SFJAZZ Announces 2019-2020 Season Programming September 5, 2019 – May 31, 2020
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Our Very Best Coming to Your School Or Event!
Syracuse NY 13202 Syracuse NY St, 441 E. Washington Our Very Best Coming to Your School or Event! Blues Shout! CNY Jazz Ronnie Leigh, Management internationally known jazz vocalist and former member of The Concerts Music and Musket: The Role of Drifters, takes a musical journey through time Music in the American Civil War that highlights the great shows the importance of music and the role African-American blues Festivals of musicians in the Union Army during one of and jazz voices of the the most pivotal episodes of American his- 20th Century in song tory, the Civil War. Bandleader and noted and commentary. Tracing a timeline of nearly Residencies musical instrument collector Jeff Stockham a century, his show is a tribute to the important brings the sights and sounds of the conflict voices in jazz and blues, tracing its lineage through the stylings of artists such as Jimmy Rushing, “ Big to your classes using rare original instru- Clinics Joe” Turner, Jimmy Witherspoon, Joe Williams, Nat ments and artifacts from the 1861-1865 “King” Cole, Ray Charles, Jon Hendricks, Al Jar- period to perform examples of the bugle, reau, George Benson and others. (Grades 4-12) drum, fife, and brass band music that was so Workshops essential to the everyday life of the Civil War soldier. Grades (6-12) Rhythm Tap Jam Sessions Candle in The Jimmy Tate, Window Broadway star of Our first non-improvisatory Bring In Da’ Noise, offering, this forty-five min- Bring In Da’Funk, The Tap ute chamber Dance Kid, Jelly’s Last opera based on the folk Jam, Riverdance and tale Stone Soup will cap- Big River. -
The Eastern Front and the Struggle Against Marginalization
3 The Eastern Front and the Struggle against Marginalization By John Young Copyright The Small Arms Survey Published in Switzerland by the Small Arms Survey The Small Arms Survey is an independent research project located at the Graduate Institute of International Studies in Geneva, Switzerland. It serves © Small Arms Survey, Graduate Institute of International Studies, Geneva 2007 as the principal source of public information on all aspects of small arms and First published in May 2007 as a resource centre for governments, policy-makers, researchers, and activ- ists. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior Established in 1999, the project is supported by the Swiss Federal Depart- permission in writing of the Small Arms Survey, or as expressly permitted by ment of Foreign Affairs, and by contributions from the Governments of Bel- law, or under terms agreed with the appropriate reprographics rights organi- gium, Canada, Finland, France, the Netherlands, Norway, Sweden, and the zation. Enquiries concerning reproduction outside the scope of the above should United Kingdom. The Survey is also grateful for past and current project-spe- be sent to the Publications Manager, Small Arms Survey, at the address below. cific support received from Australia, Denmark, and New Zealand. Further Small Arms Survey funding has been provided by the United Nations Development Programme, Graduate Institute of International Studies the United Nations Institute for Disarmament Research, the Geneva 47 Avenue Blanc, 1202 Geneva, Switzerland International Academic Network, and the Geneva International Centre for Humanitarian Demining. -
Jorge Ben Jor O Alquimista Do Som É a Principal Atração Da Pholia Dos Clubes 2 3 NB 1080 Pinheiros Dupla V2.Pdf 1 11/01/2018 11:06:54
ANO 20 FEV 18 Nº 238 Jorge Ben Jor O alquimista do som é a principal atração da Pholia dos Clubes 2 3 NB 1080_Pinheiros_Dupla_v2.pdf 1 11/01/2018 11:06:54 4 C M Y CM MY CY CMY K NB 1080_Pinheiros_Dupla_v2.pdf 1 11/01/2018 11:06:54 5 C M Y CM MY CY CMY K NESTA EDIÇÃO ALAMEDAS ECP.DOC 24 26 As Belezas de Bonito, Conheça a trajetória de no Mato Grosso do Sul, um dos artistas mais estampam o Diário criativos e inovadores de Viagem. da MPB: Jorge Ben Jor. ERA DIGITAL O ano começou com novidades para os internautas do . O novo site do Clube deixou o dia 21 a dia ainda mais prático. 14 18 Pinheiros amplia seu Período de resgate da patrimônio ao comprar nova fase do Programa o imóvel e associados de Boni cação tem ganham mais espaço para início este mês. a prática esportiva. 17 Eventos realizados no Clube passam a contar com novo NÚMERO 1 projeto que auxiliará na busca da sustentabilidade. Com arrecadação histórica, o Clube se mantém no topo entre os que mais arrecadaram com a Lei de Incentivo ao Esporte. : :22 ROTEIRO PÓDIO É CARNAVAL 53 54 Nova modalidade Futebol, Remo, Saltos para os pequenos Ornamentais, esses são associados. A Vela promete alguns dos esportes em Matinê, Feijoada e Pholia animar a garotada em 2018. destaque no Pódio. dos Clubes. A festa dos pinheirenses terá atração e eventos para as mais 35 diversas idades. 40 44 POTÊNCIA COLETIVA A música é destaque no Programe-se. -
