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The Role of Social Agents in the Translation Into English of the Novels of Naguib Mahfouz
Some pages of this thesis may have been removed for copyright restrictions. If you have discovered material in AURA which is unlawful e.g. breaches copyright, (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please read our Takedown Policy and contact the service immediately The Role of Social Agents in the Translation into English of the Novels of Naguib Mahfouz Vol. 1/2 Linda Ahed Alkhawaja Doctor of Philosophy ASTON UNIVERSITY April, 2014 ©Linda Ahed Alkhawaja, 2014 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without proper acknowledgement. Thesis Summary Aston University The Role of Social Agents in the Translation into English of the Novels of Naguib Mahfouz Linda Ahed Alkhawaja Doctor of Philosophy (by Research) April, 2014 This research investigates the field of translation in an Egyptain context around the work of the Egyptian writer and Nobel Laureate Naguib Mahfouz by adopting Pierre Bourdieu’s sociological framework. Bourdieu’s framework is used to examine the relationship between the field of cultural production and its social agents. The thesis includes investigation in two areas: first, the role of social agents in structuring and restructuring the field of translation, taking Mahfouz’s works as a case study; their role in the production and reception of translations and their practices in the field; and second, the way the field, with its political and socio-cultural factors, has influenced translators’ behaviour and structured their practices. -
The Quotidian in Naguib Mahfouz's the Cairo Trilogy
The Quotidian in Naguib Mahfouz’s The Cairo Trilogy A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English By Kenneth Strickland 7 December 2015 Strickland 2 Contents Table of Contents…………………………………………………………..……………...2 Acknowledgements………………………………………………………………………..3 Introduction.……………………………………………………………………………….4 Chapter One: The Quotidian in Palace Walk…………..……………………………......20 Chapter Two: Incursion and Reordering in Palace of Desire……………………………41 Chapter Three: Sugar Street’s New Subjectivities and New Spaces………………….....61 Conclusion……………………………………………………………………………….81 Works Cited……………………………………………………………………………...85 Strickland 3 Acknowledgements I wish to express the most sincere gratitude to: Dr. Yaw Adu-Gyamfi, for enduring patience and guidance; Dr. Mark Schmidt, for attention to detail and clarity in writing; Dr. Stephen Bell, for unrivaled and enriching dialogue; My community, for unending grace and understanding; My mother, Barbara, for a lifetime of sacrifice and support; My wife, Anna, for the greatest love a human can give. Strickland 4 Introduction Naguib Mahfouz’s The Cairo Trilogy1 is lauded for its poignant, realistic and paradoxical reflection of transition from old to new in the everyday depiction of life. As summarized by Matti Moosa, “Mahfouz depicts the family’s unremarkable daily life in minute detail” (144); characters are depicted as partaking in their daily routines, as the opening scenes of nearly every chapter of the first book, “Palace Walk,” exemplify. Still through these everyday delineations, critics cite the author’s ability to depict, according to El-Enany, “the conflict between old and new, or past and present…the conflict between two value systems; one wallowing in the security of age-old tradition, and the other attracted to Western modernity with all its attendant perils” (47). -
Naguib Mahfouz (1911-2006)
