Boston Symphony Orchestra Concert Programs, Season 99, 1979-1980
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Abendprogramm
2019 20:00 08.03.Grand Auditorium Vendredi / Freitag / Friday Grands rendez-vous Orchestre Philharmonique du Luxembourg Gustavo Gimeno direction Katia Labèque, Marielle Labèque piano résonances 19:15 Salle de Musique de Chambre Artist talk: Markus Brönnimann in conversation with Matthew Studdert-Kennedy (E) Ce concert est enregistré par radio 100,7 et sera diffusé le 10 avril 2019. Henri Dutilleux (1916–2013) Métaboles. Cinq pièces pour orchestre (1964) N° 1: Incantatoire: Largamente N° 2: Linéaire: Lento moderato, attacca: N° 3: Obsessionnel: Scherzando, attacca: N° 4: Torpide: Andantino, attacca: N° 5: Flamboyant: Presto 16’ Francis Poulenc (1899–1963) Concerto pour deux pianos et orchestre en ré mineur (d-moll) FP 61 (1932) Allegro ma non troppo Larghetto Allegro molto 20’ — Sergueï Rachmaninov (1873–1943) Symphonic Dances op. 45 (1940) N° 1: Non allegro N° 2: Andante con moto (Tempo di valse) N° 3: Lento assai – Allegro vivace – Lento assai. Come prima – Allegro vivace 34’ Den Houschtejang an d’Houschteketti Le célèbre caricaturiste allemand Der renommierte deutsche Karika- Martin Fengel (connu notamment turist Martin Fengel (bekannt u. a. pour ses contributions dans le aus dem Zeit-Magazin) begleitet Zeit-Magazin) ponctue les pro- die Abendprogramme der Saison grammes du soir de la saison 2018/19 mit Momentaufnahmen 2018/19 d’instantanés sur le thème zum Thema geräuschvollen Stö- des nuisances sonores dans les rens im Konzertsaal. Lassen Sie salles de concert. Laissez-vous sich durch die vergnügliche Dar- inspirer par cette présentation stellung zu rücksichtsvollem Musik- ludique, pour savourer la musique genuss inspirieren. en toute tranquillité. Trois grands classiques Jacques Amblard Henri Dutilleux (1916–2013) s’est peu à peu imposé, au cours de sa carrière, principalement comme un grand symphoniste. -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen. -
Modes of Knowing: Resources from the Baroque John Law 17
MATTERING PRESS Mattering Press is an academic-led Open Access publisher that operates on a not-for-profit basis as a UK registered charity. It is committed to developing new publishing models that can widen the constituency of academic knowledge and provide authors with significant levels of support and feedback. All books are available to download for free or to purchase as hard copies. More at matteringpress.org. The Press’s work has been supported by: Centre for Invention and Social Process (Goldsmiths, University of London), Centre for Mobilities Research (Lancaster University), European Association for the Study of Science and Technology, Hybrid Publishing Lab, infostreams, Institute for Social Futures (Lancaster University), Open Humanities Press, and Tetragon. Making this book Mattering Press is keen to render more visible the unseen processes that go into the produc- tion of books. We would like to thank Endre Dányi, who acted as the Press’s coordinating editor for this book, the reviewers Anna Tsing and Margaret Wiener, Jenn Tomomitsu for the copy-editing, Tetragon for the production and typesetting, Sarah Terry for the proof- reading, and Ed Akerboom at infostreams for formatting the html versions of this book. Cover In 1693, the French Académie des Sciences introduced a new, supposedly more rational system for categorising letterforms and constructing them according to an underlying grid. This was employed in the design of Romain du Roi, a new typeface for Louis XIV’s royal printer. The grid-engraved plates, on which the ‘B’ on the cover is based, were produced to demonstrate the typeface’s geometrical construction at a time when letterforms were generally derived from stylised handwriting. -
