Tarzan of the Apes and the Return of Tarzan

Total Page:16

File Type:pdf, Size:1020Kb

Tarzan of the Apes and the Return of Tarzan Tarzan of the Apes and The Return of Tarzan — A Pulp-Lit Annotated Edition — By EDGAR RICE BURROUGHS Edited and annotated by FINN J.D. JOHN Pulp-Lit PRODUCTIONS Corvallis, Oregon This edition copyright ©2015 by Finn J.D. John. All rights reserved, with the exception of those portions of this book written by Edgar Rice Burroughs or published in his original works, on which copyright protections have expired. For information about permission to reproduce selections from this book, write to Pulp-Lit Productions, Post Office Box 77, Corvallis, OR 97339; or e-mail [email protected]. Second edition Interactive PDF ISBN: 978-1-63591-238-8 This edition, like the original, is dedicated to Emma Hurlbert Burroughs, in gratitude. Cover design by Fiona Mac Daibheid based on original All-Story Magazine cover art by Clinton Pettee Pulp-Lit Productions Corvallis, Oregon, U.S.A. http://pulp-lit.com Other Pulp-Lit Productions titles Robert E. Howard’s CONAN the CIMMERIAN BARBARIAN: you might enjoy: •Hardcover (860 pages) H.P. LOVECRAFT: The Complete •Pulp-sized 7x10 softcover Omnibus, Vol. I: 1917-1926: •E-book •Hardcover (558 pages) •Audiobook (35.1 hours) •Pulp-sized 7x10 softcover The JOHN CARTER of MARS •E-book Trilogy of Edgar Rice Burroughs. •Audiobook (23.5 hours) •Hardcover (636 pages) •Deluxe 6x9 softcover H.P. LOVECRAFT: The Complete Omnibus, Vol. II: 1927-1935: •E-book •Hardcover (606 pages) •Audiobook (19.5 hours) •Pulp-sized 7x10 softcover SUPERNATURAL HORROR in •E-book FICTION by H.P. Lovecraft. •Audiobook (27 hours) •Hardcover (128 pages) •Pocket-size softcover THE LISTENER and OTHER •E-book TALES by Algernon Blackwood. •Audiobook (3 hours) •Hardcover (340 pages) •Pocket-size softcover FUNGI FROM YUGGOTH: THE •E-book SONNET CYCLE by H.P. Lovecraft. •Audiobook (8 hours) •Hardcover (102 pages) For our full catalog search “Pulp-Lit” on •Pocket-size softcover your favorite bookseller's Website, or see •E-book http://pulp-lit.com. •Audiobook (1.3 hours) This book is available CONTENTS in other formats: Audiobook, e-book, paperback, hardcover. Foreword (Audiobook Chapter 2) .......................... 1 Book One: . Tarzan of the Apes .......................9 I .......Out to Sea (Audiobook Chapter 3) .............11 You are reading the complimentary electronic copy of The Tarzan Duology of II ......The Savage Home (Audiobook Chapter 4) .......23 Edgar Rice Burroughs in the Adobe PDF format — Pulp-Lit Productions’ version III .....Life and Death (Audiobook Chapter 5) ..........33 of Amazon’s “Look Inside” feature, only including the entire book. IV .....The Apes (Audiobook Chapter 6) ..............41 Whether you’re here checking it out to see if you might want to own a copy, or doing a quick search, or even retrieving a clean digital copy of one of the stories for V ......The White Ape (Audiobook Chapter 7) .........49 a project of your own — welcome! VI .....Jungle Battles (Audiobook Chapter 8) ...........57 But, of course, PDF is hardly the most convenient format in which to read a book. VII ....The Light of Knowledge (Audiobook Chapter 9) ..65 Here are a few other options, followed by a link to follow for more information: VIII ....The Tree-top Hunter (Audiobook Chapter 10) ....77 • Deluxe 6x9 softcover; IX .....Man and Man (Audiobook Chapter 11) .........83 • E-book in EPUB and Kindle formats; (Audiobook Chapter 12) • Audiobook (16 hours, 20 minutes). X ......The Fear-Phantom ......95 XI .....“King of the Apes” (Audiobook Chapter 13) .....101 To learn more about these other formats, please click here to go to the Tarzan Book Support Page at http://pulp-lit.com/230.html. XII ....Man’s Reason (Audiobook Chapter 14) .........113 XIII ....His Own Kind (Audiobook Chapter 15) ........123 XIV ....At the Mercy of the Jungle (Audiobook Chapter 16) 137 Thank you for reading our books! XV .....The Forest God (Audiobook Chapter 17) .......147 XVI ....