DOCSLIB.ORG

The Muse of Bossa Nova"

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Muse of Bossa Nova Aug-Sep. 2018 - Edition#12 Interviews 10 MOST INFLUENTIAL ANA FLAVIA ZUIM From Church to Broadway PORTINHO PAULO BRAGA ROGER DAVIDSON 1 WWW.BOSSAMAGAZINE.COM|BMF |ASUOS PRODUCTIONS|BRAZILIAN ART AND MUSIC|NEW YORK – AUG-SEP 2018 |EDITION # 12 table of Online Magazine CONTENTS News | Events | Performances | Culture | Education SPECIAL EDITION — BOSSA NOVA 60 YEARS—AUG/SEPT 2018 3 EDITOR’S NOTE 4 EDITORIAL TEAM 10 ANA FLAVIA ZUIM - FROM CHURCH TO BROADWAY 13 DAN COSTA—CD RELEASE 14 PORTINHO—DRUMMER 16 ROGER DAVIDSON— CITIZEN OF BRAZILIAN MUSIC 18 PAULO BRAGA—DRUMMER 20 TATI VITSIC—GRAPHIC DESIGNER 22 BOSSA NOVA - 60 YEARS ANA FLAVIA ZUIM 25 AVANT-GARDE POPULAR MUSIC 10 26-27 RADIO ERA/GOLDEN YEARS 28 ORFEU DA CONCEIÇÃO/BLACK ORPHEUS—THE PLAY 30 BRASÍLIA AND BOSSA NOVA 32 THE BOSSA GROUP—THE BEGINNING 34 THE MEETINGS AT NARA LEAO’ APT. 36 FIRST RECORDING OF “CHEGA DE SAUDADE” 37-39 JOÃO GILBERTO FIRST RECORDINGS 40 THE SAMBA SESSION 41 THE BOTTLES BAR 42 AN ENCOUNTER—THE HISTORY MADE SHOW 44 TOM/VINICIUS AND THE GIRL FROM IPANEMA 46 RONALDO BOSCOLI– 1ST BOSSA NOVA PRODUCER IN BR. PORTINHO 47 FELIX GRANT-THE BOSSA NOVA PROJECT DC. 14 49 STAN GETZ/CHARLIE BIRDY -THE BOSSA CRAZE IN DC. 50 CREED TAYLOR– 1ST BOSSA NOVA PRODUCER IN THE US. 52 BOSSA NOVA GOES INTERNATIONALLY—CARNEGIE HALL 54 THE SUDDEN HALT OF BOSSA NOVA IN BRAZIL 56 THE SONG AGAINST REPRESSION - BEGINNING OF MPB 58 BOSSA CRAZY IN US & IN THE WORLD 60 FRANK SINATRA AND TOM JOBIM 61 THE CONTINUATION OF THE BOSSA NOVA JOURNEY 62 – 85 10 MOST INFLUENTIAL BOSSANOVISTS 86 - 87 BOSSA NOVA EDUCATIONAL - TIPS 88 BOSSA NOVA BOOKS 89 BOSSA NOVA 2ND GENERATION 90 LINKS AND CREDITS BOSSA NOVA-60 YEARS 22 Published by Asuos Productions Supported by Brazilian Music Foundation Editor In Chief Madalena Sousa [email protected] 2 WWW.BOSSAMAGAZINE.COM|BMF |ASUOS PRODUCTIONS|BRAZILIAN ART AND MUSIC|NEW YORK – AUG-SEP 2018 |EDITION # 12 Editor’s Note It is with great pleasure that we are launching the 12th We are thrilled to include the profiles of the 10 most edition of Bossa Magazine with a great theme, a subject influential Bossanovists that were responsible for presen- that is for us Brazilians a topic of great pride and admira- ting Bossa Nova to the world. Also, in this edition, there is tion, "60 years of Bossa Nova." Bossa Nova was a vehicle for an interview with Ana Flavia Zuim and her trajectory since the propagation of Brazilian music and culture around the her first performances in churches in her city to the great world, it led the music to a plateau never before achieved. musical "Hamilton" on Broadway. The summer of 1958 was the year of Bossa Nova. Sixty This month, we continue presenting the “Brazilian Percus- years ago, a movement of melody, harmony, lyrics, and sion Series”, with stories and insights from Portinho and rhythm sent a fresh wave of sound throughout Brazil. Paulo Braga, ( drummers and percussionists) who proudly September 22, 1958 was the first Samba Session where a showcase Brazilian Jazz in New York City and globally. Bossa Nova Group was introduced. Since then Bossa Nova has won the world stage, conquered by a small group of In our series of interviews about “The Citizens of Brazilian idealistic musicians — including Antonio Carlos Jobim, Music” , a way to warmly refer to musicians promoting Vinicius de Moraes, Johnny Alf, João Donato, João Gilberto, Brazilian Music in United States, we will include an inter- Nara Leão, Silvinha Telles, Roberto Menescal, Carlos Lyra, view with pianist, Roger Davidson. Baden Powell, Luiz Bonfá, Sérgio Mendes, and a handful of others — who would write some of the most enduring mel- Bossa Magazine welcomes the generosity of new