– َلذ وجٍت محفُظ فً 11 دٌسمجر 1111، َأمضى طفُلزً فً حً الجمبلٍخ حٍث َلذ، ثم اوزلم إلى حمً الحسمٍه َالوُيٌمخ ثم إلمى العجبسمٍخ . َحصم وجٍمت محفمُظ علمى لٍسمبوا اَداة مسم الفلسممفخ عممب 1134. َمممذ عممم وجٍممت محفممُظ مممذٌرال للرمبثممخ علممى المصممىفبد الفىٍممخ، ثمم مممذٌرال لمؤسسخ دعم السمٍىمب َيسٍسمبل لمجلما إدايرٍمب ، ثم يسٍسمبل لمؤسسمخ السمٍىمب ، ثم مسزامبيال لمُ ٌر الثلبفخ لائُن السٍىمب، َمذ أحٍ إلى المعبش عب 1191. ول وجٍت محفُظ فً أعمبلً حٍبح الطجلخ المزُ س م ط خ ف م ً أ ح ٍ م ب ل ا ل ل م ب ٌ ر ح ، ف ع ج م ر ع م ه ٌ م ُ م ٍ م ب َ أ ح ع م ٍ م ب ، َ ع م ا م ل ل ٍ م ب َ ر ُ س م ب ر ٍ ب حٍبل اللضبٌب المصٍرٌخ. كمب صُي حٍبح اﻷسرح المصرٌخ فً ععمبرٍب الذاخلٍخ َامزذاد ٌمهي الععممبد فمً المجزمم . َممذ ارسممذ أعمبلً ثبلُامعٍخ الحٍخ، ث ارخهد طبثعبل يمزًٌب كمب فً يَاٌبرً »أَﻻد حبيرىب« َ»الحرافٍص« َ»يحلخ اثه فطُمخ«.)1( » « http://www.shorouk.com/naguibmahfouz/ 1 http://www.shorouk.com/naguibmahfouz/ 2 3 . http://thaqafa.sakhr.com/ketab/pages.asp?Lnk=mhfoaz/a001.xml 4 http://ar.wikipedia.org/wiki/ 070101 Bibliotheca Alexandrina Compiled by Eiman El-Noshokaty, Maha El-Touny, Manar Badr & Sahar Essam Naguib Mahfouz (1911-2006) Egyptian novelist and screenplay writer who was awarded the Nobel Prize for Literature in 1988. Naguib Mahfouz was born in Cairo in 1911. Until 1972, Mahfouz was employed as a civil servant, first in the Ministry of Mortmain Endowments, then as Director of Censorship in the Bureau of Art, as Director of the Foundation for the Support of the Cinema, and, finally, as consultant on Cultural Affairs to the Ministry of Culture. -
Greenberg Washington 0250E
© Copyright 2012 Nathaniel Greenberg Secrecy, Secularism, and the Coming Revolution in Naguib Mahfouz’s Postwar Masterpieces (1952-1967) Nathaniel Greenberg A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Terri DeYoung, Chair Cynthia Steele Willis Konick Program Authorized to Offer Degree: Comparative Literature University of Washington Abstract Secrecy, Secularism, and the Coming Revolution in Naguib Mahfouz’s Postwar Masterpieces Nathaniel Greenberg Chair of the Supervisory Committee: Associate Professor Terri DeYoung Near Eastern Languages and Civilizations In the wake of the Egyptian revolution of 1952, Egypt’s Nobel laureate Naguib Mahfouz turned to stories of corruption and alienation, initiatory underworlds of the revolution’s political detractors drawn from an unlikely aesthetic combination of Hollywood Westerns, local mythology, and Nasserism. Today, his literature appears prophetic, providing a window onto the metaphysical connotations of democratization which, in Egypt, have long been haunted by the moral vacuousness of western style secularism and what Jürgen Habermas has described as the global “revitalization of religion” in the public sphere. Drawing on research conducted before and during the 2011 uprising in Egypt, this dissertation explores how one of the twentieth century’s greatest writers aestheticized— both through novels and through film— the political transformations of his day and how his work might contribute -
Modern Man's Predicament in the Selected Novels by Naguib Mahfouz Ali Dakhil Naem1, Dr
International Journal of English, Literature and Social Science (IJELS) Vol-4, Issue-5, Sep – Oct 2019 https://dx.doi.org/10.22161/ijels.45.42 ISSN: 2456-7620 Modern Man's Predicament in the Selected Novels by Naguib Mahfouz Ali Dakhil Naem1, Dr. Lajiman Bin Janoory2 1Ph. D. Student in Literature, Iraqi, Ministry of Education-Iraq [email protected] 2Faculty of Languages and Communication, University Pendidikan Sultan Idris, Tg. Malim Perak, Malaysia [email protected] Abstract— This study aims at analyzing the selected novels of Naguib Mahfouz in the light of the existential predicament of man. Such predicament is manifested in the aspects of despair, frustration, betrayal and poverty. The study assumes the existentialism as a theory and topic to comment on the situation. This study aims at the following objectives: To analyze a reflection of moral chaos in Naguib Mahfouz's selected novels. To show the modern man's predicament based on the selected novels by Naguib Mahfouz. To explain how existentialism is able to express the predicament of the modern man based on Naguib Mahfouz's selected novels? This study follows the existential theory as an outline onto how the project of the present study will be carried out. It specifically presented the theoretical framework of the study, as well as the related theories and concepts necessary for data collection and interpretation. The study arrives at the conclusion and findings that the moral chaos in Naguib Mahfouz's selected novels of the study are a genuine fact of the aftermath of colonial period in Egypt. Moreover, modern man's predicament is brilliantly portrayed in the characters who are in a constant struggle to journey from their repressed daily affairs into the post-colonial lifestyle. -
