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Cinéma, De Notre Temps PROFIL Cinéma, de notre Temps Une collection dirigée par Janine Bazin et André S. Labarthe John Ford et Alfred Hitchcock Le loup et l’agneau le 4 juillet 2001 Danièle Huillet et Jean-Marie Straub le 11 juillet 2001 Aki Kaurismäki le 18 juillet 2001 Georges Franju, le visionnaire le 25 juillet 2001 Rome brûlée, portrait de Shirley Clarke le 1er août 2001 Akerman autoportrait le 8 août 2001 23.15 tous les mercredis du 4 juillet au 8 août Contact presse : Céline Chevalier / Nadia Refsi - 01 55 00 70 41 / 70 40 [email protected] / [email protected] La collection Cinéma, de notre temps Cinéma, de notre temps, collection deux fois née*, c'est tout le contraire d'un pèlerinage à Hollywood, " cette marchande de coups de re v o l v e r et (…) de tout ce qui fait circuler le sang ". C'est la tentative obstinée d'éclairer et de montre r, dans chacun des films qui la composent, comment le cinéma est bien l'art de notre temps et combien il est, à ce titre, redevable de bien autre chose que de réponses mondaines, de commentaires savants ou de célébrations. La programmation de cette collection est l'occasion de de constater combien ces " œuvres de télévision " échappent aux outrages du temps et constituent une constellation unique au monde dans le ciel du 7è m e a rt . Thierry Garrel Directeur de l'Unité de Programmes Documentaires à ARTE France *En 1964, Janine Bazin et André S Labarthe créent Cinéastes de notre temps. Interrompue en 1972, la série renaît sur La Sept puis sur ARTE, sous le nom de Cinéma, de notre temps. .2 inédit Mercredi 4 juillet 2001 à 23h Cinéma, de notre temps John Ford et Alfred Hitchcock Le loup et l’agneau Réalisateur : André S. Labarthe Coproduction : ARTE France, AMIP (2000 - 52’) Rencontre avec deux grands maîtres du cinéma américain. Deux leçons de cinéma qui en expriment toute la diversité. « Nous ne pouvions imaginer réputations plus opposées que celle de Ford et d’Hitchcock. Ni cultures plus différentes. Le premier aurait pu être le petit fils de Walt Whitman ou de Fennimore Cooper. Le second s’est présenté comme le descendant direct d’Edgar Poe ou de Lewis Carrol. A nos yeux l’un et l’autre incarnaient la maturité et la diversité du cinéma américain. C’est à cela que nous pensions en cette fin d’après-midi de septembre 1965 tandis que nous roulions à la rencontre de Ford. Que savions nous de lui ? Ses films, bien sûr, mais aussi le bandeau sur l’œil, le cigare et son célèbre caractère de chien. Mais nous ne connaissions encore ni le lit matrimonial ni le mollet du cinéaste. Trois jours plus tard, nous nous rendions à la Universal où Hitchcock nous attendait. Autant dire que nous changions de planète. Si en effet nous pouvons, a u j o u rd’hui, avec le recul, considérer les quelques minutes passées en compagnie de Ford comme une forme sauvage d’art poétique, avec Hitchcock nous accostions à un tout autre territoire : celui du discours de la méthode. Tout avait commencé par la question bateau mais inéluctable du réalisme au cinéma. Comme à son habitude, Hitchcock s’exprimait avec précision et concision, s’assurant à chaque instant qu’il était bien compris. Nous venions donc de lui demander si selon lui le cinéma peut échapper au réalisme. »… André S. Labarthe .3 Alfred HITCHCOCK (1899- 1980) Filmographie 1922 Number thirteen inachevé Edwardes) Always tell your wife 1946 Notorious (Les Enchaînés) Woman to woman (La