August 31, 2020 Jazz Album Chart

Total Page:16

File Type:pdf, Size:1020Kb

August 31, 2020 Jazz Album Chart Jazz Album Chart August 31, 2020 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds 1 1 1 1 Antonio Adolfo 4 weeks at No. 1 BruMa: Celebrating Milton Nascimento AAM Music 303 298 5 8 47 0 The Funk Garage / Mascot 2 4 2 2 Maceo Parker Soul Food - Cooking With Maceo Label Group 286 260 26 7 45 0 3 3 13 3 Bobby Watson Most Reports Keepin’ It Real Smoke Sessions 279 278 1 4 53 7 3 7 4 3 Jeff Hamilton Trio Catch Me If You Can Capri 279 238 41 7 48 4 5 2 7 2 Black Art Jazz Collective Ascension HighNote 274 296 -22 5 52 3 6 6 18 6 Ray Mantilla Rebirth Savant 272 251 21 4 46 2 7 9 9 7 Art Blakey & The Jazz Messengers Just Coolin’ Blue Note 269 230 39 4 49 4 Dave Stryker w/ Bob Mintzer and the WDR 7 5 5 1 Big Band Blue Soul Strikezone 269 258 11 9 46 0 9 7 3 3 Christian Sands Be Water Mack Avenue 245 238 7 9 44 1 10 11 14 10 Various Ella 100 - Live At The Apollo Concord Jazz 224 192 32 8 26 1 11 13 10 9 John Fedchock NY Sextet Into The Shadows Summit 214 187 27 6 44 3 12 10 6 1 Larry Willis I Fall in Love Too Easily The Final Session at HighNote 202 201 1 10 37 0 Rudy Van Gelder’s Eddie Daniels w/ Dave Grusin and Bob 13 28 49 13 James Night Kisses a Tribute to Ivan Lins Resonance 192 149 43 3 37 5 14 31 37 14 Derrick Gardner & the Big dig! Band Still I Rise Impact Jazz 190 145 45 6 37 2 15 14 15 11 La Lucha Everybody Wants To Rule The World Arbors 184 186 -2 8 32 0 16 12 11 3 Kandace Springs The Women Who Raised Me Blue Note 182 190 -8 19 35 1 17 19 17 17 Steve Fidyk Battle Lines Blue Canteen Music 181 167 14 8 36 0 18 22 15 9 Alexa Tarantino Clarity Posi-Tone 179 157 22 9 37 2 Joshua Redman / Brad Mehldau / Christian 19 21 20 19 McBride / Brian Blade RoundAgain Nonesuch 177 164 13 3 30 1 20 16 34 16 Purdie, Fabian, Oswanski Move On CAP 167 176 -9 5 33 2 21 22 24 11 Lakecia Benjamin Pursuance: the Coltranes Ropeadope 166 157 9 18 27 0 22 37 77 22 Billy Childs Acceptance Mack Avenue 165 138 27 2 39 2 22 17 8 4 Dena DeRose Ode To The Road HighNote 165 172 -7 10 35 0 24 20 22 1 Cory Weeds Quartet Day By Day Cellar Music 162 165 -3 15 31 0 25 27 22 22 Mark Masters Night Talk Capri 158 151 7 6 34 1 26 15 11 4 Trio Latino Mayan Suite Bachlao 157 185 -28 12 21 1 27 36 35 27 Grant Stewart Quartet Rise And Shine Cellar Music 147 141 6 7 31 1 28 51 152 28 Kenny Washington Highest Debut What’s The Hurry Lower 9th 145 107 38 1 37 10 28 17 21 1 Wayne Escoffery The Humble Warrior Smoke Sessions 145 172 -27 15 32 0 28 26 28 24 Brecker Brothers Live and Unreleased Piloo 145 152 -7 8 30 1 31 34 27 18 Erroll Garner Octave Remastered Series Sampler Volume Mack Avenue / Octave Music 142 143 -1 11 26 0 03 31 30 31 30 Brian Landrus For Now Blueland 142 146 -4 7 26 0 31 43 35 22 Vanderlei Pereira & Blindfold Test Vision For Rhythm Jazzheads 142 123 19 10 21 0 34 40 38 34 Jimmy Heath Love Letter Impulse! 