Concord and Universal Music Group Extend Distribution Agreement

Total Page:16

File Type:pdf, Size:1020Kb

Concord and Universal Music Group Extend Distribution Agreement CONCORD AND UNIVERSAL MUSIC GROUP EXTEND DISTRIBUTION AGREEMENT Home > News > CONCORD AND UNIVERSAL MUSIC GROUP EXTEND DISTRIBUTION AGREEMENT Nashville, TN – December 21, 2020 – Concord has renewed its global distribution agreement with Universal Music Group (UMG), continuing a successful partnership that has spanned more than 15 years. Under the new contract, UMG will continue to physically and digitally distribute releases from Concord’s frontline labels, led by Chief Label Executive Tom Whalley, and catalog projects led by Chief Catalog Executive Sig Sigworth, including recordings from Craft Recordings, Fantasy Records, Fearless Records, Loma Vista Recordings, Rounder Records, Concord Jazz and the #1 children’s brand KIDZ BOP. “UMG and Concord have built a wonderful relationship over the past 15 years,” said Concord CEO Scott Pascucci. “As we have grown, they have provided the support that we needed to expand the worldwide success of our frontline labels, the KIDZ BOP franchise, Craft Recordings, and the rest of our catalog. We are very pleased to be renewing this partnership with Universal.” “Our partnership with Concord is built on a foundation of shared values,” said Sir Lucian Grainge, Chairman and CEO of Universal Music Group. “We both put artists and creativity at the center of everything we do. I couldn’t be happier to extend our partnership and l look forward to even more success working with Scott, Tom, Sig and the entire Concord team.” UMG has been integral in Concord’s recent label expansion, assisting in developing and breaking new artists and promoting established artists. Concord’s master recording catalog, rich in legacy and content and curated by Craft Recordings, has also provided this long-term distribution collaboration with many rewarding projects. ABOUT CONCORD Concord is the independent, worldwide leader in the development, management and acquisition of sound recordings, music publishing and theatrical performance rights. Concord has offices in Nashville, Los Angeles, New York, London, Berlin and Miami and operates via three primary operating divisions: CONCORD RECORDED MUSIC is comprised of five active labels across many musical genres: Concord Records, Fantasy Records, Fearless Records, Loma Vista Recordings and Rounder Records. Concord is also home to the #1 kids’ music brand, KIDZ BOP. The company’s historical labels are managed by its Craft Recordings team, and include such storied imprints as Fania, Independiente, Milestone, Musart, Nitro, Pablo, Prestige, Riverside, Savoy, Specialty, Stax, Telarc, Varèse Sarabande, Vee-Jay and Wind-up. Concord’s master recording portfolio contains more than 16,000 active albums and includes no less than 284 GRAMMY® winners (representing over 6.5% of all the GRAMMYs® ever awarded) and over 400 gold, platinum, multi-platinum and diamond RIAA certifications across 215 titles. CONCORD MUSIC PUBLISHING represents more than 400,000 copyrighted works by the world’s most celebrated songwriters, composers and lyricists. Spanning nearly two centuries of song, through a vast array of genres and territories, Concord Music Publishing also supports a diverse group of contemporary creators producing important and popular new songs and musical works. Concord Music Publishing is home to the world’s leading classical music publisher, Boosey & Hawkes, and operates, as an exclusive joint venture, top pop music publisher, Pulse Music Group. CONCORD THEATRICALS is the world’s most significant theatrical company, comprising the catalogs of R&H Theatricals, Samuel French, Tams-Witmark and The Andrew Lloyd Webber Collection. Concord Theatricals is the only firm providing truly comprehensive services to the creators and producers of plays and musicals, including theatrical licensing, music publishing, script publishing, cast recording and first-class production. Concord is a private company funded by long-term institutional capital and members of Concord’s management team. At the forefront of intellectual property valuation, acquisition and utilization, the Concord investment underscores the partners’ belief in the lasting and appreciating global value of superior original creative content. ABOUT UNIVERSAL MUSIC GROUP Universal Music Group (UMG) is the world leader in music-based entertainment, with a broad array of businesses engaged in recorded music, music publishing, merchandisingand audiovisual content in more than 60 countries. Featuring themost comprehensive catalog of recordings and songs across every musical genre, UMG identifies and develops artistsand produces and distributes the most critically acclaimed and commercially successful musicin the world. Committed to artistry, innovation and entrepreneurship, UMG fosters the development of services, platforms and business models in order to broaden artistic and commercial opportunities for our artists andcreate new experiences for fans. Universal Music Group is a Vivendi company. UMG Our Labels & Brands about us Social Responsibility For UMG Artists Careers U-Discover explore our music Vivendi / Terms of Service / Privacy Policy / Do Not Sell My Personal Information / © Copyright 2020 Universal Music Group. All rights reserved..