contribu- odies in music history. They have their names etched in tors who offered their stories for this edition. We also recog- gold in Brazilian musical history. nize and appreciate everyone (our unsung heroes) helping behind the scenes: Bossa Nova is now heard in various parts of the world and is one of the major representatives of Brazil on the world "Thank you, Gracias, Merci and Obrigado”! stage. When a foreigner is asked about what he knows of Brazilian culture, doesn’t he often hum "Girl from Ipanema" We appreciate your continued support of Bossa Magazine's as an answer. Aware of the relevance of this event to our mission which is to promote, educate, and advance Brazilian culture, we feel that it is essential to highlight this expan- Art and Music worldwide. sion to other countries, especially to the United States. If you would like to contribute content for future publica- We are presenting a synthesis of what was the Bossa Nova tions, kindly email to: [email protected]. movement, a brief summary of the most important moments in the history of Bossa Nova. It is very likely that Thank you all for your support! some important moments have not been mentioned in this issue and we apologize for missing them. But we will continue adding information to this edition until we have the complete history, we know it will take us months to Madalena Sousa include every moment of its history. Today, many of Bossa Nova’s originators, including Tom Brazilian Music Foundation Jobim, Vinícius de Moraes, Johnny Alf, Silvinha Telles, Luiz Founder/President/CEO Bossa Magazine Bonfá, and Baden Powell, are long gone (The 86-year-old Gilberto isn’t, but he rarely performs.). And yet, six decades Founder/Editor In Chief later, the music they created still has a hold on the world. 3 WWW.BOSSAMAGAZINE.COM|BMF |ASUOS PRODUCTIONS|BRAZILIAN ART AND MUSIC|NEW YORK – AUG-SEP 2018 |EDITION # 12 Editorial team BOSSA MAGAZINE Madalena Sousa: PROMOTES Editor In Chief/Designer Contributors Mila Schiavo Proofreading Exhibitions , Concerts, Interviews, James Lemos Reviews, History, Education, Cristine Larson Lectures, Workshops, and more… Become one of our collaborators! Contact: [email protected] www.bossamagazine.com Brazilian Art and Music ONLINE MAGAZINE Supported by: Brazilian Music Foundation Published by: Asuos Productions 4 WWW.BOSSAMAGAZINE.COM|BMF |ASUOS PRODUCTIONS|BRAZILIAN ART AND MUSIC|NEW YORK – AUG-SEP 2018 |EDITION # 12 5 WWW.BOSSAMAGAZINE.COM|BMF |ASUOS PRODUCTIONS|BRAZILIAN ART AND MUSIC|NEW YORK – AUG-SEP 2018 |EDITION # 12 ADVERTISEMENT 6 WWW.BOSSAMAGAZINE.COM|BMF |ASUOS PRODUCTIONS|BRAZILIAN ART AND MUSIC|NEW YORK – AUG-SEP 2018 |EDITION # 12 BOSSA MAGAZINE Digital Advertising Kit ADVERTISE YOUR PRODUCTS AND SERVICES TO OVER 3 MILLION READERS! 1 out of every 5 readers spends over $800 on direct response products and Single Full page services per year.Half page horizontal 8 1/2(H) x 5 1/2(W) 4 1/8(H) x 5 1/2(W) —————————— Expose your business Salon around the world through MUSIC! 4310 34th Ave ——————————Long Island City, NY 11101 (718) 707-0005 www.dmsalonnyc.com Reach out to readers from all over the world. ADVERTISE YOUR New York City is a Mecca PRODUCTS AND for Music and a great 1/4 Regular SERVICES TO place to network. 