Montreal Essentials
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Raised Their Own Solutions
_ .-.-'., ~-'~ • u:: • -,... • ,:~ i '~:' :", ' i' .V£cCdi:£a, ~ ;C. ' ..... ": i : New ,- . ,,.,' ts ...... Herala ~ta~! wn~r ~. - . -. - " : ,. TERRACE-- Restsarant owners and'numag Ts.,are :, . • .....- '.'. 4- .'=~',~v",~, ='q$. more ='1~',roblen= . ~Wi,h~.= the* neWmeal:: ... tax • rules~. than• ,): ,', ~ ~o~x/~'" " *their customers.-All the cUstomers have tO d0Is pay.::The ? :--, ' ~: "~= t:., - .r~tahrate~_rs. ba~e't o figure it out. ::- / .' ./" ~-::,; ' ::.'-.': • .( ...~..~. .!:,) :"/..}:: .Not.:aH nieail~fl_e[s~e ~ndl~ng~":p~ib!edi th,: .mime*.' :.. -(• • ! ,• /--'.~:: : !: •'. ,; • /.The newseven ~1. :cent tax:0nmeals!con~umed 0h. ,the ' •. iL , ' - • " ,-!.i}/i,/~::~ ':(i,~.,,,i '.~',5~ .' i premisesor'arestaurant;weresup~togbintoeffettat. • . ....... -., • . .. mi~igbtWhenThu~diiy,jniy?boeameFriday,julye. ..... r ~ / .-, I . , = - ..... ".; .,o. • . ! , Monday., July 11, 1983 .j -, • "~ Me ]~2 That m ,=elf became a pr0blem..Some managers hadn t, • : 25 cents .~ ,;'~i~.Estab'ii lvo8 _. Volome'77 ........ , .... i " ' ' t .... --.. " been able:ta understand-whatthenew~rules'were:bytho .... ... time, so they basically ignored 1~em until they could gather more information.... " " "" For those restaurants that were open that night untilpast ~ "midnight and tried to put the new tax into effect it was . Abortion something of a nightmare. Do you charge the seven per cent on meals served before midnight but not paid for until after? Or do you only charge the tax on meals that were money served after the deadline? If ameal was ordered at 1!:59 p.m. that became a whble other problem..The matter was so confusing that individualmanagers were coming up with raised their own solutions. Which means depending upon' the managers, customers who 'ordered the same, meal In t TORONTO CP " -- separate establishments were i~aying different prices when Supporters of Dr. -
Proquest Dissertations
"The House of the Irish": Irishness, History, and Memory in Griffintown, Montreal, 1868-2009 John Matthew Barlow A Thesis In the Department of History Present in Partial Fulfilment of the Requirements For the Degree of Doctor of Philosophy at Concordia University, Montreal, Quebec, Canada March 2009 © John Matthew Barlow, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-63386-1 Our file Notre reference ISBN: 978-0-494-63386-1 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre im primes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Sept. 1 Moving Day Is a Nightmare. What If We Changed It? - the Boston Globe
Sept. 1 Moving Day is a nightmare. What if we changed it? - The Boston Globe Next Score THINGS THAT WORK Sept. 1 Moving Day is a nightmare. What if we changed it? E-MAIL FACEBOOK TWITTER GOOGLE+ LINKEDIN 9 MASSACHUSETTS STATE POLICE/FILE 2013 Among the possible Moving Day disruptions is a moving truck getting stuck on Storrow Drive. By Matt Rocheleau GLOBE STAFF AUGUST 29, 2017 http://www.bostonglobe.com/metro/2017/08/29/sept-moving-day-nightmare-what-changed/x810peTE6EbDaUbwccZ3jJ/story.html[10/30/2017 7:29:18 PM] Sept. 1 Moving Day is a nightmare. What if we changed it? - The Boston Globe Editor’s note: This is part of a series exploring initiatives around Boston, the country, and the world that have succeeded or hold great promise, from government to business to culture. For more stories, click here. Like clockwork, bedlam descends upon the Boston area every Sept. 1. Moving vehicles clog the streets, parking is a nightmare, and sidewalks are buried in trash and household items. The cause of the annual headache is known as Moving Day, when an estimated two-thirds of the city’s 165,000- plus apartment leases turn over. Does it have to be this chaotic? Perhaps not. Montreal has long endured similar disruptions because of mass moves, which used to occur there every May 1. But decades ago, its moving day was shifted to July 1, which falls on a national holiday. As a result, the pain has of that day eased somewhat. ADVERTISEMENT “Indeed, there is less traffic and people do not have to miss work in order to move,” said Jules Chamberland-Lajoie, a spokesman for the City of Montreal. -
Canada's Finest Magician: Magic Tom Auburn
