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Cinéma, De Notre Temps
PROFIL Cinéma, de notre Temps Une collection dirigée par Janine Bazin et André S. Labarthe John Ford et Alfred Hitchcock Le loup et l’agneau le 4 juillet 2001 Danièle Huillet et Jean-Marie Straub le 11 juillet 2001 Aki Kaurismäki le 18 juillet 2001 Georges Franju, le visionnaire le 25 juillet 2001 Rome brûlée, portrait de Shirley Clarke le 1er août 2001 Akerman autoportrait le 8 août 2001 23.15 tous les mercredis du 4 juillet au 8 août Contact presse : Céline Chevalier / Nadia Refsi - 01 55 00 70 41 / 70 40 [email protected] / [email protected] La collection Cinéma, de notre temps Cinéma, de notre temps, collection deux fois née*, c'est tout le contraire d'un pèlerinage à Hollywood, " cette marchande de coups de re v o l v e r et (…) de tout ce qui fait circuler le sang ". C'est la tentative obstinée d'éclairer et de montre r, dans chacun des films qui la composent, comment le cinéma est bien l'art de notre temps et combien il est, à ce titre, redevable de bien autre chose que de réponses mondaines, de commentaires savants ou de célébrations. La programmation de cette collection est l'occasion de de constater combien ces " œuvres de télévision " échappent aux outrages du temps et constituent une constellation unique au monde dans le ciel du 7è m e a rt . Thierry Garrel Directeur de l'Unité de Programmes Documentaires à ARTE France *En 1964, Janine Bazin et André S Labarthe créent Cinéastes de notre temps. -
SOLDIERS WILL JOIN MEN Near $2,650,000,000 Fighting'remains Unbroken
* WEATHER FORECASTS WHERE TO GO TO-NIGHT - gor M bouTs "TUliin li^ltlUL , —------------ Victoria and vicinity—East «rly and Royal—"Leet We PoMfet.** southerly winds, mostly cloudy, with Variety—"The OulltyUlan.* showers. Columbia—"Mary Jane's Pa " .. Lower Mainland—Easterly winds, most Romano—"The Phantom Riders” ly cloudy, with showers- Dominion—Charlie Chayfin; Mae Marsh. VOL. 52. NO. 108 VICTORIA, B. C., THURSDAY, MAY 2, 1918- SIXTEEN PAGES ALLIED FORCES READY FOR ANY ATTEMPT ENEMY MAKES =*F A GERMAN HALL IN BAKER LAYS PLAN BEFORE HOUSE TOWN IN NEBRASKA ENTENTE ARMIES, HAVING GIVEN WAS BLOWN UP TO-DAY COMMITTEE AT WASHINGTON FOR Sioux City; la.. May A small ball ENEMY HEAVY PUNISHMENT, WAIT used by the Sons of Herman, a Ger man order at Dakota City, Neb^ near here, was blown up with ^ dynamite A GREATLY INCREASED U. S. ARMY early this morning. The lose Is small. FOR NEW MOVE WITH CONFIDENCE Vf Government's Programme Arranged Following Return Latest American War Allies Standing on Firm Line as Germans Send For• of War Secretary From France : Daniels Says as 18,000 FORMER AUSTRIAN Loan Total Given as ward Reinforcements in Flanders; Lull in Infantry Many as Victory Demands Will Be Sent SOLDIERS WILL JOIN MEN Near $2,650,000,000 Fighting'Remains Unbroken Washington, May 2. — Telegrams Washington, May 2.—Accompanied hy Provost-Marshal Oeneral . OF ITALY ON BATTLELINE -pouring -into national Liberty Lu headquarters to-day told of Ihe suc London, May 2.—Apparently the Germans are not prepared to Crowder and General March, Acting Chief of Staff, Secretary Baker cess of the "Buy Another Bond" and appeared before the House Military Committee to-day aad-prssitntW "Match the President" contests every break the second lull in the Flanders battle until still more troops and where yesterday and added 661.<M)0.< greeter concentrations of cannon are massed along the few important the administration « plan Tor a greatly increased army. -
John Ford Birth Name: John Martin Feeney (Sean Aloysius O'fearna)
