Jazz Radio Panel P. 21 Jazzweek.Com • January 22, 2007 Jazzweek 12 Airplay Data Jazzweek Jazz Album Chart Jan
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Love, Oh Love, Oh Careless Love
Love, Oh Love, Oh Careless Love Careless Love is perhaps the most enduring of traditional folk songs. Of obscure origins, the song’s message is that “careless love” could care less who it hurts in the process. Although the lyrics have changed from version to version, the words usually speak of the pain and heartbreak brought on by love that can take one totally by surprise. And then things go terribly wrong. In many instances, the song’s narrator threatens to kill his or her errant lover. “Love is messy like a po-boy – leaving you drippin’ in debris.” Now, this concept of love is not the sentiment of this author, but, for some, love does not always go right. Countless artists have recorded Careless Love. Rare photo of “Buddy” Bolden Lonnie Johnson New Orleans cornetist and early jazz icon Charles Joseph “Buddy” Bolden played this song and made it one of the best known pieces in his band’s repertory in the early 1900s, and it has remained both a jazz standard and blues standard. In fact, it’s a folk, blues, country and jazz song all rolled into one. Bessie Smith, the Empress of the Blues, cut an extraordinary recording of the song in 1925. Lonnie Johnson of New Orleans recorded it in 1928. It is Pete Seeger’s favorite folk song. Careless Love has been recorded by Louis Armstrong, Ray Charles, Bob Dylan and Johnny Cash. Fats Domino recorded his version in 1951. Crescent City jazz clarinetist George Lewis (born Joseph Louis Francois Zenon, 1900 – 1968) played it, as did other New Orleans performers, such as Dr. -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
&Blues GUITAR SHORTY
september/october 2006 issue 286 free jazz now in our 32nd year &blues report www.jazz-blues.com GUITAR SHORTY INTERVIEWED PLAYING HOUSE OF BLUES ARMED WITH NEW ALLIGATOR CD INSIDE: 2006 Gift Guide: Pt.1 GUITAR SHORTY INTERVIEWED Published by Martin Wahl By Dave Sunde Communications geles on a rare off day from the road. Editor & Founder Bill Wahl “I would come home from school and sneak in to my uncle Willie’s bedroom Layout & Design Bill Wahl and try my best to imitate him playing the guitar. I couldn’t hardly get my Operations Jim Martin arms over the guitar, so I would fall Pilar Martin down on the floor and throw tantrums Contributors because I couldn’t do what I wanted. Michael Braxton, Mark Cole, Grandma finally had enough of all that Dewey Forward, Steve Homick, and one morning she told my Uncle Chris Hovan, Nancy Ann Lee, Willie point blank, I want you to teach Peanuts, Mark Smith, Dave this boy how to ‘really’ play the guitar Sunde, Duane Verh and Ron before I kill him,” said Shorty Weinstock. Photos of Guitar Shorty Fast forward through years of late courtesy of Alligator Records night static filled AM broadcasts crackling the southbound airwaves out of Cincinnati that helped further de- Check out our costantly updated website. Now you can search for CD velop David’s appreciative musical ear. Reviews by artists, Titles, Record T. Bone Walker, B.B. King and Gospel Labels, keyword or JBR Writers. 15 innovator Sister Rosetta Tharpe were years of reviews are up and we’ll be the late night companions who spent going all the way back to 1974. -
The Ghikas House on Hydra: from Artists’ Haven to Enchanted Ruins
The Ghikas House on Hydra: From Artists’ Haven to Enchanted Ruins HELLE VALBORG GOLDMAN Norwegian Polar Institute We sat on the terrace under the starry sky and talked about poetry, we drank wine, we swam, we rode donkeys, we played chess—it was like life in a novel. (Ghikas, quoted in Arapoglou 56) Introduction The Greek island of Hydra has become known for the colony of expatriate painters and writers that became established there in the 1950s and 60s (Genoni and Dalziell 2018; Goldman 2018). Two ‘literary houses,’ the homes of several of the island’s most well-known foreign residents during that era—the Australian couple, writers George Johnston and Charmian Clift, and Canadian singer-songwriter Leonard Cohen—have become places of pilgrimage for aficionados of Australian literature and popular music. Visitors wend through the maze of car- less, stone-paved lanes, asking for directions along the way, in order to stand outside the objects of their quests. Standing in the small public courtyard in front of the Johnstons’ house, or the tight laneway fronting the Cohen house, there is not much to see—the houses are quiet, the doors closed, the stone and white-washed walls surrounding the properties, which are typical of Hydra, are high. This doesn’t keep people from coming. They can picture in their minds’ eyes what is on the other side of the walls, having seen photographs of the writers at work and leisure inside the houses, and having read the books and listened to the songs that were written while the Johnstons and Cohen were in residence. -
