Bulletin #28 July 14, 2012
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Musical Innovation, Collaboration, and Ideological Expression in the Chilean Netlabel Movement
Sharing Sounds: Musical Innovation, Collaboration, and Ideological Expression in the Chilean Netlabel Movement by James Ryan Bodiford A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in the University of Michigan 2017 Dissertation Committee: Associate Professor Christi-Anne Castro, Chair Professor Kelly Askew Professor Charles H. Garrett Assistant Professor Meilu Ho Professor Bruce Mannheim James Ryan Bodiford [email protected] ORCID iD: 0000-0002-9850-0438 © James Ryan Bodiford 2017 Dedicated to all those musicians who have devoted their work to imagining a better world… ii Table of Contents Dedication ii List of Figures vi Abstract viii Chapter I – Introduction: Sharing Sounds 1 A Shifting Paradigm 10 The Transnational Netlabel Movement and its Chilean Variant 14 Art World Reformation 20 Social Discourse, Collaboration, and Collectivism 23 Experimentalism, Ideology, and Social Movements 29 Methodology 34 Chapter Summaries 36 Chapter II – “This Disc Is Culture”: Mass Media Hegemony and Its Subversion in Chilean Musical Culture, 1965-2000 39 Mass Media Hegemony and the Culture Industry 44 Social Activism and Subversion 58 DICAP, Unidad Popular and the Emergence of Nueva Canción 1965-1973 64 Musical Dissemination Under Dictatorship (1973-1989): Alerce, Clandestine Cassette Distribution 80 Democratic Re-Transition and Post-Dictatorship Transformations in the Chilean Music Industry 1990-2000 96 iii Chapter III – “My Music Is Not A Business”: New Media Transformations -
Brian Eno • • • His Music and the Vertical Color of Sound
BRIAN ENO • • • HIS MUSIC AND THE VERTICAL COLOR OF SOUND by Eric Tamm Copyright © 1988 by Eric Tamm DEDICATION This book is dedicated to my parents, Igor Tamm and Olive Pitkin Tamm. In my childhood, my father sang bass and strummed guitar, my mother played piano and violin and sang in choirs. Together they gave me a love and respect for music that will be with me always. i TABLE OF CONTENTS DEDICATION ............................................................................................ i TABLE OF CONTENTS........................................................................... ii ACKNOWLEDGEMENTS ....................................................................... iv CHAPTER ONE: ENO’S WORK IN PERSPECTIVE ............................... 1 CHAPTER TWO: BACKGROUND AND INFLUENCES ........................ 12 CHAPTER THREE: ON OTHER MUSIC: ENO AS CRITIC................... 24 CHAPTER FOUR: THE EAR OF THE NON-MUSICIAN........................ 39 Art School and Experimental Works, Process and Product ................ 39 On Listening........................................................................................ 41 Craft and the Non-Musician ................................................................ 44 CHAPTER FIVE: LISTENERS AND AIMS ............................................ 51 Eno’s Audience................................................................................... 51 Eno’s Artistic Intent ............................................................................. 55 “Generating and Organizing Variety in -
Bending Towards the Light a Jazz Nativity
December 2011 | No. 116 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com bending towards the light a jazz nativity HOLIDAYGIFT GUIDE VINCENT •••••LUKAS BAIKIDA OGUN FESTIVAL EVENT CHANCEY LIGETI CARROLL RECORDS REPORTS CALENDAR The Holiday Season is kind of like a mugger in a dark alley: no one sees it coming and everyone usually ends up disoriented and poorer after the experience is over. 4 New York@Night But it doesn’t have to be all stale fruit cake and transit nightmares. The holidays should be a time of reflection with those you love. And what do you love more Interview: Vincent Chancey than jazz? We can’t think of a single thing...well, maybe your grandmother. But 6 by Anders Griffen bundle her up in some thick scarves and snowproof boots and take her out to see some jazz this month. Artist Feature: Lukas Ligeti As we battle trying to figure out exactly what season it is (Indian Summer? 