Gounod Faust Mp3, Flac, Wma
Gounod Faust mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Faust Country: France Released: 1973 Style: Opera, Neo-Classical MP3 version RAR size: 1647 mb FLAC version RAR size: 1494 mb WMA version RAR size: 1805 mb Rating: 4.7 Votes: 296 Other Formats: MP4 AUD MP1 MPC AC3 XM TTA Tracklist A1 Introduction A2 Acte I B Acte II C Acte III - Première Partie D Acte III - Fin E Acte IV - Première Partie F1 Acte IV - Fin F2 Acte V - Première Partie G Acte V - Suite H Acte V - Fin Credits Baritone Vocals – Ernest Blanc, Victor Autran Bass Vocals – Boris Christoff Conductor – André Cluytens Mezzo-soprano Vocals – Rita Gorr Orchestra – Orchestre Du Théâtre National De L'Opéra-Comique Soprano Vocals – Liliane Berton, Victoria De Los Angeles Tenor Vocals – Nicolai Gedda Other versions Category Artist Title (Format) Label Category Country Year Gounod* - Gounod* - Victoria Victoria De Los De Los Angeles, Angeles, Nicolai Nicolai Gedda, His Master's ASD 307-10 ASD 307-10 UK 1959 Gedda, Boris Boris Christoff, Voice Christoff, André André Cluytens - Cluytens Faust (4xLP + Box) Gounod*, Victoria Gounod*, Victoria De Los Angeles, De Los Angeles, Nicolai Gedda, Nicolai Gedda, Boris Christoff, SLPXL Boris Christoff, SLPXL Paris Opera Hungaroton Hungary 1972 31363-65 Paris Opera 31363-65 Orchestra and Orchestra and Chorus*, André Chorus*, André Cluytens - Faust Cluytens (3xLP, Box) Gounod*, Victoria Gounod*, Victoria De Los Angeles, De Los Angeles, Nicolai Gedda, Nicolai Gedda, Boris Christoff, Boris Christoff, 5 67967 2 Orchestre National EMI Classics 5 67967 2 Europe 2003 Orchestre De L'Opéra De National De Paris, André L'Opéra De Paris, Cluytens - Faust André Cluytens (3xCD, Album, RM) Ш. -
August 2016 List
August 2016 Catalogue Prices valid until Wednesday 28�� September 2016 unless stated otherwise 0115 982 7500 [email protected] 1 Welcome! Dear Customer, The ‘Shakespeare 400’ celebrations have been in full swing for a few months now, with performances and special events happening around the UK and beyond. Here at Europadisc, we have seen an uplift of interest in the DVD/Blu- ray versions of his plays recorded at the RSC and The Globe Theatre (issued by Opus Arte), and there have been a noticeable number of Shakespeare-themed recitals on CD featuring items such musical settings of the sonnets. Although our focus is primarily on classical music, we have agreed to feature a new CD set issued by Decca this month containing the complete plays, sonnets and poems of Shakespeare recorded by The Marlowe Dramatic Society back in the ‘50s and ‘60s, originally released on Argo Records. It is a beautifully presented boxset containing 100 CDs alongside a 200pp booklet crammed with fascinating notes and historical information. Much more information can be found on p.4 - highly recommended! Other boxsets featured this month include the Complete Remastered Stereo Collection of recordings from Jascha Heifetz on Sony (RCA), the Complete Decca Recordings of pianist Julius Katchen and some bargain re-issues of wonderful recordings from EMI, Virgin, Warner and Erato in Warner Classics’ Budget Boxset range. Of course, we mustn’t forget the many interesting new recordings being released: highlights include the next discs in both the Classical Piano Concerto (FX Mozart/Clementi) and the Romantic Violin Concerto (Stojowski/Wieniawski) series on Hyperion (p.5); four brand new titles from Dutton Epoch (see opposite); the already well-reviewed final instalment in Osmo Vänskä’s latest Sibelius cycle on BIS (Disc of the Month - see below); and a brilliant performance of works by Telemann from Florilegium (p.8). -
Gustavo Gimeno Gustavo Gimeno Denis Kozhukhin Orchestre
