Hip Hop Your Mom Might Like. Or Nott Anticon Does It Uke No Other
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The Student Newspaper Of
THE STUDENT NEWSPAPER OF NORTH CAROLINA STATE UNIVERSITY SINCE 1920 -—--o.— THURSDAY MN 2003 TECH. A www.technicianonline.com Raleigh, North Carolina Wolfpack Club receives Students ‘hip-hop’ to speak largest gift in history out Curtis and ]acl<ie Dail, residents of founded in 1936 with the goal of providing Students will hold “Hip Raleigh, contributed $5.2 million to the scholarships for NCSU student athletes repre- Hop against War and As/thgUnited Statespwpaw N. C. State Wolfimck Club. senting the university. Racism” tonight at 8 p. m. at)?“gar withmartyrsofficZZ It has been calculated that nearly 8,000 NCSU tbquestedthe backmgyfiNATO Andrea DeLeo athletes have been awarded scholarship assis— Carie Windham aga “w toi:NATO StaffReporter tance. This is in many thanks to the 15,000 gen— Assistant News Editor spokbstpanhlves Br 3”r“in,a}CECent re- erous donors offering their contributions each port,N§(5receiiiad a 55150531 from In December 2002, Bobby Purcell, executive di- year. On Friday, Defense Secretary the United' _ ”efferated discus- rector of the NC. State Student Aid Associa- The Wolfpack Club members are made up of Donald H. Rumsfield signed de— sions between NATO leaders and US. tion, announced that NCSU had received the a variety of people united by a common goal. ployment orders that sent over Deputy Defense Secretary Paul Wol- largest announced gift in the history of NCSU They are alumni, fans, athletes, students, par- 50,000 troops to Iraq— doubling fowitz. Athletics. ents and many other people who are commit- US. forces in the region. The United States has requested the Curtis and Jackie Dail, residents of Raleigh, ted to the importance of the future of NCSU On Saturday, thousands of use of NATO’s AWACS surveillance contributed $5.2 million. -
Thank God/ They're Free by Ana Rodriguez God
LEAGUE for Catholic rights forming P3 WATERFRONT place for sailors marks 1st P3 DANCING priests spread The the Gospel PI 3 Archdiococese of Miami Volume XXIII No. 4 January 23,1981 Price 25<t 'Thank God/ they're free By Ana Rodriguez God. They're free.' But how many of us Voice Staff Writer have literally knelt down to thank God? Thanking Him is more than just Tuesday, January 20, 1981. A day an expression. Ifs supposed to be a that will live forever in the hearts and prayer." minds of all Americans. And that's exactly what South Florida Thank God. They're free. Catholics were doing. That was the heartfelt cry, born of 14 Meanwhile, across the United States, months of waiting, agonizing, and Catholic bishops and clergymen of hoping only to have hopes dashed, other faiths also offered thanks and that rose first as a whispered prayer prayers to God. Several praised the ef- and later in the form of churchbells forts of former President Carter in pealing, car horns honking and sirens bringing the lenghtly crisis to a screaming, from the depths of people peaceful conclusion. all over the United States on that Pope John Paull II, in Rome, declared Tuesday afternoon. he was "profoundly pleased" with the THE IRANIAN captors, after what success of the negotiations and the seemed like one final maneuver freedom for the 52. designed to humiliate the United THE POPE went on to bless the freed States and prolong a nation's agony, former hostages and their families "in had released the 52 hostages they had the years ahead." been holding since November 4,1979. -
BROWNOUT Fear of a Brown Planet COOP AVAILABLE SHIPPING with PROMO POSTER