John Ford Birth Name: John Martin Feeney (Sean Aloysius O'Fearna) Director, Producer Birth Feb 1, 1895 (Cape Elizabeth, ME) Death Aug 31, 1973 (Palm Desert, CA) Genres Drama, Western, Romance, Comedy Maine-born John Ford originally went to Hollywood in the shadow of his older brother, Francis, an actor/writer/director who had worked on Broadway. Originally a laborer, propman's assistant, and occasional stuntman for his brother, he rose to became an assistant director and supporting actor before turning to directing in 1917. Ford became best known for his Westerns, of which he made dozens through the 1920s, but he didn't achieve status as a major director until the mid-'30s, when his films for RKO (The Lost Patrol [1934], The Informer [1935]), 20th Century Fox (Young Mr. Lincoln [1939], The Grapes of Wrath [1940]), and Walter Wanger (Stagecoach [1939]), won over the public, the critics, and earned various Oscars and Academy nominations. His 1940s films included one military-produced documentary co-directed by Ford and cinematographer Gregg Toland, December 7th (1943), which creaks badly today (especially compared with Frank Capra's Why We Fight series); a major war film (They Were Expendable [1945]); the historically-based drama My Darling Clementine (1946); and the "cavalry trilogy" of Fort Apache (1948), She Wore a Yellow Ribbon (1949), and Rio Grande (1950), each of which starred John Wayne. My Darling Clementine and the cavalry trilogy contain some of the most powerful images of the American West ever shot, and are considered definitive examples of the Western. Ford also had a weakness for Irish and Gaelic subject matter, in which a great degree of sentimentality was evident, most notably How Green Was My Valley (1941) and The Quiet Man (1952), which was his most personal film, and one of his most popular. -
Sangre Fácil
PROJECCIÓ 167 Antiga Audiència, dimarts 11 de març de 2003 Las uvas de la ira The Grapes of Wrath, John Ford, 1940 Aquest film és el relat més impressionant sobre la depressió que hi va haver a Estats Units durant els anys 30. Tota una crida a la solidaritat. A Las uvas de la ira una família de grangers intenta És un dels sis pilars del temple Hollywood, un Fitxa tècnica sobreviure a l’Amèrica de la gran depressió, després de d’aquells homes que va modelar el rostre del que els hagin expropiat les terres. Amb un vell camió cinema. Fitxa tècnica recorreran tot l’Estat a la cerca de terres on puguin Realitzador: John Ford La simplicitat és una de les virtuts predominants a treballar com a jornalers. La seva situació és crítica, ja que Productor: Darryl F.Zanuck les 140 pel·lícules que va rodar entre el 1917 i el no hi ha feina i són molts els qui es troben en la mateixa Muntatge: Gregg Toland 1966, tot un exemple de direcció d’actors. situació. Guió: John Steinbeck i Nunally Johnson Simplicitat d’una acció concentrada i depurada Fotografia: Gregg Toland Aquest film, basat en la novel·la de John fins a la perfecció, digna de tots els elogis dels Música: Alfred Newman Steinbeck és, fonamentalment, una dura crítica al cineastes, crítics i públic de tot el món. La carrera Companyia productora: Twentieth Century Fox somni americà que tant ens volen vendre. Ens de John Ford es podria dividir en quatre períodes: Nacionalitat: Estats Units mostra la vertadera realitat d’una època de L’època muda (1917-1928). -
Virginia Woolf the Waves.Pdf
The Waves Woolf, Virginia Published: 1931 Categorie(s): Fiction, Literary Source: http://gutenberg.net.au 1 About Woolf: Virginia Woolf (January 25, 1882 – March 28, 1941) was an English novelist and essayist regarded as one of the foremost modernist literary figures of the twentieth century. During the interwar period, Woolf was a significant figure in London liter- ary society and a member of the Bloomsbury Group. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927), and Orlando (1928), and the book-length essay A Room of One's Own (1929) with its famous dictum, "a woman must have money and a room of her own if she is to write fiction". Also available on Feedbooks for Woolf: • To the Lighthouse (1927) • Mrs Dalloway (1925) • A Haunted House (1921) • Orlando (1928) • Mrs Dalloway in Bond Street (1923) • Between the Acts (1941) • The Duchess and the Jeweller (1938) • The New Dress (1927) • The Mark on the Wall (1917) • A Room of One's Own (1929) Copyright: This work is available for countries where copy- right is Life+70. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 The sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each oth- er, perpetually. -
