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Edward R. Murrow
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II. -
The Edward R. Murrow of Docudramas and Documentary
Media History Monographs 12:1 (2010) ISSN 1940-8862 The Edward R. Murrow of Docudramas and Documentary By Lawrence N. Strout Mississippi State University Three major TV and film productions about Edward R. Murrow‟s life are the subject of this research: Murrow, HBO, 1986; Edward R. Murrow: This Reporter, PBS, 1990; and Good Night, and Good Luck, Warner Brothers, 2005. Murrow has frequently been referred to as the “father” of broadcast journalism. So, studying the “documentation” of his life in an attempt to ascertain its historical role in supporting, challenging, and/or adding to the collective memory and mythology surrounding him is important. Research on the docudramas and documentary suggests the depiction that provided the least amount of context regarding Murrow‟s life (Good Night) may be the most available for viewing (DVD). Therefore, Good Night might ultimately contribute to this generation (and the next) having a more narrow and skewed memory of Murrow. And, Good Night even seems to add (if that is possible) to Murrow‟s already “larger than life” mythological image. ©2010 Lawrence N. Strout Media History Monographs 12:1 Strout: Edward R. Murrow The Edward R. Murrow of Docudramas and Documentary Edward R. Murrow officially resigned from Life and Legacy of Edward R. Murrow” at CBS in January of 1961 and he died of cancer AEJMC‟s annual convention in August 2008, April 27, 1965.1 Unquestionably, Murrow journalists and academicians devoted a great contributed greatly to broadcast journalism‟s deal of time revisiting Edward R. Murrow‟s development; achieved unprecedented fame in contributions to broadcast journalism‟s the United States during his career at CBS;2 history. -
Edward R. Murrow: Journalism at Its Best
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life .............................................................1 Freedom’s Watchdog: The Press in the U.S. ....................................4 Murrow: Founder of American Broadcast Journalism ....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy...........................................................................16 Bibliography ..................................................................................17 Photo Credits: 12: Joe Barrentine, AP/WWP. Front cover: © CBS News Archive 13: Digital Collections and Archives, Page 1: CBS, Inc., AP/WWP. Tufts University. 2: top left & right, Digital Collections and Archives, 14: top, Time Life Pictures/Getty Images; Tufts University; bottom, AP/WWP. bot tom, AP/ W WP. 4: Louis Lanzano, AP/WWP. Back cover: Edward Murrow © 1994 United States 5: left, North Wind Picture Archives; Postal Service. All Rights Reserved. right, Tim Roske, AP/WWP. Used with Permission. 7: Digital Collections and Archives, Tufts University. 8: top left, U.S. Information Agency, AP/WWP; right, AP/WWP; bottom left, Digital Collections Executive Editor: George Clack and Archives, Tufts University. Managing Editor: Mildred Solá Neely 10: Digital Collections and Archives, Tufts Art Director/Design: Min-Chih Yao University. Contributing editors: Chris Larson, 11: left, Library of American -
" the Strange Birth Of'cbs Reports'" Revisited
DOCUMENT RESUMEL ED 205 963 CS 206 427 AUTHOR Baughman, James L. TITLE "The Strange Birth of 'CBS Reports'" Revisited. .PUB DATE Aug 81 NOTE 24p.: Paper presented at the Annual Meeting of the Association for Education in Journalism (64th, East Lansing, M/, August 8-11, 1981). EBBS PRICE MP01/PC01 Plus Postage. DESCRIPTORS *Broadcast industry: *Broadcast TO.evision: Case Studies: *News Reporting: *Programing (Broadcast): Socioeconomic Influences \ IDENTIFIERS *Broadcast History: *CBS !rports ABSTRACT - Aired by the Columbia Broadcasting system (CBS) during the 1960s, "CBS Reports" proved to be one of that network's most honored efferts at television news coverage. CBSchairman, William S. Paley, based his decision to air the show on the presence of a sponsor and in response to the prospect of an open-endedFederal Communications Commission (FCC) Inquiry into network operations and a critics' tempest over the departure of another CBS News Program, ."See It Nov." The path of "CBS Reports" serves to illustrate twopoints: the economics of prograNing in the 1950s did mattergreatly to at least one network deciding for prime time news, andcritics and regulator) probably,did influence such determinations.