Pressing Her Emotions
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Comedy Taken Seriously the Mafia’S Ties to a Murder
MONDAY Beauty and the Beast www.annistonstar.com/tv The series returns with an all-new episode that finds Vincent (Jay Ryan) being TVstar arrested for May 30 - June 5, 2014 murder. 8 p.m. on The CW TUESDAY Celebrity Wife Swap Rock prince Dweezil Zappa trades his mate for the spouse of a former MLB outfielder. 9 p.m. on ABC THURSDAY Elementary Watson (Lucy Liu) and Holmes launch an investigation into Comedy Taken Seriously the mafia’s ties to a murder. J.B. Smoove is the dynamic new host of NBC’s 9:01 p.m. on CBS standup comedy competition “Last Comic Standing,” airing Mondays at 7 p.m. Get the deal of a lifetime for Home Phone Service. * $ Cable ONE is #1 in customer satisfaction for home phone.* /mo Talk about value! $25 a month for life for Cable ONE Phone. Now you’ve got unlimited local calling and FREE 25 long distance in the continental U.S. All with no contract and a 30-Day Money-Back Guarantee. It’s the best FOR LIFE deal on the most reliable phone service. $25 a month for life. Don’t wait! 1-855-CABLE-ONE cableone.net *Limited Time Offer. Promotional rate quoted good for eligible residential New Customers. Existing customers may lose current discounts by subscribing to this offer. Changes to customer’s pre-existing services initiated by customer during the promotional period may void Phone offer discount. Offer cannot be combined with any other discounts or promotions and excludes taxes, fees and any equipment charges. -
Missing Cats, Stray Coyotes: One Citizen’S Perspective
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Wildlife Damage Management Conferences -- Wildlife Damage Management, Internet Center Proceedings for 4-1-2007 MISSING CATS, STRAY COYOTES: ONE CITIZEN’S PERSPECTIVE Judith C. Webster Vancouver, British Columbia, Canada Follow this and additional works at: https://digitalcommons.unl.edu/icwdm_wdmconfproc Part of the Environmental Sciences Commons Webster, Judith C., "MISSING CATS, STRAY COYOTES: ONE CITIZEN’S PERSPECTIVE" (2007). Wildlife Damage Management Conferences -- Proceedings. 78. https://digitalcommons.unl.edu/icwdm_wdmconfproc/78 This Article is brought to you for free and open access by the Wildlife Damage Management, Internet Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Wildlife Damage Management Conferences -- Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Missing Cats, Stray Coyotes: One Citizen’s Perspective * Judith C. Webster , Vancouver, British Columbia, Canada Abstract : The author explores the issue of urban coyotes and coyote management from a cat owner’s perspective, with specific examples from Vancouver, B.C., Canada. Following a personal encounter with two coyotes in July 2005 that led to the death of a cat, the author has delved into the history of Vancouver’s “Co-existing with Coyotes”, a government-funded program run by a non- profit ecological society. The policy’s roots in conservation biology, the environmental movement, and the human dimensions branch of wildlife management are documented. The author contends that “Co-existing with Coyotes” puts people and pets at greater risk of attack by its inadequate response to habituated coyotes, and by an educational component that misrepresents real dangers and offers unworkable advice. -
Jennifer Chovancek
