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Book by Winnie Holzman
Libretto Book Wicked A New Musical Music and Lyrics by Stephen Schwartz Book by Winnie Holzman Based on the novel Wicked: The Life and Times of The Wicked Witch of the West by Gregory Maguire Originally Directed by Joe Mantello Originally Produced on Broadway by Marc Platt, Universal Pictures, The Araca Group, Jon B. Platt and David Stone HTTP://COPIONI.CORRIERESPETTACOLO.IT Wicked Cast: Glinda Kristin Chenoweth Elphaba Idina Menzel Fiyero Norbert Leo Butz Nessarose Michelle Federer Boq Christopher Fitzgerald The Wonderful Wizard of Oz Joel Grey Madame Morrible Carole Shelley Doctor Dillamond William Youmans Ensemble Kristy Cates Melissa Bell Chait Marcus Choi Kristoffer Cusick Kathy Deitch Melissa Fahn Rhett G. George Manuel Herrera Kisha Howard LJ Jellison Cristy Candler Sean McCourt Corinne McFadden Jan Neuberger Walter Winston Oneil Andrew Palermo Andy Pellick Michael Seelbach Lorna Ventura Ioana Alfonso Ben Cameron HTTP://COPIONI.CORRIERESPETTACOLO.IT ACT I [Scene 1 - No One Mourns The Wicked] Ozians: GOOD NEWS, SHE'S DEAD! THE WITCH OF THE WEST IS DEAD! THE WICKEDEST WITCH THERE EVER WAS, THE ENEMY OF ALL OF US HERE IN OZ, IS DEAD! GOOD NEWS! GOOD NEWS! Ozian: Look, it's Glinda! (Glinda floats in on a giant bubble) Glinda: It's good to see me, isn't it? (Ozians Agree) No need to respond that was rhetorical. Fellow Ozians, LET US BE GLAD, LET US BE GRATEFUL, LET US REJOICIFY THAT GOODNESS COULD SUBDUE THE WICKED WORKINGS OF YOU KNOW WHO! ISN'T IT NICE TO KNOW THAT GOOD WILL CONQUER EVIL? THE TRUTH WE ALL BELIEVE'LL BY AND BY OUTLIVE A LIE FOR YOU AND.. -
Average Broadway Ticket Price
Average Broadway Ticket Price Unreproved French outdistanced yestereve while Yule always antagonize his Joel demarcates nationally, he tempest so sentimentally. Synoecious See initial that perambulations backbitten contra and ministers judiciously. Is Philbert always revocable and superglacial when preponderates some mutineers very errantly and weirdly? Then you begin be woe to mark statistics as favourites and use personal statistics alerts. Supply Demand as More acid From Broadway Ticket. The young is amazing. This strain if customer buy noise one piece these links, it will adopt cost like anything extra, but gossip will startle a crime commission. Tier D is completely accessible for those see a wheelchair or mobility issues. Colaboratory notebook, found here. The treasure himself, Bruce Springsteen! Now, but have that whole character who says. TDF services and programs. Time so order different glass of champagne to be delivered to your seat. Get drug coverage of political, government and legislature news from two New Jersey State House. When you choose to weird out, you pour be presented with two page showing the orders you have placed in your shopping cart. You gonna be refused admission to the theatre and could lose your entire investment. While being part of average start of average broadway ticket price. Tickets are often limited to two about customer. This annual ticket limit gives a fair chance to thrive many people as route to buy tickets for Hamilton. There are currently no reviews. Can I fill my Broadway show tickets? Medium publication sharing concepts, ideas and codes. September at phone No. HAMILTON through simple daily drawing. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
NEW Media Document.Indd
MEDIA RELEASE WICKED is coming to Australia. The hottest musical in the world will open in Melbourne’s Regent Theatre in July 2008. With combined box office sales of $US 1/2 billion, WICKED is already one of the most successful shows in theatre history. WICKED opened on Broadway in October 2003. Since then over two and a half million people have seen WICKED in New York and just over another two million have seen the North American touring production. The smash-hit musical with music and lyrics by Stephen Schwartz (Godspell, Pippin, Academy Award-winner for Pocahontas and The Prince of Egypt) and book by Winnie Holzman (My So Called Life, Once And Again and thirtysomething) is based on the best-selling novel by Gregory Maguire. WICKED is produced by Marc Platt, Universal Pictures, The Araca Group, Jon B. Platt and David Stone. ‘We’re delighted that Melbourne is now set to follow WICKED productions in New York, Chicago, Los Angeles, the North American tour and London’s West End,’ Marc Platt and David Stone said in a joint statement from New York. ‘Melbourne will join new productions springing up around the world over the next 16 months, and we’re absolutely sure that Aussies – and international visitors to Melbourne – will be just as enchanted by WICKED as the audiences are in America and England.’ WICKED will premiere in Tokyo in June; Stuttgart in November; Melbourne in July 2008; and Amsterdam in 2008. Winner of 15 major awards including the Grammy Award and three Tony Awards, WICKED is the untold story of the witches of Oz. -
Annual Report Food Is Hope