(HOD) ** 4 *$ * Reproductions supplied by EDRS are the best that can be made from the original document. a U.S. DEPARTMENT OF EDUCATION NATIONAL INSTITUTE OF EDUCATION EOVC.ITIONAL RESOURCES AtFORMATION CENTER IERtCt .9 the docutown tve been teprodk.cod es "coned Rom the tenon co oroamabon t*Newry 4 Move changes have been mete to ."Mont teorOducten gyably History Division P0,071.0lva, a opinions maid n the docv meni do not /*cemet', r*Preitat °He. -
2009 Annual Report
2009 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs PALEYDOCEVENTS ..................................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................15 PALEYDOCFEST .......................................................................................................................................19 PALEYFEST: Fall TV Preview Parties ..........................................................................................................20 PALEYFEST: William S. Paley Television Festival ..........................................................................................21 Robert M. -
La Cultura Italiana
LA CULTURA ITALIANA PERRY COMO (1912-2001) This month’s essay looks at the life of another Italian-American popular music artist of the post-World War II era. Famous for his relaxed vocals, cardigan sweaters, and television Christ- mas specials, he was the charming Italian-American whose name became synonymous with “mellow” as he performed through seven decades, starting in the 1930s. His idol, Bing Crosby, once called him “the man who invented casual.” PIERINO RONALD “PERRY” COMO was born on May 12, 1912 in Canonsburg, Pennsylvania. (This month would have been his 107th birthday, and, coincidentally, the 18th anniversary of his death). He was the seventh of 13 children and the first Ameri- can-born child of Pietro Como and Lucia Travaglini, who had both immigrated to the United States in 1910 from Palena, a small town in the Province of Chieti in the Abruzzo region of Italy. (He used to point out to people that he was the seventh son of a seventh son and that this was a good omen in Italian culture). Like many children of Italian immigrants (including my own father), Perry did not begin speaking English until he entered school, since the Comos spoke only Italian at home. Pietro had bought a second-hand organ for $3 soon after they had arrived in America. As soon as Perry was able to toddle, he would head to the instrument, pump the bellows, and play by ear music he had heard. Pietro worked in the Standard Tin Plate factory in Canonsburg, a small town in the coal-mining region that was located 18 miles southwest of Pittsburgh. -
1 a Rhetorical/Interpretive Analysis of Edward R. Murrow's Criticism Of
A RHETORICAL/INTERPRETIVE ANALYSIS OF EDWARD R. MURROW’S CRITICISM OF BROADCAST JOURNALISM 1 Abstract Corporate influence has been an ongoing concern for working journalists. Even in the early days of television, Edward R. Murrow saw a bleak future for society if broadcasters succumbed to corporate greed and failed in their responsibility to inform the public. This rhetorical study of Murrow's 1958 speech to the Radio-Television News Directors Association, guided by Perelman's theory of the universal audience and presence, argues that Murrow’s speech prioritized broadcast journalism’s obligation to a democratic society and warned that commercial intrusion was impacting the profession’s moral obligations. At the same time, in appealing to a particular audience, Murrow deemphasized the role of individuals in the process, including both working journalists and the viewing audience. This resulted in a speech that that depended on a top-down corporate solution rather than empowering the viewing audience or broadcast journalists to work towards change. 2 Introduction and Rationale Since its inception, broadcast journalism has had to balance two distinct and what often appear to be contradictory objectives. On one side is the journalistic ideal of informing the public and keeping it abreast about an ever-changing world. On the other is the requirement to attract viewers and bring in the dollars necessary to satisfy the corporate entities that own and operate broadcasting stations. The clash between these two sides creates a push and pull that invites criticism of broadcast journalism and puts into question its true obligation to society. There are those in the profession who have criticized how the corporate side of media has continually encroached on its journalistic responsibilities. -
