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2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021
2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021 Please Note: due to production considerations, duration for each production is subject to change. Please consult associated cue sheet for final cast list, timings, and more details. Please contact [email protected] for more information. PROGRAM #: OS 21-01 RELEASE: June 12, 2021 OPERA: Handel Double-Bill: Acis and Galatea & Apollo e Dafne COMPOSER: George Frideric Handel LIBRETTO: John Gay (Acis and Galatea) G.F. Handel (Apollo e Dafne) PRESENTING COMPANY: Haymarket Opera Company CAST: Acis and Galatea Acis Michael St. Peter Galatea Kimberly Jones Polyphemus David Govertsen Damon Kaitlin Foley Chorus Kaitlin Foley, Mallory Harding, Ryan Townsend Strand, Jianghai Ho, Dorian McCall CAST: Apollo e Dafne Apollo Ryan de Ryke Dafne Erica Schuller ENSEMBLE: Haymarket Ensemble CONDUCTOR: Craig Trompeter CREATIVE DIRECTOR: Chase Hopkins FILM DIRECTOR: Garry Grasinski LIGHTING DESIGNER: Lindsey Lyddan AUDIO ENGINEER: Mary Mazurek COVID COMPLIANCE OFFICER: Kait Samuels ORIGINAL ART: Zuleyka V. Benitez Approx. Length: 2 hours, 48 minutes PROGRAM #: OS 21-02 RELEASE: June 19, 2021 OPERA: Tosca (in Italian) COMPOSER: Giacomo Puccini LIBRETTO: Luigi Illica & Giuseppe Giacosa VENUE: Royal Opera House PRESENTING COMPANY: Royal Opera CAST: Tosca Angela Gheorghiu Cavaradossi Jonas Kaufmann Scarpia Sir Bryn Terfel Spoletta Hubert Francis Angelotti Lukas Jakobski Sacristan Jeremy White Sciarrone Zheng Zhou Shepherd Boy William Payne ENSEMBLE: Orchestra of the Royal Opera House, -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
NEWSLETTER > 2019
www.telmondis.fr NEWSLETTER > 2019 Opera Dance Concert Documentary Circus Cabaret & magic OPERA OPÉRA NATIONAL DE PARIS > Boris Godunov 4 > Don Pasquale 4 > Les Huguenots 6 SUMMARY > Simon Boccanegra 6 OPÉRA DE LYON DANCE > Don Giovanni 7 OPÉRA NATIONAL DE PARIS TEATRO LA FENICE, VENICE > Thierrée / Shechter / Pérez / Pite 12 > Tribute to Jerome Robbins 12 > Tannhäuser 8 > Cinderella 14 > Orlando Furioso 8 > Norma 9 MALANDAIN BALLET CONCERT > Semiramide 9 > Noah 15 OPÉRA NATIONAL DE PARIS DUTCH NATIONAL OPERA MARIINSKY THEATRE, ST. PETERSBURG > Tchaikovsky Cycle (March 27th and May 15th) 18 > Le Nozze de Figaro 10 > Petipa Gala – 200th Birth Anniversary 16 > The 350th Anniversary Inaugural Gala 18 > Der Ring des Nibelungen 11 > Raymonda 16 BASILIQUE CATHÉDRALE DE SAINT-DENIS > Processions 19 MÜNCHNER PHILHARMONIKER > Concerts at Münchner Philharmoniker 19 ZARYADYE CONCERT HALL, MOSCOW > Grand Opening Gala 20 ST. PETERSBURG PHILHARMONIC > 100th Anniversary of Gara Garayev 20 > Gala Concert - 80th Anniversary of Yuri Temirkanov 21 ALHAMBRA DE GRANADA > Les Siècles, conducted by Pablo Heras-Casado 22 > Les Siècles, conducted by François-Xavier Roth 22 > Pierre-Laurent Aimard’s Recital 23 OPÉRA ROYAL DE VERSAILLES > La Damnation de Faust 23 DOCUMENTARY > Clara Haskil, her mystery as a performer 24 > Kreativ, a study in creativity by A. Ekman 24 > Hide and Seek. Elīna Garanča 25 > Alvis Hermanis, the last romantic of Europe 25 > Carmen, Violetta et Mimi, romantiques et fatales 25 CIRCUS > 42nd international circus festival of Monte-Carlo 26 -
Over the Past Six Years, Russian Bass Baritone Vladimir Baykov Has Made a Name for Himself As an Interpreter of the Operas of Richard Wagner