CANADA’S FINEST MAGICIAN: MAGIC TOM AUBURN $10 Quebec VOL 8, NO. 4 FALL 2014 HeritageNews What Did You Do in the War, Mummy? Mildred Allen of the DIL Restoration: Sir John Johnson A Loyalist Returns to His Vault Long and Winding Trails The Career of Laurentian Topographer Paul d’Allmen QUEBEC HERITAGE NEWS Quebec CONTENTS HeritageNews EDITOR Editor’s Desk 3 RODERICK MACLEOD Pomp and patrimony Rod MacLeod PRODUCTION DAN PINESE; MATTHEW FARFAN Letter 5 Enforced leisure a blessing for heritage John Fry PUBLISHER THE QUEBEC ANGLOPHONE Jim Caputo’s Mystery Objects Challenge #5 6 HERITAGE NETWORK 400-257 QUEEN STREET SHERBROOKE, QUEBEC J1M 1K7 Heritage news from around the province 7 Jim Caputo PHONE 1-877-964-0409 Remains restored 9 (819) 564-9595 Sir John Johnson is returned to the vault Michel Racicot FAX (819) 564-6872 The Wandering Minstrel revisited 10 CORRESPONDENCE Rod MacLeod [email protected] WEBSITES Why Cry When an Old Building Dies? 11 WWW.QAHN.ORG Linda Buzzell WWW.QUEBECHERITAGEWEB.COM The Lost Trails of Paul d’Allmen 12 PRESIDENT Joseph Graham SIMON JACOBS EXECUTIVE DIRECTOR & 2014 QAHN Heritage Photo Contest Winners 16 WEBMAGAZINES EDITOR MATTHEW FARFAN 2014 QAHN/QFHSA Island of Stories Contest Winners 19 OFFICE MANAGER 2014 QAHN Heritage Essay Contest Winners 20 KATHY TEASDALE Quebec Heritage News is produced four Gone in a Puff of Smoke 22 times yearly by the Quebec Anglophone Magic Tom Auburn Rohinton Ghandhi Heritage Network (QAHN) with the support of the Department of Canadian Heritage and Quebec’s Ministère de la Culture et The Original “Bomb Girl” 28 des Communications. -
Write Me a Film?
WRITE ME A FILM? A Symposium by Canadian Filmmakers INTRODUCTION Hugo McPherson WHAT ARE THE CONNECTIONS vision. So we will regard this as a quartet, between writing and cinema in Canada? not in musical terms, where four voices There is no authoritative answer to this play together, but in film terms, where question. Instead, there are almost as discordant voices achieve a special har- many answers as there are film makers mony or dissonance in a completed work. and writers. Hence a symposium, the In this script, Ian MacNeill, film form most closely related to the group maker, and former Director of English effort of making a film. I have not, how- Programme, relates the costs of film- ever, taken a further step towards film: making to the individual effort of the I have not asked each contributor to sub- writer. William Weintraub, novelist, mit his article to a score of colleagues script-writer and film-maker, dramatizes to have it revised, praised, condemned, the four-way problem of scripted and cut, expanded, re-titled, or changed to unscripted films. Guy Glover, producer, another subject before it reached the page-proof (or test print) stage. That and Director of English Programme, em- would have been too close to the real phasizes the inter-disciplinary, non-liter- process; and of course the budget for a ary nature of the film art. And Jacques symposium is not a film budget. Godbout, film maker, novelist, poet, and What follows reveals the attitudes of Directeur de la production française, four working film makers and writers looks philosophically at fiction and film, who occupy important places at the Na- and finds that words and visual images— tional Film Board. -
Canadian English: a Linguistic Reader
Occasional Papers Number 6 Strathy Language Unit Queen’s University Kingston, Ontario Canadian English: A Linguistic Reader Edited by Elaine Gold and Janice McAlpine Occasional Papers Number 6 Strathy Language Unit Queen’s University Kingston, Ontario Canadian English: A Linguistic Reader Edited by Elaine Gold and Janice McAlpine © 2010 Individual authors and artists retain copyright. Strathy Language Unit F406 Mackintosh-Corry Hall Queen’s University Kingston ON Canada K7L 3N6 Acknowledgments to Jack Chambers, who spearheaded the sociolinguistic study of Canadian English, and to Margery Fee, who ranges intrepidly across the literary/linguistic divide in Canadian Studies. This book had its beginnings in the course readers that Elaine Gold compiled while teaching Canadian English at the University of Toronto and Queen’s University from 1999 to 2006. Some texts gathered in this collection have been previously published. These are included here with the permission of the authors; original publication information appears in a footnote on the first page of each such article or excerpt. Credit for sketched illustrations: Connie Morris Photo credits: See details at each image Contents Foreword v A Note on Printing and Sharing This Book v Part One: Overview and General Characteristics of Canadian English English in Canada, J.K. Chambers 1 The Name Canada: An Etymological Enigma, 38 Mark M. Orkin Canadian English (1857), 44 Rev. A. Constable Geikie Canadian English: A Preface to the Dictionary 55 of Canadian English (1967), Walter S. Avis The -
Éléments D'un Discours Nostalgique Anglo-Montréalais. L'exemple De L'oeuvre De William Weintraub
