Socialist Competition from Soviet Union to Yugoslavia
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Historical Traumas in Post-War Hungary: Legacies and Representations of Genocide and Dictatorship
The Hungarian Historical Review New Series of Acta Historica Academiae Scientiarum Hungaricae Volume 6 No. 2 2017 Historical Traumas in Post-War Hungary: Legacies and Representations of Genocide and Dictatorship Balázs Apor Special Editor of the Thematic Issue Contents Articles Zsolt Győri Discursive (De)Constructions of the Depoliticized Private Sphere in The Resolution and Balaton Retro 271 tamás BeZsenyi and The Legacy of World War II and Belated Justice andrás lénárt in the Hungarian Films of the Early Kádár Era 300 Péter Fodor Erasing, Rewriting, and Propaganda in the Hungarian Sports Films of the 1950s 328 anna menyhért Digital Trauma Processing in Social Media Groups: Transgenerational Holocaust Trauma on Facebook 355 ZsóFia réti Past Traumas and Future Generations: Cultural Memory Transmission in Hungarian Sites of Memory 377 lóránt Bódi The Documents of a Fresh Start in Life: Marriage Advertisements Published in the Israelite Newspaper Új Élet (New Life) Between 1945–1952 404 http://www.hunghist.org HHR_2017-2.indb 1 9/26/2017 3:20:01 PM Contents Featured review The Routledge History of East Central Europe since 1700. Edited by Irina Livezeanu and Árpád von Klimó. Reviewed by Ferenc Laczó 427 Book reviews Central Europe in the High Middle Ages: Bohemia, Hungary and Poland, c. 900–c. 1300. By Nora Berend, Przemysław Urbańczyk, and Przemysław Wiszewski. Reviewed by Sébastien Rossignol 434 Deserting Villages – Emerging Market Towns: Settlement Dynamics and Land Management in the Great Hungarian Plain: 1300–1700. By Edit Sárosi. Reviewed by András Vadas 437 Das Reich als Netzwerk der Fürsten: Politische Strukturen unter dem Doppelkönigtum Friedrichs II. -
TOWI Nw866 O Uj
TOWI Nw866 o uJ HAIII: 9 THE DECHOUKAOE HAS ONLY JUST BEOUN! PERU: IHIT BLOOD THAT HAS BEEI{ SPITT SHAtt NEUER BE FORGOIIE]II F{r**ffiffi sliti;::l$ 1986t6 Hoiti The Dechoukage Has Only Just Begun! Crisis in Haiti and the Tasks of Revolutionaries by the Haitian Internationalist Revolutionary- Group A Call to the Haitian Revolutionary Movement by the Haitian Revolutionary Internationalist Group and the Haitian Workers Party t6 People Are Disposed to Take Care of Business - Talks with Haitian Workers Party l8 Peru This Blood That Has Been Spilt Shall Never Be Forgotten 34 Flames Leap to Puno 37 Support for People's War in Peru Echoes on Every Continent 39 Excerpts From Worldwide Campaign Speech Five Years of People's War in Peru 44 RIM Committee Greets Peru Campaign 46 A "Shining Trench of Combat" Statement on the Massacre of Our Comrades in Peru's Prisons by the RIM Committee 28 "Day of Herois111" - Statement by the PCP Central Committee- 32 Forward Along the Path Charted by Mao Tsetung!42 Interview with Afghan Revolutionary 48 Romania: From Goulash Communism to Capitalist Austerity 58 The Weapon of Criticism: Book Reviews 64 A llorld to I,I4n is a quarterly published by World to Win, whose address is: BCM world to win London WCIN 3XX. U.K. This issue was printed by Russell Press, Bertrand Russeil House, Forest Road West, Nottingham, U.K. AUGUST, I986. Subscribe to A World to Win From Kurdiston to Colombio - people oll oround the world reod A World to Win Avoiloble in English, 'a.,ry%i_*{ Forsi, Sponish, ltolion, ond Turkish. -
A Sweet History in Bitter Times: Refining Sugar in the Transnistrian Borderlands (1898-2015)
A SWEET HISTORY IN BITTER TIMES: REFINING SUGAR IN THE TRANSNISTRIAN BORDERLANDS (1898-2015) by Alexandru Lesanu A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy History Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Department Chairperson ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Fall Semester 2015 George Mason University Fairfax, VA A Sweet History in Bitter Times: Refining Sugar in the Transnistrian Borderlands (1898-2015) A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University by Alexandru Lesanu Master of Arts Central European University, Budapest, Hungary, 2005 Bachelor of Arts Low Danube University, Galati, Romania, 2003 Director: Steven Barnes, Professor Department of History and Art History Fall Semester 2015 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii ACKNOWLEDGEMENTS A dissertation is a long journey and it cannot be completed without the support of numerous travel companions. I would like to thank Steven Barnes, my dissertation adviser, who shared this journey from its beginning in 2008 until its end in 2015. During the journey, Steve was not only a meticulous adviser but also a valuable travel companion. Thanks to the other two members of my dissertation committee, Mills Kelly and Paula Petrik, for their precious travel advice. Among many movie and book recommendations, Mills suggested that Bridge on the Drina by Ivo Andric would be an inspired reading during my journey. -
