Bizet Carmen Highlights Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Bizet Carmen Highlights Mp3, Flac, Wma Bizet Carmen Highlights mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Carmen Highlights Country: US Released: 1960 Style: Romantic MP3 version RAR size: 1402 mb FLAC version RAR size: 1205 mb WMA version RAR size: 1149 mb Rating: 4.7 Votes: 991 Other Formats: FLAC AHX TTA MP4 WAV MIDI XM Tracklist Act I A1 Prelude A2 Chorus of Street Boys A3 Habanera A4 Seguidilla And Duet Act II A5 Gypsy Song B1 Toresdor Song B2 Flower Song Act III B3 Card Scene - "En vain pour eviter" B4 Micaela's Air Act IV B5 March & Chorus - "Voici La Quadrie" Credits Liner Notes – Dyneley Hussey Orchestra – Orchestre National De La Radiodiffusion Française* Barcode and Other Identifiers Matrix / Runout: SX-1-7222 Matrix / Runout: SX-2-7222 Other versions Category Artist Title (Format) Label Category Country Year Bizet*, Victoria de Los Bizet*, Victoria de Angeles*, Nicolaï His Los Angeles*, Gedda*, Janine Master's ASD 590, Nicolaï Gedda*, Micheau, Ernest ASD 590, Voice, His UK 1960 ASD.590 Janine Micheau, Blanc, Sir Thomas ASD.590 Master's Ernest Blanc, Sir Beecham - Carmen Voice Thomas Beecham Highlights (LP, Album) Bizet*, Victoria De Bizet*, Victoria De Los Angeles, Los Angeles, Nicolai Nicolai Gedda, Gedda, Ernest Blanc, Ernest Blanc, Janine Micheau , And Janine Micheau , Angel Sir Thomas Beecham 35818, S And Sir Thomas Records, 35818, S Conducting Orchestre Canada Unknown 35818 Beecham Angel 35818 National De La Conducting Records Radiodiffusion Orchestre National Française* - De La Highlights - Bizet - Radiodiffusion Carmen (LP) Française* Bizet*, Victoria de Los Bizet*, Victoria de Angeles*, Nicolaï Los Angeles*, Gedda*, Janine His Nicolaï Gedda*, Micheau, Ernest ALP 2041 Master's ALP 2041 UK 1960 Janine Micheau, Blanc, Sir Thomas Voice Ernest Blanc, Sir Beecham - Carmen Thomas Beecham Highlights (LP, Album, Mono) Bizet*, Victoria De Bizet*, Victoria De Los Angeles, Nicolai La Voix CVPM 130 Los Angeles, Gedda, Ernest Blanc, De Son CVPM 130 551, Nicolai Gedda, Xavier Depraz, Sir Maître, 551, France Unknown CVPM Ernest Blanc, Thomas Beecham - La Voix CVPM 130551 Xavier Depraz, Sir Carmen Pages De Son 130551 Thomas Beecham Choisies De L'Opéra Maître De Bizet (LP) His Carmen CLPH 104 Bizet* Master's CLPH 104 Netherlands Unknown (Hoogtepunten) (LP) Voice Related Music albums to Carmen Highlights by Bizet Classical Victoria De Los Angeles - Opera Arias Classical Puccini - Victoria De Los Angeles, Jussi Björling, Sir Thomas Beecham - La Bohème Classical Bizet - Les Pêcheurs De Perles (Hoogtepunten) Classical Maria Callas, Nicolai Gedda, Andréa Guiot, Robert Massard, Georges Prêtre / Bizet - Carmen Classical Rita Gorr, Nicolai Gedda, Ernest Blanc, Louis Quilico, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre, Gluck - Iphigénie En Tauride Classical Offenbach - Gedda, D'Angelo, Schwarzkopf, De Los Angeles, London, Blanc, Benoit, Cluytens - The Tales Of Hoffman (Highlights) Classical Bizet - Maria Callas, Nicolaï Gedda, Robert Massard, Andréa Guiot, Chœurs René Duclos, Orchestre Du Théâtre National De L'Opéra De Paris, Georges Prêtre - Carmen (Extraits) Classical Nadine Conner, Raoul Jobin And Robert Weede And Rise Stevens As Carmen, George Sebastian Conducting The Metropolitan Opera Chorus And Orchestra - Highlights From Bizet's Carmen Classical Victoria De Los Angeles, Nicolai Gedda, Ernest Blanc, Janine Micheau - Highlights - Bizet Carmen Classical Bizet, Ernest Ansermet, L'Orchestre De La Suisse Romande - Carmen And L'Arlesienne Suites.
