TV Pilot Kit – Writers Store
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Carol Raskin
Carol Raskin Artistic Images Make-Up and Hair Artists, Inc. Miami – Office: (305) 216-4985 Miami - Cell: (305) 216-4985 Los Angeles - Office: (310) 597-1801 FILMS DATE FILM DIRECTOR PRODUCTION ROLE 2019 Fear of Rain Castille Landon Pinstripe Productions Department Head Hair (Kathrine Heigl, Madison Iseman, Israel Broussard, Harry Connick Jr.) 2018 Critical Thinking John Leguizamo Critical Thinking LLC Department Head Hair (John Leguizamo, Michael Williams, Corwin Tuggles, Zora Casebere, Ramses Jimenez, William Hochman) The Last Thing He Wanted Dee Rees Elena McMahon Productions Additional Hair (Miami) (Anne Hathaway, Ben Affleck, Willem Dafoe, Toby Jones, Rosie Perez) Waves Trey Edward Shults Ultralight Beam LLC Key Hair (Sterling K. Brown, Kevin Harrison, Jr., Alexa Demie, Renee Goldsberry) The One and Only Ivan Thea Sharrock Big Time Mall Productions/Headliner Additional Hair (Bryan Cranston, Ariana Greenblatt, Ramon Rodriguez) (U. S. unit) 2017 The Florida Project Sean Baker The Florida Project, Inc. Department Head Hair (Willem Dafoe, Bria Vinaite, Mela Murder, Brooklynn Prince) Untitled Detroit City Yann Demange Detroit City Productions, LLC Additional Hair (Miami) (Richie Merritt Jr., Matthew McConaughey, Taylour Paige, Eddie Marsan, Alan Bomar Jones) 2016 Baywatch Seth Gordon Paramount Worldwide Additional Hair (Florida) (Dwayne Johnson, Zac Efron, Alexandra Daddario, David Hasselhoff) Production, Inc. 2015 The Infiltrator Brad Furman Good Films Production Department Head Hair (Bryan Cranston, John Leguizamo, Benjamin Bratt, Olympia -
Magisterarbeit
MAGISTERARBEIT Titel der Magisterarbeit „Sie jobbt, Er liebt.“ Geschlechtsunterschiede in der humorvollen Darstellung von Liebe im deutschsprachigen Marktführer „How I Met Your Mother“ verfasst von Anne-Marie Darok, Bakk.phil. angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2016 Studienkennzahl lt. Studienblatt: A 066 / 841 Studienrichtung lt. Studienblatt: Publizistik und Kommunikationswissenschaft Betreut von: Ass. Prof. Mag. Dr. Johanna Dorer Eidesstattliche Erklärung Ich erkläre hiermit an Eides Statt, dass ich die vorliegende Arbeit selbständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Gedanken sind als solche kenntlich gemacht. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Wien, am 13.01.2016 Anne-Marie Darok 1 Danksagung „Es braucht ein ganzes Dorf, um ein Kind großzuziehen“ Es braucht auch eine große Menge an Motivation, Unterstützung und Geduld, um eine Magisterarbeit fertigzustellen. Ich danke meinen Eltern, dass sie mir echte Vorbilder für meinen universitären Weg waren. Auch danke ich meinen Freunden, die mich mit dem besten Kaffe der Welt und guten Worten unterstützt haben. Sowie meiner Betreuerin Ass. Prof. Mag. Dr. Johanna Dorer. Mein besonderer Dank gilt meinem Lebensgefährten, Michael Leitner, der fast genauso viel Gehirnschmalz in die Sache gesteckt hat, wie ich. Zuletzt danke ich David Bowie, unter dessen Schirmherrschaft -
MASARYK UNIVERSITY BRNO Master´S Thesis
MASARYK UNIVERSITY BRNO FACULTY OF EDUCATION Department of English Language and Literature TRANSLATION OF ENGLISH LEXICAL AMBIGUITIES AND WORDPLAY BASED ON THE SITCOM HOW I MET YOUR MOTHER Master´s Thesis Brno 2016 Supervisor: Author: Mgr. Martin Němec, Ph.D. Hana Křepelková Declaration I declare that I worked on my master´s thesis on my own and I used only the resources mentioned in the thesis. I agree with storing my thesis in the library of the Faculty of Education at the Masaryk University Brno and making it accessible for study purposes. Prohlášení Prohlašuji, že jsem diplomovou práci zpracovala samostatně a použila jen zdroje uvedené v seznamu literatury a internetových zdrojů. Souhlasím, aby byla práce uložena na Pedagogické fakultě Masarykovy univerzity v Brně pro studijní účely. Brno 3th March 2016 ................................... Hana Křepelková 2 Acknowledgment I would like to express my gratitude to Mgr. Martin Němec, Ph.D. for supervising my master´s thesis. I would like to thank him for his time and support as well as for providing inspiring ideas, useful advice and instructive sources. 3 Abstract The diploma thesis focuses on the matter of translation of English lexical ambiguities. It studies the Czech translation of wordplay, set phrases, idioms, proverbs or sayings that are often employed in order to achieve a humorous effect. The research is thus based on the popular sitcom How I Met Your Mother. The aim of the thesis is to study whether the translators manage to transform those phenomena into Czech, what techniques there are used in order to translate the "untranslatable" and also to assess if the comical effect may be retained. -