“Most Remarkable” (Audiobook Chapter 18) ....153 XVII ...Burials (Audiobook Chapter 19) ..............163 XVIII ..The Jungle Toll (Audiobook Chapter 20) ........175 XIX ....The Call of the Primitive (Audiobook Chapter 21) 187 XX .....Heredity (Audiobook Chapter 22) .............199 XXI ....The Village of Torture (Audiobook Chapter 23) ..211 ix THE TARZAN DUOLOGY of EDGAR RICE BURROUGHS XXII ...The Search Party (Audiobook Chapter 24) ......219 XIX ....The City of Gold (Audiobook Chapter 49) ......489 XXIII ..Brother Men (Audiobook Chapter 25). 229 XX .....La (Audiobook Chapter 50) ..................499 XXIV ..Lost Treasure (Audiobook Chapter 26) .........239 XXI ....The Castaways (Audiobook Chapter 51) ........509 XXV ...The Outpost of the World (Audiobook Chapter 27) 247 XXII ...The Treasure Vaults of Opar(Audiobook Ch. 52) . 519 XXVI ..The Height of Civilization (Audiobook Chapter 28) 259 XXIII ..The Fifty Frightful Men (Audiobook Chapter 53) . 529 XXVII ..The Giant Again (Audiobook Chapter 29). 271 XXIV ..How Tarzan Came Again to Opar (Chapter 54) 539 XXVIII .Conclusion (Audiobook Chapter 30) ...........285 XXV ...Through the Forest Primeval(Audiobook Ch. 55) . 549 XXVI ..The Passing of the Ape-Man(Audiobook Ch. 56) 561 Book Two: . The Return of Tarzan ...................297 I .......The Affair on the Liner (Audiobook Chapter 31) . 299 Afterword: Commentary and Annotations (Audiobook Ch. 57) 569 II ......Forging bonds of hate and —?(Audiobook Ch. 32) 309 III .....What Happened in the Rue Maule (Chapter 33) 319 IV .....The Countess Explains (Audiobook Chapter 34) ..329 V ......The Plot that Failed (Audiobook Chapter 35) ....341 VI .....A Duel (Audiobook Chapter 36) ..............351 VII ....The Dancing Girl of Sidi Aissa(Chapter 37) ...361 VIII ....The Fight in the Desert (Audiobook Chapter 38) . 371 IX .....Numa “El Adrea” (Audiobook Chapter 39) ......381 X ......Through the Valley of the Shadow (Chapter 40) . 393 XI .....John Caldwell, London (Audiobook Chapter 41) . 403 XII ....Ships that Pass (Audiobook Chapter 42) ........413 XIII ....The Wreck of the “Lady Alice” (Chapter 43) ...423 XIV ....Back to the Primitive (Audiobook Chapter 44) ...437 XV .....From Ape to Savage (Audiobook Chapter 45) ....447 XVI ....The Ivory Raiders (Audiobook Chapter 46) ......457 XVII ...The White Chief of the Waziri (Chapter 47) ...467 XVIII ..The Lottery of Death (Audiobook Chapter 48) ...477 x xi FOREWORD his book comprises the first two of Edgar Rice Burroughs’ original Tarzan books, which combine to tell the complete story of Tarzan’s rise from his jungle origins to take his place as John Clayton, Lord Greystoke. It is, essentially, a duology. TIt’s a duology that changed the face of popular literature almost as much as it changed the life of its author. For most of the second half of Edgar Rice Burroughs’ life, Tarzan of the Apes — meaning the character, not the book — was his meal ticket. After the first two books, Burroughs was able to come back to Tarzan again and again: The Beasts of Tarzan (1914), The Son of Tarzan (also 1914), Tarzan and the Jewels of Opar (1916), Jungle Tales of Tarzan (1919), Tarzan the Untamed (1920), Tarzan the Terrible (1921) … in all, a total of 24 Tarzan books poured forth from Burroughs’ prolific pen between 1912 and roughly 1945. Tarzan made Burroughs wealthy and famous; it made him beloved of the many and reviled by a few; and it gave him, eventually, the opportunity to transcend the stingy pulp magazines in which he had gotten his literary start. The first novel in the series, Tarzan of the Apes, was Burroughs’ third novel, and it’s one of his very best. But more than that, it’s unquestionably THE TARZAN DUOLOGY of EDGAR RICE BURROUGHS his most misunderstood. The Tarzan to whom Burroughs therein he later wrote, according to Burroughs