4 1/8(H) x 2 3/4(W) OVER 3 MILLOREADERS! _________ —————————— 1/8 Worldwide reference in playalong songbooks of the Regular 1/2 Vertical Brazilian instrumental Ask about our 8 1/2(H) x 2 3/4(W) music! https://www.choromusic.com 1 out of every 5 readers FIRST-TIME Spends over $800 on direct response products and ser- vices per year. ADVERTISER ____________ 2 1/16(H) x 2 3/4(W) Reach all types of audience. Art and Music is overall the DISCOUNTS most advertised services in the world. Millions of peo- ple are connected to either [email protected] one or both. ____________ Tel. ( 917) 400-1578 Specifications Deadline—15th of the month prior. Preferred art work—Press ready .pdf format - for price kit please contact: [email protected] 7 WWW.BOSSAMAGAZINE.COM|BMF |ASUOS PRODUCTIONS|BRAZILIAN ART AND MUSIC|NEW YORK – AUG-SEP 2018 |EDITION # 12 BOSSA MAGAZINE-ADVERTISING 8 WWW.BOSSAMAGAZINE.COM|BMF |ASUOS PRODUCTIONS|BRAZILIAN ART AND MUSIC|NEW YORK – AUG-SEP 2018 |EDITION # 12 BOSSA MAGAZINE-ADVERTISING 9 WWW.BOSSAMAGAZINE.COM|BMF |ASUOS PRODUCTIONS|BRAZILIAN ART AND MUSIC|NEW YORK – AUG-SEP 2018 |EDITION # 12 FROM CHURCH TO BROADWAY A MAJOR CAREER JUMP FOR ANA FLAVIA ZUIM age twelve Ana Flavia Zuim started playing keyboard and At singing at a church in her hometown, Mandaguari, Parana, Brazil. Should she’ve had her way she would’ve started earlier. It all began with a piano kept at home by the parents, which she began exploring since an early age before she was allowed to begin taking piano lessons at age 8. When the time came for her to apply for college the pressure from friends made consider other careers but no other area attracted her. While discouraged by many, who said that she was choosing a career that would be faced by many challenges and low financial compensation, Ana chose to follow her calling and pursue music. The challengers were indeed many and the road was filled with doubt during challenging times, but the motivation to do her best keep her hoping for better opportunities and she entered through every open door that appeared in front of her. continue... Photo credit: nyu.edu/about/news-publications 10 WWW.BOSSAMAGAZINE.COM|BMF |ASUOS PRODUCTIONS|BRAZILIAN ART AND MUSIC|NEW YORK – AUG-SEP 2018 |EDITION # 12 ANA FLAVIA UP CLOSE & PERSONAL INTERVIEW By Madalena Sousa Editor In Chief ZUIM She graduated in Music from the State University of Londrina (UEL) and moved to the United States immediately after (2003).
Load more

Recommended publications
  • The Historic Recordings of the Song Desafinado: Bossa Nova Development and Change in the International Scene1
    The historic recordings of the song Desafinado: Bossa Nova development and change in the international scene1 Liliana Harb Bollos Universidade Federal de Goiás, Brasil [email protected] Fernando A. de A. Corrêa Faculdade Santa Marcelina, Brasil [email protected] Carlos Henrique Costa Universidade Federal de Goiás, Brasil [email protected] 1. Introduction Considered the “turning point” (Medaglia, 1960, p. 79) in modern popular Brazi- lian music due to the representativeness and importance it reached in the Brazi- lian music scene in the subsequent years, João Gilberto’s LP, Chega de saudade (1959, Odeon, 3073), was released in 1959 and after only a short time received critical and public acclaim. The musicologist Brasil Rocha Brito published an im- portant study on Bossa Nova in 1960 affirming that “never before had a happe- ning in the scope of our popular music scene brought about such an incitement of controversy and polemic” (Brito, 1993, p. 17). Before the Chega de Saudade recording, however, in February of 1958, João Gilberto participated on the LP Can- ção do Amor Demais (Festa, FT 1801), featuring the singer Elizete Cardoso. The recording was considered a sort of presentation recording for Bossa Nova (Bollos, 2010), featuring pieces by Vinicius de Moraes and Antônio Carlos Jobim, including arrangements by Jobim. On the recording, João Gilberto interpreted two tracks on guitar: “Chega de Saudade” (Jobim/Moraes) and “Outra vez” (Jobim). The groove that would symbolize Bossa Nova was recorded for the first time on this LP with ¹ The first version of this article was published in the Anais do V Simpósio Internacional de Musicologia (Bollos, 2015), in which two versions of “Desafinado” were discussed.