JENNIFER CHOVANCEK ASSISTANT PRODUCTION COORDINATOR 1-95 Malvern Ave. Toronto On M4E 3E6 C.416-844-6780 [email protected] Assistant Production Workin’ Moms Television Series CBC Coordinator Producers: Catherine Reitman, Philip 07-11, 2016 Sternberg, Jonathan Walker PM: Anthony Pangalos PC: Michelle Kanyo Assistant Production The Stanley Dynamic II Television Sitcom YTV Coordinator Producers: Teza Lawrence, Michael 08, 2015 - 04, 2016 Souther, Ken Cuperus, Victoria Hirst PM: Maribeth Daley PC: Alison Waxman 2nd Unit Assistant Warrior TV Pilot NBC Production Producer: Marc David Alpert 03-04, 2015 Coordinator PM: Brian Campbell PC: Keitha Redmond Production The Stanley Dynamic Television Sitcom YTV Coordinator Producers: Teza Lawrence, Michael 05-12, 2014 Souther, Ken Cuperus, Victoria Hirst PM: Maribeth Daley Assistant Production The Stanley Dynamic Television Sitcom YTV Coordinator Producers: Teza Lawrence, Michael 02-05, 2014 Souther, Ken Cuperus, Victoria Hirst PM: Maribeth Daley PC: Alison Waxman Travel Coordinator The Best Laid Plans TV Mini Series CBC Producers: Brian Dennis, Phyllis Platt, 05-12, 2013 Peter Moss PM: Mary Pantelidis Assistant Production The F Word Feature Film No Trace Coordinator Producers: Jessie Shapira, Jeff Arkuss, 05-11, 2012 Camping David Gross, Hartley Gorenstein PM: Reggie Robb PC: Alison Waxman Assistant Production COPPER Television Series Cineflix/ BBC/ Coordinator Producers: Glen Salzman, Brad Van 12, 2011-03,2012 Shaw Arragon PM: Chris Danton PC: Nancy Jackson Assistant Production Sunshine Sketches -
Indie TV: Innovation in Series Development Aymar Jean Christian Northwestern Univeristy I Spent Five Years Interviewing Creators
Indie TV: Innovation in series development DRAFT Aymar Jean Christian Northwestern Univeristy I spent five years interviewing creators of American web series, or independent television online,1 speaking with 134 producers and executives making and releasing scripted series independent of traditional network investment. No two series or creators were ever alike. Some were sci-fi comedies created by Trekkers, others urban dramas by black women. Nevertheless nearly every creator differentiated their work and products from traditional television in some way. Strikingly, whenever I ask if any particular creator inspired them to develop their own show independently, I heard one response more than any other: Felicia Day. Indie TV creators revere Day for her innovation in production and distribution: she developed a hit franchise, The Guild, outside network development processes. The Guild, a sitcom about a diverse group of gamers who sit at computers all day to play an MMORPG in the style of World of Warcraft, ran for six seasons, from 2007 to 2013, and spawned a music video, DVDs, comic books, a companion book, as well as marshaled the passions of hundreds of thousands of fans. By the end of its run, The Guild had amassed over 330,000 subscribers on YouTube, though it could also be seen on other portals. In my work I have seen The Guild emerge as central to the online indie TV industry’s case for itself as antidote to what ails Hollywood. Day initially pitched to Christian, A.J. (forthcoming). Indie TV: Innovation in Series Development, in Media Independence: 1 working with freedom or working for free?. -
Beliefs About Individuals with Disability As Related to Media Portrayal of Disability in Glee
BELIEFS ABOUT INDIVIDUALS WITH DISABILITY AS RELATED TO MEDIA PORTRAYAL OF DISABILITY IN GLEE _______________________________________ A thesis presented to the Faculty of the Graduate School at the University of Missouri _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by EMILY LORENZ Dr. Cynthia M. Frisby, Ph.D., MAY 2016 The undersigned, appointed by the dean of the Graduate School, have examined the thesis titled BELIEFS ABOUT INDIVIDUALS WITH DISABILITY AS RELATED TO MEDIA PORTRAYAL OF DISABILITY IN GLEE presented by Emily Lorenz, a candidate for the degree of master of arts and hereby certify that, in their opinion, it is worthy of acceptance. Professor Dr. Cynthia M. Frisby Professor Dr. Elizabeth (Lissa) Behm-Morawitz Professor Dr. Sungkyoung Lee Professor Dr. Cristina Mislán DEDICATION In loving memory of mom, Janice Peurrung, I would not be who I am without her, and this research would not exist. With love and gratitude, dedicated to Kevin, Lily, Michael, and Kate – everything I do, I do for and because of my family. ACKNOWLEDGEMENTS Thank you Dr. Frisby, you are truly an inspiration and your support through this process has been invaluable. I am grateful for your positive attitude, dedication and support in my research. Thank you also to Dr. Elizabeth (Lissa) Behm-Morawitz, Dr. Sungkyoung Lee and Dr. Cristina Mislán for serving on my committee and helping make my dream a reality. Finally, thank you to Sarah Smith-Frigerio for her support, encouragement and answering myriad questions for me during the past eight (yes, I said eight) years since I started this master’s program. -