biographer Irwin Porges introduces us is a tri-lingual gentleman with a very unusual set of skills, (recounted in his beefy, thorough 1975 biography, The Man who Created a complex and admirable ethical code, and an odd relationship with Tarzan). “Yet I was supposed to solve all the problems of our subscribers, civilization that mirrors to a startling degree the relationship of the New among which were some very big concerns.” World with the Old. Tarzan of the Apes is emphatically not the clunky, For a man with a conscience, it was a morally unpleasant position, unsubtle, “me Tarzan you Jane” grunt-fiction that popular opinion, under and Burroughs quite clearly felt that discomfort and resented being the influence of so many Tarzan movies and comics and other derivative forced to assume it. “Ethically, it was about two steps below the patent- works, usually assumes it to be. medicine business,” he wrote. And, “I never so thoroughly disliked any employer.” dgar Rice Burroughs started writing Tarzan of the Apes in late But in 1912, a family man with a wife and two small children didn’t 1911 — the same year that had seen his literary debut with the have the luxury of turning up his nose at his job unless another one was widely praised and still-much-loved A Princess of Mars. It very close at hand. The success of A Princess of Mars had given Burroughs followed directly upon the heels of Burroughs’ then-unsold second hope that his family’s bills might be paid in a more congenial way; but Enovel, The Outlaw of Torn — a historical-fiction work set in medieval the reception of The Outlaw of Torn had dashed those hopes cruelly and Europe, which Burroughs had dashed out in less than a month in a rush left Burroughs prey to those peculiar doubts to which creative minds of energy following the smashing success of A Princess of Mars earlier seem especially prone: Was Princess a mere fluke? Would he never again that year. be able to replicate that success? Burroughs packaged and submitted The Outlaw of Torn to his Of course, we know he would. But when he sat down to work on publisher with great excitement.
Recommended publications
  • The Jungle Tales of Tarzan
    The Jungle Tales Of Tarzan Written in 1919 by Edgar Rice Burroughs (1875-1950) This version originally published in 2005 by Infomotions, Inc. This document is distributed under the GNU Public License. 1 2 Table of contents Chapter 1 - Tarzan's First Love Chapter 2 - The Capture of Tarzan Chapter 3 - The Fight for the Balu Chapter 4 - The God of Tarzan Chapter 5 - Tarzan and the Black Boy Chapter 6 - The Witch-Doctor Seeks Vengeance Chapter 7 - The End of Bukawai Chapter 8 - Lion Chapter 9 - The Nightmare Chapter 10 - Battle for Teeka Chapter 11 - A Jungle Joke Chapter 12 - Rescues the Moon 3 4 Chapter 1 - Tarzan's First Love Teeka, stretched at luxurious ease in the shade of the tropical forest, presented, unquestionably, a most alluring picture of young, feminine loveliness. Or at least so thought Tarzan of the Apes, who squatted upon a low-swinging branch in a near-by tree and looked down upon her. Just to have seen him there, lolling upon the swaying bough of the jungle-forest giant, his brown skin mottled by the brilliant equatorial sunlight which percolated through the leafy canopy of green above him, his clean-limbed body relaxed in graceful ease, his shapely head partly turned in contemplative absorption and his intelligent, gray eyes dreamily devouring the object of their devotion, you would have thought him the reincarnation of some demigod of old. You would not have guessed that in infancy he had suckled at the breast of a hideous, hairy she-ape, nor that in all his conscious past since his parents had passed away in the little cabin by the landlocked harbor at the jungle's verge, he had known no other associates than the sullen bulls and the snarling cows of the tribe of Kerchak, the great ape.