Recommended publications
  • Modes of Knowing: Resources from the Baroque John Law 17
    MATTERING PRESS Mattering Press is an academic-led Open Access publisher that operates on a not-for-profit basis as a UK registered charity. It is committed to developing new publishing models that can widen the constituency of academic knowledge and provide authors with significant levels of support and feedback. All books are available to download for free or to purchase as hard copies. More at matteringpress.org. The Press’s work has been supported by: Centre for Invention and Social Process (Goldsmiths, University of London), Centre for Mobilities Research (Lancaster University), European Association for the Study of Science and Technology, Hybrid Publishing Lab, infostreams, Institute for Social Futures (Lancaster University), Open Humanities Press, and Tetragon. Making this book Mattering Press is keen to render more visible the unseen processes that go into the produc- tion of books. We would like to thank Endre Dányi, who acted as the Press’s coordinating editor for this book, the reviewers Anna Tsing and Margaret Wiener, Jenn Tomomitsu for the copy-editing, Tetragon for the production and typesetting, Sarah Terry for the proof- reading, and Ed Akerboom at infostreams for formatting the html versions of this book. Cover In 1693, the French Académie des Sciences introduced a new, supposedly more rational system for categorising letterforms and constructing them according to an underlying grid. This was employed in the design of Romain du Roi, a new typeface for Louis XIV’s royal printer. The grid-engraved plates, on which the ‘B’ on the cover is based, were produced to demonstrate the typeface’s geometrical construction at a time when letterforms were generally derived from stylised handwriting.
    [Show full text]
  • Gounod Faust Mp3, Flac, Wma
    Gounod Faust mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Faust Country: France Released: 1973 Style: Opera, Neo-Classical MP3 version RAR size: 1647 mb FLAC version RAR size: 1494 mb WMA version RAR size: 1805 mb Rating: 4.7 Votes: 296 Other Formats: MP4 AUD MP1 MPC AC3 XM TTA Tracklist A1 Introduction A2 Acte I B Acte II C Acte III - Première Partie D Acte III - Fin E Acte IV - Première Partie F1 Acte IV - Fin F2 Acte V - Première Partie G Acte V - Suite H Acte V - Fin Credits Baritone Vocals – Ernest Blanc, Victor Autran Bass Vocals – Boris Christoff Conductor – André Cluytens Mezzo-soprano Vocals – Rita Gorr Orchestra – Orchestre Du Théâtre National De L'Opéra-Comique Soprano Vocals – Liliane Berton, Victoria De Los Angeles Tenor Vocals – Nicolai Gedda Other versions Category Artist Title (Format) Label Category Country Year Gounod* - Gounod* - Victoria Victoria De Los De Los Angeles, Angeles, Nicolai Nicolai Gedda, His Master's ASD 307-10 ASD 307-10 UK 1959 Gedda, Boris Boris Christoff, Voice Christoff, André André Cluytens - Cluytens Faust (4xLP + Box) Gounod*, Victoria Gounod*, Victoria De Los Angeles, De Los Angeles, Nicolai Gedda, Nicolai Gedda, Boris Christoff, SLPXL Boris Christoff, SLPXL Paris Opera Hungaroton Hungary 1972 31363-65 Paris Opera 31363-65 Orchestra and Orchestra and Chorus*, André Chorus*, André Cluytens - Faust Cluytens (3xLP, Box) Gounod*, Victoria Gounod*, Victoria De Los Angeles, De Los Angeles, Nicolai Gedda, Nicolai Gedda, Boris Christoff, Boris Christoff, 5 67967 2 Orchestre National EMI Classics 5 67967 2 Europe 2003 Orchestre De L'Opéra De National De Paris, André L'Opéra De Paris, Cluytens - Faust André Cluytens (3xCD, Album, RM) Ш.
