July 23, 2018 Jazz Album Chart
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Highly Recommended New Cds for 2018
Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin -
October 8, 2018 Jazz Album Chart
Jazz Album Chart October 8, 2018 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds Yellowjackets 1 1 4 1 Raising Our Voice Mack Avenue 272 272 0 4 46 2 2 weeks at No. 1 2 2 16 2 Count Basie Orchestra All About That Basie Concord Jazz 266 242 24 3 48 5 3 4 9 3 Bob James Espresso Evolution Music 252 240 12 4 45 4 4 5 2 2 Karrin Allyson Some of That Sunshine kasrecords 250 239 11 8 52 1 5 3 1 1 Steve Turre The Very Thought of You Smoke Sessions 239 241 -2 6 50 1 6 7 41 6 Cécile McLorin Salvant The Window Mack Avenue 233 222 11 3 47 3 7 7 20 7 Christian Sands Facing Dragons Mack Avenue 231 222 9 3 51 6 Stefon Harris & Blackout 8 10 51 8 Sonic Creed Motema 218 209 9 2 53 8 Most Reports 8 9 7 1 Verve Jazz Ensemble Connect The Dots Lightgroove Media 218 217 1 10 38 2 10 6 3 1 John Coltrane Both Directions at Once - The Lost Album Impulse / Verve 199 237 -38 13 35 0 11 13 5 2 Antonio Adolfo Encontros - Orquestra Atlantica AAM Music 184 197 -13 12 39 1 12 11 7 7 Houston Person & Ron Carter Remember Love HighNote 181 204 -23 7 43 1 12 11 12 1 Bobby Sanabria West Side Story Re-Imagined Jazzheads 181 204 -23 11 32 0 14 18 27 14 Helen Sung Sung with Words (A Collaboration with Dana Stricker Street 179 168 11 4 41 0 Gioia) 15 14 6 6 Charlie Sepulveda & The Turnaround Songs For Nat HighNote 174 184 -10 7 40 2 16 14 14 11 Ben Paterson Live at Van Gelder’s Cellar Live 173 184 -11 8 37 0 17 21 14 4 Kamasi Washington Heaven and Earth Young Turks 153 151 2 13 29 0 18 16 10 2 Cory Weeds Little Big Band Explosion Cellar Live 151 181 -30 12 33 0 19 17 11 10 Marcus Miller Laid Black Blue Note 145 172 -27 14 25 0 20 20 17 2 Black Art Jazz Collective Armor Of Pride HighNote 143 165 -22 13 35 0 21 19 18 13 Mark Winkler & Cheryl Bentyne Eastern Standard Time Café Pacific 141 167 -26 6 37 0 22 22 25 22 James Austin, Jr. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Miguel Zenón Quartet
Jimmy Katz Jimmy MIGUEL ZENÓN QUARTET Miguel Zenón Alto Sax Luis Perdomo Piano Hans Glawischnig Bass Henry Cole Drums PROGRAM There will be no intermission. Saturday, February 11 @ 7 PM and 9:30 PM Prince Theatre Part of the African Roots, American Voices series. 16/17 SEASON 5 PROGRAM NOTES Miguel Zenón’s new album, Típico, is above all a celebration of his longstanding quartet. His previous releases have augmented the core unit with additional instrumentalists as Zenón looked outward to explore various aspects of his Puerto Rican heritage. This new album feels more intimate. Its focus stays closer to home, with nods to Zenón’s own personal and professional life as it zeroes in on what makes his band unique. Zenón’s quartet has been developing a common language for more than a decade. Pianist Luis Perdomo and bassist Hans Glawischnig have been with Zenón since the turn of the millennium; drummer Henry Cole joined the band in 2005. Their language is thoroughly fluent in modern jazz, with instrumental prowess. The dialect of rhythmic and harmonic complexity they’ve created together through the years is distinctive. ABOUT THE ARTISTS Miguel Zenón (Alto Sax) Multiple Grammy® nominee and Guggenheim and MacArthur Fellow Miguel Zenón represents a select group of musicians who have masterfully balanced and blended the often contradictory poles of innovation and tradition. Widely considered as one of the most groundbreaking and influential saxophonists of his generation, he has also developed a unique voice as a composer and as a conceptualist, concentrating his efforts on perfecting a fine mix between Latin American folkloric music and jazz. -
Jeff Jarvis,Director