NAGUIB MAHFOUZ and MODERN ISLAMIC IDENTITY by MEHNAZ
NAGUIB MAHFOUZ AND MODERN ISLAMIC IDENTITY by MEHNAZ MONA AFRIDI Submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject RELIGIOUS STUDIES at the UNIVERSITY OF SOUTH AFRICA PROMOTER: PROF G J A LUBBE JOINT PROMOTER: PROF Y DADOO NOVEMBER 2008 SUMMARY NAGUIB MAHFOUZ AND MODERN ISLAMIC IDENTITY The purpose of this study was to present an analysis of Naguib Mahfouz’s writings in relationship to modern Islam, changes in Egyptian Islam, the impact of colonialism, and modern Muslim Identity. The divergent effects and results of transformations in Egypt are analyzed through history, literature, and religion using theoretical religious, psychological, historical, and social world views. Selected writings of Naguib Mahfouz are used as the central body of literature. Naguib Mahfouz’s writings provide a plethora of divergent views on Egypt, Islam, and the emerging new Muslim Identity. Mahfouz’s writings centralize the many dilemmas that Muslims face today in light of modernity, western influences, and a transforming Islam. In this study there were some conclusions drawn about modern Islam and literature that discuss modern Islam as reflected in Mahfouz’s literary portrayals of ordinary Muslims living in Cairo and Alexandria oscillating between their native Eastern culture and Western colonial influences, as well as the existential and spiritual questions that accompany change for modern Muslims. ii KEY TERMS: Naguib Mahfouz; Islam; Egypt; Literature; Arab; Tradition; Modern; Muslim Identity; Religion; Secular; Reform; Spiritual; Duniya; Din. iii ACKNOWLEDGEMENTS I am grateful to have had my primary education living in the United States and being able to bring this experience to my joint-promoters: Dr. -
The Pursuit of Existential Meaning and Social Justice in Naguib Mahfouz's
Vol. 3, No. 2, September 2017| Indonesian Journal of English Language Studies The Pursuit of Existential Meaning and Social Justice in Naguib Mahfouz’s Three Short Stories: “Zaabalawi”, “A Day for Saying Goodbye”, and “The Answer is No” Dian Natalia Sutanto, Melania Prischa Mendrofa, Teti Apriyanti Sanata Dharma University ABSTRACT Mahfouz’s literary fame is mainly based on his novels which become the main source for the critics to understand his whole literary visions. Mahfouz’s short stories, on the other hand, are considered secondarily valuable by the critics as the remainder of the ideas from his novels. This paper proposes that Mahfouz’s short stories are as important as his novels in a sense that they highlights or magnify particular aspects of Mahfouz’s visions. From the analysis of three Mahfouz’s short stories entitled “Zaabalawi”, “A Day for Saying Goodbye”, and “The Answer is No”, some of his essential themes and literary visions, which developed further in his novel, are identified. In Zaabalawi, the persistence in maintaining hope of finding meaningful life in spite of the persisting tragedy in human life is emphasized by Mahfouz. In A Day for Saying Goodbye, Mahfouz depicts the futility of modernity without adherence to religious values. In The Answer is No, by depicting the shift of gender relations and accomodating the marginalized women’s resistence to patriarchy, Mahfouz encourages the reformation of unjust societal structure. Keywords: women’s resistance, existential meaning, social justice INTRODUCTION criticism of Mahfouz’s works, whereas the short stories commonly take second place Naguib Mahfouz, a prolific Egyptian in the study of the author’s work. -
The Image of the Prostitute in Modern Arabic Literature