    [Show full text]
  • George B. Seitz Motion Picture Stills, 1919-Ca
    http://oac.cdlib.org/findaid/ark:/13030/c8h41trq No online items Finding Aid for the George B. Seitz motion picture stills, 1919-ca. 1944 Processed by Arts Special Collections Staff, pre-1999; machine-readable finding aid created by Julie Graham and Caroline Cubé; supplemental EAD encoding by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2014 The Regents of the University of California. All rights reserved. Finding Aid for the George B. PASC 31 1 Seitz motion picture stills, 1919-ca. 1944 Title: George B. Seitz motion picture stills Collection number: PASC 31 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 3.8 linear ft.(9 boxes) Date (bulk): Bulk, 1930-1939 Date (inclusive): ca. 1920-ca. 1942, ca. 1930s Abstract: George B. Seitz was an actor, screenwriter, and director. The collection consists of black and white motion picture stills representing 30-plus productions related to Seitz's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Seitz, George B., 1888-1944 Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs.
    [Show full text]
  • Filmindex Lxxiv
    Tarzan And His Mate. (Tarzan og den hvide Pige). MGM. 1934. I : Cedric Gibbons & JaCk Conway. M : J. K. MCGuinness & Leon Gordon. F: Char­ Filmindex l x x iv les Clarke & Clyde De Vinna. Medv.: Johnny TARZAN-FILM Weissmuller, Maureen O’Sullivan, Neil Hamil- ton, Paul Cavanaugh, Forrester Harvey, Nathan Curry, Doris Lloyd, William Stack, Desmond A f Janus Barfoed Roberts. D-Prm: 10/12-1934. The New Adventures O f Tarzan. (Tarzans nye Even­ tyr). Burroughs-Tarzan Enterprises. 1935. I: Ed­ (S) = serial ward Kuli & W. F. MCGaugh. M : Charles F. Tarzan Of The Apes. National Film Corp. 1918. Royal. F : Edward Kuli & Ernest F. Smith. Instr.: Sidney Scott. Medv.: Elmo LinColn, Enid Medv.: Herman Brix, Ula Holt, Frank Baker, Markey, Gordon Griffith, George French, True Dale Walsh, Harry Ernest, Don Costello, Lewis Boardman, Kathleen Kirkham, Colin Kenny. Sargent, Merrill McCormick. D-Prm: 17/8-1936. Romance Of Tarzan. National Film Corp. 1918. I: Tarzan And The Green Goddess. (Tarzan og den Wilfred Lucas. Medv.: Bess Meredyth, Elmo Lin­ grønne Gudinde). Burroughs-Tarzan Enterprises. Coln, Enid Markey, Thomas Jefferson, Cleo Ma- 1935. I: Edward Kuli. M: Charles F. Royal. F: dison. Edward Kuli & Ernest F. Smith. Medv.: Herman The Return Of Tarzan. Numa Pictures Corp. 1920. Brix, Ula Holt, Frank Baker, Don Costello, Le­ I : Harry Revier. Medv.: Gene Pollar, Karla wis Sargent, JaCk Mower. D-Prm: 1/8-1938. SChramm og Peggy Hamann. Tarzan Escapes. (Tarzan undslipper). MGM. 1936. The Son O f Tarzan. National Film Corp. 1921. I: I : RiChard Thorpe. M : Karl Brown & John V. Harry Revier & Arthur J.
    [Show full text]
  • The Tarzan Series of Edgar Rice Burroughs
    I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture.
    [Show full text]
  • Thinking Movement Moving Thought Programme.Pdf
    THINKING MOVEMENT, MOVING THOUGHT 22 September 2017 9am – 6.30pm Labanarium presents this one day and movement and psychology. Will Wollen (University of Kent); symposium in collaboration with the Workshops, seminars, papers and Christopher Simpson (Northampton Centre for Performance Philosophy encounters in movement and thinking University) and Dr Paola Crespi which will focus on the relationships given by Cate Deicher CMA and Amy (Goldsmiths University London). between movement and philosophy Shapiro, PhD (Alverno College, U.S); LABANARIUM.COM Dr Paola Crespi Rhythm Will Help LECTURE Paola’s work has been published in Besides the more straightforward Workers international peer-reviewed journals aim of introducing Laban’s Dr Paola Crespi is a Visiting Research paper presentation such as Body & Society, Subjectivity, rhythmanalysis as found in both Fellow at the Topology Research 2 -3 pm Theatre, Dance & Performance his notes and his drawings to a Unit at Goldsmiths and a Lecturer at Ivy Theatre Training and online on the Theory, wider public, this intervention Anglia Ruskin University and at the Culture&Society website. Paola sits seeks to draw attention to the Thinking Movement, Moving Thought University of Suffolk. She holds a on the editorial board of Evental dialogue between cultural theory PhD in Media Studies (Goldsmiths), A one day symposium focusing on the relationships between movement, Aesthetics: An Independent Journal of and performance studies that the an MRes in Humanities and Philosophy and she is Section Editor material itself affords. Far from psychology and philosophy Cultural Studies (London for Cultural Studies and Critical Theory being restricted to the field of the Consortium) and a BA (Hons) in of the Open Journal of the Humanities.