GustavoGustavo GimenoGimeno franck symphony in d minor symphonic variations Denis Kozhukhin Orchestre Philharmonique du Luxembourg 1 César Franck (1822–1890) Franck’s Symphonic – nicknamed the franckistes – which included Variations and Symphony: Vincent d’Indy, Ernest Chausson and Henri Symphony in D minor (1887/1888) Design, style and contexts Duparc, leaders of their generation. 1 Lento – Allegro ma non troppo – Allegro 17. 32 2 Allegretto 10.04 Franck composed the Symphonic Variations 3 Allegro non troppo 9. 57 Andrew Deruchie for piano and orchestra in the autumn of 1885. His immediate stimulus came Symphonic Variations for piano and orchestra (1885) It would be no overstatement to call César from the virtuoso pianist Louis Diémer 4 Poco allegro 1. 48 Franck (1822–1890) one of late nineteenth- (1843–1919), who would give the premiere 5 Poco più lento 2. 28 century France’s most important and and who the previous March had dazzled 6 Allegretto quasi andante 0. 35 influential composers. Together with Camille Franck at the premiere of the composer’s 7 Variation I 0. 37 Saint-Saëns, Franck played a seminal role in Les Djinns, a symphonic poem with 8 Variation II 0. 34 the resurgence of orchestral and chamber obbligato piano. «You played splendidly», 9 Variation III 0. 31 music in the decades after the Franco- Franck is said to have told Diémer, «I will 10 Variation IV 0. 58 Prussian war and Paris Commune of 1870/71. write you a special little piece». Hardly 11 Variation V 0. 30 His music’s intense seriousness of purpose, little, the resulting work evinces a strikingly 12 Variation VI. -
Par L'opéra De Lyon
BIMILLÉNAIRE DE LYON Qème FESTIVAL DE LYON - CHARBONNIERES LE FESTIVAL DE LYON-CHARBONNIÈRES EST ORGANISÉ PAR LE CASINO DE CHARBONNIÈRES AVEC LA COLLABORATION DE LA MUNICIPALITÉ LYONNAISE ET DU COMITÉ DES FÊTES ET DE PROPAGANDE DE LA VILLE DE LYON 14 JUIN AU 22 JUILLET 1958 LYON fête le 2 000e anniversaire de sa naissance. Quoi de plus émouvant que l'hommage rendu à tous ceux qui, au cours des siècles et jusqu'à nos jours, nous ont faits un peu ce que nous sommes. Des manifestations artistiques d'un éclat excep- tionnel vont rappeler la richesse du passé de notre antique Cité et célébrer en même temps sa vitalité présente. C'est sous le double signe des Fêtes du Bimillénaire et du Festival de Lyon-Charbonnières que cet imposant programme a été placé. La musique française y est à l'honneur avec, notamment, les œuvres lyriques et symphoniques du grand Hector Berlioz originaire de notre région et « Platée » l'œuvre si belle et si charmante de Jean Philippe Rameau qui séjourna à Lyon. « La Norma » opéra de Bellini et dont l'action se passe en Gaule, rappellera les liens qui, de tous temps, ont uni notre Ville à l'Italie. Grâce au talent de notre compatriote Albert Husson et de ses interprètes, l'Empereur Claude revivra dans le cadre qui fut le sien. Le Bourgeois Gen- tilhomme, dont l'auteur fut aussi pour un temps lyonnais ; Sodome et Go- morrhe la belle œuvre de Jean Giraudoux, seront autant de fleurons magni- fiques à la guirlande des beaux spectacles qui, du 14 juin au 22 juillet, se dé- rouleront pour notre joie au Théâtre Antique de Fourvière ou dans la Cour d'Honneur de notre Hôtel de Ville. -
Bizet Carmen Highlights Mp3, Flac, Wma