THE IMAGE OF THE PROSTITUTE IN MODERN ARABIC LITERATURE THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Gevorg Hunanyan Graduate Program in Near Eastern Languages and Cultures The Ohio State University 2012 Thesis Committee: Dr. Joseph Zeidan, Advisor Dr. Sabra Webber Copyright by Gevorg Hunanyan 2012 Abstract This thesis analyzes the image of the prostitute in Modern Arabic literature. The focus is on four Arab writers: Naguib Mahfouz, Yusuf Idris, Nawal El Saadawi and Salwa Bakr. A close reading of the novels in discussion reveals a sharp difference between how male and female writers portray prostitutes. While in the novels of Mahfouz and Idris prostitutes know the value of their body and they try to use it in order to attract males or to gain material benefits, in the works of female authors, girls become prostitutes because of the male characters who deny women control over their own bodies. Although both male and female writers in Egypt addressed problems of prostitution in their writings, female writers are more active in calling for social and political changes while male writers seem more content with traditionally accepted norms and behaviors. The thesis also explores the relationship between a prostitute’s character and politics, especially how the interaction between different government bodies and prostitutes is depicted. Juxtaposition of politics and prostitutes can reveal the attitude of the author towards the oppressive regime. Another way to look at the image of the prostitute is to read it as a symbol. -
Suffering Wives: Miller's Linda and Mahfouz's Amina
Journal of Language a nd Cultural Education, 2015, 3(3 ) ISSN 1339 - 4584 SlovakEdu DOI: 10.1515/jolace - 2015 - 0026 Suffering w ives: Miller’s Linda and Mahfouz’s Amina Atef Abdallah Abouelmaaty Aljouf University , Kingdom of Saudi Arabia [email protected] Abstract The theme of suffering female characters has been the interest of both the drama and the novel of the late nineteenth and early twentieth centuries. Among those who are interested in the matter are the Noble Prize winners Arthur Miller and Naguib Mahfouz i n Death of a Salesman (1949) and Palace Walk (1956). Both of Miller’s Linda and Mahfouz’s Amina have greatly suffered at the hands of their tyrannical husbands Willy Loman and Al - Sayyid Ahmad Abd - Elguaad respectively. The main aim of this paper is to study the sources, forms, and consequences of the sufferings of both Miller’s Linda and Mahfouz’s Amina, and to place their sufferings against the current beliefs of the age in which they lived. The reason behind choosing these two characters is that they look like each other in many ways. First, they are reliable, trusted wives and mothers who are dedicated to the welfare of their families. Second, they face the same inherently patriarchal cultures and suffer the same misogyny. Third, they are different from ot her tragic wives like Shakespeare's Desdemona, who are crea ted to meet Aristotle's tragic requirements. Keywords comparative l iterature, Suffering Wives, Miller's Linda, Mahfouz's Amina The theme of suffering female characters has been the interest of bot h the drama and the novel of the late nineteenth and early twentieth centuries. -
The Existential Predicament Perspective in Naguib Mahfouz's
International Journal of Applied Linguistics & English Literature E-ISSN: 2200-3452 & P-ISSN: 2200-3592 www.ijalel.aiac.org.au Analytical Study: The Existential Predicament Perspective in Naguib Mahfouz’s Selected Novels Ali Dakhil Naem, Lajiman Bin Janoory* Faculty of Languages and Communication, Universiti Pendidikan Sultan Idris, Tg. Malim Perak, Malaysia Corresponding Author: Lajiman Bin Janoory, E-mail: [email protected] ARTICLE INFO ABSTRACT Article history This paper aims at analyzing the selected novels of Naguib Mahfouz in the light of the existential Received: March 15, 2019 predicament of ‘man’. Such predicament is manifested in the aspects of despair, frustration, and Accepted: May 12, 2019 poverty. The Characters in the novels play a significant role in displaying the sordid images of Published: July 31, 2019 the modern futility of the conditions of the post-World War in Egypt. The paper assumes the Volume: 8 Issue: 4 existentialism as a theory and topic to comment on