7 by Gordon Marshall Nuclear Winter? Fall Can Really Hang You Up The Most?) with snowstorms then balmy days, what is not in question is the holiday gift basket of jazz available in On The Cover: A Jazz Nativity our fine metropolis. Celebrating its 26th anniversary is Bending Towards The 9 by Marcia Hillman Light: A Jazz Nativity (On The Cover), a retelling of the biblical story starring jazz musicians like this year’s Three Kings - Houston Person, Maurice Chestnut and Encore: Lest We Forget: Wycliffe Gordon (pictured on our cover) - in a setting good for the whole family. -
24 Century Events
24 Century Events 2008 Results 2008 Results Bob Hamel, CT Ed Menzel, CA Nick Henning, CT Vince Meconi. DE Nick Smith, UK Rob Doane, MA John Elliott, MD Bert Schoose, IL O Tom Richardson, VA O Greg Smith, FL O John Pack, CO O Dave Zimmerman, PA John Pack, CO Vincent Meconi, DE 71 1992-2008 33 1992-2008 Top Laurelists Top Laurelists Nick Henning, CT 146 Vincent Meconi, DE 130 Pitt Crandlemire, MA 132 Ed Menzel, CA 112 John Pack, CO 90 Allen Kaplan, NJ 91 Nick Smith, UK 90 Ted Drozd, IL 62 Bob Hamel, CT 67 Dave Zimmerman, PA 59 Jim Castonguay, PA 54 Barry Shoults, MI 56 Mark Love, MD 53 Jim Tracy, OH 34 Tom Richardson, VA 48 William Place, PA 31 Bob Hamel, CT Jeffrey Hacker, PA 40 Ed Menzel, CA Mike Pacheco, CA 24 Victor Hogen, CA 34 Doug Porterfield, VA 12 Gangsters (GSR) Gettysburg ‘88 (GBG) ob Hamel pulled the right “Strings” to accom- d Menzel of Fullerton, CA won his Bplish a 10-joint win. He needed to recruit both Ethird consecutive Gettysburg ‘88 a Thug and Vamp on the last turn, and he rolled crown, defeating GM Vince Meconi in low enough to finish with $200 to spare. It’s the the Final. Ed finished with a 9-2 record, while second year in a row that the tournament winner Vince went 8-1. Rob Doane took third at 3-3 and used this strategy, a first in the event’s history. Bert Schoose finished fourth at 3-1. Last year’s winner, Jeffrey “The Head” In the Final, Vince grabbed the Confederates Hacker, finished in eighth place this year. -
Finger Lakes Regional Community Health Assessment
FINGER LAKES REGIONAL COMMUNITY HEALTH ASSESSMENT PREPARED FOR: Chemung, Livingston, Ontario, Schuyler, Seneca, Steuben, Wayne and Yates Counties ABOUT COMMON GROUND HEALTH Founded in 1974, Common Ground Health is the health planning organization for the nine-county Finger Lakes region. We bring together health care, education, business, government and other sectors to find common ground on health issues. Learn more about our community tables, our data resources and our work improving population health at www.CommonGroundHealth.org. PREPARED BY: COMMON GROUND HEALTH | FEBRUARY 2020 1150 University Avenue Rochester NY 14607 585.224.3101 CommonGroundHealth.org Table of Contents FINGER LAKES REGIONAL COMMUNITY HEALTH ASSESSMENT The purpose of the following assessment is to fulfill the needs of eight local health departments and hospitals in the Finger Lakes region for completion of their 2019-2021 Community Health TABLE OF CONTENTS Assessments (CHA), Community Service Plans (CSP), and Community Health Improvement Plans (CHIP). Below are the staff who prepared the report. Introduction ................................................................................................................. 3 COMMON GROUND HEALTH Name Phone Email Role Key Findings, Eight County Region ............................................................................ 4 Catie Kunecki 585-224-3157 [email protected] Primary author Kathi Lynch 585-224-3155 [email protected] Primary reviewer Executive Summary .................................................................................................... -
HIGHWAY DESIGN MANUAL Chapter 8 Highway Drainage