BROWNOUT Fear Of A Brown Planet COOP AVAILABLE SHIPPING WITH PROMO POSTER KEY SELLING POINTS • Billboard premier: Brownout Delivers Funky Cover of Public Enemy’s ‘Fight the Power’ • Fear Of A Brown Planet follows The Elmatic Instrumentals and Enter The 37th Chamber in Fat Beats Records heralded stream of instrumental takes of hip hop classics • Brownout has released past albums with Ubiquity Records (Brown Sabbath) and enjoyed a stint backing the late legend Prince • Tour dates planned for the summer of 2018 DESCRIPTION ARTIST: Brownout Twenty-eight years ago, pissed-off 12-year-olds around the universe discovered TITLE: Fear Of A Brown Planet a new planet, a Black Planet. Public Enemy’s aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even CATALOG: L-FB5185 / CD-FB5185 in the border town of Laredo, Texas, home of the future founders of the Latin- Funk-Soul-Breaks super group, Brownout. The band’s sixth full-length album LABEL: Fat Beats Records Fear of a Brown Planet is a musical manifesto inspired by Public Enemy’s GENRE: Psych-Funk/Hip-Hop music and revolutionary spirit. BARCODE: 659123518512 / 659123518529 Chuck D., the Bomb Squad, Flava Flav and the rest of the P.E. posse couldn’t possibly have expected that their golden-era hip hop albums would sow the FORMAT: LP / CD seeds for countless Public Enemy sleeper cells, one that would emerge nearly HOME MARKET: Austin, Texas three decades later in Austin, Texas. Greg Gonzalez (bass) remembers a kid back in junior high hipped him to the fact that Public Enemy’s “Bring the Noise” RELEASE: 5/25/2018 is built on James Brown samples, while a teenaged Beto Martinez (guitar) $17.98 / CH / $9.98 / AH alternated between metal and hip-hop in his walk-man, and Adrian Quesada LIST PRICE: (guitar/keys) remembers falling in love with Public Enemy’s sound at an early CASE QTY: LP 30 / CD 200/1 age. -
Bul NKVD AJ.Indd
The NKVD/KGB Activities and its Cooperation with other Secret Services in Central and Eastern Europe 1945 – 1989 Anthology of the international conference Bratislava 14. – 16. 11. 2007 Edited by Alexandra Grúňová Nation´s Memory Institute BRATISLAVA 2008 Anthology was published with kind support of The International Visegrad Fund. Visegrad Fund NKVD/KGB Activities and its Cooperation with other Secret Services in Cen- tral and Eastern Europe 1945 – 1989 14 – 16 November, 2007, Bratislava, Slovakia Anthology of the international conference Edited by Alexandra Grúňová Published by Nation´s Memory Institute Nám. SNP 28 810 00 Bratislava Slovakia www.upn.gov.sk 1st edition English language correction Anitra N. Van Prooyen Slovak/Czech language correction Alexandra Grúňová, Katarína Szabová Translation Jana Krajňáková et al. Cover design Peter Rendek Lay-out, typeseting, printing by Vydavateľstvo Michala Vaška © Nation´s Memory Institute 2008 ISBN 978-80-89335-01-5 Nation´s Memory Institute 5 Contents DECLARATION on a conference NKVD/KGB Activities and its Cooperation with other Secret Services in Central and Eastern Europe 1945 – 1989 ..................................................................9 Conference opening František Mikloško ......................................................................................13 Jiří Liška ....................................................................................................... 15 Ivan A. Petranský ........................................................................................ -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
Korean American Creations and Discontents: Korean American Cultural Productions, Los Angeles, and Post-1992