Listening Patterns – 2 About the Study Creating the Format Groups
SSRRGG PPuubblliicc RRaaddiioo PPrrooffiillee TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy LLiisstteenniinngg PPaatttteerrnnss AA SSiixx--YYeeaarr AAnnaallyyssiiss ooff PPeerrffoorrmmaannccee aanndd CChhaannggee BByy SSttaattiioonn FFoorrmmaatt By Thomas J. Thomas and Theresa R. Clifford December 2005 STATION RESOURCE GROUP 6935 Laurel Avenue Takoma Park, MD 20912 301.270.2617 www.srg.org TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy:: LLiisstteenniinngg PPaatttteerrnnss Each week the 393 public radio organizations supported by the Corporation for Public Broadcasting reach some 27 million listeners. Most analyses of public radio listening examine the performance of individual stations within this large mix, the contributions of specific national programs, or aggregate numbers for the system as a whole. This report takes a different approach. Through an extensive, multi-year study of 228 stations that generate about 80% of public radio’s audience, we review patterns of listening to groups of stations categorized by the formats that they present. We find that stations that pursue different format strategies – news, classical, jazz, AAA, and the principal combinations of these – have experienced significantly different patterns of audience growth in recent years and important differences in key audience behaviors such as loyalty and time spent listening. This quantitative study complements qualitative research that the Station Resource Group, in partnership with Public Radio Program Directors, and others have pursued on the values and benefits listeners perceive in different formats and format combinations. Key findings of The Public Radio Format Study include: • In a time of relentless news cycles and a near abandonment of news by many commercial stations, public radio’s news and information stations have seen a 55% increase in their average audience from Spring 1999 to Fall 2004. -
2010 Npr Annual Report About | 02
2010 NPR ANNUAL REPORT ABOUT | 02 NPR NEWS | 03 NPR PROGRAMS | 06 TABLE OF CONTENTS NPR MUSIC | 08 NPR DIGITAL MEDIA | 10 NPR AUDIENCE | 12 NPR FINANCIALS | 14 NPR CORPORATE TEAM | 16 NPR BOARD OF DIRECTORS | 17 NPR TRUSTEES | 18 NPR AWARDS | 19 NPR MEMBER STATIONS | 20 NPR CORPORATE SPONSORS | 25 ENDNOTES | 28 In a year of audience highs, new programming partnerships with NPR Member Stations, and extraordinary journalism, NPR held firm to the journalistic standards and excellence that have been hallmarks of the organization since our founding. It was a year of re-doubled focus on our primary goal: to be an essential news source and public service to the millions of individuals who make public radio part of their daily lives. We’ve learned from our challenges and remained firm in our commitment to fact-based journalism and cultural offerings that enrich our nation. We thank all those who make NPR possible. 2010 NPR ANNUAL REPORT | 02 NPR NEWS While covering the latest developments in each day’s news both at home and abroad, NPR News remained dedicated to delving deeply into the most crucial stories of the year. © NPR 2010 by John Poole The Grand Trunk Road is one of South Asia’s oldest and longest major roads. For centuries, it has linked the eastern and western regions of the Indian subcontinent, running from Bengal, across north India, into Peshawar, Pakistan. Horses, donkeys, and pedestrians compete with huge trucks, cars, motorcycles, rickshaws, and bicycles along the highway, a commercial route that is dotted with areas of activity right off the road: truck stops, farmer’s stands, bus stops, and all kinds of commercial activity. -
Jazz Concert
