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Late Night Jazz – Tribut an Nancy W
Late Night Jazz – Tribut an Nancy W. Samstag, 05. Januar 2019 22.05 – 24.00 SRF 2 Kultur Am 13.Dezember 2018 ist nach langer Krankheit eine der grossen Jazz-Diven gestorben, Nancy Wilson. In den über 5 Jahrzehnten ihrer Karriere hat sie vom Soul über Jazz-Ballade und Popsongs eine beeindruckend breite Stil-Palette beherrscht und geprägt. Und die Musiker, mit denen sie zusammen auftrat und im Studio war, bilden zusammengenommen ein Who's Who der amerikanischen Musikszene seit den 1960er Jahren. Redaktion und Moderation: Andreas Müller-Crepon Nancy Wilson/Cannonball Adderley Label: Capitol Track 06: A Sleepin' Bee Track 01: Save Your Love for Me Compact Jazz - Cannonball Adderley Label: Emarcy Track 09: Jubilation Nancy Wilson – The Best of Nancy Wilson/The Jazz and Blues Sessions Label: Capitol Track 15: Never Will I Marry Joe Zawinul – The Rise & Fall of The Third Stream/Money in The Pocket Label: Atlantic Track 08: Money in The Pocket Hank Jones - The Touch Label: Concord CD 02/Track 04: Work Song Zoot Sims Quartet – Zoot at Ease Label: Progressive Track 02: In The Middle of a Kiss Nancy Wilson - But Beautiful Label: Capitol Track 06: But Beautiful Charlie Haden & Hank Jones - Steal away/ Spirituals, Hymns and Folk Songs Label: Verve Track 03: Spiritual Charlie Haden Quartet West - Sophisticated Ladies Label: Emarcy Track 08: Angel Face Nancy Wilson - Live from Las Vegas. 14 Live Hits and Signature Songs Label: EMI Capitol Track 05: If We Only Have Love George Wallington, Jimmy Jones - Trios Label: Vogue Track 09: Easy to Love Sarah -
The Muse of Bossa Nova"
Aug-Sep. 2018 - Edition#12 Interviews 10 MOST INFLUENTIAL ANA FLAVIA ZUIM From Church to Broadway PORTINHO PAULO BRAGA ROGER DAVIDSON 1 WWW.BOSSAMAGAZINE.COM|BMF |ASUOS PRODUCTIONS|BRAZILIAN ART AND MUSIC|NEW YORK – AUG-SEP 2018 |EDITION # 12 table of Online Magazine CONTENTS News | Events | Performances | Culture | Education SPECIAL EDITION — BOSSA NOVA 60 YEARS—AUG/SEPT 2018 3 EDITOR’S NOTE 4 EDITORIAL TEAM 10 ANA FLAVIA ZUIM - FROM CHURCH TO BROADWAY 13 DAN COSTA—CD RELEASE 14 PORTINHO—DRUMMER 16 ROGER DAVIDSON— CITIZEN OF BRAZILIAN MUSIC 18 PAULO BRAGA—DRUMMER 20 TATI VITSIC—GRAPHIC DESIGNER 22 BOSSA NOVA - 60 YEARS ANA FLAVIA ZUIM 25 AVANT-GARDE POPULAR MUSIC 10 26-27 RADIO ERA/GOLDEN YEARS 28 ORFEU DA CONCEIÇÃO/BLACK ORPHEUS—THE PLAY 30 BRASÍLIA AND BOSSA NOVA 32 THE BOSSA GROUP—THE BEGINNING 34 THE MEETINGS AT NARA LEAO’ APT. 36 FIRST RECORDING OF “CHEGA DE SAUDADE” 37-39 JOÃO GILBERTO FIRST RECORDINGS 40 THE SAMBA SESSION 41 THE BOTTLES BAR 42 AN ENCOUNTER—THE HISTORY MADE SHOW 44 TOM/VINICIUS AND THE GIRL FROM IPANEMA 46 RONALDO BOSCOLI– 1ST BOSSA NOVA PRODUCER IN BR. PORTINHO 47 FELIX GRANT-THE BOSSA NOVA PROJECT DC. 14 49 STAN GETZ/CHARLIE BIRDY -THE BOSSA CRAZE IN DC. 50 CREED TAYLOR– 1ST BOSSA NOVA PRODUCER IN THE US. 52 BOSSA NOVA GOES INTERNATIONALLY—CARNEGIE HALL 54 THE SUDDEN HALT OF BOSSA NOVA IN BRAZIL 56 THE SONG AGAINST REPRESSION - BEGINNING OF MPB 58 BOSSA CRAZY IN US & IN THE WORLD 60 FRANK SINATRA AND TOM JOBIM 61 THE CONTINUATION OF THE BOSSA NOVA JOURNEY 62 – 85 10 MOST INFLUENTIAL BOSSANOVISTS 86 - 87 BOSSA -
WDR 3 Jazz & World, 17.04.2017 He Walked with Giants. Jimmy Heath
WDR 3 Jazz & World, 17.04.2017 He Walked with Giants. Jimmy Heath. 22:04-24:00 Stand: 17.04.2017 E-Mail: [email protected] | Online: jazz.wdr.de Moderation: Karsten Mützelfeldt Redaktion: Dr. Bernd Hoffmann 1: A Sound for Sore Ears K: Jimmy Heath 8:55 JIMMY HEATH BIG BAND JLP 1201022, LC 41822 CD: Togetherness 2: Sleeves K: Heath 6:25 JIMMY HEATH & WDR BIG BAND WDR-Mitschnitt Stadtgarten Köln 2013 3: The Picture of Heath K: Heath 4:30 JIMMY HEATH Fresh Sound Records 858, LC 10461 CD: The Thumper/Really Big! 4: Don’t You Know I Care K: Russell/Ellington 5:00 JIMMY HEATH Fresh Sound Records 858, LC 10461 CD: The Thumper/Really Big! 5: C.T.A. K: Heath 3:30 MILES DAVIS Blue Note 7 98287 2, LC 00133 CD: The Best of the Capitol/Blue Note Years 6: Gemini K: Heath 5:40 JIMMY HEATH Fresh Sound Records 859, LC 10461 CD: The Quota/Triple Threat Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 17.04.2017 He Walked with Giants. Jimmy Heath. 