    [Show full text]
  • August 2016 List
    August 2016 Catalogue Prices valid until Wednesday 28�� September 2016 unless stated otherwise 0115 982 7500 [email protected] 1 Welcome! Dear Customer, The ‘Shakespeare 400’ celebrations have been in full swing for a few months now, with performances and special events happening around the UK and beyond. Here at Europadisc, we have seen an uplift of interest in the DVD/Blu- ray versions of his plays recorded at the RSC and The Globe Theatre (issued by Opus Arte), and there have been a noticeable number of Shakespeare-themed recitals on CD featuring items such musical settings of the sonnets. Although our focus is primarily on classical music, we have agreed to feature a new CD set issued by Decca this month containing the complete plays, sonnets and poems of Shakespeare recorded by The Marlowe Dramatic Society back in the ‘50s and ‘60s, originally released on Argo Records. It is a beautifully presented boxset containing 100 CDs alongside a 200pp booklet crammed with fascinating notes and historical information. Much more information can be found on p.4 - highly recommended! Other boxsets featured this month include the Complete Remastered Stereo Collection of recordings from Jascha Heifetz on Sony (RCA), the Complete Decca Recordings of pianist Julius Katchen and some bargain re-issues of wonderful recordings from EMI, Virgin, Warner and Erato in Warner Classics’ Budget Boxset range. Of course, we mustn’t forget the many interesting new recordings being released: highlights include the next discs in both the Classical Piano Concerto (FX Mozart/Clementi) and the Romantic Violin Concerto (Stojowski/Wieniawski) series on Hyperion (p.5); four brand new titles from Dutton Epoch (see opposite); the already well-reviewed final instalment in Osmo Vänskä’s latest Sibelius cycle on BIS (Disc of the Month - see below); and a brilliant performance of works by Telemann from Florilegium (p.8).
    [Show full text]
  • Par L'opéra De Lyon
    BIMILLÉNAIRE DE LYON Qème FESTIVAL DE LYON - CHARBONNIERES LE FESTIVAL DE LYON-CHARBONNIÈRES EST ORGANISÉ PAR LE CASINO DE CHARBONNIÈRES AVEC LA COLLABORATION DE LA MUNICIPALITÉ LYONNAISE ET DU COMITÉ DES FÊTES ET DE PROPAGANDE DE LA VILLE DE LYON 14 JUIN AU 22 JUILLET 1958 LYON fête le 2 000e anniversaire de sa naissance. Quoi de plus émouvant que l'hommage rendu à tous ceux qui, au cours des siècles et jusqu'à nos jours, nous ont faits un peu ce que nous sommes. Des manifestations artistiques d'un éclat excep- tionnel vont rappeler la richesse du passé de notre antique Cité et célébrer en même temps sa vitalité présente. C'est sous le double signe des Fêtes du Bimillénaire et du Festival de Lyon-Charbonnières que cet imposant programme a été placé. La musique française y est à l'honneur avec, notamment, les œuvres lyriques et symphoniques du grand Hector Berlioz originaire de notre région et « Platée » l'œuvre si belle et si charmante de Jean Philippe Rameau qui séjourna à Lyon. « La Norma » opéra de Bellini et dont l'action se passe en Gaule, rappellera les liens qui, de tous temps, ont uni notre Ville à l'Italie. Grâce au talent de notre compatriote Albert Husson et de ses interprètes, l'Empereur Claude revivra dans le cadre qui fut le sien. Le Bourgeois Gen- tilhomme, dont l'auteur fut aussi pour un temps lyonnais ; Sodome et Go- morrhe la belle œuvre de Jean Giraudoux, seront autant de fleurons magni- fiques à la guirlande des beaux spectacles qui, du 14 juin au 22 juillet, se dé- rouleront pour notre joie au Théâtre Antique de Fourvière ou dans la Cour d'Honneur de notre Hôtel de Ville.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 99, 1979-1980