137 128 9 3 23 0 35 33 19 11 Orrin Evans And The Captain Black Big Band The Intangible Between Smoke Sessions 135 144 -9 8 39 0 36 24 25 5 Lauren Henderson The Songbook Session Brontosaurus 132 156 -24 14 23 0 Bill Warfield and the Hell’s Kitchen Funk 37 39 32 28 Orchestra Smile Planet Arts 129 136 -7 8 25 1 38 35 30 29 Art Hirahara Balance Point Posi-Tone 126 142 -16 6 31 1 38 25 25 16 3D Jazz Trio I Love to See You Smile DIVA Jazz 126 153 -27 9 28 1 40 38 33 14 Pat Metheny From This Place Nonesuch 123 137 -14 21 24 0 41 28 29 2 John Stein Watershed Whaling City Sound 122 149 -27 23 18 0 Christian McBride Big Band 42 - - 42 For Jimmy, Wes and Oliver Mack Avenue 121 0 121 1 37 37 Most Added / Biggest Gainer 43 134 - 43 Eddie Henderson Shuffle and Deal Smoke Sessions 120 45 75 1 45 22 43 173 - 43 John Beasley MONK’estra Plays John Beasley Mack Avenue 120 35 85 1 42 21 Horizons Jazz Orchestra Plays The Music Of 43 60 65 43 Lee Harris The Brite Side Pineapple ARTS Management 120 96 24 1 36 4 46 121 - 46 Harold López-Nussa Te Lo Dije Mack Avenue 119 50 69 1 28 10 47 31 42 28 Al Di Meola Across The Universe earMUSIC 118 145 -27 12 24 0 48 44 40 1 Harold Mabern Mabern Plays Mabern Smoke Sessions 116 122 -6 22 26 0 49 51 40 38 Adam Shulman Septet West Meets East Cellar Music 115 107 8 5 24 1 50 48 46 13 Connie Han Iron Starlet Mack Avenue 112 111 1 22 20 1 Most Added Increased Airplay Chartbound Christian McBride Big Band For Jimmy, Wes and Oliver Christian McBride Big Band For Jimmy, Wes and Oliver Throttle Elevator Music Emergency Exit (Wide Hive) (Mack Avenue) +37 (Mack Avenue) +121 Jerry Cook Quartet Walk In The Park (Cellar Music) Radam Schwartz Organ Big Band Nubya Garcia Source (Concord Jazz) +92 Nubya Garcia Source (Concord Jazz) Message From Groove And GW (Arabesque) +25 John Beasley MONK'estra Plays John Beasley (Mack Avenue) +85 Steve Slagle Alive In Harlem (Panorama 1009) Anthony Stanco You Know The Feeling (Detroit Music Factory) +25 Spanish Harlem Orchestra The Latin Jazz Project Charles Hamilton Mr Hamudah (Global Recording Artist) Nubya Garcia Source (Concord Jazz) +22 (Artist Share) +85 Fahir Atakoglu For Love (Far & Here) Eddie Henderson (Smoke Sessions) +22 Shuffle and Deal Eddie Henderson Shuffle and Deal (Smoke Sessions) +75 Paulette McWilliams A Woman's Story (Blujazz Label, Promo- John Beasley MONK'estra Plays John Beasley (Mack Avenue) +21 Harold López-Nussa Te Lo Dije (Mack Avenue) +69 tions, and Booking) Maria Schneider Data Lords (Artist Share) +19 Ricardo Bacelar (Ricardo Bacelar Productions) +52 Paul Carr The Real Jazz Whisperer (PCJ Music) Marcos Valle, Adrian Younge & Ali Shaheed Muhammad Live In Rio Anthony Stanco (Detroit Music Factory) +52 Jazz at Lincoln Center Orchestra w/ Wynton Marsalis Marcos Valle JID 003 (Jazz Is Dead) +18 You Know The Feeling Christopher Crenshaw's The Fifties: A Prism (Blue Engine) Michael Olatuja Lagos Pepper Soup (Whirlwind Recordings) +17 Paul Carr The Real Jazz Whisperer (PCJ Music) +50 Bill Frisell (Blue Note) The Big Bad Bones Emergency Vehicle Blues (Summit) +15 Maria Schneider Data Lords (Artist Share) +50 Valentine Chart and Data ©2020 Trefzger Media LLC.