VLADIMIR BAYKOV - bass baritone CV Over the past six years, Russian bass baritone Vladimir Baykov has made a name for himself as an interpreter of the operas of Richard Wagner. In June 2018 he made his debut as Wotan in Das Rheingold at the Hamburg State Opera, where he had also sung his first Klingsor in Achim Freyer’s new production of Parsifal, the Heerrufer in Lohengrin and Gunther in Götterdämmerung. He made his debut as Holländer at the Theater Magdeburg und returned to the Tiroler Festspiele Erl to sing Wotan in Die Walküre, a role he also portrayed at the Oper Leipzig in May 2019. His season 2019/20 starts with performances of Kaspar in Der Freischütz at the Gran Théâtre de Luxembourg and the Théâtre des Champs-Elysées in Paris. He will repeat this role later on this season at the Barbican Centre in London. Since 2015 Vladimir Baykov has been a member of the ensemble at the Hamburg State Opera where is roles also included Narbal in Les Troyens, Mephistophélès in Gounod’s Faust, the title role in Prince Igor and Tomksy in Pique Dame, Peter in Hänsel und Gretel, and Kaspar in Der Freischütz. To his most important past, non-Wagner, engagements belong Ruprecht in Prokofiev’s The Fiery Angel under the baton of Leif Segerstam at the Concertgebouw Amsterdam and at the Teatro Colón Buenos Aires, Salieri in Rimsky-Korsakov’s Mozart and Salieri at the Lugano Festival and in Turin with the Orchestra Sinfonica Nazionale della RAI, the title role in Boris Godunov at the Staatstheater Darmstadt and Sandoval in Donizetti’s Le Duc d’Albe at the Opera Vlaanderen Antwerp / Ghent. -
Camilla Nylund Soprano
Camilla Nylund Soprano Camilla Nylund è nata nel 1968 a Vaasa / Finlandia. Ha studiato con la professoressa Eva Illes e successivamente al Mozarteum di Salisburgo. Per il suo straordinario successo, nel 1995 ha ricevuto la medaglia Lilli Lehmann dalla Fondazione Internazionale del Mozarteum. Camilla Nylund è stata membro dell'ensemble alla Semper Opera di Dresda dal 1999 al 2002. Le principali produzioni a Dresda includono COSI FAN TUTTE, FALSTAFF, LA CLEMENZA DI TITO, DIE MEISTERSINGER VON NÜRNBERG, ARABELLA, TANNHÄUSER, ROSENKAVALIER, FREISCHÜTZ, FLED. Sin da quando Camilla è stata invitata per produzioni e spettacoli in molti dei più importanti teatri lirici del mondo - ha cantato Tatjana / ONEGIN ed Eva / MEISTERSINGER all'Opera di Amburgo e Gräfin nella produzione veneziana di CAPRICCIO, FIDELIO-Leonore all'Opera di Zurigo, Salome all'Opera di Colonia, a Vienna, ha interpretato Leonore nella prima versione FIDELIO di Beethoven (Theater an der Wien). Ha debuttato alla Bavarian State Opera (Elisabeth / TANNHÄUSER, Zubin Mehta), inoltre il Salzburger Festspiele e Sir Simon Rattle l'hanno invitata per il loro tour in Giappone con un FIDELIO concertante. Nel novembre 2005 Camilla Nylund ha debuttato con successo alla Vienna State Opera (SALOME). È stata invitata alla Scala di Milano e a Chicago per esibirsi nella Nona Sinfonia di Beethoven sotto la direzione di Daniel Barenboim, alla Filarmonica di Berlino ha cantato le esibizioni concertistiche di FIGARO della Contessa Simon Rattle. Sir Simon Rattle l’ha nuovamente invitata a Berlino per il FLOSS DER MEDUSA di Henze. Alla Bavarian State Opera la cantante ha preso parte alla nuova produzione di CHOWANSCHTSCHINA (Emma) ed è apparsa come FIGARO-Contessa, Fiordiligi nel COSI e come Eva nel MEISTERSINGER. -
2020 Opera Series EBU/USA Broadcast Schedule —Spring/Summer 2020
2020 Opera Series EBU/USA Broadcast Schedule —Spring/Summer 2020 Please Note: due to production considerations, duration for each production is subject to change. Please consult associated cue sheet for final cast list, timings, and more details. Due to the 2020 COVID-19 situation, the WFMT Radio Network will release information in batches as opera broadcasts are confirmed. Please contact [email protected] for more information. PROGRAM #: OS 20-01 RELEASE: May 16, 2020 OPERA: Alceste (in French) COMPOSER: Christoph Willibald Gluck LIBRETTO: Marius-François-Louis