Danseuse blessée) 1947 The Paradine case (Le Procès Paradine) 1923 The white shadow (L’ombre blanche) 1948 Rope (La Corde) 1924 The passionate adventure (Abnégation) 1949 Under Capricorn (Les Amants du 1925 The Blackguard (Le Voyou) Capricorne) The Prude’s fall 1950 Stage fright (Le grand Alibi) The Pleasure garden 1951 Strangers on a train (L’inconnu du Nord- 1926 The mountain eagle Express) The Lodger (Les Cheveux d’or) 1952 I confess (La loi du Silence) 1927 Downhill 1954 Dial M for murder (Le Crime était Easy virtue presque parfait) The Ring (Le Masque de cuir) Rear window (Fenêtre sur cour) 1928 The farmer’s wife (Laquelle des trois ?) 1955 To catch a thief (La Main au collet) Champagne (A l’américaine) 1956 Trouble with Harry (Mais qui a tué Harry ?) 1929 Harmony heaven The man who knew too much (L’homme The Manxman qui en savait trop) Blackmail (Chantage) 1957 The wrong man (Le faux Coupable) 1930 Elstree calling (Premier Musical Anglais) 1958 Vertigo (Sueurs froides) Juno and the Paycock 1959 North by Northwest (La mort aux Murder trousses) 1931 The skin game 1960 Psycho (Psychose) 1932 Rich and strange (A l’est de Shangai) 1963 The Birds (Les Oiseaux) Number seventeen 1964 Marnie (Pas de printemps pour Marnie) Lord Camber’s ladies 1966 Torn Curtain (Le Rideau déchiré) 1933 Waltzes from Vienna 1969 Topaz (L’Etau) 1934 The man who knew too much 1972 Freenzy (L’homme qui en savait trop) 1976 Family plot (Complot de famille) 1935 The thirty-nine steps (Les trente-neuf 1980 The short night inachevé marches) The secret Agent (Quatre de l’espionnage) 1936 Sabotage (Agent secret ) 1937 Young and innocent The lady vanishes (Une femme disparaît) 1939 Jamaica Inn (La taverne de la Jamaïque) 1940 Rebecca Fo r eign correspondent (Correspondant 17) 1941 Mr. and Mrs. Smith (Joies matrimoniales) Suspicion (Soupçons) 1942 Saboteur (Cinquième colonne) 1943 Shadow of a doubt (L’ombre d’un doute) Lifeboat 1944 Bon voyage (court métrage) Aventure malgache (court métrage) 1945 Spellbound (La Maison du Docteur .4 John FORD (1895 - 1973) Filmographie 1917 The tornado 1922 Little Miss smiles The trail of hate Silver wings The scrapper The village Blacksmith (Le Forgeron du The soul Herber (Pour son gosse) village) Cheyenne’s pal 1923 The face on the bar-room floor (L’Image Straight Shooting aimée) The secret man (L’Inconnu) Three jumps ahead A marked man Cameo Kirby (L’Homme aux camées) Bucking Broadway (A l’assaut du boulevard) Hoodman blind 1918 The phantom riders (Le Cavalier fantôme) 1924 North of Hudson Bay Wild woman (La femme sauvage) The iron Horse (Le Cheval de fer) Thieve’s gold Hearts of oak (Les Cœurs de chêne) The scarlet drop (La Tache de sang) Lightnin’ (Extar Dry) Hell bent (Du sang dans la prairie) Kentucky Pride (La fille du Négofol) The delirium (Vers la déchéance) The fighting Heart ( Le Champion) A woman’s fool (Le Bébé du cow-boy) 1925 Thank you (Sa Nièce de Paris) Three mounted men (le frère de Black Billy) 1926 The Shamrock handicap (Gagnant quand 1919 Roped (Sans armes) même) A fight for love (A la frontière) The blue Eagle (L’aigle bleu) The fighting brothers Three bad men ( Trois Sublimes Canailles) By Indian Post 1927 Upstream The Rustlers Mother Machree (Maman de mon coeur) Bare Fists (Le serment de Black Billy) Four sons (Les quatre Fils) Gun law H a n g m a n ’s house (La maison du The Gun packers bourreau) Riders of vengeance (la vengeance de Napoleon’s barber Black Billy) 1928 Riley the cop The