Korean American Creations and Discontents: Korean American Cultural Productions, Los Angeles, and Post-1992 A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Michelle Chang IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Josephine Lee, Co-Advisor Elliott Powell, Co-Advisor December 2020 © Michelle Chang 2020 i Acknowledgements As I write the last section of my dissertation, I find myself at a loss for words. 55,000+ words later and my writing fails me. While the dissertation itself is an overwhelming feat, this acknowledgements section feels equally heavy. Expressing my gratitude and thanks for every person who has made this possiBle feels quite impossiBle. And as someone who once detested both school and writing, there’s a lot of people I am thankful for. It is a fact that I could not completed a PhD, let alone a dissertation, on my own. Graduate school wears you down, and especially one framed By the 2016 presidential election and 2020 uprisings, rise of white supremacy, and a gloBal pandemic, graduate school is really hard and writing is the last thing you want to do. While I’ve spent days going through mental lists of people and groups who’ve helped me, this is not a complete list and my sincere apologies to anyone I’ve forgotten. First and foremost, this dissertation would not be where it is today without the guidance and support of my advisors Jo Lee and Elliott Powell. The hours of advice and words of wisdom I received from you both not only shaped my project and affirmed its direction, but they also reminded me of the realistic expectations we should have for ourselves. -
4* 1) I > K E Back the Nigtvtl
FREEDOM AND FAIRNESS att 3Fmnzmm Jfag VOL.105 ISSUE 11 FOGHORN.USFCA.EDU SEPTEMBER 3, 2009 Gender, Sexuality and Women's Resource Center Opens New center is a safe space for all LAURA PLANTHOLT also a wealth of information compiled by StaffWriter graduate students in the School of Nurs In one of the most heavily-trafficked ing advising young people what to do if parts of USF campus, next to the Market they are in an abusive relationship or have Cafe in the University Center, the new been sexually assaulted. Gender, Sexuality and Women's Resource Graduate nursing students are the staff Center (GSWRC) has opened its doors. that keeps the GSWRC going. Joellyn The resource center is the brainchild of Morris, one such staff member who has a group of students and administrators been working in the center since June, said ro in response to several incidents of sexual the center can help people establish healthy relationships, can educate people how to News you can use: Find violence reported last semester (for more prevent sexual assault, and can provide out who's tweeting at USF. information see "Caskey" on page 3). Senior Samantha Sheppard-Gonzales support for survivors of sexual assault. Most importantly, she said, "It is nice NEWS saw the center take shape from the begin —PAGE __ ning as the co-director of the club Stu to see a safe space on campus for women, dents Taking Action Against Sexual Vio and for the LGBTQJlesbian, gay, bisexu lence (STAASV) ' al, transgender and questioning) commu- •__ " When these concerned students started nity. -
Clinton Greyn (1933-2019)
CLINTON GREYN (1933-2019) The great legacy of CLINTON GREYN (1933-2019) is as one of the 1960s' British adventure series' unsung heroes. His Captain Robert Virgin in ATV's Virgin of the Secret Service (1968) stands as one of the classic English gentleman swashbucklers of the decade, alongside Gerald Harper's Adam Adamant and Patrick Macnee's John Steed in The Avengers. Created by Ted Willis, Virgin of the Secret Service (thankfully available on DVD since 2013) was an entertaining, tongue-in-cheek, Boys' Own-style saga of derring-do and stiff upper-lip, in which Captain Virgin, aided by the glamorous Mrs. Cortez (Veronica Strong) and his loyal batman Doublett (John Cater) defended far-flung corners of the British Empire from its foes, most frequently the scheming Teutonic villain Karl Von Brauner (Alexander Doré). Imperial in theme, sardonic in tone, the jury's still out on whether Virgin of the Secret Service was short-lived because by 1968 it was too old-fashioned or, instead, because it was ahead of its time. But the fact that it was filmed in grainy black-and-white wouldn't have helped. Clinton Greyn also guest-starred in other adventure series of the era, such as The Champions and Department S, and he lent distinguished support to several prestigious films of the 1960s: Otto Preminger's Exodus (1960) starring Paul Newman and Eva Marie Saint; Ralph Thomas's The High Bright Sun (1964), with Dirk Bogarde, George Chakiris and Susan Strasberg; Peter Yates's Robbery (1967), starring Stanley Baker; the Shirley MacLaine vehicle Woman Times Seven (1967), directed by Vittorio De Sica; and Herbert Ross's good-looking but ill-advised musical adaptation of Goodbye, Mr. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