Air Line Pilots Page 5 Association, International Our Skies
March 2015 ALSO IN THIS ISSUE: » Landing Your » Known Crewmember » Sleep Apnea Air Dream Job page 20 page 29 Update page 28 Line PilOt Safeguarding Official Journal of the Air Line Pilots page 5 Association, International Our Skies Follow us on Twitter PRINTED IN THE U.S.A. @wearealpa Sponsored Airline- Career Track ATP offers the airline pilot career training solution with a career track from zero time to 1500 hours sponsored by ATP’s airline alliances. Airline Career month FAST TRACK Demand for airline pilots and ATP graduates is soaring, Pilot Program with the “1500 hour rule” and retirements at the majors. AIRLINES Airlines have selected ATP as a preferred training provider to build their pilot pipelines Private, Instrument, Commercial Multi Also available with... & Certified Flight Instructor (Single, Multi 100 Hours Multi-Engine Experience with the best training in the fastest & Instrument) time frame possible. 225 Hours Flight Time / 100 Multi 230 Hours Flight Time / 40 Multi In the Airline Career Pilot Program, your airline Gain Access to More Corporate, Guaranteed Flight Instructor Job Charter, & Multi-Engine Instructor interview takes place during the commercial phase Job Opportunities of training. Successful applicants will receive a Airline conditional offer of employment at commercial phase of training, based on building Fly Farther & Faster with Multi- conditional offer of employment from one or more of flight experience to 1500 hours in your guaranteed Engine Crew Cross-Country ATP’s airline alliances, plus a guaranteed instructor CFI job. See website for participating airlines, Experience job with ATP or a designated flight school to build admissions, eligibility, and performance requirements. -
Infant and Toddler Contracted Slots Pilot Program: Evaluation Report Chad Dorn, Phd
Infant and Toddler Contracted Slots Pilot Program: Evaluation Report Chad Dorn, PhD. August 2020 2 Propulscreating force leading toon movement Contents ACKNOWLEDGEMENT............................................................................................................... 4 OVERVIEW OF INFANT TODDLER CONTRACTED SLOTS PILOT ....................................... 5 THE EVALUATION........................................................................................................................ 7 Implementation Science (IS) Framework............................................................................... 7 Building the capacity to effectively implement...................................................................... 9 Implementation Teams............................................................................................... 9 Data-Informed Feedback Loops................................................................................. 9 Implementation Infrastructure.................................................................................. 10 Data Collection and Timeline................................................................................. ............... 10 Data Sources and Collection .................................................................................................. 11 Administrative Data.................................................................................................... 11 Program Director Survey – Pre and Post................................................................... -
Tracing Fairy Tales in Popular Culture Through the Depiction of Maternity in Three “Snow White” Variants
University of Louisville ThinkIR: The University of Louisville's Institutional Repository College of Arts & Sciences Senior Honors Theses College of Arts & Sciences 5-2014 Reflective tales : tracing fairy tales in popular culture through the depiction of maternity in three “Snow White” variants. Alexandra O'Keefe University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/honors Part of the Children's and Young Adult Literature Commons, and the Comparative Literature Commons Recommended Citation O'Keefe, Alexandra, "Reflective tales : tracing fairy tales in popular culture through the depiction of maternity in three “Snow White” variants." (2014). College of Arts & Sciences Senior Honors Theses. Paper 62. http://doi.org/10.18297/honors/62 This Senior Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in College of Arts & Sciences Senior Honors Theses by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. O’Keefe 1 Reflective Tales: Tracing Fairy Tales in Popular Culture through the Depiction of Maternity in Three “Snow White” Variants By Alexandra O’Keefe Submitted in partial fulfillment of the requirements for Graduation summa cum laude University of Louisville March, 2014 O’Keefe 2 The ability to adapt to the culture they occupy as well as the two-dimensionality of literary fairy tales allows them to relate to readers on a more meaningful level. -