HIGHWAY DESIGN MANUAL Chapter 8 Highway Drainage Revision 97 (Limited Revision) June 9, 2021 Issued by Engineering Bulletin 21-030 Effective with Design Approval on or after September 1, 2021 HIGHWAY DRAINAGE 8-2 Section Changes Throughout Reformatted chapter for legibility, updated document references, removed obsolete references, and incorporated hyperlinks. Exhibits renumbered to accommodate new exhibits in revised Section 8.6.1.1. §8.6.1.1 Allowable Section has been updated to meet guidance from the New York State Headwater Flood Risk Management Guidance for Implementation of the Community Risk and Resiliency Act. Exhibit 8-3 (formerly “Design Flood Frequencies (in years) for Drainage Structures and Table 8-2) Channels” table has been revised to reflect community risk and resiliency standards for local roads. Appendix 8B Appendix renamed to remove SPDES Permit number. Updated document references, removed obsolete references, and updated hyperlinks. Appendix 8B, Exhibit 1 Removed “Streambank restoration projects” as an example since they are no longer included in the SPDES Permit list of routine maintenance activities. Appendix 8B, Exhibit 3 Values revised to reflect 2015 Stormwater Design Manual updates. Appendix 8B §2.3.2.2.1 Kinderhook Lake watershed added to list of Phosphorus Restricted Watersheds Appendix 8B §2.3.2.5 Stormwater Management Design Manual page references corrected. Appendix 8B §2.3.2.7 Removed reference to inspections after rain events to reflect the current SPDES Permit and NYSDOT MURK 6 forms. Appendix 8B §2.4 (22) Removed reference to Draft NYSDOT Stormwater Management Practices Operation & Maintenance Manual (no longer on NYSDOT website) and replaced with reference to NYSDEC Maintenance Guidance for Stormwater Management Practices. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance Permalink https://escholarship.org/uc/item/8dj8t9dc Author Hutson, William Moran Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Theater and Performance Studies by William Moran Hutson 2015 ABSTRACT OF THE DISSERTATION Sonic Affects: Experimental Electronic Music in Sound Art, Cinema, and Performance by William Moran Hutson Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2015 Professor Sue-Ellen Case, Co-Chair Professor Timothy D. Taylor, Co-Chair The last decade has witnessed an increase in scholarly attention paid to experimental electronic music, especially the subgenres of sound art and noise music. Numerous books, articles, and conferences have taken up these topics as objects of study. However, only a small amount of that work has focused on the music’s relationship to affect, identification, and cultural history. There remains in some disciplines an assumption that examples of experimental electronic music are either dryly formal demonstrations of art-for-art’s-sake, or essentially resistant to legibility and meaning. The more “abstract” and “difficult” a piece appears on first ii glance, the more likely it will be seen to retreat from social and political concerns. This dissertation considers specific works of experimental electronic music through the lenses of affect theory, performance studies, sound studies, cultural studies, and other related approaches to argue for a perspective that more thoroughly accounts for the human in the electronic. -
CITY Council REPORT Meeting Date: January 14, 2014 General Plan Element: Economic Vitality General Plan Goal: Encourage High Quality Retail and Entertainment
Item 14 CITY COUNCIl REPORT Meeting Date: January 14, 2014 General Plan Element: Economic Vitality General Plan Goal: Encourage high quality retail and entertainment ACTION Outdoor Dining License Agreement with Ricky's Restaurant located at 7325 E. Shoeman Lane. Adopt Resolution 9579 authorizing Outdoor Dining License Agreement 2013-183-COS with NYSBV Investment, LLC for an outdoor dining patio on City Right-of-Way. BACKGROUND The purpose of this action is to approve a new Outdoor Dining License with NYSBV, LLC and its tenant Ricky's Restaurant - Authentic Mexican Food, LLC, also known as Rick/s Restaurant, at the Southwest corner of Shoeman Lane and Welts Fargo Avenue. The licensed area is approximately 267 square feet. This outdoor dining license will not impact any on-street parking spaces or existing sidewalks. Historically, the City has supported outdoor dining activities to energize