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The Jungle Tales of Tarzan
The Jungle Tales Of Tarzan Written in 1919 by Edgar Rice Burroughs (1875-1950) This version originally published in 2005 by Infomotions, Inc. This document is distributed under the GNU Public License. 1 2 Table of contents Chapter 1 - Tarzan's First Love Chapter 2 - The Capture of Tarzan Chapter 3 - The Fight for the Balu Chapter 4 - The God of Tarzan Chapter 5 - Tarzan and the Black Boy Chapter 6 - The Witch-Doctor Seeks Vengeance Chapter 7 - The End of Bukawai Chapter 8 - Lion Chapter 9 - The Nightmare Chapter 10 - Battle for Teeka Chapter 11 - A Jungle Joke Chapter 12 - Rescues the Moon 3 4 Chapter 1 - Tarzan's First Love Teeka, stretched at luxurious ease in the shade of the tropical forest, presented, unquestionably, a most alluring picture of young, feminine loveliness. Or at least so thought Tarzan of the Apes, who squatted upon a low-swinging branch in a near-by tree and looked down upon her. Just to have seen him there, lolling upon the swaying bough of the jungle-forest giant, his brown skin mottled by the brilliant equatorial sunlight which percolated through the leafy canopy of green above him, his clean-limbed body relaxed in graceful ease, his shapely head partly turned in contemplative absorption and his intelligent, gray eyes dreamily devouring the object of their devotion, you would have thought him the reincarnation of some demigod of old. You would not have guessed that in infancy he had suckled at the breast of a hideous, hairy she-ape, nor that in all his conscious past since his parents had passed away in the little cabin by the landlocked harbor at the jungle's verge, he had known no other associates than the sullen bulls and the snarling cows of the tribe of Kerchak, the great ape. -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
I Am Warrior Woman, Hear Me Roar: the Challenge and Reproduction Of
I am Warrior Woman, Hear Me Roar: The Challenge and Reproduction of Heteronormativity in Speculative Television Programs by Leisa Anne Clark A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Women’s Studies College of Arts and Sciences University of South Florida Major Professor: Marilyn Myerson, Ph.D. Kathryn Weedman Arthur, Ph.D. Frances Auld, Ph.D. Sara Crawley, Ph.D. Date of Approval: March 6, 2008 Keywords: feminism, second wave, third wave, gender, femininity © Copyright 2008, Leisa Anne Clark Dedication To the PaleoNerds for the coffee and tea, talking me down from the ledge and for recognizing that chocolate and laughter will cure anything. Acknowledgements This thesis could not have been completed without the help of many people: Thank you to Marilyn for everything you have done for me during my semesters as a graduate student: for always knowing when I needed a hug, for having confidence in me and for always having an open ear and an open heart. Thank you to my wonderful committee, Sara, Kathy and Frances, for bearing with me as I traveled this long road from “I want to look at women in science fiction” to this final thesis. You have all inspired me to think outside of my comfort zone and beyond. Thank you to Amanda for applying copious discounts to my DVD purchases and calling me when used copies of television shows appeared at the store. Thank you to Mom and Dad for encouraging me to do anything I wanted, even if it meant being a 30+ year old student! Thank you to Ruth and Rene for many years spent writing almost-good space operas and parodies of the televisions shows I reference in this thesis. -
Walt Disney World Coin Press Checklist Fill in the Mickey Head Once You Have Collected Each Coin!