    [Show full text]
  • Practise Analysis Task – Brazil
    Practice Analysis Tasks: Text 1: Football fans would be interested because Brazil is hosting the World Cup and also as the writer meets famous footballer Jairzinho. People interested in travelling to Brazil will benefit from the writer’s Audience description of places to visit. People interested in art may enjoy reading about the mosaic steps of the Escadaria Selaron. To inform the reader about Rio’s history and art. To promote cultural and tourist destinations across the city of Rio. Purpose To entertain and make the reader laugh such as when he embarrassed himself in front of the footballer. The author takes the reader on a tour of Rio’s beaches, mountains and streets. He describes each of the locations he visits in detail on a four-day Important ideas in walking tour of the city. He explains aspects of the city’s history, art, food source and culture. He gets a glimpse of everyday life in Rio and comments on increasing population and poverty. He discusses the negative aspects of Rio but finishes by describing the powerful landscape and future potential. Useful quotations Headline – makes the focus of the piece of writing clear (Rio) and highlights that it is considered one of the world’s largest cities. Sub-heading – reveals who has written the piece and the fact it is being written in the lead up to the 2014 World Cup. Pictures – show moments from the author’s walking tour of the city. Bright, colourful pictures make the article attractive and pull the reader in. Structure/layout Captions – provide extensive details as to the context and content of the images Series of structured paragraphs leading to a conclusion.
    [Show full text]
  • Tenor Saxophone Mouthpiece When
    MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
    [Show full text]
  • Chega Saudade
    RUY CASTRO CHEGA DE SAUDADE A HISTÓRIA E AS HISTÓRIAS DA BOSSA NOVA Projeto gráfi co Hélio de Almeida 4 ª- edição revista, ampliada e defi nitiva 10224-miolo-chegadesaudade.indd 3 5/30/16 2:23 PM Copyright © 1990 by Ruy Castro Grafia atualizada segundo o Acordo Ortográfico da Língua Portuguesa de 1990, que entrou em vigor no Brasil em 2009. Revisão Isabel Jorge Cury Índice remissivo Luciano Marchiori Dados Internacionais de Catalogação na Publicação (cip) (Câmara Brasileira do Livro, sp, Brasil) Castro, Ruy, 1948- Chega de saudade : a história e as histórias da Bossa Nova / Ruy Castro. — 4ª- ed. — São Paulo : Companhia das Letras, 2016. isbn 978-85-359-2752-8 1. Bossa Nova (Música) – Brasil – História e crítica 2. Música popular – Brasil i. Título. 16-03549 cdd-781.630981 Índice para catálogo sistemático: 1. Brasil : Bossa Nova : Música popular : História e crítica 781.630981 [2016] Todos os direitos desta edição reservados à editora schwarcz s.a. Rua Bandeira Paulista, 702, cj. 32 04532-002 — São Paulo — sp Telefone: (11) 3707-3500 Fax: (11) 3707-3501 www.companhiadasletras.com.br www.blogdacompanhia.com.br facebook.com/companhiadasletras instagram.com/companhiadasletras twitter.com/cialetras Em 1960, último show amador da Bossa Nova: João Gilberto na “Noite do amor, do sorriso e da flor” 10224-miolo-chegadesaudade.indd 6 5/30/16 2:23 PM SUMÁRIO Prólogo: Juazeiro, 1948 ...................................................................... 15 PARTE 1: O GRANDE SONHO 1. Os sons que saíam do porão............................................................. 29 2. Tempo quente nas Lojas Murray ..................................................... 45 3. A guerra dos conjuntos vocais ......................................................... 63 4. A montanha, o sol, o mar .................................................................