downtown areas. There are outdoor dining patios in operation in the surrounding area, including several located to the west at the Downtown Waterfront and a few blocks to the south. ANALYSIS & ASSESSMENT Recent Staff Action The existing patio location will not impact access to, or operation of, the sidewalk space. The terms of the License Agreement are similar to other outdoor dining license agreements within the downtown area, and include the following provisions: • A five-year license, with two optional five-year extensions, available upon approval by the City. • Either party may cancel the license with a 30-day notice. • The initial use fee is $1,602 a year or $6 per square foot, with escalation period beginning every July 1 based on the Consumer Price Index • In addition to the general liability insurance, the lessee must provide liquor liability insurance of $1,000,000 for each occurrence and $2,000,000 policy aggregate. -
ANALYZING the PARAMETERS of FLOW in RAP MUSIC Robert
ANALYZING THE PARAMETERS OF FLOW IN RAP MUSIC Robert Komaniecki Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Jacobs School of Music, Indiana University August 2019. Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee ______________________________________ Kyle Adams, Ph.D. Research Director ______________________________________ Gretchen Horlacher, Ph.D. ______________________________________ Roman Ivanovitch, Ph.D. ______________________________________ Adrian Matejka, M.F.A. August 2019 ii Copyright © 2019 Robert Komaniecki iii Acknowledgements My dissertation would not have been possible without the support of mentors, colleagues, friends, and family. Of these, I would like to first thank my dissertation advisor Kyle Adams for his steadfast encouragement, pragmatic advice, good humor, analytical shrewdness, and kindness. Professor Adams helped spark an interest in rap music scholarship that gave my career as a music theorist direction and purpose. I would also like to extend my gratitude to the other members of my dissertation committee, Gretchen Horlacher, Roman Ivanovitch, and Adrian Matejka, for their help and guidance as I grow as a scholar. In addition to my committee members, many other faculty members at Indiana University have shaped my growth as a lover of music and scholarship, including Halina Goldberg, Frank Samarotto, Andrew Mead, Dominick DiOrio, and Marianne Kielian-Gilbert. Professor Kielian-Gilbert’s readings seminar was the first class in which I wrote a paper on rap music, and I thank her for her encouragement. I am also grateful for my current colleagues and position at Appalachian State University. -
Dirty Projectors Dove Mahler Va D’Accordo Con I Black Flag
SENTIREASCOLTARE online music magazine OTTOBRE N. 36 DIRTY PROJECTORS DOVE MAHLER VA D’ACCORDO CON I BLACK FLAG P.J. Harvey José Gonzáles Super Furry Animals sentire Jensa Lekmanscoltare 1 Van Dyke Parks Talibam! Derek Bailey Vert Oren Ambarchi sommario 4 News 8 The Lights On José Gonzáles, Sir Richard Bishop, Talibam!, White Rainbow 1 2 Speciali Jens Lekman, Vert, Disco Drive, Daft 8 Generation, Oren Ambarchi, Dirty Projec- tors, Super Furry Animals, P.J. Harvey 38 Recensioni Aesop Rock, Amari, Babyshambles, Beirut, Fiery Furnaces, Digitalism... 101 Rubriche (Gi)Ant Steps Cecil Taylor 32 We Are Demo: Chester Polio, My Morning Needle, Desert Motel, Farmer Sea... Classic Van Dyke Parks, Pink Floyd, Trunk Records Cinema I Simpson, Sicko, Soffio... I cosiddetti contemporanei Derek Bailey Direttore Edoardo Bridda Coordinamento Teresa Greco Consulenti alla redazione 104 Daniele Follero Stefano Solventi Staff Valentina Cassano Antonello Comunale Antonio Puglia Hanno collaborato Gianni Avella, Davide Brace, Filippo Bordignon, Marco Braggion, Gaspare Caliri, Nicolas Campagnari, Roberto Canella, Alessandro Grassi, Paolo Grava, Manfredi Lamartina, Alarico Mantovani, Massimo Padalino, Giulio Pasquali, Stefano Pifferi, Andrea Provinciali, Stefano Renzi, Costanza Salvi, Vincenzo Santarcangelo, Giancarlo Turra, Fabrizio Zampighi, Giuseppe Zucco. Guida spirituale Adriano Trauber (1966-2004h) Grafica Edoardo Bridda, Valentina Cassano in copertina Dirty Projectors SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore Edoardo Bridda Direttore responsabile Antonello Comunale Provider NGI S.p.A. Copyright © 2007 Edoardo Bridda. Tutti i diritti riservati. La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione 118 scritta di SentireAscoltare sentirea scoltare 3 news a cura di Teresa Greco Robert Wyatt, protagonista del nostro TRANSMISSION di questo mese e al suo ritorno con l’album Comicopera, si è esibito dal vivo per la prima volta a distanza di 25 anni. -