As Heard on TV
Hugvísindasvið As Heard on TV A Study of Common Breaches of Prescriptive Grammar Rules on American Television Ritgerð til BA-prófs í Ensku Ragna Þorsteinsdóttir Janúar 2013 2 Háskóli Íslands Hugvísindasvið Enska As Heard on TV A Study of Common Breaches of Prescriptive Grammar Rules on American Television Ritgerð til BA-prófs í Ensku Ragna Þorsteinsdóttir Kt.: 080288-3369 Leiðbeinandi: Pétur Knútsson Janúar 2013 3 Abstract In this paper I research four grammar variables by watching three seasons of American television programs, aired during the winter of 2010-2011: How I Met Your Mother, Glee, and Grey’s Anatomy. For background on the history of prescriptive grammar, I discuss the grammarian Robert Lowth and his views on the English language in the 18th century in relation to the status of the language today. Some of the rules he described have become obsolete or were even considered more of a stylistic choice during the writing and editing of his book, A Short Introduction to English Grammar, so reviewing and revising prescriptive grammar is something that should be done regularly. The goal of this paper is to discover the status of the variables ―to lay‖ versus ―to lie,‖ ―who‖ versus ―whom,‖ ―X and I‖ versus ―X and me,‖ and ―may‖ versus ―might‖ in contemporary popular media, and thereby discern the validity of the prescriptive rules in everyday language. Every instance of each variable in the three programs was documented and attempted to be determined as correct or incorrect based on various rules. Based on the numbers gathered, the usage of three of the variables still conforms to prescriptive rules for the most part, while the word ―whom‖ has almost entirely yielded to ―who‖ when the objective is called for. -
Jennifer Chovancek
JENNIFER CHOVANCEK ASSISTANT PRODUCTION COORDINATOR 1-95 Malvern Ave. Toronto On M4E 3E6 C.416-844-6780 [email protected] Assistant Production Workin’ Moms Television Series CBC Coordinator Producers: Catherine Reitman, Philip 07-11, 2016 Sternberg, Jonathan Walker PM: Anthony Pangalos PC: Michelle Kanyo Assistant Production The Stanley Dynamic II Television Sitcom YTV Coordinator Producers: Teza Lawrence, Michael 08, 2015 - 04, 2016 Souther, Ken Cuperus, Victoria Hirst PM: Maribeth Daley PC: Alison Waxman 2nd Unit Assistant Warrior TV Pilot NBC Production Producer: Marc David Alpert 03-04, 2015 Coordinator PM: Brian Campbell PC: Keitha Redmond Production The Stanley Dynamic Television Sitcom YTV Coordinator Producers: Teza Lawrence, Michael 05-12, 2014 Souther, Ken Cuperus, Victoria Hirst PM: Maribeth Daley Assistant Production The Stanley Dynamic Television Sitcom YTV Coordinator Producers: Teza Lawrence, Michael 02-05, 2014 Souther, Ken Cuperus, Victoria Hirst PM: Maribeth Daley PC: Alison Waxman Travel Coordinator The Best Laid Plans TV Mini Series CBC Producers: Brian Dennis, Phyllis Platt, 05-12, 2013 Peter Moss PM: Mary Pantelidis Assistant Production The F Word Feature Film No Trace Coordinator Producers: Jessie Shapira, Jeff Arkuss, 05-11, 2012 Camping David Gross, Hartley Gorenstein PM: Reggie Robb PC: Alison Waxman Assistant Production COPPER Television Series Cineflix/ BBC/ Coordinator Producers: Glen Salzman, Brad Van 12, 2011-03,2012 Shaw Arragon PM: Chris Danton PC: Nancy Jackson Assistant Production Sunshine Sketches -
The Relative Cost-Effectiveness of Retaining Versus Accessing Air Force Pilots