    eighteen 99th SEASON «^| BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director & --^ THE FIRST NAME IN COGNAC SINCE 172 QUALITY: A DISTINGUISHING ATTRIBUTE State Street Bank and Trust Company invites you to an evening with The Boston Symphony Orchestra every Friday at nine on WCRB/FM. & ..dfr* .IS** «< &,#* gr^ Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety-Ninth Season 1979-80 The Trustees of the Boston Symphony Orchestra Inc. Talcott M. Banks, Chairman Nelson J. Darling, Jr., President Philip K. Allen, Vice-President Sidney Stoneman, Vice-President Mrs. Harris Fahnestock, Vice-President John L. Thorndike, Vice-President Roderick M. MacDougall, Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. Allen G. Barry E. Morton Jennings, Jr. Irving W. Rabb Leo L. Beranek Edward M. Kennedy Paul C. Reardon Mrs. John M. Bradley George H. Kidder David Rockefeller, Jr. George H.A. Clowes, Jr. Edward G. Murray Mrs. George Lee Sargent Abram T. Collier Albert L. Nickerson John Hoy t Stookey Trustees Emeriti Richard P. Chapman JohnT. Noonan Mrs. James H. Perkins Administration of the Boston Symphony Orchestra Thomas W. Morris General Manager Peter Gelb Gideon Toeplitz Daniel R. Gustin Assistant Manager Orchestra Manager Assistant Manager Joseph M. Hobbs Walter D.Hill William Bernell Director of Director of Assistant to the Development Business Affairs General Manager Caroline E. Hessberg Dorothy Sullivan Anita R. Kurland Promotion Controller Administrator of Coordinator Youth Activities Richard Ortner Elizabeth Dunton Assistant Administrator, Elisabeth Quinn Director of Berkshire M usic Center Director of Sales Volunteer Services James F. Kiley Charles Rawson Operations Manager, Katherine Whitty Manager of Tanglewood Coordinator of Box Office Boston Council James E.
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>2 GREAT BRITAIN: ffrr, 1944-57 In a business where exclusive contracts were the norm, it was very difficult for a newcomer to become established and Decca’s initial roster of classical artists was unable to compete with established rivals. In March 1932 an agreement with Polydor provided access to a substantial catalogue of German artists and a year later the company virtually abandoned classical recording to concentrate on dance bands. The move to Thames Street Studios provided more scope for orchestral sessions and a bold policy of recording contemporary British music enhanced the label’s reputation. The newly formed Boyd Neel Orchestra was signed up in 1934, followed by the Griller String Quartet in 1935, Clifford Curzon in 1937, Peter Pears in 1944, Kathleen Ferrier in 1946 and Julius Katchen in 1947. War broke the link with Polydor, leaving Decca with a respectable catalogue of chamber music, but little symphonic repertoire. Armed with ffrr technology, the company began to remedy this in 1944, engaging Sidney Beer’s National Symphony Orchestra until 1947 and the misleadingly named New Symphony Orchestra (it had made its first recordings in 1909) from 1948. Neither developed into a house band to rival EMI’s Philharmonia and, with the Royal Philharmonic also exclusive to EMI, Decca had to resort to the LSO and the LPO, both in rather run-down condition in the post-war years. Meanwhile every opportunity was taken to impress visiting continental orchestras with ffrr sessions and it was evident that the company intended to transfer much of its symphonic work to Paris, Amsterdam, Geneva and Vienna as soon as practicable.