Recommended publications
  • Highly Recommended New Cds for 2018
    Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin
    [Show full text]
  • November 30, 2020 Jazz Album Chart
    Jazz Album Chart November 30, 2020 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds 1 1 1 1 Artemis 3 weeks at No. 1 / Most Reports Artemis Blue Note 310 291 19 10 51 0 2 2 2 1 Gregory Porter All Rise Blue Note 277 267 10 13 38 0 3 4 13 3 Yellowjackets Jackets XL Mack Avenue 259 236 23 5 49 4 4 7 6 4 Peter Bernstein What Comes Next Smoke Sessions 244 222 22 6 48 0 4 5 4 4 Javon Jackson Deja Vu Solid Jackson 244 235 9 7 47 1 6 6 8 5 Joe Farnsworth Time To Swing Smoke Sessions 229 229 0 9 40 0 7 8 3 1 Christian McBride Big Band For Jimmy, Wes and Oliver Mack Avenue 217 213 4 14 38 0 8 25 40 8 Brandi Disterheft Trio Surfboard Justin Time 211 155 56 3 47 3 9 9 15 9 Alan Broadbent Trio Trio In Motion Savant 209 206 3 5 47 2 10 14 12 10 Isaiah J. Thompson Plays The Music Of Buddy Montgomery WJ3 207 187 20 7 38 1 11 3 5 3 Conrad Herwig The Latin Side of Horace Silver Savant 203 242 -39 10 39 0 12 13 6 3 Eddie Henderson Shuffle and Deal Smoke Sessions 198 192 6 14 35 0 13 12 11 3 Kenny Washington What’s The Hurry Lower 9th 189 194 -5 14 34 1 14 10 13 6 Nubya Garcia Source Concord Jazz 188 199 -11 13 35 1 15 19 17 15 Ella Fitzgerald The Lost Berlin Tapes Verve 185 172 13 6 41 0 16 16 16 15 Chien Chien Lu The Path Chien Chien Music 175 185 -10 8 38 2 17 21 21 17 Uptown Jazz Tentet What’s Next Irabbagast 170 164 6 6 37 1 18 20 26 18 Richard Baratta Music In Film: The Reel Deal Savant 166 170 -4 4 40 1 Provogue / Mascot Label 19 30 78 19 George Benson Weekend in London Group 165 146 19 2 35 7 20 18 19 17 Teodross Avery Harlem Stories:
    [Show full text]
  • July 23, 2018 Jazz Album Chart
    Jazz Album Chart July 23, 2018 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds John Coltrane 1 3 160 1 Both Directions at Once - The Lost Album Impulse / Verve 275 258 17 2 55 13 Most Reports 2 1 1 1 Joey Alexander Eclipse Motema 237 315 -78 10 48 0 3 2 4 2 Kenny Barron Quintet Concentric Circles Blue Note 227 284 -57 10 49 0 4 4 2 2 Eddie Henderson Be Cool Smoke Sessions 223 257 -34 10 48 0 5 14 64 5 Bob Mintzer Big Band - New York Voices Meeting of Minds MCG Jazz 222 190 32 2 49 4 6 8 5 4 Allan Harris The Genius of Eddie Jefferson Resilience 212 233 -21 9 45 1 7 6 10 6 Buster Williams Audacity Smoke Sessions 207 243 -36 4 54 1 8 18 14 8 Ellis Marsalis The Ellis Marsalis Quintet Plays the Music of ELM 206 180 26 8 42 3 Ellis Marsalis 9 10 3 3 Mike LeDonne and The Groover Quartet From The Heart Savant 200 223 -23 7 45 1 10 12 7 5 Jim Snidero & Jeremy Pelt Jubilation! Savant 185 215 -30 11 43 1 11 5 9 5 Freddy Cole My Mood Is You HighNote 184 249 -65 7 46 0 12 10 25 10 Marcus Miller Laid Black Blue Note 178 223 -45 3 40 1 13 7 6 2 Don Braden Earth, Wind and Wonder Creative Perspective Music 177 240 -63 11 42 0 14 9 7 6 Tia Fuller Diamond Cut Mack Avenue 175 231 -56 9 40 0 Black Art Jazz Collective 15 21 114 15 Armor Of Pride HighNote 172 164 8 2 55 5 Most Reports 16 22 21 16 Brad Mehldau Trio Seymour Reads The Constitution! Nonesuch 170 160 10 5 46 2 17 14 12 12 Cyrille Aimée Live Mack Avenue 167 190 -23 5 45 1 18 17 15 8 Benito Gonzalez, Gerry Gibbs & Essiet Essiet Passion, Reverence, Transcendence Whaling City Sound 166 184 -18 10 35 0 19 49 142 19 Kamasi Washington Heaven and Earth Young Turks 163 112 51 2 43 7 20 22 16 16 Tiffany Austin Unbroken Con Alma Music 158 160 -2 5 35 0 Cory Weeds Little Big Band 21 52 - 21 Explosion Cellar Live 154 111 43 1 43 10 Highest Debut 22 13 10 8 Manhattan Transfer The Junction BMG 152 194 -42 11 32 0 23 16 19 13 McClenty Hunter, Jr.