Film (Filmografi) Listen : Stem P㥠Dine Favoritter
William Steele (actor) Film Listen (Filmografi) Bucking Broadway https://da.listvote.com/lists/film/movies/bucking-broadway-2315068/actors The Secret Man https://da.listvote.com/lists/film/movies/the-secret-man-3204096/actors https://da.listvote.com/lists/film/movies/2819813/actors His Captive https://da.listvote.com/lists/film/movies/his-captive-19544759/actors The Valley of Hell https://da.listvote.com/lists/film/movies/the-valley-of-hell-7771958/actors The Misfit Wife https://da.listvote.com/lists/film/movies/the-misfit-wife-16679682/actors Red Saunders plays Cupid https://da.listvote.com/lists/film/movies/red-saunders-plays-cupid-3422772/actors Doughboys https://da.listvote.com/lists/film/movies/doughboys-5301097/actors The Wallop https://da.listvote.com/lists/film/movies/the-wallop-3523268/actors The Fighting Gringo https://da.listvote.com/lists/film/movies/the-fighting-gringo-16250381/actors Passing of the Beast https://da.listvote.com/lists/film/movies/passing-of-the-beast-15865147/actors The Lipton Cup: Introducing Sir https://da.listvote.com/lists/film/movies/the-lipton-cup%3A-introducing-sir-thomas-lipton- Thomas Lipton 20005319/actors The Voice of the Viola https://da.listvote.com/lists/film/movies/the-voice-of-the-viola-15865152/actors The Phantom Riders https://da.listvote.com/lists/film/movies/the-phantom-riders-3220911/actors The Texas Sphinx https://da.listvote.com/lists/film/movies/the-texas-sphinx-3522979/actors The Soul Herder https://da.listvote.com/lists/film/movies/the-soul-herder-3400499/actors The Hurricane Kid https://da.listvote.com/lists/film/movies/the-hurricane-kid-3521340/actors Opgørets time https://da.listvote.com/lists/film/movies/opg%C3%B8rets-time-3989268/actors. -
Tarzan of the Apes and the Return of Tarzan
Tarzan of the Apes and The Return of Tarzan — A Pulp-Lit Annotated Edition — By EDGAR RICE BURROUGHS Edited and annotated by FINN J.D. JOHN Pulp-Lit PRODUCTIONS Corvallis, Oregon This edition copyright ©2015 by Finn J.D. John. All rights reserved, with the exception of those portions of this book written by Edgar Rice Burroughs or published in his original works, on which copyright protections have expired. For information about permission to reproduce selections from this book, write to Pulp-Lit Productions, Post Office Box 77, Corvallis, OR 97339; or e-mail [email protected]. Second edition Interactive PDF ISBN: 978-1-63591-238-8 This edition, like the original, is dedicated to Emma Hurlbert Burroughs, in gratitude. Cover design by Fiona Mac Daibheid based on original All-Story Magazine cover art by Clinton Pettee Pulp-Lit Productions Corvallis, Oregon, U.S.A. http://pulp-lit.com Other Pulp-Lit Productions titles Robert E. Howard’s CONAN the CIMMERIAN BARBARIAN: you might enjoy: •Hardcover (860 pages) H.P. LOVECRAFT: The Complete •Pulp-sized 7x10 softcover Omnibus, Vol. I: 1917-1926: •E-book •Hardcover (558 pages) •Audiobook (35.1 hours) •Pulp-sized 7x10 softcover The JOHN CARTER of MARS •E-book Trilogy of Edgar Rice Burroughs. •Audiobook (23.5 hours) •Hardcover (636 pages) •Deluxe 6x9 softcover H.P. LOVECRAFT: The Complete Omnibus, Vol. II: 1927-1935: •E-book •Hardcover (606 pages) •Audiobook (19.5 hours) •Pulp-sized 7x10 softcover SUPERNATURAL HORROR in •E-book FICTION by H.P. Lovecraft. •Audiobook (27 hours) •Hardcover (128 pages) •Pocket-size softcover THE LISTENER and OTHER •E-book TALES by Algernon Blackwood. -