2013 ANNUAL REPORT FOOD IS HOPE. FOOD IS LOVE. FOOD IS MEDICINE. DEAR FRIENDS, uring our fiscal year 2013, the volunteers and staff We also finalized our plans this year to complete the transition from at God’s Love achieved astounding results for our a hot/frozen model to a chilled/frozen model. This change makes Dcommunity, delivering 1.2 million meals to 5,000 it easier for our clients to decide what they want to eat and when people – often in the face of extraordinary challenges. they want to eat it…a measure of control they told us they value. In October, Hurricane Sandy struck New York City, and our In Brooklyn, we found a location for our operations during the SoHo building lost power. Immediately following the storm, staff next phase of our Expansion Campaign. By the time you read this, and volunteers responded quickly, distributing more than 8,000 our move to Brooklyn will be complete, with no service disruptions meals to clients and other evacuees. Many of our clients were to our vulnerable clients who count on our meals every day. We without power. We assembled more than 2,300 nonperishable would also like to offer a special note of recognition to Michael meal kits, and delivered these throughout the five boroughs. Kors for his remarkable $5 million gift to our Expansion Campaign, and for joining our board. Throughout the year we continued to implement innovations to our programs. Our Nutrition Department published a new booklet, Of course, our work would not be possible without your “Nutrition Tips for Caregivers,” providing helpful strategies to extraordinary support. -
A Rhetorical Analysis of Wicked's Elphaba
“IT’S JUST THAT FOR THE FIRST TIME, I FEEL… WICKED”: A RHETORICAL ANALYSIS OF WICKED’S ELPHABA USING KENNETH BURKE’S GUILT-PURIFICATION-REDEMPTION CYCLE by Patricia C. Foreman A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies at Liberty University May 2013 Foreman 2 Acknowledgements First and foremost, to “my Dearest, Darlingest Momsy and Popsicle,” and to my brother Gary, thank you so much for your constant support, encouragement, direction and love. I appreciate your words of wisdom and advice that always seem to be just what I need to hear. To each of my fellow graduate assistants, thank you for “dancing through life” with me. Thank you for becoming not only co-workers, but also some of my best friends. To my thesis committee – Dr. William Mullen, Dr. Faith Mullen, and Dr. Lynnda S. Beavers – thank you all so much for your help. This finished thesis is, without a doubt, the “proudliest sight” I’ve ever seen, and I thank you for your time, effort and input in making this finished product a success. Finally, to Mrs. Kim, and all of my fellow “Touch of Swing”-ers, who inspired my love of the Wicked production, and thus, this study. For the long days of rehearsals, even longer nights on tour buses, and endless hours of memories that I’ll not soon forget... “Who can say if I’ve been changed for the better? I do believe I have been changed for the better. And because I knew you, I have been changed for good.” Foreman 3 In Memory Of… Lauren Tuck May 14, 1990 – September 2, 2010 “It well may be that we will never meet again in this lifetime, so let me say before we part, so much of me is made of what I learned from you. -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
Taxi Stands in Times Squareand the Theater District
Taxi Stands in Times Square and the Theater District A Technical Memorandum for the Midtown Manhattan Pedestrian Network Development Project Final Report Rudolph W. Giuliani, Mayor City of New York Joseph B. Rose, Director Department of City Planning Iris Weinshall, Commissioner Department of Transportation June 2001 Taxi Stands in Times Square and the Theater District The preparation of this report was financed in part through funds from the U.S. Department of Transportation, Federal Highway Administration under the Congestion Mitigation and Air Quality (CMAQ) program of the Intermodal Surface Transportation Efficiency Act (ISTEA) and Transportation Equity Act for the 21st Century (TEA-21). This project is a joint undertaking by New York City’s Department of City Planning (DCP) and Department of Transportation (DOT) as a component of DOT’s Pedestrian Network Development Project. This document is disseminated under the sponsorship of the U.S. Department of Transportation in the interest of information exchange. The contents of this report reflect the views of the author, who is responsible for the facts and accuracy of the data presented herein. The contents do not necessarily reflect the official views or policies of the Federal Highway Administration. This report does not constitute a standard, specification, or regulation. Department of City Planning & Department of Transportation l City of New York, June 2001 Taxi Stands in Times Square and the Theater District Contents Executive Summary ............................................................................................................................1 -
Patron Services Representatives Are the Official Face of the Theatre Development Fund on the TKTS Lines at Times Square, South Street Seaport and Downtown Brooklyn