MUSIDREVIEW Mr
MUSIDREVIEW TEXT BYJOEL MARASIGAN mr >WE HIT HARD...LIKE IKE TURNER THE PLATFORM ry lesson on the "language" of the DJ. "Head 2 Head" mimics a boxing match where Dialated Peoples/Capitol Records Spinbad and Rev exchange battle-dj blows. If that isn’t enough, 13 emcees and six True hip-hop lyrical skills and world-class turntablism are what entitle Evidence, Rakaa ’tablists team up to help assist in eight of the 20 inspiring tracks. This is a must- (Iriscience) and DJ Babu are about, as they explore the surface of hip-POP without have LP. Revolution has caused one. fearing contamination of their years spent accumulating underground credibility. Their NuGruv.com first release—a crowd-rocking, emcee jaw-dropper—"Work the Angles" surprisingly Wakeupshow.com takes second-stage to cuts like "No Retreat," and "The Shape of Things to Come." Courtesy Cheapshot at Score Press Moreover, the inclusion of B Real, Tha Alkaholiks, Aceyalone, Planet Asia, Defari, White E. Ford (Everlast) and Phil Tha’ Agony furnish just enough aural trickery to make you UNDERGROUND RAILROAD believe you bought more than The Platform’s 16 tracks. Open your eyes, Dilated Masterminds/NuGruv Alliance/Ground Control Peoples is like a dime surrounded by pennies—smaller but worth much more. New York’s Oracle, Kimani and Epod, the Masterminds, come to collect with this Dialatedpeoples.com debut LP and with bars from L-Fudge, Mr. Lif, J-Treds, Shabaam Sahdeeq, Mr. Hollywoodandvine.com Complex, J-Live and EL-P combo’d with the production of Mr. Khaliyl (of the Bush Courtesy Cheapshot at Score Press Babees), come packed with explosive beats and sword-sharp lyrics. -
Jay Brown Rihanna, Lil Mo, Tweet, Ne-Yo, LL Cool J ISLAND/DEF JAM, 825 8Th Ave 28Th Floor, NY 10019 New York, USA Phone +1 212 333 8000 / Fax +1 212 333 7255
Jay Brown Rihanna, Lil Mo, Tweet, Ne-Yo, LL Cool J ISLAND/DEF JAM, 825 8th Ave 28th Floor, NY 10019 New York, USA Phone +1 212 333 8000 / Fax +1 212 333 7255 14. Jerome Foster a.k.a. Knobody Akon STREET RECORDS CORPORATION, 1755 Broadway 6th , NY 10019 New York, USA Phone +1 212 331 2628 / Fax +1 212 331 2620 16. Rob Walker Clipse, N.E.R.D, Kelis, Robin Thicke STAR TRAK ENTERTAINMENT, 1755 Broadway , NY 10019 New York, USA Phone +1 212 841 8040 / Fax +1 212 841 8099 Ken Bailey A&R Urban Breakthrough credits: Chingy DISTURBING THA PEACE 1867 7th Avenue Suite 4C NY 10026 New York USA tel +1 404 351 7387 fax +1 212 665 5197 William Engram A&R Urban Breakthrough credits: Bobby Valentino Chingy DISTURBING THA PEACE 1867 7th Avenue Suite 4C NY 10026 New York USA tel +1 404 351 7387 fax +1 212 665 5197 Ron Fair President, A&R Pop / Rock / Urban Accepts only solicited material Breakthrough credits: The Calling Christina Aguilera Keyshia Cole Lit Pussycat Dolls Vanessa Carlton Other credits: Mya Vanessa Carlton Current artists: Black Eyed Peas Keyshia Cole Pussycat Dolls Sheryl Crow A&M RECORDS 2220 Colorado Avenue Suite 1230 CA 90404 Santa Monica USA tel +1 310 865 1000 fax +1 310 865 6270 Marcus Heisser A&R Urban Accepts unsolicited material Breakthrough credits: G-Unit Lloyd Banks Tony Yayo Young Buck Current artists: 50 Cent G-Unit Lloyd Banks Mobb Depp Tony Yayo Young Buck INTERSCOPE RECORDS 2220 Colorado Avenue CA 90404 Santa Monica USA tel +1 310 865 1000 fax +1 310 865 7908 www.interscope.com Record Company A&R Teresa La Barbera-Whites -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.