    [Show full text]
  • Walt Disney World Coin Press Checklist Fill in the Mickey Head Once You Have Collected Each Coin!
    Walt Disney World Coin Press Checklist Fill in the Mickey head once you have collected each coin! Walt Disney World Coin Press Checklist Contents: Disney’s Animal Kingdom Disney’s Hollywood Studios Epcot Magic Kingdom Downtown Disney WDW Resorts & Nearby Locations These Presses are currently out for refurbishment. Last Updated: April 29, 2010 Walt Disney World Coin Press Checklist Fill in the Mickey head once you have collected each coin! Out of the Wild #1 Lion King 5 of 7, Rafiki Celebrate Culture South Africa Tarzan 7 of 8, Jane & Tarzan The Outpost Shop #1 Penny Presses Jungle Book 6 of 6, Share Khan Beastly Bazaar Safari Minnie Mouse Tarzan 4 of 8, Tantor Safari Pluto Lion King 3 of 7, Hula Timon Safari Goofy The Outpost Shop #2 Stink Bug Chester & Hester's Dinosaur Treasures #1 Tarzan 8 of 8, Jane Iguanodon Lion King 1 of 7, Simba Camtaurus Alioramus Rainforest Café #1 Hot Air Balloon, Orlando, FL Chester & Hester's Dinosaur Treasures #2 Mockingbird, Florida State Bird Tarzan 3 of 8, Terk Crab w/ Sunglasses, Orlando, FL Mickey with Fossil Alligator, Orlando, FL Lion King 6 of 7, Scar Restaurantosaurus #1 Dawa Bar Styracosaurus Lion Saltasaurus Hippopotamus Ankylosaurus Rhino Restaurantosaurus #2 Duka La Filimu #1 Tarzan 1 of 8, Tarzan & Jane Safari Mickey Duckosaurus Donald Safari Donald Dinosaur Skeleton Safari Goofy Wildlife Express Train Station #1 Duka La Filimu #2 Tarzan 2 of 8, Swinging Tarzan Safari Minnie Tarzan 5 of 8, Professor Safari Pooh Lion King 4 of 7, Pumba Safari Tigger Island Mercantile #1 Festival of The Lion
    [Show full text]
  • Tarzan the Untamed
    TARZAN THE UNTAMED I am grateful to see my grandfather’s works made available in the Edgar Rice Burroughs Authorized Library, the first-ever uniform editions of his entire literary catalog. Now readers everywhere can enjoy these timeless stories of wonder and adventure in a way they have never been presented before. These new editions represent the ultimate ERB experience, featuring magnificent cover art and frontispieces by legendary artist Joe Jusko, forewords and afterwords by noted authors and celebrities, and a bounty of rare and previously unpublished treasures straight from the archives of Edgar Rice Burroughs, Inc., in Tarzana, California. Whether a reader is new to my grandfather’s works or has spent a lifetime enjoying them as I have, the Edgar Rice Burroughs Authorized Library opens a unique window into extraordinary worlds of imagination, standing as an unparalleled landmark in an already historic legacy. John Ralston Burroughs Tarzan® Series Tarzan the Invincible Tarzan of the Apes Tarzan Triumphant The Return of Tarzan Tarzan and the City of Gold The Beasts of Tarzan Tarzan and the Lion Man The Son of Tarzan Tarzan and the Leopard Men Tarzan and the Jewels of Opar Tarzan’s Quest Jungle Tales of Tarzan Tarzan the Magnificent Tarzan the Untamed Tarzan and the Forbidden City Tarzan the Terrible Tarzan and the Foreign Legion Tarzan and the Golden Lion Tarzan and the Madman Tarzan and the Ant Men Tarzan and the Castaways Tarzan, Lord of the Jungle Tarzan and the Tarzan Twins Tarzan and the Lost Empire Tarzan: The Lost Adventure (with Tarzan at the Earth’s Core Joe R.
