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Boston Symphony Orchestra Concert Programs, Season 28

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Boston Symphony Orchestra Concert Programs, Season 28 ACADEMY OF MUSIC, PHILADELPHIA Twenty-fowth Season in Philadelphia MAX FIEDLER, Conductor ftrngHmune of tht FOURTH CONCERT WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE MONDAY EVENING, FEBRUARY 15 AT 8.15 PRECISELY COPYRIGHT, 1908, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER Mme. CECILE CHAMINADE The 'World's Greatest Woman Composer Mme. TERESA CARRENO The World's Greatest Woman Pianist Mme. LILLIAN NORDICA The World's Greatest "Woman Singer USE THE JOHN CHURCH CO., 37 West 326 Street New York City REPRESENTED BY MUSICAL ECHO GO. 1217 Chestnut Street, Philadelphia Boston Symphony Orchestra PERSONNEL TWENTY-EIGHTH SEASON, 1908-1909 MAX FIEDLER, Conductor First Violins. Hess, Willy Roth, O. Hoffmann, J. Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J. Noack, S. Mahn, F. Eichheim, H. Bak, A. Mullaly, J. Strube, G. Rissland, K. Ribarsch, A. Traupe, W.[ Second Violins. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Marble, E. Eichler, J. Tischer-Zeitz, H. Kuntz, A. Goldstein, H. Goldstein, S. Kurth; R. Werner, H. Violas. FeTir, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. Violoncellos. Warnke, H. Nagel, R. Barth, C. Loeffler, K Warnke. J.| Keller, J. Kautzenbach, A. Nast, L. Hadley, A. Smalley, R. Basses. Keller, K. Agnesy, K. Seydel, T. Ludwig, O. Gerhardt, G. Kunze, M. Huber, E. Schurig, R. Flutes. Oboes. Clarinets. Bassoons. Maquarre, A. Longy, G. Grisez, G. Sadony, P. Maquarre, D. Lenom, C. Mimart, P. Mueller, E. Brooke, A. Sautet, A. Vannini, A. Regestein, E. Fox, P. English Horn Bass Clarinet. Contra-bassoon. Mueller, F. Stumpf, K. Helleberg, J. Horns. Horns. Trumpets. Trombones. Tuba. Hess, M. Schmid, K. Kloepfel, L. Hampe, C. Lorenz, O Lorbeer, H. Gebhardt, W. Mann, J. Mausebach, A. Hain, F. Hackebarth, A. Heim, G. Kenfield, L. Merrill, C. Phair, J. Schumann, C. Harp. Tympani. Percussion. Schuecker, H. Rettberg, A. Dworak, J. Senia, T. Kandler, F. Ludwig, C. Burkhardt, H. Librarian. Sauerquell, J. Hfyt <£ft itfavin% ^Jtaito Bears a name which has become known to purchasers as representing the highest possible value produced in the piano industry. It has been associated with all that is highest and best in piano making since 1823. Its name is the hall mark of piano worth and is a guarantee to the purchaser that in the instrument bearing it, is incorporated the highest artistic value possible. CHICKERING & SONS PIANOFORTE MAKERS Established 1823 791 TREMONT STREET BOSTON, U.S. A. Represented in Philadelphia by JOHN WANAMAKER BOStOn ACADEMY OF MUSIC, PHILADELPHIA. Symphonyrr , 4 Twenty-eighth Season, J908-J909. Orchestra Twenty-fourth Season in Philadelphia. MAX FIEDLER, Conductor. FOURTH CONCERT, MONDAY EVENING, FEBRUARY 15, AT 8.15 PRECISELY. , PROGRAMME. / Paderewski , Symphony in B minor, Op. 24 First time in Philadelphia I. Adagio maestoso ; Allegro con fuoco. II. Andante con moto. III. Allegro vivace. Saint-Saens . Concerto, C minor, No. 4, for Pianoforte and Orchestra, Op. 44 I. Allegro moderato ; Andante. II. Allegro vivace ; Andante. III. Finale, Allegro. SOLOIST, M*. PADEREWSKI. The pianoforte is a Weber. There will be an intermission of ten minutes after the symphony. 5 e Always the Knabe BALTIMORE NEW YORK WASHINGTON Represented in Philadelphia by JOHN WANAMAKER — Symphony in B minor, Op. 24 Ignaz Jan Paderewski (Born, November 6, i860, at Kurilowka, in Russian government of Podolia- now living at Morges, Switzerland.) The following sketch of this symphony is based on information furnished by the composer. The symphony Op. 24 is in three movements: I. Adagio maestoso; Allegro fuoco; II. Andante con moto; III. Allegro vivace. The themes of the first movement were sketched in the summer of 1904. The three movements which now compose the work were com- pleted, and the parts were copied in December, 1908. "The symphony is written as a patriotic tribute of the composer to his native country, and it was directly inspired by the fortieth anniversary of the revolution of 1863-64. There is no absolute programme for either the first or second movement. The first movement is free, but classical in form. It seeks to celebrate Poland's great heroic past. The themes, although racial in character, are not based on popular melo- dies. The same is true of the second (slow) movement in which the composer endeavors to express the lyric nature of his race. "In the third movement Mr. Paderewski has followed a sharply defined programme. It is in effect a symphonic poem, and is peculiarly in memory of the revolution of 1863-64. "In the opening of the movement is felt the spirit of social and po- litical unrest which filled the country prior to the outbreak of the war, the unrest of the young hot-heads, the youth of the nation, who longed for independence. Older heads, conservative age, counselled patience and caution, urged the impossibility of a successful issue. This despond- ent feeling is expressed in a treatment of the national anthem, from which all buoyancy and joyousness have been taken. The anthem is treated not unlike a dirge; it appears in a subdued, sad mood. GRAND OPERAS In this Season's Repertory TIEFLAND, by E. D 'Albert, German and English text Price, $5.00 it LA HABANERA, by R. La Parra, French text . 