Document généré le 29 sept. 2021 01:40 Globe Revue internationale d’études québécoises Éléments d’un discours nostalgique anglo-montréalais. L’exemple de l’oeuvre de William Weintraub The Construction of an Anglo-Montrealer's Nostalgic Discourse. The Works of William Weintraub Mark Lajoie et Kathryn Allen Le dit et le non-dit de Montréal Résumé de l'article Volume 5, numéro 1, 2002 La prise en charge de la minorisation culturelle et sociale des anglophones au Québec depuis les années 60 a provoqué diverses réponses collectives parmi URI : https://id.erudit.org/iderudit/1000664ar les communautés anglophones à Montréal, en particulier parmi celles qui ont DOI : https://doi.org/10.7202/1000664ar vécu au Québec avant l’institution des politiques de francisation. Depuis le référendum de 1980, un discours d’identité civique fondé sur une série de Aller au sommaire du numéro récits historiques et culturels teintés de nostalgie a émergé parmi ce groupe. Cet article esquisse et examine les éléments constitutifs de ce discours grâce à une analyse des oeuvres de William Weintraub; puis ce même discours est examiné dans la triple perspective de ses mécanismes interpellateurs, de ses Éditeur(s) interlocuteurs, et de sa relation avec les discours collectifs sur l’identité Globe, Revue internationale d’études québécoises québécoise. ISSN 1481-5869 (imprimé) 1923-8231 (numérique) Découvrir la revue Citer cet article Lajoie, M. & Allen, K. (2002). Éléments d’un discours nostalgique anglo-montréalais. L’exemple de l’oeuvre de William Weintraub. Globe, 5(1), 53–63. https://doi.org/10.7202/1000664ar Tous droits réservés © Globe, Revue internationale d’études québécoises, 2002 Ce document est protégé par la loi sur le droit d’auteur. -
TH€ FRONTIERS of LIT€R7ITUR€ Poem and Drawings Symposium On
Si.25 per copy Autumn, igyo TH€ FRONTIERS OF LIT€R7ITUR€ Articles BY PATRICK LYNDON, MAVOR MOORE, PETER STEVENS, P. K. PAGE, SANDRA DJWA, PHYLLIS GROSSKURTH, AUDREY THOMAS, MIKE DOYLE, ROBERT HARLOW Poem and Drawings BY P. K. PAGE Symposium on Writing and Film BY HUGO MCPHERSON, WILLIAM WEINTRAUB, IAN MAC NEILL, GUY GLOVER, JACQUES GODBOUT Opinions and Notes BY LLOYD ABBEY A QUARTERLY OF CRITICISM AND R6VI6W THE FRONTIERS OF LITERATURE THE FRONTIERS of literature have always been fluid. In a time of self-conscious intermedial miscegenation we are inclined to think our age unique. In fact, the only difference lies in the expansiveness of our techniques. Essentially, writers have always been interested in the activities of painters and musicians, and have always wished to have some part of them, and vice-versa. Similarly there has always been that borderland in which, in every generation, the art of literature had blended into those varieties of craftsmanship by which writers have earned their subsistence through serving the channels of information and propaganda which only in very recent years have earned the right to call themselves mass media. The links between the writer and the visual artist have always been much closer than the advocates of "pure" or abstract painting have been willing to admit. Until the late nineteenth century nobody seriously doubted that the aim of painting was to illuminate themes that were identical with those of poetry or fiction. William Blake and William Hazlitt were only the precursors in the early nineteenth century of a movement which reached its height among pre- Raphaelites like Dante Gabriel Rossetti and William Morris, who regarded paint- ing and poetry as almost interchangeable ways of expressing right sentiment, and which achieved a second peak among the Surrealists, whose paintings always had literary implications and whose poems rarely lacked visual suggestiveness. -
Nouveaux Regards Sur La Littérature Anglo-Québécoise »
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Érudit Article « Zones de contact : nouveaux regards sur la littérature anglo-québécoise » Catherine Leclerc et Sherry Simon Voix et Images, vol. 30, n° 3, (90) 2005, p. 15-29. Pour citer cet article, utiliser l'information suivante : URI: http://id.erudit.org/iderudit/011854ar DOI: 10.7202/011854ar Note : les règles d'écriture des références bibliographiques peuvent varier selon les différents domaines du savoir. Ce document est protégé par la loi sur le droit d'auteur. L'utilisation des services d'Érudit (y compris la reproduction) est assujettie à sa politique d'utilisation que vous pouvez consulter à l'URI https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Montréal, l'Université Laval et l'Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. Pour communiquer avec les responsables d'Érudit : [email protected] Document téléchargé le 9 février 2017 04:19 Voix et images 90 27/10/05 13:01 Page 15 ZONES DE CONTACT. Nouveaux regards sur la littérature anglo-québécoise + + + CATHERINE LECLERC Université de Moncton SHERRY SIMON* Université York L’écriture de langue anglaise n’est en rien un phénomène nouveau au Québec. À Montréal, en particulier, elle appartient à une longue tradition. Pourtant, sa description et son insertion au sein de la vie littéraire québécoise posent problème. -