Songs by Title
Songs by Title Title Artist Title Artist - Human Metallica (I Hate) Everything About You Three Days Grace "Adagio" From The New World Symphony Antonín Dvorák (I Just) Died In Your Arms Cutting Crew "Ah Hello...You Make Trouble For Me?" Broadway (I Know) I'm Losing You The Temptations "All Right, Let's Start Those Trucks"/Honey Bun Broadway (I Love You) For Sentimental Reasons Nat King Cole (Reprise) (I Still Long To Hold You ) Now And Then Reba McEntire "C" Is For Cookie Kids - Sesame Street (I Wanna Give You) Devotion Nomad Feat. MC "H.I.S." Slacks (Radio Spot) Jay And The Mikee Freedom Americans Nomad Featuring MC "Heart Wounds" No. 1 From "Elegiac Melodies", Op. 34 Grieg Mikee Freedom "Hello, Is That A New American Song?" Broadway (I Want To Take You) Higher Sly Stone "Heroes" David Bowie (If You Want It) Do It Yourself (12'') Gloria Gaynor "Heroes" (Single Version) David Bowie (If You're Not In It For Love) I'm Outta Here! Shania Twain "It Is My Great Pleasure To Bring You Our Skipper" Broadway (I'll Be Glad When You're Dead) You Rascal, You Louis Armstrong "One Waits So Long For What Is Good" Broadway (I'll Be With You) In Apple Blossom Time Z:\MUSIC\Andrews "Say, Is That A Boar's Tooth Bracelet On Your Wrist?" Broadway Sisters With The Glenn Miller Orchestra "So Tell Us Nellie, What Did Old Ironbelly Want?" Broadway "So When You Joined The Navy" Broadway (I'll Give You) Money Peter Frampton "Spring" From The Four Seasons Vivaldi (I'm Always Touched By Your) Presence Dear Blondie "Summer" - Finale From The Four Seasons Antonio Vivaldi (I'm Getting) Corns For My Country Z:\MUSIC\Andrews Sisters With The Glenn "Surprise" Symphony No. -
Review of Good Night, and Good Luck
Review Reviewed Work(s): Good Night, and Good Luck by George Clooney and Grant Heslov Review by: Ron Briley Source: The Journal of American History, Vol. 93, No. 3 (Dec., 2006), pp. 985-986 Published by: Oxford University Press on behalf of Organization of American Historians Stable URL: http://www.jstor.org/stable/4486594 Accessed: 04-10-2016 00:30 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Organization of American Historians, Oxford University Press are collaborating with JSTOR to digitize, preserve and extend access to The Journal of American History This content downloaded from 95.183.180.42 on Tue, 04 Oct 2016 00:30:03 UTC All use subject to http://about.jstor.org/terms Movie Reviews 985 mented by eyewitness cBs newsman Edward R. Murrowtestimony (played in (including that of Walter Cronkite, stoic fashion by veteran character who actor Da- covered the trial as a young reporter); vid Strathairn) andexpert Wisconsin senator Josephcomment by legal scholars; explanations McCarthy to comment of on contemporary Jackson's pol- views and conduct by his iticsbiographer, in the age of terror. The liberal Clooney John Q. Barrett; audio and film excerpts contrasts the timidity of a fromcorporate media prosecution ar- guments; the testimony that failed to challenge the Georgeof W. -
“Edward R. Murrow and the Positive Power of Journalism”
“Edward R. Murrow and the Positive Power of Journalism” Abby Fennewald Leonard Steinhorn, SOC University Honors Spring 2013 Abstract: Can a journalist change society? In the case of Edward R. Murrow, the answer is yes, and this paper explores Murrow’s broadcasting career as a case study of the positive social impact that journalism can have. The paper will frame its examination with a discussion of how media influence the public at large and how the media's impact changed with the advent of broadcast journalism. Murrow drew national attention to previously underreported issues and parts of our society, and he pioneered broadcast journalism techniques and visual storytelling while doing so. Murrow drew large audiences because of his personal skill as a broadcaster as well as his willingness to challenge the status quo and speak truth