CONCERT JAZZ ORCHESTRA JEFF JARVIS, DIRECTOR WITH SPECIAL GUEST GARY SMULYAN, BARITONE SAXOPHONE SUNDAY, APRIL 29, 2012 4:00PM UNIVERSITY THEATRE PLEASE SILENCE ALL ELECTRONIC MOBILE DEVICES. TONIGHT’S PROGRAM GENTLY / Bob Mintzer This well-crafted original is the title track of a recording of the Bob Mintzer Big Band. This recording project was unique in that the horn section stood in a circle surrounding a specially designed ribbon microphone that was extremely sensitive and accurate. This microphone would not accept loud dynamic levels, so Bob Mintzer wrote material that showcased the band playing at softer dynamics, which resulted in frequent use of muted brass, flugelhorns, and woodwinds. Today’s soloists include Josh Andree (tenor sax) and Will Brahm (guitar). THEN AND NOW / George Stone This terrific original composition and arrangement is featured on a recent recording of the George Stone Big Band entitled “The Real Deal”, performed by a collection of Southern California’s finest studio musicians. George’s music is frequently featured at our concerts because of its superior quality, both from a compositional standpoint and also in terms of orchestration. This piece has it all—melodic integrity, intense rhythms, lush harmonies, and sufficient solo space. Today’s soloists include Eun young Koh (piano), Josh Andree (tenor sax), Will Brahm (guitar), and Daniel Hutton (alto sax). CHINA BLUE / Jeff Jarvis Originally composed as a commission for a big band in Williamsburg VA, the work features a winding trumpet melody supported by muted trombone parts, warm flugelhorn lines, and beautiful woodwind parts played by the saxophone section. The piece proves challenging since the musicians are faced with executing exposed parts with delicacy and restraint. -
Gerry Teekens, Whose Criss Cross Label Was a Harbor to Several Jazz Generations, Dies at 83
♫ Donate Live Stream · WBGO LOADING... Saturday Afternoon Jazz On the Air Music News Listen & Connect Calendars & Events Support About Search Gerry Teekens, Whose Criss Cross Label Was a Harbor to Several Jazz Generations, Dies at 83 By DAVID R. ADLER • NOV 6, 2019 ! Twitter " Facebook # Google+ $ Email LEO VAN VELZEN / LEOVANVELZEN.COM Gerry Teekens, founder and proprietor of Criss Cross Jazz, an unassuming Dutch indie label that became a vital repository of recorded jazz from the 1980s onward, died on Oct. 31. He was 83. His death was confirmed by his son, Jerry Teekens, Jr. At the news, tributes poured in from Criss Cross artists old and new, including soprano saxophonist Sam Newsome and guitarist David Gilmore. Formerly a professional drummer, Teekens founded Criss Cross in 1981 with a mission to document swinging, straight-ahead jazz of the highest caliber. At first the roster featured musicians as revered as guitarist Jimmy Raney and saxophonist Warne Marsh, but it grew to include the young and the promising: saxophonists Kenny Garrett, Chris Potter and Mark Turner, to name but a few, and pianists Orrin Evans, Bill Charlap and Benny Green. Countdown Watch later Share Multiple times a year, Teekens would cross the ocean from Enschede, Netherlands (thus the Criss Cross name), taking up at Rudy Van Gelder’s famed studio in New Jersey (and later at Systems Two in Brooklyn) for a full week of recording — knocking out an album a day, in the old-school way. In recent years the Criss Cross aesthetic began to broaden, with artists like alto saxophonist David Binney and trumpeter Alex Sipiagin using electronics and synthesizers, moving beyond the strictures of one-take-and-done while still remaining on board with the label. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Saxophonist & Composer PHILLIP JOHNSTON NEW RELEASES
ever needing to hear another take on “I’m In The Mood a lute with a short fingerboard and 11-13 strings, For Love”? Yeah, probably, but this one is fine. “And traditionally used in Arabian, Egyptian, Jewish, Now The Queen” is much more interesting; Goldings Palestinian, Iraqi, Persian, Turkish and Armenian music. opens it with some deeply unsettling noises that could In the jazz world, the oud has been explored by Ahmed come off a Supersilent album, as Stewart bows his Abdul-Malik, Rabih Abou-Khalil and Anouar Brahem. cymbals and rattles his kit like he’s stress-testing the Canadian guitarist Gordon Grdina comes forth mounting hardware. Although the piece has a powerful with a strong, individual voice and the ensemble is melody, it appears as a series