    [Show full text]
  • John Anthony Final Revisions Thesis
    Improvisational Devices of Jazz Guitarist Adam Rogers on the Thelonious Monk Composition “Let’s Cool One” by John J. Anthony Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in Jazz Studies YOUNGSTOWN STATE UNIVERSITY August, 2012 Improvisational Devices of Jazz Guitarist Adam Rogers on the Thelonious Monk Composition “Let’s Cool One” John J. Anthony I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: John J. Anthony, Student Date Approvals: Dr. David Morgan, Thesis Advisor Date Dr. Kent Engelhardt, Committee Member Date Dr. Randall Goldberg, Committee Member Date Dr. Glenn Schaft, Committee Member Date Peter J. Kasvinsky, Dean of School of Graduate Studies and Research Date ABSTRACT Adam Rogers is one of the most influential jazz guitarists in the world today. This thesis offers a transcription and analysis of his improvisation on the Thelonious Monk composition “Let’s Cool One” which demonstrates five improvisational devices that define Rogers’s approach over this composition: micro-harmonization, rhythmic displacement, motivic development, thematic improvisation, and phrase rhythm. This thesis presents a window into the aesthetics of contemporary jazz improvisation and offers a prism for conceptualizing not only the work of Adam Rogers, but
    [Show full text]
  • OUTSTANDING PERFORMANCES in the 2019-2020 Season
    OUTSTANDING PERFORMANCES in the 2019-2020 Season Pioneers in the use of four-hands Hot Club of Cowtown All Concerts will jazz piano playing Violin, Guitar, Bass be presented at the classics from the Tuesday, October 1, 2019 stride piano Union Mine High School ragtime, Austin-based western swing and jazz trio brings even Theatre boogie-woogie the tamest audience to its feet with down-home repertoires and melodies and exuberant improvisation. 6530 Koki Lane, swing era. El Dorado, CA 7:00 p.m. Stephanie Trick & Paolo Alderighi Piano Wednesday, February 12, 2020 Membership Prices: (for the complete series) Adult membership $70.00 Student membership $20.00 Since forming in Family membership $160.00 2010, Neave Trio (two adults & two K-12 children) has earned enormous praise for its engaging, Quartetto Gelato cutting-edge Accordion, Cello, Oboe, Violin performances. Wednesday, November 13, 2019 Visit our website Classical in training, eclectic by design, Quartetto Gelato thrills audiences with its instrument for more information mastery and brilliant operatic tenor. and Neave Trio Membership Application Form Cello, Piano, Violin www.ElDoradoCommunityConcerts.com Tuesday, March 10, 2020 Phone: 530-556-9498 Programs and dates subject to change. Please refer to September Seraph Brass Membership card mailing. French Horn, Trombone, Trumpet, Tuba Tuesday, January 28, 2020 Chaconne Klaverenga All female brass ensemble presenting a diverse Classical Guitar repertoire including original transcriptions, Wednesday, April 15, 2020 newly commissioned works, and well-known classics. Hailed as "simply flawless," Chaconne has technique to spare, virtuosity and an amazing amount of experience as a young performer..
