double August Rascalz Cash Crop 1000 Vinyl 12” Double August Offenbach En Fusion-40th anniversary 500 Vinyl August Ace Frehley Trouble Walkin' LP Penderecki/Don Cherry & The New Eternal August Actions LP 1500 Rhythm August Al Green Green Is Blues Sounds Like A Melody (Grant & Kelly Remix August Alphaville LP by Blank & Jones x Gold & Lloyd) Heritage II: Demos/Alternate Takes 1971- August America LP 1976 August Andrew Gold Something New: Unreleased Gold LP LP RSD August Anoushka Shankar Love Letters EXCL 7" RSD August August Burns Red Bones EXCL August Bastille All This Bad Blood RSD EXCL August Biffy Clyro Moderns LP LP RSD August Billie Eilish Live at Third Man EX 12"RSD August Bob Markley Redemption Song EXCL August Bone Thugs N Harmony Creepin on Ah Come Up RSD EXCL LP RSD August Brian Eno SOUNDTRACK RAMS EXC August Brittany Howard Live at Sound Emporium LP RSD LP RSD August Buffy Sainte-Marie Illuminations EXCL 10" RSD August Buju Banton Trust & Steppa EXCL 7"RSD August Cat Stevens But I Might Die Tonight EXCL August Charli XCX Vroom Vroom EP LP LP RSD August Charlie Parker Jazz at Midnight -
Copyrighted Material
INDEX See also Accommodations and Restaurant indexes, below. GENERAL INDEX AIA Bookstore and Design traveling to, 233 Center, 172, 173 visitor information, 234 AIDSinfo, 258 Amish Experience (Inter- cademic trips and language A Airport Wireless, 51–52 course), 234 classes, 49 Air travel, 37–38 Amish Farm and House Academy of Music, 191 A.K.A. Music, 182 (Lancaster), 237 Academy of Natural Sciences, AllCell, 52 Anabaptists, 230 139 All Join Hands (mural), 131 Animal-rights issues, 49 Academy of Vocal Arts, 189 Amada, 205 Annenberg Center at the Uni- Access America, 257 America-Italia Society of Phila- versity of Pennsylvania, Accommodations, 1, 64–83. delphia, 49 192, 193 See also Accommodations American Express, 254 Antiquarian’s Delight, Index American Helicopter Museum 169–170 B&B agencies, 64–65 (West Chester), 223 Antiques, 169–171 best, 7–9 American Music Theatre Pennsylvania Dutch Brandywine Valley, 226–227 (Lancaster), 253 Country, 242 Center City American Revolution (Revolu- Antiques Show, 34 east of Broad, 84–94 tionary War), 18–19 Aquarium, Adventure, 146 west of Broad, 94–103 American Swedish Historical Architectural highlights, City Line and Northeast, 82 Museum, 140–141 129–132 hostels, 82–83 America the Beautiful Access Architecture, 21–23, 25, 162 near the airport, 80–82 Pass, 45 historic buildings and mon- New Hope area, 219–220 America the Beautiful Senior uments, 135–138 Old City and Convention Pass, 46 Arch Street Meeting House, Center area, 65–72 The Amish, 229, 232–237, 240, 133, 166 Pennsylvania Dutch 243–245, 247–249, -
Photography in Dialogue
2530 Superior Ave., #403 Cleveland, OH 44114 www.spenational.org Collaborative Exchanges: HOST INSTITUTION Photography in Dialogue 51st SPE National Conference March 6-9, 2014 – Hilton Baltimore, MD Table of Contents GOLD LEVEL SPONSORS 2 Welcome from the Conference Chair 3 Welcome from the Host Institution 4 Sponsors Foldout Conference Schedule 5 Hotel Floor Plan PRESENTATION SCHEDULE & DETAILS Department of Photography 6 Thursday Sessions 9 Friday Sessions 15 Saturday Sessions 20 Presenter Bios & Index SPECIAL EVENTS 28 Daily Special Events Schedule 29 Silent Auction & Raffle 30 Film Festival 33 Book Signing Schedule EXHIBITS FAIR 34 Exhibits Fair Floor Plan & Exhibitor List 35 Sponsor & Exhibitor Contact Information SILVER LEVEL SPONSORS PORTFOLIO CRITIQUES & REVIEWS 38 Portfolio Critiques & Reviews Information 39 Portfolio Reviewers’ Index APPLAUSE 42 Awards & Recognitions 44 SPE Board of Directors, Staff, & Committees 45 Donors GENERAL INFORMATION 46 Map of Baltimore 48 Gallery & Museum Guide 50 Dining & Entertainment Guide 72 2015 Conference Description & Proposal Information Cover Image: Nicholas Kahn and Richard Selesnick, janus-symbiosis, 2010 Program Guide Design: Nina Barcellona Program Guide Co-Editors: Nina Barcellona and Ginenne Clark From The Conference Chair Welcome to Baltimore for the 51st SPE National Conference. Last year’s event celebrated a milestone of fifty years and I hope that this conference marks an auspicious beginning for the next fifty. We’ve worked hard to ensure that it will. The theme is Collaborative Exchanges: Photography in Dialogue. The key word in the title is “dialogue,” and we hope the programming will celebrate artistic practices that employ the photographic image while embracing relationships. This could be a social component, working directly with other artists or writers, creating dialogue with communities, forming collectives or shared resource banks, building public artworks, or otherwise working in expanded practice with others to make new art.