22:04-24:00 Stand: 17.04.2017 E-Mail: [email protected] | Online: jazz.wdr.de 7: Osie Mae K: Hubbard 6:50 FREDDIE HUBBARD Blue Note 7243 8 59071 2 8, LC 00133 CD: Jazz Profile: Freddie Hubbard 8: Afro-Blue K: Santamaria 4:25 CAL TJADER Verve 521668-2, LC 00383 CD: Soul Sauce 9: I’m not so Sure K: Walton 7:50 MILT JACKSON CTI 65134 (compilat., var. -
Five Essential Billy Strayhorn Songs
JazzWeek with airplay data powered by jazzweek.com • January 29, 2007 Volume 3, Number 10 • $7.95 Artist Q&A: CHARLES TOLLIVER page 9 On The Charts: #1 Jazz Album – Jimmy Heath Big Band #1 World Music – Lynch/Palmieri #1 College Jazz – Medeski Scofield Martin & #1 Smooth Album – For Luther II Wood #1 Smooth Single – Kirk Whalum JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger he performance of the Charles Tolliver Big Band on the MUSIC EDITOR Tad Hendrickson closing night of IAJE 2007 was nothing short of stun- Tning. Tad Hendrickson caught up with Tolliver a few CONTRIBUTING WRITER/ days after IAJE, and finds out just where he’s been all these PHOTOGRAPHER Tom Mallison years. PHOTOGRAPHY Barry Solof Registration for the 2007 JazzWeek Summit, its sixth (!) Contributing Editors annual incarnation, will open on Feb. 1. Current paid sub- Keith Zimmerman scribers will get an email notice about discounted registration. Kent Zimmerman The Summit will be held at the same locationas last year – the Founding Publisher: Tony Gasparre Rochester Clarion Riverside – side-by-side with the Roches- ADVERTISING: Devon Murphy ter International Jazz Festival. Dates are June 7-9, 2007. Call (866) 453-6401 ext. 3 or There will be performance and sponsorship opportunities email: [email protected] at the Summit; details will follow shortly. SUBSCRIPTIONS: We’re looking for input on panel sessions, too. While there Free to qualified applicants Premium subscription: $149.00 per year, are some basics we wish to cover each year, we also are look- w/ Industry Access: $249.00 per year ing for some “master classes,” too. -
A History of the CKCU Ottawa Folk Festival
A History of the Ottawa Folk Festival by Joyce MacPhee and Ottawa Folk Festival Volunteers INTRODUCTION ............................................................................................................................................... 2 OTTAWA FOLK FESTIVAL TIMELINE ............................................................................................................. 3 YEAR 1 – 1994 ................................................................................................................................................... 6 YEAR 2 – 1995 ................................................................................................................................................... 8 YEAR 3 – 1996 ................................................................................................................................................. 10 YEAR 4 – 1997 ................................................................................................................................................. 13 YEAR 5 – 1998 ................................................................................................................................................. 16 YEAR 6 – 1999 ................................................................................................................................................. 20 YEAR 7 – 2000 ................................................................................................................................................. 25 YEAR 8 – 2001 ................................................................................................................................................ -