Mccauley Stalinism the Thirties.Pdf
Stalin and Stalinism SECOND EDITION MARTIN McCAULEY NNN w LONGMANLONDON AND NEW YORK The Thirties 25 and October 1929, and Stalin declared on 7 November 1929 that the great PART TWO: DESCRIPTIVE ANALYSIS 2 THE movement towards collectivisation was under way [8]. The Politburo stated on 5 January 1930 that large-scale kulak production was to be replaced by large- scale kolkhoz production. Ominously, for the better-off farmers it also proclaimed the THIRTIES ‘liquidation of the kulaks as a class*. It was hoped that the collectivisation of the key grain-growing areas, the North Caucasus and the Volga region, would be completed by the spring of 1931 at the latest and the other grain-growing areas by the spring of 1932. A vital role in rapid collectivisation was played by the 25,000 workers who descended on the countryside to aid the ‘voluntary* process. The ‘twenty-five thousanders*, as they were called, brooked no opposition. They were all vying with one another for the approbation of the party. Officially, force was only permissible against kulaks, but the middle and poor peasants were soon sucked into the maelstrom of violence. Kulaks were expelled from their holdings and their POLITICS AND THE ECONOMY stock and implements handed over to the kolkboz. What was to become of them? Stalin was brutally frank: ‘It is ridiculous and foolish to talk at length After the war scare of 1927 [5] came the fear of foreign economic intervention. about dekulakisation. ... When the head is off, one does not grieve for the hair. Wrecking was taking place in several industries and crises had occurred in There is another question no less ridiculous: whether kulaks should be allowed to join the collective farms? Of course not, others — or so Stalin claimed in April 1928. -
Kideritetlen (Marad)
GENDERED ARTISTIC POSITIONS AND SOCIAL VOICES: POLITICS, CINEMA, AND THE VISUAL ARTS IN STATE-SOCIALIST AND POST-SOCIALIST HUNGARY by Beáta Hock Submitted to the Department of Gender Studies, Central European University, Budapest In partial fulfillment of the requirements for the degree of Doctor of Philosophy Supervisor: Professor Susan Zimmermann CEU eTD Collection Budapest, Hungary 2009 CEU eTD Collection DECLARATION I hereby declare that no parts of this thesis have been submitted towards a degree at any other institution other than CEU, nor, to my knowledge, does the thesis contain unreferenced material or ideas from other authors. Beáta Hock CEU eTD Collection CEU eTD Collection ABSTRACT The aim of this dissertation has been to explore what factors shaped artistic representations of women and the artistic agendas and self-positioning of individual women cultural producers in Hungary’s state-socialist and post-socialist periods. In using gender as an analytical category within the framework of a carefully conceptualized East/West comparison as well as a state- socialist/post-socialist comparison, the thesis historicizes and contextualizes gender in multidimensional ways. Positing that particular state formations and the dominant ideologies therein interpellate individuals in particular ways and thus might better enable certain subjectivites and constrain others, the thesis sets out to identify the kind of messages that the two different political systems in Hungary communicated to women in general through their political discourses, actual legislation, and social policies. Within this socio-historical framing, the research traces how female subject positions emerge in the respective periods, and turn into speaking positions with women cultural producers in the specific fields of cinema and the visual arts. -
RETHINKING STATE FRAGILITY British Academy the British Academy Is the UK’S Independent National Academy Representing the Humanities and Social Sciences
RETHINKING STATE FRAGILITY STATE RETHINKING RETHINKING STATE FRAGILITY British Academy British The British Academy is the UK’s independent national academy representing the humanities and social sciences. For over a century it has supported and celebrated the best in UK and international research and helped connect the expertise of those working in these disciplines with the wider public. The Academy supports innovative research and outstanding people, informs policy and seeks to raise the level of public engagement with some of the biggest issues of our time, through policy reports, publications and public events. The Academy represents the UK’s research excellence worldwide in a fast changing global environment. It promotes UK research in international arenas, fosters a global approach across UK research, and provides leadership in developing global links and expertise. www.britishacademy.ac.uk Rethinking State Fragility April 2015 THE BRITISH ACADEMY 10 –11 Carlton House Terrace London SW1Y 5AH www.britishacademy.ac.uk Registered Charity: Number 233176 © The British Academy 2015 Published April 2015 ISBN 978-0-85672-617-0 Designed by Soapbox, www.soapbox.co.uk Printed by Kube Contents Acknowledgements v About the Authors vi 1 Introduction 1 Philip Lewis and Helen Wallace 2 Afghanistan and After – Reflections on Western Interventionism and State Fragility in the post-Cold War Era 6 Mats Berdal 3 Reflections from Afghanistan 19 Sherard Cowper-Coles 4 Fragile States: A Concept with a History 26 Adam Roberts 5 Rising Powers in Fragile and -