Artist Series Ron Jones and Jazz Forest Monday, May 14, 2018 at 7:30pm Eastvold Auditorium, Karen Hille Phillips Center Pacific Lutheran University School of Arts and Communication / Department of Music presents Artist Series Ron Jones and Jazz Forest Monday, May 14, 2018 at 7:30pm Eastvold Auditorium, Karen Hille Phillips Center Welcome to Lagerquist Concert Hall. Please disable the audible signal on all watches, pagers and cellular phones for the duration of the concert. Use of cameras, recording equipment and all digital devices is not permitted in the concert hall. PROGRAM I Love Being Here With You ............................................................................................................ Peggy Lee (1920-2002) arr. Ron Jones Catfish Roots .......................................................................................................................................... Ron Jones (b. 1954) Come Rain or Come Shine ...................................................................................................... Johnny Mercer (1909-1976) arr. Ron Jones Jeff Kashiwa, featured soloist (alto sax) Stolen Moments ........................................................................................................................... Oliver Nelson (1932-1975) arr. Ron Jones Twilight Sailing ...................................................................................................................................................... Ron Jones Linda Christlieb, featured soloist (trombone) North by Freaking -
Cpfj 2014 Spring Concert Series Sunday March 16 5
Connecting Jazz Lovers CPFJ Newsletter JANUARY/FEBRUARY with Each Other 2014 & the Music! Issue #20 CPFJ 2014 SPRING CONCERT SERIES SUNDAY MARCH 16 5 P.M. SHERATON HARRISBURG HERSHEY . JOEY DEFRANCESCO TRIO PAUL BOLLENBACK(G) CARMEN INTORRE (DR) SUNDAY APRIL 6 7 P.M. POLLOCK CENTER FOR THE ARTS, CAMP HILL . CECILE McLORIN SALVANT , SUNDAY MAY 25 WITF PUBLIC MEDIA CENTER . EHUD ASHERIE & This series is underwritten by a generous contribution from the Shearer Family Fund KEN PEPLOSKI of the Foundation for Enhancing Communities on behalf of R. Scott Shearer LOOK. INSIDE THE VIBE! Exec. Dir. Letter - pg.2 Jazz Passings 2013 - pg. 10 &11 Grants & Donors - pg. 3 New Scholarship & Spring Concert Series - pg. 4 & 5 Ticket order form - pg.12 Area Clubs & Concerts - 6 & 7 Phil Woods/Dave Stahl - pg. 13/14 Jazz Camp & Youth Band - pg. 8 Membership Application - pg. 15 Dauphin Co. Grant - pg. 9 CPFJ Jam Sessions - pg. 16 1 The Vibe is published monthly at the Central PA Friends of Jazz, 5721 Jonestown Road, Harrisburg PA 17112 EXECUTIVE DIRECTOR'S REPORT: Central Pennsylvania Friends of Jazz HAPPY NEW YEAR! Thanks to all for your support in 2013. We had a very successful year with great concerts: the Cyrus Chestnut tribute to Dave Brubeck, violinist Christian Howes, legendary 5721 Jonestown Road vocalist Freddy Cole, the Kenton Alumni Big Band, drummer Clarence Penn’s Monk tribute, and Harrisburg PA 17112 dynamic pianist Anthony Wonsey; our best Jazz Camp ever with a great faculty and 70 students; TEL: 717-540-1010 membership in CPFJ reached 600 - a level not seen for over 15 years; WEB: We have been awarded a generous grant from the Dauphin County Commissioners that will enable www.friendsofjazz.org us to present a concert on September 5th at Fort Hunter Park as part of the Dauphin County Jazz EMAIL: & Wine Festival. -
Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2014 Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry Emily Rutter Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Rutter, E. (2014). Constructions of the Muse: Blues Tribute Poems in Twentieth- and Twenty-First Century American Poetry (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/1136 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY A Dissertation Submitted to the McAnulty College of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Emily Ruth Rutter March 2014 Copyright by Emily Ruth Rutter 2014 ii CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter Approved March 12, 2014 ________________________________ ________________________________ Linda A. Kinnahan Kathy L. Glass Professor of English Associate Professor of English (Committee Chair) (Committee Member) ________________________________ ________________________________ Laura Engel Thomas P. Kinnahan Associate Professor of English Assistant Professor of English (Committee Member) (Committee Member) ________________________________ ________________________________ James Swindal Greg Barnhisel Dean, McAnulty College of Liberal Arts Chair, English Department Professor of Philosophy Associate Professor of English iii ABSTRACT CONSTRUCTIONS OF THE MUSE: BLUES TRIBUTE POEMS IN TWENTIETH- AND TWENTY-FIRST-CENTURY AMERICAN POETRY By Emily Ruth Rutter March 2014 Dissertation supervised by Professor Linda A. -
Local Party Organizations and the Mobilization of Latino Voters