Walt Disney World Coin Press Checklist Fill in the Mickey head once you have collected each coin! Walt Disney World Coin Press Checklist Contents: Disney’s Animal Kingdom Disney’s Hollywood Studios Epcot Magic Kingdom Downtown Disney WDW Resorts & Nearby Locations These Presses are currently out for refurbishment. Last Updated: April 29, 2010 Walt Disney World Coin Press Checklist Fill in the Mickey head once you have collected each coin! Out of the Wild #1 Lion King 5 of 7, Rafiki Celebrate Culture South Africa Tarzan 7 of 8, Jane & Tarzan The Outpost Shop #1 Penny Presses Jungle Book 6 of 6, Share Khan Beastly Bazaar Safari Minnie Mouse Tarzan 4 of 8, Tantor Safari Pluto Lion King 3 of 7, Hula Timon Safari Goofy The Outpost Shop #2 Stink Bug Chester & Hester's Dinosaur Treasures #1 Tarzan 8 of 8, Jane Iguanodon Lion King 1 of 7, Simba Camtaurus Alioramus Rainforest Café #1 Hot Air Balloon, Orlando, FL Chester & Hester's Dinosaur Treasures #2 Mockingbird, Florida State Bird Tarzan 3 of 8, Terk Crab w/ Sunglasses, Orlando, FL Mickey with Fossil Alligator, Orlando, FL Lion King 6 of 7, Scar Restaurantosaurus #1 Dawa Bar Styracosaurus Lion Saltasaurus Hippopotamus Ankylosaurus Rhino Restaurantosaurus #2 Duka La Filimu #1 Tarzan 1 of 8, Tarzan & Jane Safari Mickey Duckosaurus Donald Safari Donald Dinosaur Skeleton Safari Goofy Wildlife Express Train Station #1 Duka La Filimu #2 Tarzan 2 of 8, Swinging Tarzan Safari Minnie Tarzan 5 of 8, Professor Safari Pooh Lion King 4 of 7, Pumba Safari Tigger Island Mercantile #1 Festival of The Lion -
Program Book
W Congratu lations to m Harry Turtledove WindyCon Guest of Honor HARRY I I if 11T1! \ / Fr6m the i/S/3 RW. ; Ny frJ' 11 UU bestselling author of TURTLEDOVE I Xi RR I THE SONS Of THE SOUTH Turtledove curious A of > | p^ ^p« | M| B | JR : : Rallied All I I II I Al |m ' Curious Notions In High Places 0-765-34610-9 • S6.95ZS9.99 Can. 0-765-30696-4 • S22.95/S30.95 Can. In paperback December 2005 In hardcover January 2006 In a parallel-world twenty-first century Harry Turtledove brings us to the twenty- San Francisco, Paul Goines and his father first century Kingdom ofVersailles, where must obtain raw materials for our timeline slavery is still common. Annette Klein while guarding the secret of Crosstime belongs to a family of Crosstime Traffic Traffic. When they fall under suspicion, agents, and she frequently travels between Paul and his father must make up a lie that two worlds. When Annette’s train is attacked puts Crosstime Traffic at risk. and she is separated from her parents, she wakes to find herself held captive in a caravan “Entertaining,. .Turtledove sets up of slaves and Crosstime Traffic may never a believable alternate reality with recover her. impeccable research, compelling characters and plausible details.” “One of alternate history’s authentic —Romantic Times BookClub Magazine, modern masters.” —Booklist three-star review rwr www.roi.com Adventures in Alternate History 'w&ritlh. our Esteemed Guests of Honor Harry Turtledove Bill Holbrook Gil G^x»sup<1 Erin Gray Jim Rittenhouse Mate s&nd Eouie jBuclklin Mark Osier Esther JFriesner grrad si xM.'OLl'ti't'o.de of additional guests ijrud'o.dlxxg Alex and JPliyllis Eisenstein Eric IF lint Poland Green axidL Erieda Murray- Jody Lynn J^ye and IBill Fawcett Frederik E»olil and ESlizzsJbetlx Anne Hull Tom Smith Gene Wolfe November 11» 13, 2005 Ono Weekend Only! Capricon 26 -Putting the UNIVERSE into UNIVERSITY Now accepting applications for Spring 2006 (Feb. -
Dragon Con Progress Report 2021 | Published by Dragon Con All Material, Unless Otherwise Noted, Is © 2021 Dragon Con, Inc
WWW.DRAGONCON.ORG INSIDE SEPT. 2 - 6, 2021 • ATLANTA, GEORGIA • WWW.DRAGONCON.ORG Announcements .......................................................................... 2 Guests ................................................................................... 4 Featured Guests .......................................................................... 4 4 FEATURED GUESTS Places to go, things to do, and Attending Pros ......................................................................... 26 people to see! Vendors ....................................................................................... 28 Special 35th Anniversary Insert .......................................... 31 Fan Tracks .................................................................................. 36 Special Events & Contests ............................................... 46 36 FAN TRACKS Art Show ................................................................................... 46 Choose your own adventure with one (or all) of our fan-run tracks. Blood Drive ................................................................................47 Comic & Pop Artist Alley ....................................................... 47 Friday Night Costume Contest ........................................... 48 Hallway Costume Contest .................................................. 48 Puppet Slam ............................................................................ 48 46 SPECIAL EVENTS Moments you won’t want to miss Masquerade Costume Contest ........................................ -