Cadets, Curfews, and Compulsory Schooling: Mobilizing Anglophone Children in WW II Montreal
Cadets, Curfews, and Compulsory Schooling: Mobilizing Anglophone Children in WW II Montreal TAMARA MYERS MARY ANNE POUTANEN* The early 1940s constituted an important moment for youth in Quebec as social pol- icy brought childhood and adolescence into sharper focus and the regulation of young people’s behaviour expanded in the name of the wartime emergency. Mea- sures for the mobilization and discipline of children were fuelled by images of absent fathers, working mothers, and latch-key children, combined with the dramat- ically rising juvenile delinquency rate. Legislation mandating compulsory schooling and a curfew for juveniles permitted the state and its agencies to train and constrain children and youth at a moment when parental guidance and surveillance were ostensibly at their lowest point. Protestant schools directed coercive strategies and protective measures at school-age children in an exaggerated effort to create good children and patriotic citizens. Le début des années 1940 a été un moment charnière de la jeunesse du Québec, car la politique sociale fit alors une plus grande place à l’enfance et à l’adolescence et la réglementation du comportement juvénile fut élargie au nom de l’urgence de guerre. Les mesures visant à mobiliser et à discipliner les enfants s’alimentaient aux images de pères absents, de mères ouvrières et d’enfants à la clé combinées à une hausse spectaculaire du taux de délinquance juvénile. Les lois décrétant la fréquen- tation scolaire obligatoire et un couvre-feu pour les enfants permirent à l’État et à ses organisme de former les enfants et les jeunes et de les assujettir à sa volonté à un moment où l’encadrement et la surveillance des parents atteignirent ostensible- ment un creux. -
The Experience of Mobility
The Experience of Mobility An anthropological analysis of tenants' displacements in Montreal Jean-Sébastien Marcoux University College London Ph.D. Dissertation in Anthropology February 2001 ProQuest Number: U643661 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U643661 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 This work is dedicated to all the places in which I have lived in the past and to the people who shared those places with me... All of them except the apartment on Wolfe St., the one with shower in the living room closet. Abstract This thesis explores the experience of mobility through the process of house moving in Montreal. It is a study grounded in an ethnographic fieldwork that took place between September 1997 and July 1999. Data were collected through participant observation, by accompanying people throughout the process of their move, and assisting them in their move. It examines a range of anthropological issues such as the distribution of power in relation to residential groups, the constitution of subjectivity in motion, the relations coming into existence on the move as well as the role of material culture. -
Language Ideologies and Discourses of National Identity in Canadian Newspapers: a Cross-Linguistic Corpus-Assisted Discourse Study Vessey, Rachelle
Language ideologies and discourses of national identity in Canadian newspapers: a cross-linguistic corpus-assisted discourse study Vessey, Rachelle The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/8763 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] LANGUAGE IDEOLOGIES AND DISCOURSES OF NATIONAL IDENTITY IN CANADIAN NEWSPAPERS: A CROSS-LINGUISTIC CORPUS-ASSISTED DISCOURSE STUDY by Rachelle Vessey Submitted in partial fulfilment of the requirements of the degree of Doctor of Philosophy February 2013 School of Languages, Linguistics and Film Queen Mary, University of London DECLARATION I hereby declare that the work contained in this thesis is original and has not previously been submitted to this or any other institution. The copyright of this thesis rests with the author and any information derived from it should be acknowledged. Date Signature i ACKNOWLEDGEMENTS First and foremost, I would like to thank Queen Mary, University of London and more specifically the School of Languages, Linguistics and Film for awarding me a research studentship, which made it possible for me to come to London. In addition, departmental research funding and the Postgraduate Research Fund also enabled me to travel to numerous conferences, workshops, and seminars. I am also very grateful to the Social Sciences and Humanities Research Council (SSHRC) of Canada for the Doctoral Research Award that enabled me to continue my studies.