    [Show full text]
  • TARZAN of the APES SERIES - Complete 25 Book Collection (Illustrated): the Return of Tarzan, the Beasts of Tarzan, the Son of Tarzan, Tarzan and the Jewels
    mV6Rq (Read ebook) TARZAN OF THE APES SERIES - Complete 25 Book Collection (Illustrated): The Return of Tarzan, The Beasts of Tarzan, The Son of Tarzan, Tarzan and the Jewels ... Lion, Tarzan the Terrible and many more Online [mV6Rq.ebook] TARZAN OF THE APES SERIES - Complete 25 Book Collection (Illustrated): The Return of Tarzan, The Beasts of Tarzan, The Son of Tarzan, Tarzan and the Jewels ... Lion, Tarzan the Terrible and many more Pdf Free Edgar Rice Burroughs audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #85650 in eBooks 2017-04-20 2017-04-20File Name: B0727RRBNH | File size: 57.Mb Edgar Rice Burroughs : TARZAN OF THE APES SERIES - Complete 25 Book Collection (Illustrated): The Return of Tarzan, The Beasts of Tarzan, The Son of Tarzan, Tarzan and the Jewels ... Lion, Tarzan the Terrible and many more before purchasing it in order to gage whether or not it would be worth my time, and all praised TARZAN OF THE APES SERIES - Complete 25 Book Collection (Illustrated): The Return of Tarzan, The Beasts of Tarzan, The Son of Tarzan, Tarzan and the Jewels ... Lion, Tarzan the Terrible and many more: 0 of 0 people found the following review helpful. Good readingBy Jim NussbaumerWell written - but dated of course. It is nice having all of the books in one place - but they sound a lot alike after a while.0 of 0 people found the following review helpful. Five StarsBy Edward TuckerNice to find them all in one place.0 of 0 people found the following review helpful.
    [Show full text]
  • Kids Movie Trivia Questions #6
    KIDS MOVIE TRIVIA QUESTIONS #6 ( www.TriviaChamp.com ) 1> What are the two boys hunting at the beginning of the movie, "The Sword and the Stone"? a. Moose b. Deer c. Duck d. Bears 2> In which movie would you see the character "Lightning McQueen"? a. The Black Cauldron b. Cars c. The Sword in the Stone d. Peter Pan 3> What is the name of the city in the movie, "Monsters Inc"? a. Monstropolis b. Scary Town c. Monster City d. Scareville 4> Seen in the movie "Toy Story," what kind of animal is Bullseye? a. Dragonfly b. Cat c. Turtle d. Horse 5> Who is the main villain in the Disney film "101 Dalmatians"? a. Montgomery b. Hades c. Buzz d. Cruella de Vil 6> What kind of fruit does the evil witch give to Snow White in Disney's first animated feature film, "Snow White"? a. Pear b. Apple c. Cherry d. Orange 7> What kind of creature does Jafar turn into in the film "Aladdin"? a. Snake b. Scorpion c. Dragon d. Spider 8> What kind of animal swallowed an alarm clock? a. Parrot b. Lion c. Warthog d. Crocodile 9> What color is Toothless? a. Black b. Yellow c. Red d. Green 10> What country is the setting for the movie "Brave"? a. Mexico b. America c. Russia d. Scotland 11> Who is the main villain in the 2010 Disney film "Tangled"? a. Medusa b. Gothel c. Quasimodo d. Maleficent 12> What is the name of the princess in the Disney movie "Frozen"? a. Jasmine b.