last Outlaw 1929 Strong boy (Le Costaud) The Outcasts of Poker flat (Le Proscrit) Black watch The Ace of the saddle (Le Roi de la prairie) Salute Rider of the law (Black Billy au Canada) 1930 Men without women (Hommes sans A Gun fightin’Gentleman (Tête brûlée) femmes) 1920 Marked men (les hommes marqués) Born reckless The prince of avenue A Up the river The girl in number 29 1931 Seas beneath Hitchin’ Posts (L’Obstacle) The Brat The Great Redeemer Arrowsmith Just Pals (Pour le sauver) 1932 Air mail (Tête brûlée) 1921 The big Punch (Un Homme libre) Flesh (Une femme survint) The Freeze out 1933 Pilgrimage (Deux femmes) The Wallop Doctor Bull Desperate trails (Face à face) 1934 The lost Patrol (La Patrouille perdue) Action The world moves on (le monde en marche) Sure Fire Judge Priest Jackie .5 1935 The whole Town’s talking (Toute la ville 1953 The Sun shines bright (Le soleil brille pour en parle) tout le monde) The Informer (Le Mouchard) Mogambo Steamboat round the bend 1954 Hondo 1936 The Prisoner of Shark Island (Je n’ai pas 1955 The long gray line (Ce n’est qu’un tué Lincoln) au revoir) Mary of Scotland (Mary Stuart) Mister roberts (Permission jusqu’à l’aube) The Plough and the Stars (Révolte à Dublin) 1956 The Searchers (La Prisonnière du désert) 1937 Wee Willie Winkie (La Mascotte du 1957 The Wings of eagles (L’aigle vole au soleil) régiment) The Rising of the moon (Quand se lève la The Hurricane lune) 1938 The adventures of marco Polo (Les 1958 The last hurrah (La dernière Fanfare) aventures de Marco Polo) 1959 Gideon’s day (Inspecteur de service) Four men and a prayer (Quatre hommes Korea (court-métrage) et une prière) The horse Soldiers (Les Cavaliers) Submarine patrol (Ptrouille en mer) 1960 Sergeant Rutledge (Le Sergent noir) 1939 Stagecoach (La Chevauchée fantastique) The Alamo (Alamo) Young Mr Lincoln (Vers sa destinée) Two road together (Les deux Cavaliers) Drums along the Mohawk (Sur la piste des 1962 The Man who shot Liberty Valance Mohawks) (L’Homme qui tua Liberty Valance) 1940 The Grapes of Wrath (Les Raisins de la How the West was won (La Conquête de colère) l’Ouest) The long voyage home (Le long Voyage) The civil War 1941 Tobacco road (la route au tabac) 1963 Donovan’s reef (La Taverne de l’Irlandais) Sex Hygiene (court-métrage) 1964 Cheyenne autumn (Les Cheyennes) How green was my valley (Qu’elle était 1965 Young Cassidy (Le jeune Cassidy) verte ma vallée) 1966 Seven women (Frontière chinoise) 1942 The battle of Midway Torpedo Squadron 1943 December 7th (court-métrage) We sail at midnight (court-métrage) 1945 They were expendable (Les Sacrifiés) 1946 My darling Clementine (La Poursuite infernale) 1947 The fugitive (Dieu est mort) 1948 Fort Apache (Le Massacre de Fort Apache) 1949 Three Godfathers (Le Fils du désert) Pinky (L’Héritage de la chair) She wore a yellow ribbon (La Charge héroïque) 1950 When Willie comes marching home (Planqué malgré lui) Wagonmaster (Le Convoi des braves) Rio Grande 1951This is Korea (court-métrage) 1952 What price glory The quiet man (l’Homme tranquille) .6 inédit Mercredi 11 juillet 2001 Cinéma, de notre temps Danièle Huillet et Jean-Marie Straub Réalisateur : Pedro Costa Coproduction : ARTE France, AMIP (2001 - 72’) Jean-Marie Straub et Danièle Huillet ont t e rminé, dans les premiers jours de l’année 1999, leur dix-huitième film “Sicilia!” d’après le roman d’Elio Vi t t o r i n i , “Conversation en Sicile”.
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