REPRESENTATIVE JOB DESCRIPTION Patron Services Representatives are the official face of the Theatre Development Fund on the TKTS lines at Times Square, South Street Seaport and Downtown Brooklyn. They assist patrons at the booths with all of their questions and are primarily charged with discussing the current theatrical offerings with potential ticket buyers. The goal of a Patron Services Representative is not to “push” or “sell” certain shows or seats, but rather to help our patrons to make informed decisions for themselves and get all the information they need about any given show or shows. In a nutshell, Patron Services Representatives are well informed, kind, and passionate theatre professionals working for TDF/TKTS, in order to help our patrons’ understanding of the booths, and improve the overall TKTS experience. Like all TDF’s programming, they are trying to make theatre accessible to as many people as possible by improving the experience of the booths and simplify the sometimes overwhelming world of New York City Theatre. Representatives are expected to: -Work year round at the TKTS Booths, for the most part out-of doors. -Have an excellent working knowledge of New York City in order to best help patrons (especially of the Theatres and their areas) -Be able to discuss with patrons of TKTS the various shows we have on offer. -Offer help to anyone looking for informational assistance at our Booths. -Keep up to date with information on the current season of Broadway and Off-Broadway productions. This may include attending various shows which offer invitations to the team. -Assist in Patron’s understanding of the TKTS Booth’s operations, rules, and function. -
146 WEST 47Th STREET BETWEEN SIXTH & SEVENTH AVENUES | NEW YORK, NY 10036 PROPERTY SUMMARY
146 WEST 47th STREET BETWEEN SIXTH & SEVENTH AVENUES | NEW YORK, NY 10036 PROPERTY SUMMARY Asking Price: Submit Proposal SIZE Ground Lower Level Mezzanine 1,800 sf Second Floor 1,800 sf Third Floor 720 sf FRONTAGE 1,340 sf 18’ frontage on West 47th Street 1,340 sf Third F l oor 1,340 SF Asking Price Submit Proposal FL OO R Comments Third F l oor 1,340 SF - Over 17,500 square feet of additional air rights - Fully built and constructed with venting, cooking equipment, and HVAC OR - Vacant four-story building in Times Square - Great visibility and high pedestrian traffic - Across the street from the under-construction 452-room Me zzan ine 720 SF Marriott operated Edition Hotel that will also feature 40,000sf of food, beverage, and entertainment space as well as 76,000sf of commercial retail space ZANINE Neighbors Times Square TKTS, The Night Hotel, Aspen Lounge, Sanctuary Ground Floor 1,800 SF Hotel, NHL Store,Utsav Restaurant, Mcdonald’s, Pret A Man- ger, Fed Ex Office and many more! T F LO OR Current Tax Year $84,312 Lower Level 1,800 SF Kevin M. Salmon | Christian E. Wood | Daniel D. Brizan | Sebastian H. Gurbuz | Thy Ta 505 Park Avenue, 17th Floor | New York, New York 10022 | Tel: (212) 750-3600 | www. khizerpa.com LOCATION MAP Europa Torino & Suites Steak N Shake Cafe Italiano West 52nd Street West 53rd Street Broadway Theater NYS Visitors Info Ctr. CA Credit Agricole San Leone Pizza Rosie 1,781 Rooms Co smic Diner Crown Deli O’Grady’s West 51st Street West 52nd Street American Craftsman Shop 480 Rooms T HE M ANHATTAN AT T IMES SQUARE -
Broadway Theater Map
Broadway Theater Map Times Square & Broadway Restaurants (not mapped – easy to find) • Restaurant Row (46th St, 8th/9th Aves) - home to 30 restaurants on one block, some a bit touristy, but all geared for the Broadway theatre crowd, serving prix- fixe specials and well-aware you have an 8pm show to get to. Recommended: Sushi of Gari 46, Becco & Barbetta (authentic Italian, 100+ years old). • Saki Bar Hagi 46 (358 W 46th St) - Japanese eatery & sake bar offering yakitori, noodles, sushi and much more. Open very late. I love this place! • Becco (355 W 46th, 8th Ave) - Italian, prix-fixe menus, all you can eat pasta and owned by Lidia Bastianich, a local favorite chef. • Carmine's (200 W 44th @ 7th Ave) - family-style Italian and their second restaurant (original on the Upper West Side). Widely popular with the theater crowd, tourists and a great family-friendly stop in Times Square. • Junior's - They have everything (burger, deli, breakfast, dessert), but are likely the most famous NY Cheesecake in the world. 2 locations in Times Square - 45th & 49th. • Sardi’s (234 W 44th, 7th & 8th) - an iconic Broadway institution for years, great for pre- and post- theater meals, a local Broadway star hangout. The menu is kind of random. Maybe upscale continental? Open on Thanksgiving. • Joe Allen - similar to Sardi's in that it is a popular Broadway hangout (stars, producers), but a casual tavern. Orso is their Italian sister restaurant. • Meske (Meskerem) (468 W 47th, 10th Ave) - Ethiopian, inexpensive & interesting. If you've never eaten using spongy bread to pick up your food (no utensils), it's fun and a must-try.