    [Show full text]
  • JUNE, 1969 60C WASHINGTON/ BALTIMORE EDITION
    JUNE, 1969 60c WASHINGTON/ BALTIMORE EDITION THE FM LISTENING GUIDE . r . 'n YG} itas-er".175ro ó _o °.. - i ,1!11 (! TV 1151,!S~ .. ha...,.. .,wv . _ . v '7.] gl "The Sony 6060 is the brightest thing that happened to stereo in a long while. If outshines receivers costing hundreds more." i///,ompoo.11 111111111IIIt111Í11111SM\\\\\\\\\\\ SONY FM 88 90 92 94 96 98 100 102104 10E 108 MHz at I 1UNING .lN"WI, 1 .. .r. I STEREO RECEIVER 0060 SO110 STATE Sony Model STR-6060 FW AM/FM Stereo Receiver MANUFACTURER'S SPECIFICATIONS- 0.5°/o. FM Stereo Separation: More :han 0.2°/o at rated output; under 0.15°/o at FM Tuner Section-IHF Usable Sensitivity: 40 dB @ 1 kHz. AM Tuner Section-Sensi- 0.5 watts output. Frequency Response: 1.8 /t, V. S/N Ratio: 65 dB. Capture Ratio: tivity: 160 µ,V (built-in antenna); 10 µ,V Aux, Tape: 20 Hz to 60 kHz +0, -3 dB. 1.5 dB. IHF Selectivity: 80 dB. Antenna: (external antenna). S/N Ratio: 50 dE @ S/N Ratio: Aux, Tape: 100 dB; Phono: 70 300 ohm & 75 ohm. Frequency Response: 5 mV input. Amplifier Section Dynamic dB; Tape Head; 60 dB. Tone Control 20 to 20,000 Hz ±1 dB. Image Rejection: Power Output: 110 watts (total), 8 ohms. Range: Bass: ±10 dB @ 100 Hz; Treble: 80 dB. IF Rejection: 90 dB. Spurious Rejec- RMS Power Output: 45 watts per charnel, ±10 dB @ 10 kHz. General-Dimensions: tion: 90 dB. AM Suppression: 50 dB. Total 8 ohms.
    [Show full text]
  • ARSC Journal
    HANS ROS BAUD: A DISCOGRAPHY by Les lie Gerber Hans Rosbaud was born in Graz, Austria, on July 22, 1895. His major studies were at the music conservatory of Frankfurt am Main. In 1929 be was appointed to his first major post, director of the Mainz School of Music. He left the following year to become conductor-in-chief of Radio Frankfurt. During World War II he was musical director of the city of Strasbourg. In 1945 he became conductor of the Munich Philharmonic. Rosbaud's most important appointment was made in 1948, when he was picked to reorganize and conduct the orchestra which became the Southwest German Radio Orchestra of Baden-Baden. Although devoting him­ self to other projects as well, Rosbaud's main interest seems to have been the Baden-Baden orchestra, of which he remained director until his death. In 1952 he be­ came conductor of the Zurich Tonhalle Orchestra, and in 1958 was made chief conductor of the Zurich Stadt­ theater. Other activities of Rosbaud's last years were his appearances at the Aix-en-Provence Festival and at the Donaueschinger Musiktage. He died in Lugano, Switzerland, on December 29, 1962. Rosbaud occupies a virtually unique position in the history of conducting. Almost alone among conductors of his generation (Hermann Scherchen is perhaps the only other example), he was as devoted to the most ad­ vanced productions of the contemporary avant-garde as to the works of the great classical tradition. As early as 1933 he bad the honor of conducting the first per­ formance of Bart6k's Piano Concerto No.