to power. Today, the legacy of his work lives on as he, like other journalists whose stories influenced society, has been immortalized by Hollywood. Today, in a time when the role and style of journalism is constantly changing, and when resources for investigative journalism shrink, it is important to study and highlight practitioners who show that good reporting and afflicting the comfortable represent the best in American journalism. “He was the conscience of all of us.” — Daniel Schorr Edward R. Murrow has a unique place in the pantheon of television broadcasters. Not only was he one of the earliest — making a transition from radio to television early in the new medium’s history — he was one of the best. His level of dedication to his craft was unparalleled, and continues to be the gold standard. -
Edward R. Murrow
ARSC Study Guide: EDWARD R. MURROW STUDY GUIDE PROFILE Edward R. Murrow’s reporting on radio and television established what many journalists consider to be the professional standard for cultural and hard news reporting in the United States from the 1930s through 1960. Murrow began his career in broadcasting in World War II as CBS’s European Bureau director, earning international acclaim for his integrity and steadfastness as Nazi bombs fell on Great Britain during the London Blitz. His move into television broadcasting during the 1950s allowed him to pursue a number of controversial subjects, including the “See It Now” expose of Wisconsin Senator Joseph McCarthy. In a number of instances, such as the investigative newscast on the plight of migrant farm workers in Florida, Murrow’s reporting for CBS motivated progressive reforms, prompting him to remark late in his career that television, “can get a lot of things done.” The UCLA Film & Television Archive holds a number of materials documenting Murrow’s life and career available for research access on-site at the Powell Library. [This is only a partial list – consult the Archive Research and Study Center for additional titles] HEARST NEWSREEL Hearst Newsreel Footage. Edward Murrow, 1942 – 1954. Includes the following: “Pierre Huss, Central European Director International News Service, arrives home after years in Germany on the SS Excambion. Edward Murrow, CBS London correspondent, also on same ship tells of morale of British people. Overseas press club dinner, New York City. Senator Joseph McCarthy charges Murrow with Red ties, Murrow replies, New York City.” Study Copy: VA3912 M Hearst Newsreel Footage. -
American Visionary John F. Kennedy's Life and Times
AMERICAN VISIONARY JOHN F. KENNEDY’S LIFE AND TIMES MAY 3 – SEPTEMBER 17, 2017 JFK Timeline 1906–1963 Information is excerpted from the book JFK: A Vision for America (HarperCollins),(HarperCollins), available in the museum store. jfk_SAAM_01-16_DP_CS55_v6.indd 1 3/2/17 11:04 AM “ A MAN MAY DIE, NATIONS MAY RISE AND FALL, BUT AN IDEA LIVES ON.” — John F. Kennedy Greenville, North Carolina, February 8, 1963 In the early 1960s, during John F. Kennedy’s administration, America envisioned — and began to realize — a new, modern nation. Kennedy pushed the U.S. forward into the space race, laid the foundation for the environmental movement, outlined legislation to protect civil rights, advocated equal pay for women, and promoted federal health insurance for the elderly as well as immigration laws that would make America more diverse. He also focused attention on cultural issues, laying the groundwork for the National Foundations for the Arts and Humanities. The timeline that follows reminds us about important events in Kennedy’s life, which are interspersed with key historical and cultural events and accompanied by photographs and ephemera that provide a rich context for the photographs in the exhibition. 2 jfk_SAAM_01-16_DP_CS55_v6.indd 2 3/2/17 11:04 AM Photo, © PhilippePhotos Halsman, Magnum Photo, jfk_SAAM_01-16_DP_CS55_v6.indd 3 3/2/17 11:04 AM 1906 John Francis “Honey July 28, 1929 Jacqueline Lee Bouvier is born in Southampton, Fitz” Fitzgerald is elected New York, elder child of stockbroker John Vernou Bouvier III and mayor of Boston. socialite Janet Lee Bouvier. October 7, 1914 Joseph October 29, 1929 Black Tuesday: Wall Street crash precipitates Patrick Kennedy, elder son of Patrick Joseph Kennedy, marries Great Depression, which will persist for 10 years.