    [Show full text]
  • Música E Identidade De Marca: Uma Análise De Conteúdo Sobre a Atuação Da Marca Farm No Spotify
    Faculdade de Comunicação Departamento de Audiovisuais e Publicidade Música e identidade de marca: uma análise de conteúdo sobre a atuação da marca Farm no Spotify Luana Gomes Gandra Coutinho Brasília 2019 Faculdade de Comunicação Departamento de Audiovisuais e Publicidade Luana Gomes Gandra Coutinho Música e identidade de marca: uma análise de conteúdo sobre a atuação da marca Farm no Spotify Projeto final em Publicidade e Propaganda apresentado à Faculdade de Comunicação da Universidade de Brasília, como parte dos requisitos necessários à obtenção do título de Bacharel em Comunicação Social, habilitação em Publicidade e Propaganda. Orientador: Prof. Dr. Elton Bruno Pinheiro Brasília 2019 Faculdade de Comunicação Departamento de Audiovisuais e Publicidade Luana Gomes Gandra Coutinho Projeto Final aprovado em ___/___/___ para obtenção do grau de Bacharel em Comunicação Social, habilitação Publicidade e Propaganda. BANCA EXAMINADORA ______________________________________________________ Prof. Dr. Elton Bruno Pinheiro DAP/FAC/UnB | Orientador ______________________________________________________ Prof. Dr. Edmundo Brandão Dantas DAP/FAC/UnB | Examinador ______________________________________________________ Profª. Drª. Suelen Brandes Marques Valente DAP/FAC/UnB | Examinadora ______________________________________________________ Prof. Me. Mauro Celso Maia FAC/UnB | Suplente Brasília 2019 Tudo o que uma marca faz pode ser entendido como um capítulo da sua história, contada com o objetivo de reforçar o seu significado e, como consequência, envolver os que se identificam com tais narrativas. (Ronaldo Fraga). Agradecimentos Aos meus pais, a minha família e amigos, pelo apoio, pelo suporte e pela companhia nessa caminhada. A Suelen, Edmundo e Mauro, por aceitarem compor a banca e participar desse projeto muito especial para mim. A Rafa e Clara por compartilharem comigo essa experiência e terem feito dela mais feliz e prazerosa.
    [Show full text]
  • Biografia | Versão Espanhol Carlinhos Brown Fue El Primer Músico En
    Biografia | Versão Espanhol Carlinhos Brown fue el primer músico en formar parte de la Academia del Oscar y a recibir los títulos de Embajador Iberoamericano de la Cultura y Embajador de Justicia Restaurativa de Bahía. Cantautor, arreglador musical, multiinstrumentista, técnico de The Voice Brasil, The Voice Kids y artista visual, el esteta intuitivo y gestual Carlinhos Brown, ha logrado construir una trayectoria consagrada por su actuación musical, social, percusiva y por la belleza de sus actuaciones. GRAN HOMBRE DE MOVIMIENTO Nacido en 1962 con el nombre de Antonio Carlos Santos de Freitas en la comunidad del Candeal Pequeño de Brotas, un quilombo de resistencia africana en el corazón de la ciudad de Salvador de Bahía, Carlinhos Brown promocionó a lo largo de su carrera, diversas revitalizaciones rítmicas, desarrollando ricas y significativas conexiones con sus raíces ancestrales. Reconocido como uno de los artistas más creativos e innovadores de la cultura brasileña, vive continuamente en búsqueda de nuevas experimentaciones sonoras. En la juventud se convertiría en el responsable por la mayor parte de las revoluciones musicales de su época. A partir de eso, hizo parte directamente de los primeros arreglos que dieron origen al Axé Music y al Samba Reggae, haciendo centenares de composiciones exitosas, contabilizando más de 800 canciones registradas y más de mil grabaciones registradas en el banco de datos Ecad. En el mismo barrio de Candeal Pequeño de Brotas, donde nació, creó contenidos artísticos llenos de vigor para el escenario de la música pop brasileña con gran repercusión por el mundo como, por ejemplo, la Timbalada, movimiento percusivo vivo que potencializa talentos, creado en principios de los años 90 y que sigue en constante transformación bajo la luz del maestro Brown.
    [Show full text]
  • Windward Passenger
    MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums.