Bizet Carmen Highlights mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Carmen Highlights Country: US Released: 1960 Style: Romantic MP3 version RAR size: 1402 mb FLAC version RAR size: 1205 mb WMA version RAR size: 1149 mb Rating: 4.7 Votes: 991 Other Formats: FLAC AHX TTA MP4 WAV MIDI XM Tracklist Act I A1 Prelude A2 Chorus of Street Boys A3 Habanera A4 Seguidilla And Duet Act II A5 Gypsy Song B1 Toresdor Song B2 Flower Song Act III B3 Card Scene - "En vain pour eviter" B4 Micaela's Air Act IV B5 March & Chorus - "Voici La Quadrie" Credits Liner Notes – Dyneley Hussey Orchestra – Orchestre National De La Radiodiffusion Française* Barcode and Other Identifiers Matrix / Runout: SX-1-7222 Matrix / Runout: SX-2-7222 Other versions Category Artist Title (Format) Label Category Country Year Bizet*, Victoria de Los Bizet*, Victoria de Angeles*, Nicolaï His Los Angeles*, Gedda*, Janine Master's ASD 590, Nicolaï Gedda*, Micheau, Ernest ASD 590, Voice, His UK 1960 ASD.590 Janine Micheau, Blanc, Sir Thomas ASD.590 Master's Ernest Blanc, Sir Beecham - Carmen Voice Thomas Beecham Highlights (LP, Album) Bizet*, Victoria De Bizet*, Victoria De Los Angeles, Los Angeles, Nicolai Nicolai Gedda, Gedda, Ernest Blanc, Ernest Blanc, Janine Micheau , And Janine Micheau , Angel Sir Thomas Beecham 35818, S And Sir Thomas Records, 35818, S Conducting Orchestre Canada Unknown 35818 Beecham Angel 35818 National De La Conducting Records Radiodiffusion Orchestre National Française* - De La Highlights - Bizet - Radiodiffusion Carmen (LP) Française* -
Decca Discography
DECCA DISCOGRAPHY >>2 GREAT BRITAIN: ffrr, 1944-57 In a business where exclusive contracts were the norm, it was very difficult for a newcomer to become established and Decca’s initial roster of classical artists was unable to compete with established rivals. In March 1932 an agreement with Polydor provided access to a substantial catalogue of German artists and a year later the company virtually abandoned classical recording to concentrate on dance bands. The move to Thames Street Studios provided more scope for orchestral sessions and a bold policy of recording contemporary British music enhanced the label’s reputation. The newly formed Boyd Neel Orchestra was signed up in 1934, followed by the Griller String Quartet in 1935, Clifford Curzon in 1937, Peter Pears in 1944, Kathleen Ferrier in 1946 and Julius Katchen in 1947. War broke the link with Polydor, leaving Decca with a respectable catalogue of chamber music, but little symphonic repertoire. Armed with ffrr technology, the company began to remedy this in 1944, engaging Sidney Beer’s National Symphony Orchestra until 1947 and the misleadingly named New Symphony Orchestra (it had made its first recordings in 1909) from 1948. Neither developed into a house band to rival EMI’s Philharmonia and, with the Royal Philharmonic also exclusive to EMI, Decca had to resort to the LSO and the LPO, both in rather run-down condition in the post-war years. Meanwhile every opportunity was taken to impress visiting continental orchestras with ffrr sessions and it was evident that the company intended to transfer much of its symphonic work to Paris, Amsterdam, Geneva and Vienna as soon as practicable. -
JUNE, 1969 60C WASHINGTON/ BALTIMORE EDITION
JUNE, 1969 60c WASHINGTON/ BALTIMORE EDITION THE FM LISTENING GUIDE . r . 'n YG} itas-er".175ro ó _o °.. - i ,1!11 (! TV 1151,!S~ .. ha...,.. .,wv . _ . v '7.] gl "The Sony 6060 is the brightest thing that happened to stereo in a long while. If outshines receivers costing hundreds more." i///,ompoo.11 111111111IIIt111Í11111SM\\\\\\\\\\\ SONY FM 88 90 92 94 96 98 100 102104 10E 108 MHz at I 1UNING .lN"WI, 1 .. .r. I STEREO RECEIVER 0060 SO110 STATE Sony Model STR-6060 FW AM/FM Stereo Receiver MANUFACTURER'S SPECIFICATIONS- 0.5°/o. FM Stereo Separation: More :han 0.2°/o at rated output; under 0.15°/o at FM Tuner Section-IHF Usable Sensitivity: 40 dB @ 1 kHz. AM Tuner Section-Sensi- 0.5 watts output. Frequency Response: 1.8 /t, V. S/N Ratio: 65 dB. Capture Ratio: tivity: 160 µ,V (built-in antenna); 10 µ,V Aux, Tape: 20 Hz to 60 kHz +0, -3 dB. 1.5 dB. IHF Selectivity: 80 dB. Antenna: (external antenna). S/N Ratio: 50 dE @ S/N Ratio: Aux, Tape: 100 dB; Phono: 70 300 ohm & 75 ohm. Frequency Response: 5 mV input. Amplifier Section Dynamic dB; Tape Head; 60 dB. Tone Control 20 to 20,000 Hz ±1 dB. Image Rejection: Power Output: 110 watts (total), 8 ohms. Range: Bass: ±10 dB @ 100 Hz; Treble: 80 dB. IF Rejection: 90 dB. Spurious Rejec- RMS Power Output: 45 watts per charnel, ±10 dB @ 10 kHz. General-Dimensions: tion: 90 dB. AM Suppression: 50 dB. Total 8 ohms. -