of unexpected surges, assimilated like it’s a new discovery of something punctuation at the end of long bursts of disjointed around for a long time. Percussionist Hamin Honari Toy Tunes weirdness. “Toy Tune” builds on a deceptively simple provides extraordinary accompaniment, especially for Larry Goldings/Peter Bernstein/Bill Stewart (Pirouet) head, allowing the trio to meander around for seven listeners used to the American drumset. As he is by Phil Freeman minutes, making it the longest track. “Maybe” is an credited on tombak and daf (traditional Iranian drums), ideal closer, a gentle tune delivered without disruption one wonders from where all of his nuanced sounds Organ player Larry Goldings, guitarist Peter Bernstein or undue exuberance, bringing the mood down to a emanate. The texture and timbre of Honari’s percussion and drummer Bill Stewart first convened as a trio for soothing simmer as the music fades away. -
Jonny King — Biography
Jonny King Biography Jonny King has been described by Downbeat as "one of the strongest piano voices" of his generation and a "bandleader who kicks ass." JazzTimes likewise wrote that he “represents the best of what jazz has to offer” as both a performer and composer. A native New Yorker, he grew up in the City's jazz clubs, participating first as a fan and then as a performer. Before he was a teenager, King had already performed onstage with Dizzy Gillespie and appeared on television at the piano alongside his early idol, Earl “Fatha” Hines. Before he was 20, he was already sitting in with Art Blakey and playing his first gigs in New York's many restaurants and clubs. King is primarily self-taught, having neither received any formal music education nor attended any jazz schools. He gratefully credits pianists Mulgrew Miller and Tony Aless as important influences, mentors and personal teachers. Beyond their private instruction, King learned music in the most old-school of ways -- by obsessively listening to records, attending jam sessions, and soaking up as much live and recorded music possible, from the most traditional to the most avant-garde. He continues to approach music the same way, both as a performer and composer. Beginning in the 1990s, King became a steady presence on the City's club scene, featuring his own bands at The Jazz Standard, Smalls, and legendary clubs like Sweet Basil's and Bradley's, his home-away-from-home, where he performed regularly both as leader and sideman. He toured as a member of Joshua Redman's Quartet and the Blue Note Records cooperative band OTB, and worked as the pianist in groups led by saxophonists Steve Wilson, Eddie Harris, Vincent Herring and many others. -
IN ACTION Nelba Márquez-Greene
By Ken Micallef | Photo by Steven Sussman axophonist Jimmy Greene JIMMY knows a pain that no person S should have to endure. Shortly afer 9:30 a.m. on Dec. 14, 2012, GREENE a gunman shot his way through a glass panel next to the locked entrance doors of Sandy Hook Elementary School in Newtown, Connecticut. He killed 20 children and six adult staf members. Among FAITH the dead were 6-and-a-half-year-old Ana Grace Márquez-Greene, the daughter of Greene and his wife, IN ACTION Nelba Márquez-Greene. At the time of the shooting, Greene was at read the Bible and loved to sing and dance as acts image was fashed on CNN. Lewis Nash contact- Western Connecticut State University at Danbury, of worship.” ed me from Japan. Harry Connick texted me and where he is an assistant professor of music and On the New York City jazz scene, Greene is said, ‘Can I come over?’ He’s a good friend. Harry assistant coordinator of jazz studies. admired for his expressive compositions, con- wrote a song for Ana called ‘Love Wins,’ which “I was at my ofce writing music when my summate musicianship and pure, beautiful tone we recorded in 2013. Harry released it and donat- wife called,” Greene said. “We went to the Sandy on tenor and soprano saxophones. A preco- ed all the proceeds to my family. A dozen more Hook Volunteer Firehouse, which it is at the bot- cious musician at age 6, by the time he was 15, songs were written by friends of mine.