    [Show full text]
  • Mulheres De A-Z.Pdf
    APRESENTAÇÃO O acervo da Biblioteca do Senado possui uma significativa coleção de biografias. Nesta seleção bibliográfica destacaram-se obras que relatam vidas de mulheres influentes nos mais variados domínios do saber e da atividade humana. A bibliografia apresenta-se em duas seções ordenadas de A – Z: lista de atividades (abolicionista – zootecnista) e lista de personalidades (Adalzira – Zuzu). Esta seleta destaca a multifacetada atuação feminina que ao longo dos séculos engendra a história da humanidade. Um abecedário de atividades foi o formato escolhido para refletir essa pluralidade. Temos assim, abolicionistas e vedetes, bailarinas e zoólogas, parlamentares e sufragistas, filantropas e mecenas, dentre tantas expressões do gênio e da presença das mulheres na sociedade. A edição deste Boletim Bibliográfico celebra o Dia Internacional da Mulher, em consonância com o Plano de Equidade de Gênero e Raça do Senado Federal. As leituras propostas desejam fazer conhecidas as vidas de mulheres que voaram alto como a astronauta Valentina Tereshkova, e navegaram por mares profundos como a oceanógrafa Marta Vanucci. Brasília, 8 de março de 2020 PATRÍCIA COELHO FERREIRA MENESES DA SILVA Coordenadora da Biblioteca do Senado Federal ATIVIDADES ABOLICIONISTA ATIVISTA AMBIENTAL Adelina Anita Roddick Isabel Cristina de Bragança Wangari Maathai Júlia Lopes de Almeida Luísa Mahin ATIVISTA DOS DIREITOS DAS CRIANÇAS Maria Firmina dos Reis Zilda Arns Neumann ADVOGADA ATIVISTA DOS DIREITOS DAS MULHERES Adalzira Bittencourt Malala Yousafzai Michelle Obama
    [Show full text]
  • The Music of Antonio Carlos Jobim
    FACULTY ARTIST FACULTY ARTIST SERIES PRESENTS SERIES PRESENTS THE MUSIC OF ANTONIO THE MUSIC OF ANTONIO CARLOS JOBIM (1927-1994) CARLOS JOBIM (1927-1994) Samba Jazz Syndicate Samba Jazz Syndicate Phil DeGreg, piano Phil DeGreg, piano Kim Pensyl, bass Kim Pensyl, bass Rusty Burge, vibraphone Rusty Burge, vibraphone Aaron Jacobs, bass* Aaron Jacobs, bass* John Taylor, drums^ John Taylor, drums^ Monday, February 13, 2012 Monday, February 13, 2012 Robert J. Werner Recital Hall Robert J. Werner Recital Hall 8:00 p.m. 8:00 p.m. *CCM Student *CCM Student ^Guest Artist ^Guest Artist CCM has become an All-Steinway School through the kindness of its donors. CCM has become an All-Steinway School through the kindness of its donors. A generous gift by Patricia A. Corbett in her estate plan has played a key role A generous gift by Patricia A. Corbett in her estate plan has played a key role in making this a reality. in making this a reality. PROGRAMSelections to be chosen from the following: PROGRAMSelections to be chosen from the following: A Felicidade Falando de Amor A Felicidade Falando de Amor Bonita The Girl from Ipanema Bonita The Girl from Ipanema Brigas Nunca Mais One Note Samba Brigas Nunca Mais One Note Samba Caminos Cruzados Photograph Caminos Cruzados Photograph Chega de Saudade So Tinha Se Con Voce Chega de Saudade So Tinha Se Con Voce Corcovado Triste Corcovado Triste Desafinado Wave Desafinado Wave Double Rainbow Zingaro Double Rainbow Zingaro Antonio Carlos Jobim was born in Rio de Janeiro, Brazil, to Antonio Carlos Jobim was born in Rio de Janeiro, Brazil, to cultured parents.
    [Show full text]
  • LINER NOTES Print
    LONG NOTES GEORGE WINSTON LINUS AND LUCY – THE MUSIC OF VINCE GUARALDI – VOL. 1: George Winston on Vince Guaraldi (Vince’s name is pronounced “Gurr-al-dee”, beginning with a hard “G) “Vince Guaraldi once said that he wanted to write standards, not just hits, and that he did,” says George Winston. “His music is very much a part of the fabric of American culture, but not many people know the man behind the music, and it is unusual for someone’s music to be better known than their name (some other composers who have also been in this situation are Allen Toussaint, Randy Newman (in the early and mid 1960s), Joni Mitchell (in the mid 1960s), Leonard Cohen (in the mid-1960s), Laura Nyro, Percy Mayfield, Otis Blackwell, and Wendy Waldman). If I play Linus & Lucy and other Vince Guaraldi Peanuts pieces for most kids they will usually say right away, ‘That’s Charlie Brown music’. Vince’s soundtracks for the first 16 of the Peanuts animations from the 1960s & 1970s continue to delight millions of people around the world, and many of his albums remain in print. I like to help make the connection for people that Vince Guaraldi was a great jazz pianist, and that he was the composer of the soundtracks for the first 16 of the Peanuts animation, as well as of many other great jazz pieces. Vince’s best known standards are Cast Your Fate to the Wind, Linus and Lucy, Christmas Time is Here, as well as Skating, and Christmas is Coming. A lot of Vince’s music is seasonal, and it reminds me very much of my upbringing in Montana.