    [Show full text]
  • Tarzan in the Early-20Th Century French Fantasy Landscape By
    Wesleyan University The Honors College The Missing Link: Tarzan in the Early-20th Century French Fantasy Landscape by Medha Swaminathan Class of 2019 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in French Studies Middletown, Connecticut April, 2019 Table of Contents Introduction ................................................................................................................... 1 Embracing the Invented in the “Benevolent” Colonial ................................................ 9 Imagining “Africa” ..................................................................................................... 19 Le Tour du Monde en Un Jour: Tarzan and the 1930s Paris Colonial Exhibitions .... 36 “Civilization” vs. “Civilized” vs. “Savage” ................................................................ 49 Homme Idéal or Missing Link? Fetish, Fascination, and Fear in French Eugenics ... 57 Sex, Youth, Beauty, Valor, and the Légionnaire ........................................................ 70 Saturnin Farandoul: Tarzan’s French Foil? ................................................................ 81 “Comment dit-on sites de rêve en anglais ?” .............................................................. 96 References ................................................................................................................. 100 Acknowledgements This project would not have been possible without an incredible amount
    [Show full text]
  • Jacxson Case Arrest Due in Next 24 Hours
    NET PRESS RUN V . AVERAGE DAOiV CIRCUIiATlON for the month of December, 1928. 5,241 Member of the Aodlt Bnrean of CircvlatloBO VOL. XLH., NO. 93. (Classified AdTtttlslng on Page 10) SOUTH MANCHESTER, CONN., SATURDAY, FEBRUARY 2, 1929. (TWELVE PAGES) TOWN’S GRAND UST JACXSON CASE ARREST RAISES A PROBLEM I DUE IN NEXT 24 HOURS Depreciation Fipre Seems ■ STATE HIGHWAY faer»l-N» Ulinsl 5Y31HIJ y jp jp r Off To Find Island Cannot Balance It— List He Saw In A Dream of Big Owners. AT «HILU0N Boston, Feb. 2.— In search of his^once more. After being in the air "Dream Island” , M. F. Bramley, three hours and twenty minutes, ac­ Manchester’s assessment system Macdonald Estimates Wortb wealthy Cleveland contractor, it be­ cording to Bramley he discovered established three years ago by came known today will ^ il out of the island, submerged about 20 feet Thomas Linder of New Britain, Boston'harbor bound fo"r "some­ under water about 25 miles long property valuation expert, is not of Connecticut Roads at where in the Pacific” in the famous and half as wide. producing a sufficiently large in­ & ship Peary, in which Donald Mac­ It is Bramley’s plan to use the Millan penetrated the Arctic wastes. Peary to draw scows loaded with crease in the grand list each year $46,185,405; 1112,000,- Bramley, a firm believer in stone to.the island with which to to adequately care for the town’s dreams, about a year ago dreamed build a circular breakwater and increasing current expenses.
    [Show full text]
  • De Edgar Rice Burroughs-I JOSE Gabrlel PEREIRA BASTOS LUIS SOCZKA *
    Análise estrutural-dinâmica de tTarzan of the ApesB de Edgar Rice Burroughs-I JOSE GABRlEL PEREIRA BASTOS LUIS SOCZKA * 1. INTRODUÇÃO Tentámos já demonstrar noutros lugares (Bastos e Soczka, 1976; Bastos, 1978) que os Este trabalho situa-se no âmbito de uma elementos essenciais para a definição das con- pesquisa mais vasta, em que nos propomos de- dições de uma análise estrutural-dinâmica do monstrar que: a) uma análise de texto consiste, discurso se encontram reunidos nos textos freu- em simultâneo, numa análise dos meios de ex- dianos iniciais (Freud, 1900, 1901, 1905, 1907, pressão que veiculam a significação (análise es- 1908, 1911, 1916, 1919). trutural) e numa análise das problemáticas psi- cológicas de elaboração dos conflitos e da busca de prazer, em relação às quais cada texto cons- 2. MATERIAL E MeTODO titui uma nova «cena» (análise dinâmica); b) a) Material uma artálise esruturai-dinâmica surge como elu- cidativa aos três níveis da sua sobredetermina- O material utilizado foi, neste caso, o ro- ção (individual, cultural e universal), permi- mance de Edgar Rice Burroughs (1875-1950). Tarzan of the Apes, escrito de 1-12-1911 a tindo, para além da interpretação do texto, es- 14-5-1912 e publicado pela primeira vez na tabelecer conhecimentos relativos ao@) seu(s) revista Ali-Story, de Outubro de 1912. Em 1914 autor(es), ti época e cultura em que se integram, foi publicado em livro, por A. L. McClurg & e levantar novos problemas às diversas áreas Co., de Chicago. da psicologia; e, c) uma análise deste tipo pode Na nossa análise socorremo-nos fumiamen- talmnte das edições portuguesas de 1971 e 1976 ajudar a propor hipóteses relevantes, ou a fun- (Tarzan dos Macacos, Portugal Press, Lisboa.
    [Show full text]