2014 Television Pilot Production Report Provides Updated Insight Into L.A.’S Ongoing Loss of New Television Pilot Projects and Promising Series
Contact: Philip Sokoloski Danielle Walker VP, Integrated Communications Communications Coordinator (213) 977-8630 (213) 977-8635 [email protected] [email protected] FOR IMMEDIATE RELEASE New York Surpasses Los Angeles in Attracting New TV Drama Pilots Los Angeles’ Annual Pilot Production Share Slips to 44 Percent – A New Low LOS ANGELES – June 24, 2014 – FilmL.A., the not-for-profit film office serving the Greater Los Angeles Region, today announced the release of a new report prepared by its research division. The 2014 Television Pilot Production Report provides updated insight into L.A.’s ongoing loss of new television pilot projects and promising series. The 2013/2014 development cycle saw New York (with 24 drama projects retained) dethrone Los Angeles (with 19 drama projects retained) to become North America’s most attractive location for one-hour TV pilot production. Overall, Los Angeles retained only 90 projects (19 one-hour dramas and 71 half-hour comedies) out of 203 tracked during the ‘13/’14 development cycle, yielding a 44 percent pilot production share. Last year, L.A.’s pilot production share was 52 percent, and six years earlier, a commanding 82 percent. Leading competitors – including New York (35 total projects), Vancouver (17 total projects), Atlanta (12 total projects) and Toronto (8 total projects) – continue to gain ground on Los Angeles by attracting pilot producers with class-leading film incentive programs. Most of the pilot projects shot outside California were lucrative one-hour drama series produced for network, cable, or new media distribution. Including “straight-to-series” orders favored by new media content producers like Netflix, these projects cost $6 to $8 million to produce and employ 150-230 people during production. -
The Sigma Tau Delta Rectangle
The Sigma Tau Delta Rectangle Journal of Creative Writing Sigma Tau Delta International English Honor Society Volume 90, 2015 Editor of Publications: Karlyn Crowley Associate Editors: Kacie Grossmeier Anna Miller Production Editor: Alex Velicer St. Norbert College De Pere, Wisconsin Honor Members of Sigma Tau Delta Chris Abani Mari Evans Kyoko Mori Kim Addonizio Anne Fadiman Scott Morris Edward Albee Philip José Farmer Azar Nafisi Julia Alvarez Robert Flynn Howard Nemerov Rudolfo A. Anaya Shelby Foote Naomi Shihab Nye Alison Bechdel H.E. Francis Sharon Olds Saul Bellow Alexandra Fuller Walter J. Ong, S.J. John Berendt Neil Gaiman Suzan–Lori Parks Robert Bly Charles Ghigna Laurence Perrine Vance Bourjaily Nikki Giovanni Michael Perry Cleanth Brooks Donald Hall Gin Phillips Gwendolyn Brooks Robert Hass David Rakoff Lorene Cary Frank Herbert Henry Regnery Judith Ortiz Cofer Peter Hessler Richard Rodriguez Henri Cole Andrew Hudgins Kay Ryan Billy Collins William Bradford Huie Mark Salzman Pat Conroy E. Nelson James Sir Stephen Spender Bernard Cooper X.J. Kennedy William Stafford Judith Crist Jamaica Kincaid Lucien Stryk Jim Daniels Ted Kooser Amy Tan James Dickey Ursula K. Le Guin Justin Torres Mark Doty Li-Young Lee Sarah Vowell Ellen Douglas Valerie Martin Eudora Welty Richard Eberhart David McCullough Jessamyn West Timothy Egan Erin McGraw Jacqueline Woodson Dave Eggers Daniel Mendelsohn Katja Esson Marion Montgomery Delta Award Recipients Richard Cloyed Elizabeth Holtze Elva Bell McLin Sue Yost Beth DeMeo Elaine Hughes Isabel Sparks Bob Halli E. Nelson James Kevin Stemmler Copyright © 2015 by Sigma Tau Delta All rights reserved under International and Pan–American Copyright Conventions. -