1 Life Between Two Panels Soviet Nonconformism in the Cold War Era
Life Between Two Panels Soviet Nonconformism in the Cold War Era DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Clinton J. Buhler, M.A. Graduate Program in History of Art * * * * * The Ohio State University 2013 Dissertation Committee: Dr. Myroslava M. Mudrak, Advisor Dr. Kris Paulsen Dr. Jessie Labov Dr. Aron Vinegar 1 Copyright by Clinton J. Buhler 2013 2 Abstract Beneath the façade of total conformity in the Soviet Union, a dynamic underground community of artists and intellectuals worked in forced isolation. Rejecting the mandates of state-sanctioned Socialist Realist art, these dissident artists pursued diverse creative directions in their private practice. When they attempted to display their work publicly in 1974, the carefully crafted façade of Soviet society cracked, and the West became aware of a politically subversive undercurrent in Soviet cultural life. Responding to the international condemnation of the censorship, Soviet officials allowed and encouraged the emigration of the nonconformist artists to the West. This dissertation analyzes the foundation and growth of the nonconformist artistic movement in the Soviet Union, focusing on a key group of artists who reached artistic maturity in the Brezhnev era and began forging connections in the West. The first two chapters of the dissertation center on works that were, by and large, produced before emigration to the West. In particular, I explore the growing awareness of artists like Oleg Vassiliev of their native artistic heritage, especially the work of Russian avant-garde artists like Kazimir Malevich. I look at how Vassiliev, in a search for an alternative form of expression to the mandated form of art, took up the legacy of nineteenth-century Realism, avant-garde abstraction, and Socialist Realism. -
The Rise and Fall of Communism
The Rise and Fall of Communism archie brown To Susan and Alex, Douglas and Tamara and to my grandchildren Isobel and Martha, Nikolas and Alina Contents Maps vii A Note on Names viii Glossary and Abbreviations x Introduction 1 part one: Origins and Development 1. The Idea of Communism 9 2. Communism and Socialism – the Early Years 26 3. The Russian Revolutions and Civil War 40 4. ‘Building Socialism’: Russia and the Soviet Union, 1917–40 56 5. International Communism between the Two World Wars 78 6. What Do We Mean by a Communist System? 101 part two: Communism Ascendant 7. The Appeals of Communism 117 8. Communism and the Second World War 135 9. The Communist Takeovers in Europe – Indigenous Paths 148 10. The Communist Takeovers in Europe – Soviet Impositions 161 11. The Communists Take Power in China 179 12. Post-War Stalinism and the Break with Yugoslavia 194 part three: Surviving without Stalin 13. Khrushchev and the Twentieth Party Congress 227 14. Zig-zags on the Road to ‘communism’ 244 15. Revisionism and Revolution in Eastern Europe 267 16. Cuba: A Caribbean Communist State 293 17. China: From the ‘Hundred Flowers’ to ‘Cultural Revolution’ 313 18. Communism in Asia and Africa 332 19. The ‘Prague Spring’ 368 20. ‘The Era of Stagnation’: The Soviet Union under Brezhnev 398 part four: Pluralizing Pressures 21. The Challenge from Poland: John Paul II, Lech Wałesa, and the Rise of Solidarity 421 22. Reform in China: Deng Xiaoping and After 438 23. The Challenge of the West 459 part five: Interpreting the Fall of Communism 24. -
Stalin, Propaganda and Soviet Society During the Great