    [Show full text]
  • JULES MASSENET – His Life and Works by Nick Fuller I
    JULES MASSENET – His Life and Works By Nick Fuller I. Introduction Jules Massenet’s operas made him one of the most popular composers of the late nineteenth century, his works performed throughout Europe, the Americas and North Africa. After World War I, he was seen as old- fashioned, and nearly all of his operas, apart from Werther and Manon , vanished from the mainstream repertoire. The opera-going public still know Massenet best for Manon , Werther , and the Méditation from Thaïs , but to believe, as The Grove Dictionary of Opera wrote in 1954, that ‘to have heard Manon is to have heard all of him’ is to do the composer a gross disservice. Massenet wrote twenty-seven operas, many of which are at least as good as Manon and Werther . Nearly all are theatrically effective, boast beautiful music and display insightful characterisation and an instinct for dramatic and psychological truth. In recent decades, Massenet’s work has regained popularity. Although he Figure 1 Jules Massenet, drawing by Ernesto Fontana (Source: is not the household name he once http://artlyriquefr.fr/personnages/Massenet%20Jules.html) was, and many of his operas remain little known, he has been winning new audiences. Conductors like Richard Bonynge, Julius Rudel and Patrick Fournillier have championed Massenet, while since 1990 a biennial Massenet festival has been held in his birthplace, Saint-Étienne, in the Auvergne-Rhône-Alpes, its mission to rediscover Massenet’s operas. His work has been performed in the world’s major opera houses under the baton of conductors Thomas Beecham, Colin Davis, Charles Mackerras, Michel Plasson, Riccardo Chailly and Antonio Pappano, and sung by Joan Sutherland, José van Dam, Frederica von Stade, Nicolai Gedda, Roberto Alagna, Renée Fleming, Thomas Hampson and Plácido Domingo.
    [Show full text]
  • Hits Été- Rentrée 2018 12 Postales 12 Villes 12 Chansons 19 Les 3 Symphonies 40 Ans De Chansons 7 Otages À Entebbe
    septembre 2018 "Nuits 19 blanches" Mélodies / Mhd Songs Claude Debussy, Rap Alain Planès 2018 Classique #Hits été- Les 3 rentrée 2018 symphonies Leonard Bernstein Pop / Rock Classique 2018 2018 100 best 40 ans de Rostropovich Chansons Mstislav Rostropovich Hubert-Félix Thiéfaine Classique 2018 Chanson 12 postales 7 La Camorra Jack Back, David Guetta Musiques du monde Techno 2018 12 villes 12 Otages à Chansons Entebbe Dick Annegarn Rodrigo Amarante Chanson Musique de film 2018 1 septembre 2018 A bord du A yema Blossom azizen Manset Matoub Lounes Chanson Musiques du monde 2008 A matter of Abiah sings time Nina Protoje Abiah Reggae Jazz 2018 2018 A Adieu je paranormal t'aime evening Ycare Alice Cooper Hard Rock Chanson 2018 A quiet place ADN Kent baroque Nagano,Leonard Bernstein Théophile Alexandre, Guillaume Vincent Classique Opéra 2018 2018 A star is L’adorable born leurre Lady Gaga Tondo Musique de film Compilation 2 septembre 2018 Advienne Amoria que pourra Katia Labèque , Marielle Labèque La Goutte Classique Chanson 2018 2018 Alham L’amour est une fête Nes Compositeur: Grégoire Hetzel Jazz Musique de film 2018 2018 America's An American child in Paris Shemekia Copeland Leonard Bernstein, Mstislav Rostropovich Blues Jazz 2018 American An Italian reckoning night Anti-Flag Jonas Kaufmann Punk Classique Amigo Anonyme Kendji Girac Mlle Wook Chanson Chanson 2018 3 septembre 2018 Anthem The Atlantic Madeleine Peyroux singles collection 1967-1970 Jazz Aretha Franklin 2018 Soul / RnB Apart Au baccara Pete Yorn, Scarlett Odezenne Johansson Rap