Brian Monroney Photo by Daniel Sheehan Letter from the Director Earshot Jazz a Mirror and Focus for the Jazz Community
A Mirror and Focus for the Jazz Community March 2017 Vol. 33, No. 3 EARSHOT JAZZSeattle, Washington Brian Monroney Photo by Daniel Sheehan LETTER FROM THE DIRECTOR EARSHOT JAZZ A Mirror and Focus for the Jazz Community Call now with your donation… Executive Director John Gilbreath or go online to earshot.org Managing Director Karen Caropepe Program Manager Caitlin Peterkin This month, we’ll Jazz has documented Earshot Jazz Editor Caitlin Peterkin hear fund-drive cam- one of the most vi- Contributing Writers Halynn Blanchard, paigns on all of our brant jazz scenes in Derek Decker, Marianne Gonterman, public radio stations. the country, with Andrew Luthringer I want to invite you well over one mil- right now to think of lion copies distrib- Calendar Editor Caitlin Peterkin this newsletter and uted free of charge all Photography Daniel Sheehan this appeal as the around the city since Layout Caitlin Peterkin Distribution Karen Caropepe & Earshot Jazz Spring Pledge Drive 1984. We could not volunteers for Earshot Jazz. do that without your Please make a dona- financial support at send Calendar Information to: tion at earshot.org. earshot.org. 3429 Fremont Place N, #309 In the course of my own commit- Earshot’s unique concert present- Seattle, WA 98103 ment to the vibrant cultural commu- ing history is widely admired. We email / [email protected] nity here in Seattle, I am happy to are known for a commitment to Board of Directors Sue Coliton (president), participate in public radio fundrais- the quality and creativity of the hu- Danielle Leigh (vice president), Sally ing behind the mic, as a listener, and man spirit, and a pure dedication to Nichols (secretary), Viren Kamdar as a longtime donor. -
Jazz Radio Panel P. 21 Jazzweek.Com • January 22, 2007 Jazzweek 12 Airplay Data Jazzweek Jazz Album Chart Jan
JazzWeek with airplay data powered by jazzweek.com • January 22, 2007 Volume 3, Number 9 • $7.95 Industry Q&A: IAJE’s BILL McFARLIN page 9 Remembering ... MICHAEL BRECKER and ALICE COLTRANE page 4 On The Charts: #1 Jazz Album – MB3 #1 Smooth Album – For Luther II #1 College Jazz – Madeleine Peyroux #1 Smooth Single – George Benson #1 World Music – Lynch/Palmieri JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger he passing of Michael Brecker and Alice Coltrane last MUSIC EDITOR Tad Hendrickson week was certainly a sad moment for all of us in the jazz Tcommunity. But how touching and special it was for that CONTRIBUTING WRITER/ community to be together to mourn that passing. PHOTOGRAPHER Tom Mallison There was hardly a dry eye in the house on the last night PHOTOGRAPHY of IAJE as Charlie Haden took the stage with the Liberation Barry Solof Music Orchestra and spoke a few words. Having performed Contributing Editors with both and having been close with Michael since Brecker’s Keith Zimmerman days as a student, Haden was deeply saddened and overcome. Kent Zimmerman The music of the LMO and of Haden is always very moving Founding Publisher: Tony Gasparre to me, and with the selection of tunes and the solemnity of ADVERTISING: Devon Murphy the moment, it was a touching and fitting tribute – a wake for Call (866) 453-6401 ext. 3 or the departed, and a very spiritual moment. email: [email protected] SUBSCRIPTIONS: On a personal note, I have watched Michael’s situation Free to qualified applicants Premium subscription: $149.00 per year, with keen interest. -
View Was Provided by the National Endowment for the Arts