3-50 a LE VILLI, by G. Puccini, English text 2.50 <( The Same, Italian text 3.00 « 4.00 LA WALLY, by A. Catalani, Italian text . it FALSTAFF, by Giuseppe Verdi, Italian and English text 4.00 BOOSEY & COMPANY, Publishers, 9 East Seventeenth Street NEW YORK 7 : MADAME TETRAZZINI Uses exclusively the HARDMAN PIANO In both her American and European homes Te my Friends Hardman, Peck &* Co. The Hardman Piano is my choice. I therefore use it exclusively. o<£4_^. London, May sq, igo8. HARDMAN, PECK & COMPANY Established 1842 FIFTH AVENUE, NEW YORK Represented in Philadelphia by JAflES BELLAK'S SONS, 1129 CHESTNUT STREET 8 ' "The youth refuse to listen. The atmosphere of restlessness subdues the remonstrances of the elders, and the spark of revolution ignites with the appearance of the second theme, a theme of brilliant chivalric char- acter, which has been heralded by faint distant trumpet-calls,—the sum- mons to war. "Light-hearted, gay, and confident, the youth of Poland depart for battle. The first conflict is characterized by the use of sarrusophones, which, with their dark, heavy coloring, express the weight and over- whelming strength of the oppressing force. Again is heard the Polish anthem, this time strong, vigorous, and battling; yet, as the conflict pro- gresses, it is gradually lost in the gloom of defeat, finally disappearing in an atmosphere of utter despair. "Then a funeral dirge celebrates the heroes that are gone. The themes of unrest heard in the first movement reappear, but are divested of their substance. They are as shadowy and as unsubstantial as the heroes that have passed away. They are bitter memories of defeat. Upward they soar, higher and higher, —lamentations for the fatherland ascending to heaven. "A quick transition of mood follows, from gloom to brightness. Hope returns, and in the recapitulation and climax one hears again the splen- did buoyancy of the theme of chivalry from this third movement, the theme of the heroic past from the first movement, and a third theme on which will be built the fourth movement yet to be written.' The symphony is complete as a work in its present shape, but Mr. Paderewski contemplates a fourth movement. It will be a scherzo. The work is scored for three flutes, three oboes (one interchangeable with English horn) , three clarinets (one interchangeable with bass clari- net), two bassoons, contrabassoon, three sarrusophones, four trumpets, four horns, three trombones, one bass tuba, harp, organ, a set of three Dry cleaning women's gowns By the improved French process in- sures thoroughness in freshening up the colors without shrinking or fading the fabric. No powerful chemicals used to rot the texture. We also clean carpets, upholstered furniture, blankets, lace curtains, men's clothing, etc. We dye goods in all the fashionable colors. 17th St. and Fairmount Are. 1535 Chestnut St. N. E. Corner 12th and Walnut Sta. 1714 North Broad St. A. F. BORNOT BRO. & Go. Southwest Corner Broad and Tae- ker Sts. HEPPE This Jury of Tone Experts CERTIFIES all HEPPE Pianos If you were about to buy a piano and could get such well-known authorities on tone and acoustics as these to aid you in your selection, would you not feel assured of an artistic piano? HUGH A CLARKE, Musical Doctor, professor of music at the University of Pennsylvania. W*. "W. GILCHRIST, Musical Doctor, teacher of voice and composition, conductor of the Mendelssohn Club and Harriiburg Choral- HENRY GORDON THUNDER, orchestral conductor and pianist, conductor of Phila- delphia Choral Society, organist of the Pan-American Exposition, Buffalo, 190). WILLIAM STOLL, Jr., teacher piano and violin, conductor of the Germania Orchestra and the Beethoven String Quartette. SAMUEL L. HERRMANN, teacher piano and harmony, music director the Treble Clef, the Maennerchor, and the Manheim Clubs. The verdict of this distinguished jury is not embodied in a general opinion, but each individual pia.no is actually tested, and those found worthy receive a certificate which is sealed to the back of the piano and varnished over, so that neither figures nor facts can be changed* " "! We make the Heppe," Marcellus," and " Edouard Jules/'— the only pianos in the world with Three Sounding-boards. "Write for free catalogues and bargain list of pianos taken in exchange. C. J. HEPPE & SON (THREE STORES) 1115-1117 Chestnut St. Sixth and Thompson Sts. 10 kettle-drums, side-drum, cymbals, triangle, tam-tam, tambour de basque, tonitruone, and the usual strings.
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