    [Show full text]
  • The History and Development of Jazz Piano : a New Perspective for Educators
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1975 The history and development of jazz piano : a new perspective for educators. Billy Taylor University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Taylor, Billy, "The history and development of jazz piano : a new perspective for educators." (1975). Doctoral Dissertations 1896 - February 2014. 3017. https://scholarworks.umass.edu/dissertations_1/3017 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. / DATE DUE .1111 i UNIVERSITY OF MASSACHUSETTS LIBRARY LD 3234 ^/'267 1975 T247 THE HISTORY AND DEVELOPMENT OF JAZZ PIANO A NEW PERSPECTIVE FOR EDUCATORS A Dissertation Presented By William E. Taylor Submitted to the Graduate School of the University of Massachusetts in partial fulfil Iment of the requirements for the degree DOCTOR OF EDUCATION August 1975 Education in the Arts and Humanities (c) wnii aJ' THE HISTORY AND DEVELOPMENT OF JAZZ PIANO: A NEW PERSPECTIVE FOR EDUCATORS A Dissertation By William E. Taylor Approved as to style and content by: Dr. Mary H. Beaven, Chairperson of Committee Dr, Frederick Till is. Member Dr. Roland Wiggins, Member Dr. Louis Fischer, Acting Dean School of Education August 1975 . ABSTRACT OF DISSERTATION THE HISTORY AND DEVELOPMENT OF JAZZ PIANO; A NEW PERSPECTIVE FOR EDUCATORS (AUGUST 1975) William E. Taylor, B.S. Virginia State College Directed by: Dr.
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • 1993 February 24, 25, 26 & 27, 1993
    dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging.
    [Show full text]
  • June 2020 Volume 87 / Number 6
    JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • Ken Peplowski Discography
    Discography – Ken Peplowski 1987 Double Exposure Concord Jazz 1989 Sonny Side Concord Jazz 1990 Mr. Gentle and Mr. Cool Concord Jazz 1990 Illuminations Concord 1991 Groovin' High Concord Jazz 1992 Concord Duo Series, Vol. 3 Concord Jazz 1992 The Natural Touch Concord Jazz / Concord 1993 Steppin' with Peps Concord Jazz 1994 Encore! Live at Centre Concord Concord Jazz / Concord 1994 Live at Ambassador Auditorium Concord Jazz / Concord 1995 The International All-Stars Play Benny Goodman, Vol. 2 Nagel Heyer Records 1995 The International Allstars Play Benny Goodman, Vol. 1 Nagel Heyer Records 1995 It's a Lonesome Old Town Concord Jazz / Concord 1996 The Other Portrait Concord / Concord Jazz 1997 A Good Reed Concord Jazz / Concord 1998 Grenadilla Concord Jazz 1999 Last Swing of the Century Concord Vista / Concord Jazz 2000 All This...Live in the UK, Vol. 1 Koch / Koch Jazz 2001 Tribute to Benny Goodman with the BBC Big Band Chandos 2002 Just Friends Nagel Heyer Records 2002 And Heaven Too: Live in the U.K. Vol. 2 Koch 2002 Remembering Louis Jump Records 2002 Ellingtonian Tales Mainstream 2002 Lost in the Stars Nagel Heyer Records 2004 Easy to Remember Nagel Heyer Records 2007 Memories of You Tokuma Records 2008 Gypsy Lamento Venus / Venus Jazz Japan 2008 When You Wish Upon a Star Tokuma Records 2011 In Search Of Capri 2013 Maybe September Capri 2013 ...Live at the Kitano Victoria Company 2018 Sunrise Arbors 2018 Duologue Arbors Credits 2018 Duologue Adrian Cunningham / Ken Peplowski Primary Artist 2018 Sunrise Ken Peplowski / Ken Peplowski
    [Show full text]