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. NANCY WILSON NEA Jazz Master (2004) Interviewee: Nancy Wilson (February 20, 1937 – December 13, 2018) Interviewer: Devra Hall Levy with recording engineer Ken Kimery Date: December 6, 2010 Repository: Archives Center, National Museum of American History Description: Transcript, 91 pp. Levy: This begins our oral history interview with Miss Nancy Wilson. Today is December 6th, 2010. We are sitting in a lovely room at the Marriot Courtyard Hotel in Pasadena, California. My name is Devra Hall Levy, and in the spirit of full disclosure, let the record show that I have been involved in your career since 1979, when I signed on as your publicist and later married your manager. Nancy, we’ve got six or seven decades to cover. So let’s get started. We’re going to take a mostly chronological approach and a few digressions along the way. You were born in Chillicothe, Ohio, on February 20th in 1937. What was your given name? Wilson: Nancy Sue Wilson. That was my name. Levy: Though you were born in Chillicothe, you were raised in Columbus. Did you always live in Columbus? Wilson: I always lived in Columbus. I never lived in Chillicothe. I was just born there. I lived outside Columbus. I’m from an area called Burnside Heights. It was about a mile to the bus stop. It was very much country compared to the city of Columbus. Levy: Before we get into your singing, which I know you started at a very young age, maybe four or six or somewhere about there . -
Jersey Jazz 3409-2
JerseyJazz October 2006 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. Duke Jordan: A Jazz Root Transplanted By Fradley Garner Jersey Jazz International Editor “Duke sounds like raindrops COPENHAGEN — Duke Jordan was a seminal American bebop right after a shower when pianist and composer who exiled himself to Denmark in the sun breaks through the 1978 but continued to perform in Europe and Japan, playing in clouds and the birds begin the groove he helped shape. He died August 8 in the suburb of to sing.”— Cecil Payne Valby after a long illness at the age of 84. The sound Jordan fashioned in the 1940s, when he worked in the bands of saxophonists Coleman Hawkins, Charlie Parker, Sonny Stitt, Gene Ammons and Stan Getz, and led his own groups in New York clubs and on network radio, remains a benchmark of the newer jazz tradition. His composition “Jordu” became a bebop standard. “Flight to Jordan,”“No Problem” and “Two Loves” are collectors’ favorites. Jordan was a master of what Phil Schaap, the New York jazz radio veteran and curator of Jazz at Lincoln Center, called “beautifully apt introductions” to songs. Only eight bars long, these intros set the mood for fountains of improvisation. “Duke sounds like raindrops right after a shower when the sun breaks through the clouds and the birds begin to sing,” his close friend the baritone saxophonist Cecil Payne wrote in the notes to an album that included Jordan. “Even from the early days Duke was constantly trying to find new tonal patterns to add to his playing — hence the nickname Duke.” Despite criticism from Miles Davis and Max Roach that he stuck out in the rhythm section, the pianist was a staple for more than three years in Charlie Parker’s quintet, with trumpeter Davis, bassist Tommy Potter and drummer Roach. -
Title Format Released (Jerry Bergonzi/Bobby Watson/Victor Lewis) Together Again for the First Time CD 1997 ???? ????? CD 1990 4
Title Format Released (Jerry Bergonzi/Bobby Watson/Victor Lewis) Together Again For The First Time CD 1997 ???? ????? CD 1990 4 Giants Of Swing 4 Giants Of Swing CD 1977 Abate, Greg It'S Christmastime CD 1995 Monsters In The Night CD 2005 Evolution CD 2002 Straight Ahead CD 2006 Bop City: Live At Birdland CD 2006 Abate, Greg Quintet Horace Is Here CD 2004 Bop Lives CD 1996 Adams, George & Don Pullen Don't Lose Control CD 1979 Adams, Greg Midnight Morning CD 2002 Adams, Pepper 10 to 4 at the 5-Spot CD 1958 Adderley, Cannonball The Poll Winners: Volume 4 CD 1960 The Cannonball Adderley Quintet In San