Hip-Hop Futurism: Remixing Afrofuturism and the Hermeneutics of Identity Chuck Galli Rhode Island College, [email protected]
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 4-2009 Hip-Hop Futurism: Remixing Afrofuturism and the Hermeneutics of Identity Chuck Galli Rhode Island College, [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the African American Studies Commons, Other Music Commons, and the Personality and Social Contexts Commons Recommended Citation Galli, Chuck, "Hip-Hop Futurism: Remixing Afrofuturism and the Hermeneutics of Identity" (2009). Honors Projects Overview. 18. https://digitalcommons.ric.edu/honors_projects/18 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. HIP-HOP FUTURISM: REMIXING AFROFUTURISM AND THE HERMENEUTICS OF IDENTITY By Chuck Galli An Honors Project Submitted in Partial Fulfillment of the Requirements for Honors in The Program in African and African-American Studies Faculty of Arts and Sciences Rhode Island College 2009 Table of Contents Preface 1 Introduction 6 Chapter 1 – Hip-Hop: The Beginning 11 Chapter 2 – Afrofuturism 26 Chapter 3 – Hip-Hop’s Modes of Production as Futuristic 37 Chapter 4 – Hip-Hop Futurism 71 Chapter 5 – Hip-Hop Futurism’s Implications for Life on Earth 108 Appendices 115 Bibliography 128 Acknowledgements 131 1 Preface Before I introduce this thesis, there are a number of concepts which need to be defined and stylistic points which need to be explained. I feel it is better to address them right from the beginning than try to suavely weave them into the main body of the paper. -
The Lived Experience of Blind Street Musicians in Thailand
The lived experience of blind street musicians in Thailand Quanchai Kerddaen A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy Social Policy Research Centre Arts and Social Sciences UNSW Australia May 2018 THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Kerddaen First name: Quanchai Other name/s: Abbreviation for degree as given in the University calendar: PhD School: Social Policy Research Centre Faculty: Arts and Social Sciences Title: The lived experience of blind street musicians in Thailand Abstract 350 words maximum: Although many visually impaired people in Thailand have long time undertaken street music for their everyday livelihood, little is known about them. They tend to have experienced unprecedented economic and social exclusion across their lives. Through an examination of the lived experience of blind street musicians in Thailand, this thesis explores the social, cultural, economic and political influences specific to disability in contemporary Thai society that affect their lives, and indicates possible policy directions that could assist them. Applying a social constructionist and socio-economic approach, this qualitative study involves semi-structured and unstructured interviews (nineteen men and thirteen women) and three group discussions (six to ten per group) with blind street musicians, and interviews with eleven disabled activists. Most of the blind street musicians had migrated from rural regions, and shared considerable socio-economic similarities, notably living with poverty and inadequate social protection. Their life trajectories were limited by the structural constraints derived from societal negative views of disability, based on Buddhist beliefs and Thai customs. This created a cumulative impact of disablement over their life course: family neglect, poor access to education and skill training, limited employment opportunities and brittle social support networks.