Recommended publications
  • Highly Recommended New Cds for 2018
    Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin
    [Show full text]
  • Jazz and the Cultural Transformation of America in the 1920S
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive.
    [Show full text]
  • 1993 February 24, 25, 26 & 27, 1993
    dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging.
    [Show full text]
  • Ken Peplowski Discography
    Discography – Ken Peplowski 1987 Double Exposure Concord Jazz 1989 Sonny Side Concord Jazz 1990 Mr. Gentle and Mr. Cool Concord Jazz 1990 Illuminations Concord 1991 Groovin' High Concord Jazz 1992 Concord Duo Series, Vol. 3 Concord Jazz 1992 The Natural Touch Concord Jazz / Concord 1993 Steppin' with Peps Concord Jazz 1994 Encore! Live at Centre Concord Concord Jazz / Concord 1994 Live at Ambassador Auditorium Concord Jazz / Concord 1995 The International All-Stars Play Benny Goodman, Vol. 2 Nagel Heyer Records 1995 The International Allstars Play Benny Goodman, Vol. 1 Nagel Heyer Records 1995 It's a Lonesome Old Town Concord Jazz / Concord 1996 The Other Portrait Concord / Concord Jazz 1997 A Good Reed Concord Jazz / Concord 1998 Grenadilla Concord Jazz 1999 Last Swing of the Century Concord Vista / Concord Jazz 2000 All This...Live in the UK, Vol. 1 Koch / Koch Jazz 2001 Tribute to Benny Goodman with the BBC Big Band Chandos 2002 Just Friends Nagel Heyer Records 2002 And Heaven Too: Live in the U.K. Vol. 2 Koch 2002 Remembering Louis Jump Records 2002 Ellingtonian Tales Mainstream 2002 Lost in the Stars Nagel Heyer Records 2004 Easy to Remember Nagel Heyer Records 2007 Memories of You Tokuma Records 2008 Gypsy Lamento Venus / Venus Jazz Japan 2008 When You Wish Upon a Star Tokuma Records 2011 In Search Of Capri 2013 Maybe September Capri 2013 ...Live at the Kitano Victoria Company 2018 Sunrise Arbors 2018 Duologue Arbors Credits 2018 Duologue Adrian Cunningham / Ken Peplowski Primary Artist 2018 Sunrise Ken Peplowski / Ken Peplowski
    [Show full text]
  • MEIEA 2012 Color.Indd
    Journal of the Music & Entertainment Industry Educators Association Volume 12, Number 1 (2012) Bruce Ronkin, Editor Northeastern University Published with Support from The 1969 Creedence Clearwater Revival Recording Contract and How it Shaped the Future of the Group and its Members Hank Bordowitz Bordowitz Media Werx Bergen Community College By 1969, the record business had been around in some way, shape, or form for nearly eighty years. For an octogenarian, it had never been healthier. A study commissioned by John Wiley of Columbia Records said that the business had grown 250 percent in the decade between 1955 and 1965. It predicted the record business would double in size again within the next decade. “The end of the upward trend is not yet in sight,” added Wiley. “Our future has never held more promise” (Rood 1965). With the passing of rock and roll into just rock, the day of the mu- sic business robber barons had begun to fade. The previous decade saw musicians with massive hit records living in poverty, contracted to virtual slavery as recording artists. As Etta James once said, “I…started my show business life living in a private hotel where you could cook. Other entertainers were there, like Curtis Mayfield. Ev- erybody lived in this one hotel. I was the one who had the kitchen. We used to put all our money together to eat. At that time, we would get two cents, three cents, five cents for bottles and at the end of the day we would get our money together and we’d get some food and cook it.
    [Show full text]
  • Trevor Tolley Jazz Recording Collection
    TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre.