Cahiers Du CINEMA
cahiers du CINEMA specialJohn FordRoberto Rossellini Venise 66 prix du numéro 0 franc* ' mméro 183 octobre .700.0 pour l’homme de qualité Eau de Toilette After-shave Savons NINA RICCI CLASSE PREPARATOIRE A CONCOURS D'ENTRÉE L'I. D. H. E. C. Le Cours Littré organise une classe préparatoire au concours d'entrée à l’institut des Hautes Etudes Cinéma tographiques, avec la participation de Professeurs de l’Enseignement Supé rieur ainsi que la collaboration de Metteurs en scène et de Techniciens de la Télévision. Le programme dispensé au cours de l'année scolaire est le programme L'I.D.H.E.C. officiel d’entrée à l’I.D.H.E.C. Des conférences-débats auxquelles parti ciperont des personnalités de l’actua lité cinématographique auront lieu au cinéma d'Art et d’Essai LE RANE- LAGH. Un film de moyen métrage sera tourné par les élèves pendant le troisième trimestre avec l'aide de leurs profes seurs. Les candidats devront être COURS LITTRE PREPARATION bacheliers (ou équivalent). 59, bd de Strasbourg AUX DEBUT DES COURS LE LUNDI 24 OCTOBRE 1966 Paris-X' - tél. 770-04-79 GRANDES ECOLES CINÉMA THÉÂTRE ANTHOLOGIE LE THEATRE DU D'AUJOURD'HUI CINÉMA DE A JUSQU'A Z Tome I par Paul-Louis Mignon EISENSTEIN p ar Rostislav Yourenev. DOVJENKO par L. et J. Schnitier. Plus de cent portraits FLAHERTY par Marcel Martin. GRIFFITH par Jean Mitry. biographiques, critiques INCE par Jean Mitry. KORDA par Peter Cowie. et anecdotiques LAUREL ET HARDY, d'auteurs, acteurs, par J.P. Coursodon. MURNAU par Jean Domarchî. -
THE COLORADO MAGAZINE Published Bi-Monthly by the State Historical Society of Colorado
THE COLORADO MAGAZINE Published bi-monthly by The State Historical Society of Colorado Vol.XIX Denver, Colorado, May, 1942 No. 3 Highlights in the History of Fort Logan ROBERT PFANNER* In the words of an olcl Denver newspaperman, ''The snow was flying in feathery clouds and the wind was whistling a tune of Icy, Icy, Drear and Shivery" when the first troops arrived at the camp on Bear Creek, October 22, 1887. The tepee-like tents were set up in two rows; around the low side-walls, earth was banked up to keep out the wind, and fires were kindled in the conical stoves of sheet-iron. Down by the creek, the cooks were busy about the stoves which they had improvised with no tool but a shovel. A low, vertical wall was first dug out of the sloping bank; a fiat top was cut back to proper width; fire-boxes were hollowed out from the front and con nected with holes dug down from the top. Iron tent pins were laid across the upper holes to support the kettles and pans, and Presto! -a field kitchen built on the spot. When chow was ready, it was "help yourself and go as you please" for a pint of black coffee, some fried potatoes and a villainous dish of hard tack and onions smothered in bacon gravy.1 Compare that diet with a typical meal served today at Fort Logan : roast beef, mashed potatoes, carrots, cabbage slaw, lettuce salad, bread and biitter, stewed raisins, and coffee. On the Monday after the troops arrived, the first train pulled into the little camp, with important ~upplies from Fort Leaven worth. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Sentimentality and Gender in Virginia Woolf and Laurence Sterne Permalink https://escholarship.org/uc/item/7x94j4td Author Barber, Keri Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sentimentality and Gender in Virginia Woolf and Laurence Sterne A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Keri Diane Barber June 2010 Dissertation Committee: Dr. Kimberly J. Devlin, Chairperson Dr. George E. Haggerty Dr. John M. Ganim Copyright by Keri Diane Barber 2010 The Dissertation of Keri Diane Barber is approved: _______________________________________ _______________________________________ _______________________________________ University of California, Riverside ACKNOWLEDGEMENTS As with every project, there are a lot of people to thank. I would like to thank Professor Kimberly Devlin, Professor George Haggerty, and Professor John Ganim, for all their assistance. They encouraged me and helped me formulate ideas. They also guided me through the process and gave feedback on drafts. All of them have made my experience at UCR a memorable and productive one. I would also like to thank them for being on my Exam Committee as well as Professor Steven Axelrod and Professor Marguerite Waller. I would like to thank both David Armenta and Max Armenta. In many ways, this project is dedicated to David Armenta and the family he left behind. He is one of many lost soldiers, and his zest for life inspired the project and my work on war and soldiers. I would also like to thank Kim Palmore and Mikage Kuroki who befriended me year one of the Ph.D. -
The Return of Tarzan, by Edgar Rice Burroughs
The Project Gutenberg EBook of The Return of Tarzan, by Edgar Rice Burroughs This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Return of Tarzan Author: Edgar Rice Burroughs Release Date: June 23, 2008 [EBook #81] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE RETURN OF TARZAN *** Produced by Judith Boss. HTML version by Al Haines. The Return Of Tarzan By Edgar Rice Burroughs CONTENTS CHAPTER I The Affair on the Liner II Forging Bonds of Hate and ——? III What Happened in the Rue Maule IV The Countess Explains V The Plot That Failed VI A Duel VII The Dancing Girl of Sidi Aissa VIII The Fight in the Desert IX Numa "El Adrea" X Through the Valley of the Shadow XI John Caldwell, London XII Ships That Pass XIII The Wreck of the "Lady Alice" XIV Back to the Primitive XV From Ape to Savage XVI The Ivory Raiders XVII The White Chief of the Waziri XVIII The Lottery of Death XIX The City of Gold XX La XXI The Castaways XXII The Treasure Vaults of Opar XXIII The Fifty Frightful Men XXIV How Tarzan Came Again to Opar XXV Through the Forest Primeval XXVI The Passing of the Ape-Man Chapter I The Affair on the Liner "Magnifique!" ejaculated the Countess de Coude, beneath her breath. -
The Return of Tarzan by Edgar Rice Burroughs Chapter I the Affair On
The Return Of Tarzan By Edgar Rice Burroughs Chapter I The Affair on the Liner "Magnifique!" ejaculated the Countess de Coude, beneath her breath. "Eh?" questioned the count, turning toward his young wife. "What is it that is magnificent?" and the count bent his eyes in various directions in quest of the object of her admiration. "Oh, nothing at all, my dear," replied the countess, a slight flush momentarily coloring her already pink cheek. "I was but recalling with admiration those stupendous skyscrapers, as they call them, of New York," and the fair countess settled herself more comfortably in her steamer chair, and resumed the magazine which "nothing at all" had caused her to let fall upon her lap. Her husband again buried himself in his book, but not without a mild wonderment that three days out from New York his countess should suddenly have realized an admiration for the very buildings she had but recently characterized as horrid. Presently the count put down his book. "It is very tiresome, Olga," he said. "I think that I shall hunt up some others who may be equally bored, and see if we cannot find enough for a game of cards." "You are not very gallant, my husband," replied the young woman, smiling, "but as I am equally bored I can forgive you. Go and play at your tiresome old cards, then, if you will." When he had gone she let her eyes wander slyly to the figure of a tall young man stretched lazily in a chair not far distant. "MAGNIFIQUE!" she breathed once more.