Tonight's Listings
(S) = In Stereo (N) = NewProgramming For a guide to channel numbers on cable and satellite, look in the (HD) = High Definition Television (PA) = Parental Advisory Movies shaded Tonight’s listings (R) = Restricted Under 17 (NR) = Not Rated Listings subject to change TV Week magazine in Sunday’s Spokesman-Review. Sep. 16 5 pm 5:30 6 pm 6:30 7 pm 7:30 8 pm 8:30 9 pm 9:30 10 pm 10:30 11 pm KREM KREM 2 News at CBS Evening KREM 2 News at Access Holly- The Doctors (N) 4 New Adv.-Old Gary Unmarried Criminal Minds: ... And Back. (S) 5 CSI: NY: Pay Up. (S) 5 (HD) KREM 2 News at 2.1 5 (N) News-Couric 6 (N) wood (N) 4 Christine (S) 5 (HD) (HD) 11 (N) KXLY KXLY 4 News at 5 World News-Gib- KXLY 4 News at KXLY 4 News at Entertainment The Insider (N) Wipeout (N) (S) 4 (HD) (:02) Crash Course (N) (S) 4 (:01) Primetime: The Outsiders (N) KXLY 4 News at 4.1/4.3 (HD) son 6 (HD) 6:30 (HD) Tonight 4 (S) (HD) (S) (HD) 11 (HD) KXMN Star Trek: The Next Generation: Seinfeld (S) 4 Seinfeld (S) 4 KXLY 4 News at KXLY 4 News at World’s Funniest Moments (S) Magic’s Biggest Secrets Finally Re- Entertainment The Insider (N) The Man in the 4.2 The Naked Now. (S) 4 (HD) (HD) 6 6:30 (HD) vealed (S) (HD) Tonight 4 (S) (HD) Iron Mask ›› KHQ News (N) 3 NBC Nightly News (N) 3 Who Wants to Be Jeopardy! (N) 3 Wheel of For- America’s Got Talent: Winner is revealed; Susan Boyle. -
CUPID “Botched Makeover” TEASER FADE IN: INT. SINGLES SESSION
CUPID “Botched Makeover” TEASER FADE IN: 1 INT. SINGLES SESSION ROOM - NIGHT 1 The GROUP listens attentively while TOM CAIGHNE, gorgeous in a former Phi Delt rush captain sort of way, speaks. PRISCILLA and other female group members are getting a little misty. The guys listen to this with a bit more skepticism. TOM ... She was always saying how she wanted a yellow lab puppy. She even had a name picked out -- Barnaby. And I thought, you know, what a great three-months-of- dating gift. So I show up to her house. I knock... (beat, this is difficult) ... and her ex-boyfriend answers in a towel. Priscilla shakes her head: “that evil bitch.” CLAIRE’S expression tells us she may not be buying this. TOM It was just so... post-sex. You know? (he pauses dramatically) Barnaby’s seventy pounds now, and I know my apartment isn’t a great place for him. But what can I do? I love the guy. (shrugs) I guess I’m just afraid to get back out there... afraid of getting hurt. Sympathetic female faces. Except for previously unknown group member DAPHNE. She’s pissed. DAPHNE I’m sorry, but I can’t take this anymore. That is the biggest, heaviest, densest load of crap I have ever heard. Audible GASPS from the group. TREVOR’S eyes flicker. CLAIRE Uh, Daphne, we’ve talked about “respectful listening...” (CONTINUED) "Botched Makeover" #114 Revised (pink) 1/15/99 2. 1 CONTINUED: 1 DAPHNE I listened respectfully when he told me he couldn’t wait for me to meet his parents. -
Effeminacy and Expertise, Excess and Equality
Effeminacy and Expertise, Excess and Equality: Gay Best Friends as Consumers and Commodities in Contemporary Television © Copyrighted Material Introduction: Selling and Buying the Gay Best Friend Chapter 7 In December 2003 Vanity Fair Heat Wave’. Featuring the stars of American series Will & Grace Queer Eye for the Straight Guy cover celebrated what seemed a milestone in mainstream media: at least nine gay-centric television shows in prime time, in a period of unprecedentedSusie Khamis and Anthony Lambert visibility for gay and lesbian characters and personalities. This was, to a certain extent, an unexpected side effect of the cultural focus on gay men after the spread of AIDS in the West in the 1980s: While the AIDS crisis claimed many lives, it served as a catalyst to open conversations about sexuality and gender that had heretofore been difficult if not impossible and, consequently, the turn of the millennium ushered