ARSC Journal
HANS ROS BAUD: A DISCOGRAPHY by Les lie Gerber Hans Rosbaud was born in Graz, Austria, on July 22, 1895. His major studies were at the music conservatory of Frankfurt am Main. In 1929 be was appointed to his first major post, director of the Mainz School of Music. He left the following year to become conductor-in-chief of Radio Frankfurt. During World War II he was musical director of the city of Strasbourg. In 1945 he became conductor of the Munich Philharmonic. Rosbaud's most important appointment was made in 1948, when he was picked to reorganize and conduct the orchestra which became the Southwest German Radio Orchestra of Baden-Baden. Although devoting him self to other projects as well, Rosbaud's main interest seems to have been the Baden-Baden orchestra, of which he remained director until his death. In 1952 he be came conductor of the Zurich Tonhalle Orchestra, and in 1958 was made chief conductor of the Zurich Stadt theater. Other activities of Rosbaud's last years were his appearances at the Aix-en-Provence Festival and at the Donaueschinger Musiktage. He died in Lugano, Switzerland, on December 29, 1962. Rosbaud occupies a virtually unique position in the history of conducting. Almost alone among conductors of his generation (Hermann Scherchen is perhaps the only other example), he was as devoted to the most ad vanced productions of the contemporary avant-garde as to the works of the great classical tradition. As early as 1933 he bad the honor of conducting the first per formance of Bart6k's Piano Concerto No. -
LUNCH CONCERT Mardi / Dienstag / Tuesday 01.03.2016 12:30 Grand Auditorium
Mardi / Dienstag / Tuesday 01.03.2016 12:30 Grand Auditorium LUNCH CONCERT Mardi / Dienstag / Tuesday 01.03.2016 12:30 Grand Auditorium Orchestre Philharmonique du Luxembourg Gustavo Gimeno direction Répétition publique / Öffentliche Probe / Public rehearsal 30’ sans entracte / ohne Pause / without intermission «Créateur d’événements gastronomiques. Cuisine exclusive et moderne.» «Veranstalter gastronomischer Events. Exklusive und moderne Küche.» www.niessen.lu Salades Allergènes: Moutarde, noix et Potage Velouté aux lentilles corail Allergènes : Lactose, céleris et Buffet chaud Emincé de porc, sauce crémeuse aux champignons et carottes glacées, accompagné de riz Allergène : Lactose ou Boulgour de légumes (topinambours, panais, carottes violettes, betteraves) Allergène : Noix ou Sauté de légumes au gingembre et à l’ail (Brocoli, chou-fleur, carottes, chou blanc, oignon blanc, gingembre, ail, sauce à l’arachide) Allergène : Noix Dessert Mousse aux deux chocolats Allergènes : Lactose, œuf Boissons Eau plate Rosport Viva (50 cl) Eau pétillante Rosport (50 cl) Jus de pommes luxembourgois Vin blanc: Riesling Bernard Massard Côtes de Grevenmacher 2014 (au verre) Vin rouge: Pinot Noir Rouge Bernard Massard Côtes de Grevenmacher 2014 (au verre) 1 salade, 1 soupe, 1 plat chaud, 1 dessert et 1 boisson au choix: 15 € 1 Salat, 1 Suppe, 1 Hauptgericht, 1 Nachtisch und 1 Getränk nach Wahl: 15 € Paiement par cash, cartes, et chèques-repas Les «Lunch concerts» sont gratuits et sans réservation. Pour l’offre gastronomique, vous êtes invités à vous inscrire sur www.philharmonie.lu / (+352) 26 32 26 32. Die «Lunch concerts» können Sie gratis und ohne Reservierung besuchen. Für das gastronomische Angebot bitten wir um Reservierung unter www.philharmonie.lu / (+352) 26 32 26 32.