  • Saxophonist & Composer PHILLIP JOHNSTON NEW RELEASES
    ever needing to hear another take on “I’m In The Mood a lute with a short fingerboard and 11-13 strings, For Love”? Yeah, probably, but this one is fine. “And traditionally used in Arabian, Egyptian, Jewish, Now The Queen” is much more interesting; Goldings Palestinian, Iraqi, Persian, Turkish and Armenian music. opens it with some deeply unsettling noises that could In the jazz world, the oud has been explored by Ahmed come off a Supersilent album, as Stewart bows his Abdul-Malik, Rabih Abou-Khalil and Anouar Brahem. cymbals and rattles his kit like he’s stress-testing the Canadian guitarist Gordon Grdina comes forth mounting hardware. Although the piece has a powerful with a strong, individual voice and the ensemble is melody, it appears as a series of unexpected surges, assimilated like it’s a new discovery of something punctuation at the end of long bursts of disjointed around for a long time. Percussionist Hamin Honari Toy Tunes weirdness. “Toy Tune” builds on a deceptively simple provides extraordinary accompaniment, especially for Larry Goldings/Peter Bernstein/Bill Stewart (Pirouet) head, allowing the trio to meander around for seven listeners used to the American drumset. As he is by Phil Freeman minutes, making it the longest track. “Maybe” is an credited on tombak and daf (traditional Iranian drums), ideal closer, a gentle tune delivered without disruption one wonders from where all of his nuanced sounds Organ player Larry Goldings, guitarist Peter Bernstein or undue exuberance, bringing the mood down to a emanate. The texture and timbre of Honari’s percussion and drummer Bill Stewart first convened as a trio for soothing simmer as the music fades away.
    [Show full text]
  • PROGRAM NOTES Guided Tour
    13/14 Season SEP-DEC Ted Kurland Associates Kurland Ted The New Gary Burton Quartet 70th Birthday Concert with Gary Burton Vibraphone Julian Lage Guitar Scott Colley Bass Antonio Sanchez Percussion PROGRAM There will be no intermission. Set list will be announced from stage. Sunday, October 6 at 7 PM Zellerbach Theatre The Annenberg Center's Jazz Series is funded in part by the Brownstein Jazz Fund and the Philadelphia Fund For Jazz Legacy & Innovation of The Philadelphia Foundation and Philadelphia Jazz Project: a project of the Painted Bride Art Center. Media support for the 13/14 Jazz Series provided by WRTI and City Paper. 10 | ABOUT THE ARTISTS Gary Burton (Vibraphone) Born in 1943 and raised in Indiana, Gary Burton taught himself to play the vibraphone. At the age of 17, Burton made his recording debut in Nashville with guitarists Hank Garland and Chet Atkins. Two years later, Burton left his studies at Berklee College of Music to join George Shearing and Stan Getz, with whom he worked from 1964 to 1966. As a member of Getz's quartet, Burton won Down Beat Magazine's “Talent Deserving of Wider Recognition” award in 1965. By the time he left Getz to form his own quartet in 1967, Burton had recorded three solo albums. Borrowing rhythms and sonorities from rock music, while maintaining jazz's emphasis on improvisation and harmonic complexity, Burton's first quartet attracted large audiences from both sides of the jazz-rock spectrum. Such albums as Duster and Lofty Fake Anagram established Burton and his band as progenitors of the jazz fusion phenomenon.
    [Show full text]