Behind the Scenes: Monk's Final Case
lot, the gushing well-wishers and co- workers moving towards him, the gauntlet of handshakes and bear hugs, people drinking champagne November 23, 2009 straight out of bottles, eating red velvet cake with their bare hands, crying, embracing; a seething mass Behind The of humanity, slowly closing in. But Tony Shalhoub isn’t Scenes: Adrian Monk. Not any more. After eight years of Monk’s obsessive-compulsive hand-wiping, pole-touching and mystery-solving “Monk.” the often under-appreciated Final Case show that re-vitalized USA Network, made Shalhoub into an Emmy- By Joe Rhodes winning star and spawned a wave of quirkily-observant tv detective imitators, has finally come to an end. The final episode, because this is “Monk,” will put everything in its place. Before it ends – with a Randy Newman song written especially for the finale – loyal viewers will have the answers they’ve been waiting for: Who killed Monk’s wife, Trudy, the crime that sent him into a catatonic state and has hung over the series from the very first episode? Will he be reinstated as a San Francisco detective? Will he ever unbutton that top shirt button? Is that Captain Mr. Monk would not have enjoyed Stottlemeyer’s real hair? (Ok, not the this; the way things ended after the last one). 25th and final take of the final shot of the final season of the show that There will, of course, be bears his name. Adrian Monk, complications along the way, not the germophobic, claustrophobic, least of which is that Monk will be emotion-phobic, would have been told he has only three days to live. -
Young Adult Audiences' Perceptions of Mediated
Mediated Sexuality and Teen Pregnancy: Exploring The Secret Life Of The American Teenager A thesis submitted to the College of Communication and Information of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Nicole D. Reamer August, 2012 Thesis written by Nicole D. Reamer B.A., The University of Toledo, 2007 M.A., Kent State University, 2012 Approved by Jeffrey T. Child, Ph.D., Advisor Paul Haridakis, Ph.D., Director, School of Communication Studies Stanley T. Wearden, Ph.D., Dean, College of Communication and Information Table of Contents Page TABLE OF CONTENTS iii ACKNOWLEDGMENTS v CHAPTER I. INTRODUCTION 1 TV and Socialization of Attitudes, Values, and Beliefs Among Young Adults 1 The Secret Life of the American Teenager 3 Teens, Sex, and the Media 4 II. REVIEW OF RELATED LITERATURE 7 Social Cognitive Theory 7 Research from a Social Cognitive Framework 11 Program-specific studies 11 Sexually-themed studies 13 Cultivation Theory 14 Research from a Cultivation perspective 16 The Adolescent Audience and Media Research 17 Sexuality in the Media 19 Alternative Media 20 Film and Television 21 Focus of this Study 27 III. METHODOLOGY 35 Sample Selection 35 Coding Procedures 36 Coder Training 37 Coding Process 39 Sexually Oriented Content 39 Overall Scene Content 40 Target 41 Location 42 Topic or Activity 43 Valence 44 Demographics 45 Analysis 46 IV. RESULTS 47 Sexually Oriented Content 47 Overall Scene Content 48 Target 48 iii Location 50 Topic or Activity 51 Valence 52 Topic Valence Variation by Target 54 V. DISCUSSION 56 Summary of Findings and Implications 58 Target and Location 59 Topic and Activity 63 Valence 65 Study Limitations 67 Future Directions 68 Audience Involvement 69 Conclusion 71 APPENDICES A. -
Wavelength (December 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ---- Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Jazz Faculty and Friends