    [Show full text]
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • Zzcalifornia Aconservatory
    a conservatory california zz EDITION 14.0 2014 – 2015 general catalog California Jazz Conservatory Academic Calendar 2014 – 2015* Spring Semester 2014 Auditions for Spring 2014 By Appointment Academic and Administrative Holiday Jan 20 First Day of Spring Instruction Jan 21 Last Day to Add / Drop a Class Jan 31 Academic and Administrative Holiday Feb 17 Spring Recess March 24 – March 30 Auditions for Fall 2014 By Appointment Last Day of Instruction May 11 Final Examinations and Juries May 12 – 16 Commencement May 17 Fall 2014 Enrollment Deposit Due On or before June 1 Fall 2014 Registration On or before August 4 Fall Semester 2014 Auditions for Fall 2014 By Appointment New Student Orientation Aug 14 First Day of Fall Instruction Aug 18 Academic and Administrative Holiday Sept 1 Last Day to Add/Drop a Class Sept 2 Academic and Administrative Holiday Nov 24 – Nov 30 CJC academic calendar Spring 2015 Enrollment Deposit Due On or before Dec 1 Spring 2015 Registration Jan 5 – 9 Last Day of Instruction Dec 7 Final Examinations and Juries Dec 8 – 14 Commencement Dec 20 Winter Recess Dec 15 – Jan 19 Spring Semester 2015 Auditions for Spring 2015 By Appointment Academic and Administrative Holiday Jan 19 First Day of Spring Instruction Jan 20 Last Day to Add / Drop a Class Feb 3 Academic and Administrative Holiday Feb 16 Spring Recess March 23 – March 29 Auditions for Fall 2015 By Appointment Last Day of Instruction May 10 Final Examinations and Juries May 11 – 15 Commencement May 16 A Z Z C J O N A S Fall 2015 Enrollment Deposit Due On or before June 1 I E Fall 2015 Registration August 3 – 7 N R R V O A D F S T E E I V * Please note: Edition 14 of the CJC 2014–2015 General Catalog C O L E N L R O E A I covers the time period of July 15, 2014 – July 14, 2015.
    [Show full text]
  • NEWSLETTER a N E N T E R T a I N M E N T I N D U S T R Y O R G a N I Z a T I On
    October 2012 NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on What does a music producer do, anyway? By Ian Shepherd The term ‘music producer’ means different things to different The President’s Corner people. Some are musicians, some are engineers, some are remixers. So what does a music producer actually do ? Big thanks tonight to Kent Liu and Michael Morris for putting together such an impressive panel of producers. In very pragmatic terms, the producer is a ‘project manager’ for As a reminder, we are able to provide & present this type the recording, mixing and mastering process. of dinner meeting because of our corporate and individual She has an overall vision for the music, the sound and the goals memberships, so please go to theccc.org today and renew of the project, and brings a unique perspective to inspire, assist your membership – we appreciate your support (and the and sometimes provoke the artists. membership pays for itself if you attend our meetings on a regular basis). See you in November!! The producer should make the record more than the sum of its parts – you could almost say she is trying to create musical alchemy. Eric Palmquist Every producer brings different skills and a different approach, President, California Copyright Conference. and this can make what they do difficult to summarize. In this post I’ve identified seven distinct types of record producer to try and make this clearer.
    [Show full text]
  • August 31, 2020 Jazz Album Chart
    Jazz Album Chart August 31, 2020 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds 1 1 1 1 Antonio Adolfo 4 weeks at No. 1 BruMa: Celebrating Milton Nascimento AAM Music 303 298 5 8 47 0 The Funk Garage / Mascot 2 4 2 2 Maceo Parker Soul Food - Cooking With Maceo Label Group 286 260 26 7 45 0 3 3 13 3 Bobby Watson Most Reports Keepin’ It Real Smoke Sessions 279 278 1 4 53 7 3 7 4 3 Jeff Hamilton Trio Catch Me If You Can Capri 279 238 41 7 48 4 5 2 7 2 Black Art Jazz Collective Ascension HighNote 274 296 -22 5 52 3 6 6 18 6 Ray Mantilla Rebirth Savant 272 251 21 4 46 2 7 9 9 7 Art Blakey & The Jazz Messengers Just Coolin’ Blue Note 269 230 39 4 49 4 Dave Stryker w/ Bob Mintzer and the WDR 7 5 5 1 Big Band Blue Soul Strikezone 269 258 11 9 46 0 9 7 3 3 Christian Sands Be Water Mack Avenue 245 238 7 9 44 1 10 11 14 10 Various Ella 100 - Live At The Apollo Concord Jazz 224 192 32 8 26 1 11 13 10 9 John Fedchock NY Sextet Into The Shadows Summit 214 187 27 6 44 3 12 10 6 1 Larry Willis I Fall in Love Too Easily The Final Session at HighNote 202 201 1 10 37 0 Rudy Van Gelder’s Eddie Daniels w/ Dave Grusin and Bob 13 28 49 13 James Night Kisses a Tribute to Ivan Lins Resonance 192 149 43 3 37 5 14 31 37 14 Derrick Gardner & the Big dig! Band Still I Rise Impact Jazz 190 145 45 6 37 2 15 14 15 11 La Lucha Everybody Wants To Rule The World Arbors 184 186 -2 8 32 0 16 12 11 3 Kandace Springs The Women Who Raised Me Blue Note 182 190 -8 19 35 1 17 19 17 17 Steve Fidyk Battle Lines Blue Canteen Music 181 167 14 8 36 0 18 22 15 9 Alexa
    [Show full text]
  • ORIGINAL IR[RC~I"-M~A-8&3 DEC 1 9 2002
    SUSAN CHERTKOF MUNSAT ASSOCIATE COUNSEL BUSINESS ANO LEGAL AFFAIRS ORIGINAL IR[RC~I"-M~a-8&3 DEC 1 9 2002 GENERAL COUNSEL a a December 19, 2002 QF COPYRIGHT I ' I I ' BY HAND David O. Carson, Esq. General Counsel U.S. Copyright Office James Madison Memorial Building Room LM-403 First and Independence Avenue, SE Washington, DC 20559-6000 Re: Notice of Intent to Participate in Copyright Arbitration Royalty Panel Proceedin Docket No. 2002-1 CARP DTRA3 Dear Mr. Carson: Enclosed please find for filing an original and five copies of a Notice of Intent to Participate (the "Notice") along with a sixth copy of the Notice for our records. Please date-stamp the sixth copy and return it to my assistant Edward Hahn, who will be hand- delivering the Notice to your office. Sincerely, &fgLQ /IlUJJJ ~ Susan Chertkof Munsat Enclosures ON /0C2 RECORDING INDUSTRY ASSOCIATION DF AMERICA 1330CONNECT I CUT AVE I NWI S II I TE3 0 0 I WASH I NG7 0 0 3 6 PHONE: 202.857.9682 FAX: 202.775.7253 WEB: www.viaa.corn IRXCKIE~KD& Before the DEC 1 9 2002 COPYRIGHT OFFICE LIBRARY OF CONGRESS GENERAL COUNSEL QOPYRlGHT Washington, D.C. QF ) ) In Re: ) ) Adjustment of Rates and Terms for the ) Digital Performance of Sound Recordings ) Docket No. 2002-1 CARP DTRA3 ) ) ) ) NOTICE OF INTENT TO PARTICIPATE The Recording Industry Association ofAmerica, Inc. ("RIAA"), on its own behalf and on behalf of SoundExchange, presently an unincorporated division ofthe RIAA, submits the following comments in response to the Copyright Office Notice published at 67 Fed.
    [Show full text]
  • A&R Update December 1-2-3-4 GO! RECORDS 423
    A&R Update December 1-2-3-4 GO! RECORDS 423 40th St. Ste. 5 Oakland, CA 94609 510-985-0325 E-mail: [email protected] Web: www.1234gorecords.com 4AD RECORDS 17-19 Alma Rd. London, SW 18, 1AA, UK E-mail: [email protected] Web: www.4ad.com Roster: Blonde Redhead, Anni Rossi, St. Vincent, Camera Obscura Additional locations: 304 Hudson St., 7th Fl. New York, NY 10013 2035 Hyperion Ave. Los Angeles, CA 90027 825 RECORDS, INC. Brooklyn, N.Y. 917-520-6855 E-mail: [email protected] Web: www.825Records.com Styles/Specialties: Artist development, solo artists, singer-songwriters, pop, rock, R&B 10TH PLANET RECORDS P.O. Box 10114 Fairbanks, AK 99710 E-mail: [email protected] Web: www.10thplanet.com 21ST CENTURY RECORDS Silver Lake, CA 323-661-3130 E-mail: [email protected] Web: www.21stcenturystudio.com Contact: Burt Levine 18TH & VINE RECORDS ALLEGRO MEDIA GROUP 20048 N.E. San Rafael St. Portland, OR 97230 503-491-8480, 800-288-2007 Website: www.allegro-music.com Genres: jazz, bebop, soul-jazz 21ST CENTURY STUDIO Silver Lake, CA 323-661-3130 Email Address: [email protected] Website: www.21stcenturystudio.com Genres: rock, folk, ethnic, acoustic groups, books on tape, actor voice presentations Burt Levine, A&R 00:02:59 LLC PO Box 1251 Culver City, CA 90232 718-636-0259 Website: www.259records.com Email Address: [email protected] 4AD RECORDS 2035 Hyperion Ave. Los Angeles, CA 90027 Email Address: [email protected] Website: www.4ad.com Clients: The National, Blonde Redhead, Deerhunter, Efterklang, St.
    [Show full text]