the situation, hence the researcher conducts Advance access: June 2019 the research within the existentialist theory. The texts that are selected in this paper are as follow, Midaq Alley, Cairo Trilogy, The Beggar, and The Thief and the Dogs. Conflicts of interest: None Key words: Existentialism, Predicament, Modern Man Funding: None INTRODUCTION (Hora, T. 1977, p. 1). The existentialism here in Mahfouz’ The Arab novel is not too far has been established by several context refers to the status of uncertainties, frustration and writers like Mohammed Hussein Haykal, Mahmood Alaqad doubt within the main characters in the novels that depict and Taha Hussein. -
Naguib Mahfouz: a Profile Salih J. Altoma, Indiana University
Naguib Mahfouz: A Profile Salih J. Altoma, Indiana University When Naguib Mahfouz (Najîb Mahfûz; Cairo, 1911-, B.A. in Philosophy, Cairo University, 1934) was declared the 1988 Nobel Laureate for Literature, few in the West beyond his audience of Middle-East specialists had heard of him or read his works. As Mahfouz himself observed in his Nobel speech, "the moment my name was mentioned in connection with the prize silence fell, and many wondered who I was."1 His main publisher in the United States, Donald Herdeck (Three Continents Press, Washington, D.C.) summed up his experi ence in marketing Mahfouz, by declaring: "Mahfouz, who is a writer of the cal iber of Thomas Mann, has been resolutely ignored in America," and by sug gesting "Western snobbery and perhaps even racism" as factors operating not only against Mahfouz but also against many other Third World writers Herdeck has been publishing in the U.S.2 It is relevant to cite in this context three important facts. First, modern Arabic literature has a history of more than fourteen centuries, "a longer period of continuous literary activity than any living European language can boast," as noted by the late eminent Orientalist H.A.R. Gibb.3 Second, as a national litera ture of about 170 million Arabic-speaking people, it has been enriched in re cent decades by the contributions of numerous leading poets, novelists, and playwrights who, like Mahfouz, deserve to reach a wider international audi ence. Finally, since the 1920s, literary critics, first in Egypt and later elsewhere, have promoted, perhaps prematurely at the beginning, one or more of the leading Arab writers as candidates worthy of the Nobel Prize. -
Gender Relations in the Arab World a Rhetorical Criticism of Naguib Mahrouz's Awlad Haratina
GENDER RELATIONS IN THE ARAB WORLD A RHETORICAL CRITICISM OF NAGUIB MAHROUZ'S AWLAD HARATINA Hoda Al-Mutawah A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2005 Committee: Alberto Gonzalez, Advisor Sherlon Brown Graduate Faculty Representative John Warren Nancy Brendlinger Awad Ibrahim ii ABSTRACT Alberto Gonzalez, Advisor This study examined the novel by Nahjib Mahfouz, Awlad Haratina, or Children of the Alley. The goal of this examination was to reveal how gender relations are rhetorically created within the Arab cultural context. This study found that two rhetorical strategies mediated gender relations and provided a path for improving gender relations. The strategies were Lamentation and Muruwa. iii ACKNOWLEDGMENTS Thanks to the Great God for making this world so beautiful and harmonious. Thanks to my little island Bahrain, which gave me its eternal beauty as a child, and made me an eternal ambassador for peace wherever my path takes me. Special thanks to Dr. Alberto Gonzalez, my Chair and his family, Jo Beth, Monica, V. and Grandpa Sil Gonzalez for being important part of my life in Bowling Green. Special thanks to my committee members, Dr. John Warren, Dr. Nancy Brendlinger, Dr. Sherlon Brown, Dr. Bettina Heinz, and Dr. Awad Ibrahim for their belief in me. Thank you, Dwayne Beggs, Sarah Jeffers, and Beth Kelly for your help preparing this manuscript. Special thanks to my family who kept their faith in me despite our differences: My father who planted a good seed in each of us, his eight children, leaving us to carve our way in this life bare- handed.