in a newfound examination of what had been defined as ‘‘gay,’’ and perhaps not so positively, this queered space began to make ‘‘gay’’ a commodity. Interestingly, it would only be 10 years after the height of the AIDS crisis in America that magazine dedicated its front cover to ‘TV’s Gay © 2015 the number one television sit-com would highlight the lives of two ‘‘gay’’ men (2003–2007) and From Alison Hulme (ed.), Consumerismand two ‘‘straight’’on TV: Popularwomen (all whiteMedia and from‘‘upper-middle-class’’) the 1950s to in thea manner Present , published by Ashgate Publishing.that captured See: many http://www.ashgate.com/isbn/9781472447562 of the stereotypes historically associated with gays and the women who adore them (Poole, 2014: 280). -
TV Pilot Kit – Writers Store
TV Pilot Kit From The Writers Store Ever fantasized about creating your own TV show? Stop dreaming & start writing! The TV Pilot Kit is the perfect launching pad for writing a professional TV Pilot proposal. This kit includes elements that guide you through your Pilot Proposal, including logline, plot, and acts, along with a Character Map for determining your cast and their motivations. Plus, you’ll find illustrated examples using the pilot of How I Met Your Mother. Once you're finished, you can confirm with an expert that your completed Kit is ready to compete in the Industry via our TV Pilot Kit Development Notes. With this professional service, you get a written analysis on your proposal's viability, which is that the delicate balance of a set-up, payoff, and ongoing plot lines and character arcs. Plus, your completed TV Pilot Kit proposals can be used to enter the next round of The Industry Insider TV Writing Contest, where you can win unparalleled Industry experience, a meeting with an esteemed executive producer, and much more. 2 Contents Elements of TV Pilot Proposal 4 Character Map 5 Example of TV Pilot Proposal 9 How I Met Your Mother Example of Character Map 12 How I Met YOur Mother 3 Industry Insider TV Pilot Proposal 1-SERIES LOGLINE 2- WRITE BRIEF DESCRIPTIONS FOR EACH OF YOUR MAIN CHARACTERS 3. USE THE CHARACTER MAP TO WRITE BRIEF DESCRIPTIONS DETAILING HOW EACH CHARACTER FEELS ABOUT THE OTHER CHARACTERS 4. WRITE A BRIEF DESCRIPTION OF THE PLOTS IN THE PILOT EPISODE 4a. A PLOT 4b. -
The 30 Minute Campaign Makeover Guide Contents
The 30 Minute Campaign Makeover Guide Contents 1 Introduction 4 Refining Your Assets 2 Content Value 5 Campaign Approach 3 Insight From Data 6 Am I Too Busy? 1 Introduction Welcome Let me start by reiterating one of the most important quotes I have heard in a long time. It was said by James Skellington (Force24 Head of Travel Business Development) during a Swiss Innovation day interview: “People make technology great”! This should really set the scene for this guide - platforms like Force24 are simply a tool, like a hammer. It’s how you use the tool, and when in the right hands, the tool can create amazing things. Force24 has always believed this, which has set the charge for everything we do… Force24 was established in 2010 by Managing Director Adam Adam Oldfield. Oldfield Managing He saw a need to bring advanced Marketing Automation Director capabilities to ALL businesses. On the path to doing so, he noted a significant issue with the Marketing Automation industry, the fact that even given the tools, this brave new world took confidence and a new way of thinking! So he added free training and support for life on a 2min SLA for all clients. Fast forward 9 years and Force24 has over 3000 users and is one of the fastest growing Marketing Automation platforms on the market. Having a deep understanding of the issues most marketers faced, Force24 was born to specify a solution that was not a “me too” approach, but an actual answer to the needs of modern marketers. Force24 as a company and a product continues to push forward with a constant thirst for innovation and an unrelenting passion for client support and training.