LOCAL PARTY ORGANIZATIONS AND THE MOBILIZATION OF LATINO VOTERS A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Daniel G. Lehman May, 2013 Examining Committee Members: Robin Kolodny, Advisory Chair, Political Science Michael Hagen, Political Science Sandra Suarez, Political Science Rosario Espinal, Sociology i ABSTRACT We frequently hear that Latinos are the fastest growing minority group in the United States. We also know that like many American immigrant groups, Latinos tend to reside in states where a critical mass of their community already is settled, in this case largely for geo-political reasons (e.g. New Mexico, Arizona, California, Texas, Florida and New York). Why, then, is Latino participation in national politics lower than white, Black, and Asian voters? And who has an interest in doing something about it? This project addresses several interrelated questions concerning the place of Latinos in American politics and the health of democracy in the United States. Political parties are meant to link citizens to the state. However, parties often fear that reaching out to certain groups may alienate the concerns of some core voters, providing a disincentive to political parties to prioritize Latino outreach. Here, I ask, to what degree are local political parties involved in mobilizing Latino voters as compared to other voting groups? Interest groups have much narrower constituencies than political parties by definition, but their -
For Immediate Release
FOR IMMEDIATE RELEASE June 15, 2010 Contact: Joyce Evans San Jose Jazz Office: 408-288-7557 x2310 [email protected] SAN JOSE JAZZ ANNOUNCES ARTISTS FOR 21ST AT&T SAN JOSE JAZZ FESTIVAL Silicon Valley's Premier Summer Event Brings All-Star International Lineup to Downtown San Jose, August 13-15, 2010 San Jose, CA – San Jose Jazz today announced the artist roster for the upcoming AT&T San Jose Jazz Festival. Held the second weekend in August, this year's line up has an international flavor coupled with a diverse lineup that will please lovers of all genres of music. Past festivals have drawn over 100,000 people from Silicon Valley, California, and across the United States. "San Jose is becoming a world-class, international city and this edition of the jazz festival mirrors that growth from a regional event to one that is gaining recognition and fame across the globe," said Geoff Roach, CEO of San Jose Jazz. "As jazz continues to evolve into many different formats and forms, the goal of the festival is to embrace and showcase the artists driving the art form. We seek to present music not only from internationally known artists but also from the world-class talent that exists here in the Bay Area." Festival highlights include: Standards Updated - Modern takes on the classic jazz repertoire John Handy John is a consummate world musician and teacher who’s devoted his life to using music to elevate the human spirit. His soulful and fiery saxophone style is instantly recognizable to generations of jazz fans world-wide. -
Singer Kendra Shank Pays Tribute to Spirited Music of Abbey Lincoln
Photo by John Abbott Photo by John Kendra Shank will bring the music of Abbey Lincoln to Lincoln June 5. Singer Kendra Shank pays tribute ○○○○○○○○○○○○○○○○○○○○○ to spirited music of Abbey Lincoln ○○○○○○○○○○○○ By Tom Ineck ○○○○○○○○○○○○○○○○○○○○○ April 2007 Vol. 12, Number 2 With her new release, “A Spirit File Photo Free: Abbey Lincoln Songbook,” singer Kendra Shank has taken on a daunting task—interpreting the music of one of the most idiosyn- cratic jazz singer-songwriters in his- ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ tory. In this issue of Jazz.... She and her longtime ensemble will bring the music of Lincoln to Prez Sez.........................................................2 Lincoln, Neb., June 5 in the open- Abbey Lincoln John Pizzarelli review........................6 ing concert of this year’s Jazz in Giacomo Gates/NJO review..................7 June series. this record were created there, on In a recent interview, Shank the gigs at that club. We would just Chick Corea/Gary Burton review...........8 talked about the recording and the try stuff and see what worked well Maria Schneider Orchestra review.....9 years it took to bring to fruition. and what didn’t work well,” she Mac McCune/NJO review......................10 Unlike many jazz musicians liv- said, pretty much describing the cre- Tomfoolery: Generous jazz calendar......11 ing in New York City, Shank has a ative process inherent in jazz mu- regular gig where she and the band sic. Harry “The Hipster” Gibson..................12 can work up new material and hone To Shank’s knowledge, no one Jazz on Disc reviews...........................14 their music to a fine edge. One Fri- else has ever attempted a full-length Discorama reviews..............................18 day a month, they appear at the 55 tribute to Lincoln’s very personal Letters to the Editor...............................19 Bar, Shank’s home away from music, although some of her tunes home for five years.