    [Show full text]
  • Sept 27 @ 7:30 PM the Beacon Theatre P. 7
    NEW YORK | SEPTEMBER 1 2017 | BRAZILIAN MUSIC FOUNDATION | ASUOS | EDITION#3 SEU JORGE Sept 27 @ 7:30 PM The Beacon Theatre P. 7 A TRIBUTE TO DAVID BOWIE EDITOR’S NOTE Dear friends, On September 7th we will be celebrating 195 years of Brazilian freedom, Independence Day, with lots of fanfare and excitement. “Brazil’s Independence was officially announced on the 7th of September 1822 from the hands of the Portuguese. Since then it has been a country. For ages Brazil has represented the great escape to a prehistoric, tropical heaven, igniting the Western imagination like no other South American country. Brazil had its unique attributes including having had a reigning monarch and an empire that boasts of a relatively bloodless independence from Portugal. Brazilians did not have to fight tooth and nail nor did they create any type revolt. The King himself declared in the Grito do Ipiranga, "By my blood, by my honor, and by God: I will make Brazil free" with the motto "Independence or Death!" Every year, thousands get together in a mad passion to proudly celebrate Brazilian Independence Day. A country of mythic proportions, people gather in the streets celebrating with banners, balloons and streamers. For those that do not know anything about Brazilian culture, here is an opportunity to go to one of the events, get in the green and yellow mood, and see the richness of Brazilian art and hear the variety of sounds, rhythms and styles that exist in our repertoire. Furthermore, I hope you just enjoy the magazine in general and support Brazilian Music Foundation’s mission, which is to promote, educate and advance Brazilian Music in the Americas.
    [Show full text]
  • Universidade Federal Do Rio Grande Do
    UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS | PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS ÁREA DE CONCENTRAÇÃO: ESTUDOS DE LITERATURA LINHA DE PESQUISA: LITERATURA, SOCIEDADE E HISTÓRIA DA LITERATURA MARINA BONATTO MALKA VINICIUS E ORFEU: UM ESTUDO SOBRE ORFEU DA CONCEIÇÃO E ORPHÉE NOIR PORTO ALEGRE 2018 MARINA BONATTO MALKA VINICIUS E ORFEU: UM ESTUDO SOBRE ORFEU DA CONCEIÇÃO E ORPHÉE NOIR Dissertação de Mestrado em Letras, área de Estudos de Literatura, apresentada como requisito parcial para a obtenção do título de Mestra pelo Programa de Pós-Graduação em Letras da Universidade Federal do Rio Grande do Sul Orientador: Prof. Dr. Homero Vizeu Araújo O presente trabalho foi realizado com apoio da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - Brasil (CAPES) - Código de Financiamento 001 PORTO ALEGRE 2018 Para matar Orfeu não basta a Morte. Tudo morre que nasce e que viveu Só não morre no mundo a voz de Orfeu. (MORAES, 2013, p. 84) AGRADECIMENTOS Assim como Vinicius de Moraes, tenho a sorte de ter uma família acolhedora. Agradeço a minha mãe, Maristela, por ser a imagem da força e da persistência, que nunca economizou esforços para proporcionar conforto, amor e bem-estar à nossa família. Tal como Lídia, me influenciou musicalmente, cantando canções de Bossa Nova quando eu era criança. Agradeço também ao meu pai, Ricardo, que sempre me apoiou e incentivou em minhas decisões, sendo a imagem do carisma e da boa vontade em minha vida. Quando criança, imitava-o, usando suas roupas e brincando de ir trabalhar, como Vinicius imitou os versos de seu pai Clodoaldo ao copiá-los para oferecer à Cacy.
    [Show full text]