Faces Illustration Featuring, in No 1
face Parigi Books is proud to present fās/ a selection of carefully chosen noun original comic art and noun: face; plural noun: faces illustration featuring, in no 1. particular order, the front part of a person's Virgil Finlay, John Romita, John Romita, Jr, Romano Scarpa, head from the forehead to the Milo Manara, Magnus, Simone chin, or the corresponding part in Bianchi, Johnny Hart, Brant an animal. Parker, Don Rosa, Jeff MacNelly, Russell Crofoot, and many others. All items subject to prior sale. Enjoy! Parigi Books www.parigibooks.com [email protected] +1.518.391.8027 29793 Bianchi, Simone Wolverine #313 Double-Page Splash (pages 14 and 15) Original Comic Art. Marvel Comics, 2012. A spectacular double-page splash from Wolverine #313 (pages 14 and 15). Ink and acrylics on Bristol board. Features Wolverine, Sabretooth, and Romulus. Measures 22 x 17". Signed by Simone Bianchi on the bottom left corner. $2,750.00 30088 Immonen, Stuart; Smith, Cam Fantastic Four Annual #1 Page 31 Original Comic Art. Marvel Comics, 1998. Original comic art for Fantastic Four Annual #1, 1998. Measures approximately 28.5 x 44 cm (11.25 x 17.25"). Pencil and ink on art board. Signed by Stuart Immonen on the upper edge. A dazzling fight scene featuring a nice large shot of Crystal, of the Inhumans, the Wakandan princess Zawadi, Johnny Storm, Blastaar, and the Hooded Haunt. Condition is fine. $275.00 29474 Crofoot, Russel Original Cover Art for Sax Rohmer's Tales of Secret Egypt. No date. Original dustjacket art for the 1st US edition of Tales of Secret Egypt by Sax Rohmer, published by Robert McBride in 1919, and later reprinted by A. -
Commies, H-Bombs and the National Security State: the Cold War in The
Western Kentucky University TopSCHOLAR® History Faculty Publications History 1997 Commies, H-Bombs and the National Security State: The oldC War in the Comics Anthony Harkins Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/history_fac_pubs Part of the American Popular Culture Commons, Cultural History Commons, and the Political History Commons Recommended Citation Anthony Harkins, “Commies, H-Bombs and the National Security State: The oC ld War in the Comics” in Gail W. Pieper and Kenneth D. Nordin, eds., Understanding the Funnies: Critical Interpretations of Comic Strips (Lisle, IL: Procopian Press, 1997): 12-36. This Contribution to Book is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in History Faculty Publications by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Harkins 13 , In the late 1940s and early 1950s, the U.S. government into the key components of what later historians would dub the "national securi ty state." The National Security Act of 1947 established a of Defense, the Central Intelligence Agency, and the National Security Council. The secret "NSC-68" document of 1950 advocated the development of hydrogen bomb, the rapid buildup of conventional forces, a worldwide sys tem of alliances with anti-Communist governments, and the unpn~ce'Clent€~CI mobilization of American society. That document became a blueprint for waging the cold war over the next twenty years. These years also saw the pas sage of the McCarran Internal Security Act (requiring all Communist organizations and their members to register with the government) and the n the era of Ronald Reagan and Newt Gingrich, some look back upon the rise of Senator Joseph McCarthy and his virulent but unsubstantiated charges 1950s as "a age of innocence and simplicity" (Miller and Nowak of Communists in the federal government. -
Newsletter 14/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 14/12 DIGITAL EDITION Nr. 318 - August 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 14/12 (Nr. 318) August 2012 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Mit ein paar Impressionen von der Premiere des Kinofilms DIE KIR- CHE BLEIBT IM DORF, zu der wir am vergangenen Mittwoch ein- geladen waren, möchten wir uns in den Sommerurlaub verabschieden. S ist wie fast jedes Jahr: erst wenn alle Anderen ihren Urlaub schon absolviert haben, sind wir dran. Aber so ein richtiger Urlaub ist das eigentlich gar nicht. Nichts von we- gen faul am Strand liegen und sich Filme in HD auf dem Smartphone reinziehen! Das Fantasy Filmfest Fotos (c) 2012 by Wolfram Hannemann steht bereits vor der Tür und wird uns wieder eine ganze Woche lang von morgens bis spät in die Nacht hinein mit aktueller Filmware ver- sorgen. Wie immer werden wir be- müht sein, möglichst viele der prä- sentierten Filme auch tatsächlich zu sehen. Schließlich wird eine Groß- zahl der Produktionen bereits kurze Zeit nach Ende des Festivals auf DVD und BD verfügbar sein. Und da möchte man natürlich schon vor- her wissen, ob sich ein Kauf lohnen wird. Nach unserer Sommerpause werden wir in einem der Newsletter wieder ein Resümee des Festivals ziehen. Es wird sich also lohnen weiter am Ball zu blei- ben. Ab Montag, den 17. -
Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection 2018.001
http://oac.cdlib.org/findaid/ark:/13030/c8nc66v5 No online items Guide to the Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection 2018.001 Ann Galvan Historic Collections, J. Paul Leonard Library 2018 1630 Holloway Ave San Francisco, California 94132-1722 URL: http://library.sfsu.edu/historic-collections asc.2018.001 1 Contributing Institution: Historic Collections, J. Paul Leonard Library Title: Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection Source: Rue, Thomas Bentley, 1937-2016 Accession number: asc.2018.001 Extent: 18 Cubic Feet (17 boxes, 1 oversize box) Date (inclusive): 1938-1956 Abstract: The Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Collection features comics and adventure strips ranging from the 1930s to the 1950s. Language of Material: English Conditions Governing Access Collection is open for research. Preferred Citation [Title], Thomas Bentley Rue Platinum and Golden Age Comic Book and Adventure Strips Archive, Historic Collections, J. Paul Leonard Library. Separated Materials A number of comic book reprints and compilations have been added to the J. Paul Leonard Library's general collection. A collection of Big Little Books are housed in Historic Collections within Special Collections. Immediate Source of Acquisition Gift of Virginia D.H. Rue In Memory of Thomas Bentley Rue, Accession number 2018/001. Conditions Governing Use Copyrighted. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owner. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. -
Captain Marvel
Roy Thomas’On-The-Marc Comics Fanzine AND $8.95 In the USA No.119 August 2013 A 100th Birthday Tribute to MARC SWAYZE PLUS: SHELDON MOLDOFF OTTO BINDER C.C. BECK JUNE SWAYZE and all the usual SHAZAM! SUSPECTS! 7 0 5 3 6 [Art ©2013 DC7 Comics Inc.] 7 BONUS FEATURE! 2 8 THE MANY COMIC ART 5 6 WORLDS OF 2 TM & © DC Comics. 8 MEL KEEFER 1 Vol. 3, No. 119 / August 2013 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreaders Rob Smentek William J. Dowlding Cover Artists Marc Swayze Cover Colorist Contents Tom Ziuko Writer/Editorial: Marc Of A Gentleman . 2 With Special Thanks to: The Multi-Talented Mel Keefer . 3 Heidi Amash Aron Laikin Alberto Becattini queries the artist about 40 years in comics, illustration, animation, & film. Terrance Armstard Mark Lewis Mr.Monster’sComicCrypt!TheMenWhoWouldBeKurtzman! 29 Richard J. Arndt Alan Light Mark Arnold Richard Lupoff Michael T. Gilbert showcases the influence of the legendary Harvey K. on other great talents. Paul Bach Giancarlo Malagutti Comic Fandom Archive: Spotlight On Bill Schelly . 35 Bob Bailey Brian K. Morris Alberto Becattini Kevin Patrick Gary Brown throws a 2011 San Diego Comic-Con spotlight on A/E’s associate editor. Judy Swayze Barry Pearl re: [correspondence, comments, & corrections] . 43 Blackman Grey Ray Gary Brown Warren Reece Tributes to Fran Matera, Paul Laikin, & Monty Wedd . -
Las Adaptaciones Cinematográficas De Cómics En Estados Unidos (1978-2014)
UNIVERSITAT DE VALÈNCIA Facultat de Filologia, Traducció i Comunicació Departament de Teoria dels Llenguatges i Ciències de la Comunicació Programa de Doctorado en Comunicación Las adaptaciones cinematográficas de cómics en Estados Unidos (1978-2014) TESIS DOCTORAL Presentada por: Celestino Jorge López Catalán Dirigida por: Dr. Jenaro Talens i Dra. Susana Díaz València, 2016 Por Eva. 0. Índice. 1. Introducción ............................................................................................. 1 1.1. Planteamiento y justificación del tema de estudio ....................... 1 1.2. Selección del periodo de análisis ................................................. 9 1.3. Sinergias industriales entre el cine y el cómic ........................... 10 1.4. Los cómics que adaptan películas como género ........................ 17 2. 2. Comparación entre los modos narrativos del cine y el cómic .......... 39 2.1. El guion, el primer paso de la construcción de la historia ....... 41 2.2. La viñeta frente al plano: los componentes básicos esenciales del lenguaje ........................................................................................... 49 2.3. The gutter ................................................................................. 59 2.4. El tiempo .................................................................................. 68 2.5. El sonido ................................................................................... 72 3. Las películas que adaptan cómics entre 1978 y 2014 ........................... 75