    [Show full text]
  • GEORGE HAMLIN [T] 3941
    VOCAL 78 rpm Discs CHARLES HACKETT [t] 1974. 10” Purple acous. Columbia 4013-M [79287-2/79879-2]. A DREAM (Bartlett)/ BECAUSE (d’Hardelot). Just about 1-2. $12.00. 3078. 10” Purple elec. Columbia 4034-M [W140985-7/140939-4]. TOSCA: Recondita armonia (Puccini)/BAR- BIERE DI SIVIGLIA: Se il mio nome (Rossini). Just about 1-2. $8.00. 2280. 10” Purple elec. Columbia 4034-M [W140985-7/140939-4]. Same as previous listing (#3078). Small harmless mk. (rub) side two, few lightest rubs. Cons. 2. $7.00. 3316. 12” TC Columbia 49666. FORZA DEL DESTINO: Solenne in quest’ ora (Verdi). With RICCARDO STRAC- CIARI [b]. Label autographed by Hackett. Couple small PBs. 3. $12.00. 3318. 12” TC Columbia 98003. PARTED (Tosti). Excellent quiet pressing, cons. 1-2. $12.00. 1685. 12” Purple acous. Columbia 9016-M [49604-4/98045-3]. BARBIERE DI SIVIGLIA: Ecco ridente (Rossini)/ ROMÉO ET JULIETTE: Ah! lève-toi CHARLES HACKETT soleil (Gounod). Wonderful pressing. Just about 1-2. $20.00. 1775. 12” Purple acous. Columbia 9017-M [49645-1/49895-10]. BOHÊME: Che gelida manina (Puccini)/ELISIR D’AMORE: Una furtiva lagrima (Donizetti). 1” crk. side one from rim into grooves, likely superficial. Otherwise just about 1-2. $8.00. 1776. 12” Purple acous. Columbia 9018-M [49947-7/98047-2]. CARMEN: Air de la fleur (Bizet)/DON GIOVANNI: Il mio tesoro (Mozart). Just about 1-2. $15.00. 3255. 12” Purple acous. Columbia 9020-M [98094-3/98095-3]. FAVORITA: Spirto gentil (Donizetti)/MANON: Ah, fuyez, douce image (Massenet). Just about 1-2.
    [Show full text]
  • 01 02 2018 CRQ EDITIONS COMPLETE CATALOGUE V23a No
    CRQ EDITIONS – CATALOGUE @ 01.02.2018 Verdi: Ernani (abridged) Iva Pacetti / Antonio Melandri / Gino Vanelli / Corrado Zambelli / Ida Mannarini / Aristide Baracchi / Giuseppe Nessi / Chorus and Orchestra of La Scala, Milan / Lorenzo Molajoli Classic Record Quarterly Editions CRQ CD001 (1 CD) Tchaikovsky: Symphony No. 6 in B minor, ‘Pathétique’, Op. 74 London Philharmonic Orchestra / Sir Adrian Boult Classic Record Quarterly Editions CRQ CD002 (1 CD) Homage to Mogens Wöldike Danish State Radio Chamber Orchestra / Mogens Wöldike J. C. Bach: Sinfonia in B flat major Op. 18 No. 2; F. J. Haydn: Divertimento in G major; F. J. Haydn: Six German Dances; W. A. Mozart: Symphony No. 14 in A major, K. 114; K. D. von Dittersdorf: Symphony in C major Classic Record Quarterly Editions CRQ CD003 (1 CD) Verdi: Macbeth Margherita Grandi, Walter Midgley, Francesco Valentino, Italo Tajo Glyndebourne Festival Chorus, Scottish Orchestra / Berthold Goldschmidt, conductor Recording of the performance of 27th August 1947 given by Glyndebourne Festival Opera at the first Edinburgh Festival, Classical Recordings Quarterly Editions CRQ CD004/005 (2 CDs) Busoni: Fantasia Contrapuntistica; Bach-Busoni: Chorale Prelude: Ich ruf’ zu dir, Herr Jesu Christ Alfred Brendel, piano Classical Recordings Quarterly Editions CRQ CD006 (1 CD) Rudolf Schwarz conducts Philharmonia Orchestra / Rudolf Schwarz Weber: Euryanthe Overture; Schubert: Symphony No. 8, Unfinished; Liszt: Les préludes Classical Recordings Quarterly Editions CRQ CD007 (1 CD) Berg: Wozzeck (complete); Violin Concerto Wozzeck: Marea Wolkowsky, Monica Sinclair, Edgar Evans, Thorsteinn Hannesson, Parry Jones, Jess Walters, Frederick Dalberg; Chorus and Orchestra of the Covent Opera Company / Erich Kleiber Broadcast performance of 25 May 1953 given at the Royal Opera House, London.
    [Show full text]