Kennesaw State University Upcoming Music Events Thursday-Sunday, November 5-8 Kennesaw State University Opera Theatre Dean Joseph D. Meeks The Medium dean The Stoned Guest Howard Logan Stillwell Theatre School of Music Tuesday, November 10 Kennesaw State University presents Student Mixed Chamber Ensembles 8:00 pm • Bailey Performance Center Performance Hall Wednesday, November 11 Kennesaw State University Jazz Combos Kennesaw State University 8:00 pm • Bailey Performance Center Performance Hall Jazz Faculty and Friends Thursday, November 12 Kennesaw State University Jazz Ensembles 8:00 pm • Bailey Performance Center Performance Hall Sam Skelton, woodwinds Trey Wright, guitar Tuesday, November 17 Wes Funderburk, trombone Kennesaw State University Tyrone Jackson, piano Women’s Choral Day concert 7:30 pm • Bailey Performance Center Performance Hall Marc Miller, bass Justin Varnes, drums Wednesday, November 18 Kennesaw State University Jazz Guitar Ensemble 8:00 pm • Bailey Performance Center Performance Hall Wednesday, November 4, 2009 For the most current information, please visit http://www.kennesaw.edu/arts/events/ 8:00 pm Dr. Bobbie Bailey & Family Performance Center We welcome all guests with special needs and offer the following services: accessible seating, easy access, companion restroom locations, assisted listening devices. Please contact an audience services representative to request services Twentieth Concert of the 2009-2010 season Kennesaw State University (Harry Connick, Jr.), Aaron Goldberg (Joshua Redman), Wessell Anderson, School of Music Wycliffe Gordon, Marcus Printup, Steve Kirby (Cyrus Chestnut), Peter Bernstein, and Eric Lewis (Wynton Marsalis). Performance Hall Currently residing in Atlanta, Mr. Varnes performs regularly with the Christian Tamburr Quartet, as well as Bob Reynolds, Kevin Bales, Joe Gransden and Gary Motley. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
SIDRAN, Ben (H.) 1943
SIDRAN, Ben (H.) 1943- PERSONAL: Born August 14, 1943, in Chicago, IL; son of Louis W. and Shirley G. Sidran; married Judith Lutrin (a weaver), July 10, 1969; children: Leo. Nationality: American Education: University of Wisconsin (now University of Wisconsin—Madison), B.S. (cum laude), 1966; University of Sussex, M.A., 1968, Ph.D. (American studies), 1970. CAREER: Musician, record and television producer, singer, and composer. University of Wisconsin— Madison, lecturer, 1973-74; WMTV, host of "The Weekend Starts Now", 1973-74; WTTW-TV, artistic director of jazz programming for "Soundstage", 1975-76; National Public Radio, host and artistic director of "Jazz Alive" radio series, 1981-83, contributor to "All Things Considered" radio program, 1983-85, host and producer of "Sidran on Record", 1985-90, producer of "Jazz Profiles", 1996-99; VH-1 Television Network, host of "New Visions" television series, 1988-91. Go Jazz record label, founder, co-owner, and producer; Nardis Music, cofounder and producer, 2003. MEMBER: American Society of Composers, Authors and Publishers, National Academy of Recording Arts and Sciences, Musicians Federation. AWARDS, HONORS: Peabody Award, 1982, for "Jazz Alive" radio series; International Radio Festival winner, 1986, for "Sidran on Record"; ACE Award for Best Cable Music Series, 1989, for "New Visions"; Sundance Audience Award and New York Film Critics Award, both 1994, both for "Hoop Dreams" soundtrack; Aspen Film Festival prize, Emmy Award, and Dramatists Guild of America Award, all 1998, all for "Vietnam: Long Time Coming" soundtrack; Grammy Award nomination, 2000, for "Concert for Garcia Lorca"; Parents' Choice Award, 2003, for "El Elefante", Member of Wisconsin Arts Board; member of board of advisers on Popular Music and Society at Bowling Green State University; artist-in-residence, University of Wisconsin—Madison, 2003. -
John Anthony Final Revisions Thesis
Improvisational Devices of Jazz Guitarist Adam Rogers on the Thelonious Monk Composition “Let’s Cool One” by John J. Anthony Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in Jazz Studies YOUNGSTOWN STATE UNIVERSITY August, 2012 Improvisational Devices of Jazz Guitarist Adam Rogers on the Thelonious Monk Composition “Let’s Cool One” John J. Anthony I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: John J. Anthony, Student Date Approvals: Dr. David Morgan, Thesis Advisor Date Dr. Kent Engelhardt, Committee Member Date Dr. Randall Goldberg, Committee Member Date Dr. Glenn Schaft, Committee Member Date Peter J. Kasvinsky, Dean of School of Graduate Studies and Research Date ABSTRACT Adam Rogers is one of the most influential jazz guitarists in the world today. This thesis offers a transcription and analysis of his improvisation on the Thelonious Monk composition “Let’s Cool One” which demonstrates five improvisational devices that define Rogers’s approach over this composition: micro-harmonization, rhythmic displacement, motivic development, thematic improvisation, and phrase rhythm. This thesis presents a window into the aesthetics of contemporary jazz improvisation and offers a prism for conceptualizing not only the work of Adam Rogers, but