Francisco [Live] [Bonus Track] CD 1959 Adderley, Cannonball With Bill Evans Know What I Mean? CD 1961 Adderley, Nat Work Song CD 1990 Ade & His African Beats, King Sunny Juju Music CD 1982 Aggregation, The Groove’s Mood CD 2008 Akiyoshi, Toshiko Desert Lady/Fantasy CD 1993 Live at Maybeck Recital Hall: Volume 36 CD 1994 Finesse CD 1978 Alaadeen and the deans of swing Aladeen And The Deans Of Swing Plays Blues For RC And Josephine, Too CD 1995 Alaadeen, Ahmad New Africa Suite CD 2005 Time Through The Ages CD 1987 Page 1 of 79 Title Format Released Albany, Joe The Right Combination CD 1957 Alden, Howard & Jack Lesberg No Amps Allowed CD 1988 Alexander, Eric Solid CD 1998 Alexander, Monty Goin' Yard CD 2001 Jamboree CD 1998 Ray Brown Trio - Ray Brown Monty Alexander Russell Malone (Disc 2-2) CD 2002 Reunion in Europe CD 1984 Ray Brown Monty Alexander Russell Malone (Disc 1) CD 2002 My America CD 2002 Monty Meets Sly And Robbie CD 2000 Stir It -
Nancy Wilson, Grammy Winning Jazz Singer, Dies at 81
Bimonthly publication of the JAN/FEB 2019 VOL 22 ISSUE 6 BLUE NOTES Influenced by Dinah Washington, Nat "King" Cole and Nancy Wilson, other stars, Wilson covered everything from jazz standards to "Little Green Apples" and in the 1960s alone released eight albums that reached the top 20 on Grammy Winning Jazz Billboard's pop charts. Sometimes elegant and understated, or quick and conversational and a little Singer, Dies at 81 naughty, she was best known for such songs as her By ANDREW DALTON and HILLEL ITALIE, Associated Press breakthrough "Guess Who I Saw Today" and the 1964 hit "(You Don't Know) How Glad I Am," which drew upon Broadway, pop and jazz. She resisted being identified with a single category, especially jazz, and referred to herself as a "song stylist." "The music that I sing today was the pop music of the 1960s," she told The San Francisco Chronicle in 2010. "I just never considered myself a jazz singer. I do not do runs and — you know. I take a lyric and make it mine. I consider myself an interpreter of the lyric." Wilson's dozens of albums included a celebrated collaboration with Cannonball Adderley, "Nancy Wilson/Cannonball Adderley," a small group setting which understandably could be called jazz; "Broadway LOS ANGELES — Nancy Wilson, the Grammy-winning — My Way"; "Lush Life"; and "The Nancy Wilson Show!" "song stylist" and torch singer whose polished pop-jazz a best-selling concert recording. "How Glad I Am" vocals made her a platinum artist and top concert brought her a Grammy in 1965 for best R&B performer, has died. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. HUBERT LAWS NEA JAZZ MASTER (2011) Interviewee: Hubert Laws (November 10, 1939 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: March 4-5, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 134 pp. Brown: Today is March 4th, 2011. This is the Smithsonian NEA Jazz Masters oral history interview with Hubert Laws in his home in Los Angeles, California, conducted by Anthony Brown and Ken Kimery. Good afternoon, Hubert. How are you doing? Laws: I’m fine, man. Brown: The last time I saw you was at the NEA Jazz Masters awards in January. You provided the first musical number, a duet with Kenny Barron, playing Stella by Starlight. I have to say, that was the high point of the evening. It could have stopped after that. That was, oh, incredible. Laws: It’s kind of you to say that, because I felt very good about that collaboration with Kenny. It’s so interesting, because we were supposed to have had a rehearsal that morning. We met in this little room on the side and we ended up – I said, “You know what? Let’s do – let’s just play for a while, and then we’ll lead on into Stella.” I said, “We may do that, or I may do another tune.” He said okay. That’s what I love about professional guys like him. They’re so flexible. We didn’t know what we were going to play in the beginning.