The Relative Cost-Effectiveness of Retaining Versus Accessing Air Force Pilots Michael G. Mattock, Beth J. Asch, James Hosek, Michael Boito C O R P O R A T I O N For more information on this publication, visit www.rand.org/t/RR2415 Library of Congress Cataloging-in-Publication Data is available for this publication. ISBN: 978-1-9774-0204-2 Published by the RAND Corporation, Santa Monica, Calif. © Copyright 2019 RAND Corporation R® is a registered trademark. Cover: Getty Images/Fanatic Studio. Limited Print and Electronic Distribution Rights This document and trademark(s) contained herein are protected by law. This representation of RAND intellectual property is provided for noncommercial use only. Unauthorized posting of this publication online is prohibited. Permission is given to duplicate this document for personal use only, as long as it is unaltered and complete. Permission is required from RAND to reproduce, or reuse in another form, any of its research documents for commercial use. For information on reprint and linking permissions, please visit www.rand.org/pubs/permissions. The RAND Corporation is a research organization that develops solutions to public policy challenges to help make communities throughout the world safer and more secure, healthier and more prosperous. RAND is nonprofit, nonpartisan, and committed to the public interest. RAND’s publications do not necessarily reflect the opinions of its research clients and sponsors. Support RAND Make a tax-deductible charitable contribution at www.rand.org/giving/contribute www.rand.org Preface The research discussed in this report was conducted for a project to develop an analytic capability for determining the efficient amount of special and incentive (S&I) pays for rated officers in the U.S. -
Indie TV: Innovation in Series Development Aymar Jean Christian Northwestern Univeristy I Spent Five Years Interviewing Creators
Indie TV: Innovation in series development DRAFT Aymar Jean Christian Northwestern Univeristy I spent five years interviewing creators of American web series, or independent television online,1 speaking with 134 producers and executives making and releasing scripted series independent of traditional network investment. No two series or creators were ever alike. Some were sci-fi comedies created by Trekkers, others urban dramas by black women. Nevertheless nearly every creator differentiated their work and products from traditional television in some way. Strikingly, whenever I ask if any particular creator inspired them to develop their own show independently, I heard one response more than any other: Felicia Day. Indie TV creators revere Day for her innovation in production and distribution: she developed a hit franchise, The Guild, outside network development processes. The Guild, a sitcom about a diverse group of gamers who sit at computers all day to play an MMORPG in the style of World of Warcraft, ran for six seasons, from 2007 to 2013, and spawned a music video, DVDs, comic books, a companion book, as well as marshaled the passions of hundreds of thousands of fans. By the end of its run, The Guild had amassed over 330,000 subscribers on YouTube, though it could also be seen on other portals. In my work I have seen The Guild emerge as central to the online indie TV industry’s case for itself as antidote to what ails Hollywood. Day initially pitched to Christian, A.J. (forthcoming). Indie TV: Innovation in Series Development, in Media Independence: 1 working with freedom or working for free?. -
Mediated Eros | Sternadori PETER LANG (Ph.D., MIGLENA M
This book makes a unique contribution to the field of me- dia studies by analyzing the perpetuation of sexual scripts through news articles, films, TV shows, lifestyle magazines, advertisements, and other forms of popular mediated culture. Focusing on cultural differences between North America and Europe, the book catalogues and contextualizes common sex- ual scripts by looking at the ways in which people have or do | Eros Mediated not have sex, eroticize each other’s bodies, penetrate each other’s bodies, and give meaning to all these activities. Other such analyses have explored whether, when, and why people decide to have sex, and so on. This book instead fo- cuses on how the sexual interaction itself is culturally script- ed to occur—what sequence of events takes place after a couple have decided to have sex. While the first half of the book catalogues sexual scripts in a general way, based on geography and sexual orientation, the second half is framed around sexual discourses associated with some degree of shame and social stigmatization. The book ends by addressing the hegemonic perpetuation of me- diated sexual scripts across cultures and the role of sexuality in fourth-wave feminism. Sternadori Mediated Eros is suitable as the primary or secondary text in seminars on media, culture, and sexuality, and would also be of interest to journalists and freelance writers whose work explores the sociocultural construction of sex and the sexual self. MIGLENA M. STERNADORI (Ph.D., University of Missouri) is an asso- ciate professor in the Department of Journalism and Electronic Media at Texas Tech University. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M.