24 Feature STALIN, PROPAGANDA AND SOVIET SOCIETY DURING THE GREAT TERROR Sarah Davies explores the evidence that even in the most repressive phases of Stalin’s rule, there existed a flourishing ‘shadow culture’, a lively and efficient unofficial network of information and ideas oday a man only talks freely with his wife — at night, rian of the terror, has suggested that ‘Everyone was isolated. with the blankets pulled over his head.’ This remark, The individual, silently objecting, was faced with vast meet- ‘T allegedly made by the Russian writer, Isaac Babel, is ings calling for the death “like dogs” of the opposition leaders, often cited as ‘evidence’ of the climate of fear which prevailed or approving the slaughter of generals. How could he know in the Soviet Union at the height of Stalin’s ‘Great Terror’. if they were not genuine, or largely so? There was no sign of The terror swept through Soviet society in the second half of opposition or neutrality ...’. Although not without its critics, the 1930s, reaching a peak in 1937-38. Communist Party this has long been the prevailing view amongst historians. members, generals, writers, academics, engineers, ordinary Only recently, with the collapse of the Soviet Union and the workers and peasants were arrested as ‘enemies of the peo- partial opening up of the Russian archives, has it been possi- ple’ on any pretext, and shot or sent to the Gulag. Despite the ble to unearth evidence which suggests that this may not have revelations from the former Soviet Union, there is still no con- been the case after all. -
Women Inmates' Perspective on Sexual Violence in the Soviet Gulag, 1936-1956
Bard College Bard Digital Commons Senior Projects Spring 2020 Bard Undergraduate Senior Projects Spring 2020 Voice of Silence: Women Inmates' Perspective on Sexual Violence in the Soviet Gulag, 1936-1956 Louisa Jane Fulkerson Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2020 Part of the Cultural History Commons, History of Gender Commons, Political History Commons, Russian Literature Commons, Theory and Philosophy Commons, and the Women's History Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Fulkerson, Louisa Jane, "Voice of Silence: Women Inmates' Perspective on Sexual Violence in the Soviet Gulag, 1936-1956" (2020). Senior Projects Spring 2020. 196. https://digitalcommons.bard.edu/senproj_s2020/196 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Voice of Silence: Women Inmates' Perspective on Sexual Violence in the Soviet Gulag, 1936-1956 Senior Project Submitted to The Division of Social Studies & Language and Literature of Bard College by Louisa Fulkerson Annandale-on-Hudson, New York May 2020 Contents Acknowledgments Introduction: Soviet Power Hierarchies and Women’s Gulag Experience Chapter One. -
The Spatial Cosmology of the Stalin Cult: Ritual, Myth and Metanarrative
Anderson, Jack (2018) The spatial cosmology of the Stalin Cult: ritual, myth and metanarrative. MRes thesis. https://theses.gla.ac.uk/30631/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] School of History, College of Arts University of Glasgow The Spatial Cosmology of the Stalin Cult Ritual, Myth and Metanarrative Jack Anderson Submitted in the fulfilment of the requirements of the Degree of MRes in History To my Mum, Gran and Grandad – without their support I would not have been able to study. Thanks to Ryan and Robyn for proof reading my work at numerous stages. And also, to my supervisors Maud and Alex, for engaging with my area of study; their input and guidance has been intellectually stimulating throughout my time at Glasgow. 2 Abstract: This paper will focus on Stalin’s use of Soviet space throughout the 1930s and the relationship this had with the developing Stalin cult. In the thirties, Stalin had consolidated power and from as early as 1929 the Stalin cult was beginning to emerge. -
Memory of Stalinist Purges in Modern Ukraine
The Gordian Knot of Past and Present: Memory of Stalinist Purges in Modern Ukraine HALYNA MOKRUSHYNA Thesis submitted to the University of Ottawa in partial Fulfillment of the requirements for the PdD in Sociology School of Sociological and Anthropological Studies Faculty of Social Sciences University of Ottawa © Halyna Mokrushyna, Ottawa, Canada, 2018 ii Table of Contents Table of Contents Abstract ...................................................................................................................................................................................................... iv Preface ......................................................................................................................................................................................................... 1 Chapter 1: Methodology ....................................................................................................................................................................... 5 Research question ............................................................................................................................................................................ 10 Conceptual framework ................................................................................................................................................................... 15 Chapter 2: Social memory framework .........................................................................................................................................