Gand Lebland, Bailli Du Roullet after Ranieri de’ Calzabigi VENUE: National Theatre, Munich PRESENTING COMPANY: Bavarian State Opera CAST: Admeto Charles Castronovo Alceste Dorothea Röschmann High Priest of Apollo/Hercules Michael Nagy Evandro Manuel Günther Herald/Apollo Sean Michael Plumb Oracle/Infernal Deity Callum Thorpe ENSEMBLE: Bavarian State Orchestra and Opera Chorus CONDUCTOR: Antonello Manacorda DIRECTOR: Sidi Larbi Cherkaoui Approx. Length: 2 hours, 30 minutes PROGRAM #: OS 20-02 RELEASE: May 23, 2020 OPERA: Tales of Hoffmann (in French) COMPOSER: Jacques Offenbach LIBRETTO: Juless Babier, Michel Carré VENUE: Vienna State Opera PRESENTING COMPANY : Vienna State Opera CAST: Hoffmann Dmitry Korchak Olympia/Antonia/Giulietta Olga Peretyatko The Muse/Nicklausse Gaëlle Arquez Councillor Lindorf/Coppélius/ Luca Pisaroni Miracle/ Dapertutto Andrès/Cochenille/Frantz/ Michael Laurenz Pitichinaccio ENSEMBLE: Vienna State Opera Chorus and Orchestra CONDUCTOR: Frédéric Chaslin DIRECTOR: Andrei Serban Approx. Length: 2 hours, 30 minutes PROGRAM #: OS 20-03 RELEASE: May 30, 2020 OPERA: Elektra (in German) COMPOSER: Richard Strauss LIBRETTO: Hugo von Hofmannsthal VENUE: Vienna State Opera PRESENTING COMPANY : Vienna State Opera CAST: Klytaemnestra Waltraud Meier Elektra Christine Goerke Chrysothemis Simone Schneider Aegisth Norbert Ernst Orest Michael Volle ENSEMBLE: Vienna State Opera Orchestra CONDUCTOR: Semyon Bychkov DIRECTOR: Uwe Eric Laufenberg Approx. -
Andreas Schager Tenor
Silvana Sintow Classicalia International Promotions & Management Schleibingerstrasse 8 - 81669 München - Germany • Tel: + 49-89- 44 21 89 00 [email protected] • www.classicalia-international.com • Fax: + 49-89- 44 21 89 03 Andreas Schager Tenor Andreas Schager studied at the Universität für Musik Vienna with Prof. Walter Moore. Whilst still studying he made his opera debut as Ferrando/ Così fan tutte at the Schlosstheater Schönbrunn. In the following years he sang in a large number of theatres and festivals, for example Frankfurt, Vienna (Festwochen), Bologna, Amsterdam, Gent, Antwerp, Cologne and Toronto (Canada). In summer 2009 Schager made a very significant step in his carrier, moving to a more dramatic repertoire. He made his highly regarded debut at the Tiroler Festspiele Erl as David in Richard Wagner’s “Die Meistersinger von Nürnberg” and was engaged as well as Florestan in Ludwig van Beethoven’s “Fidelio” and as Erik in Wagner’s “Der fliegende Holländer”. Since then he appeared as Florestan/ Fidelio, Max/ Der Freischütz, Rienzi/ Rienzi, in the part of Siegfried in both Siegfried and Götterdämmerung, Tristan / Tristan und Isolde at renowned opera houses such as Deutsche Oper and Staatsoper Berlin, Teatro Real Madrid, Hamburgische Staatsoper, Teatro dell’Opera Rome and Teatro alla Scala Milan. In concert, he sang the tenor parts in Mahler‘s Das Lied von der Erde (Hamburg NDR) and Beethoven’s 9th Symphony in Bolzano and Ravenna. His appearances as Siegfried/ Götterdämmerung at Staatsoper Berlin, BBC Proms 2013 in London and at the Teatro alla Scala this with Daniel Barenboim, were highly acclaimed by press and audience. -
August 2019 List
August 2019 Catalogue Issue 40 Prices valid until Friday 27 September 2019 unless stated otherwise 0115 982 7500 The Wiener Staatsoper, celebrating its 150th birthday this year [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, DG and Decca have pulled out all the operatic stops this month, with three very special releases featuring some of their best soloists. Mexican tenor Javier Camarena’s ‘Contrabandista’ recital marks the first issue in the ‘Mentored by Bartoli’ series on Decca - a partnership between Decca and the Cecilia Bartoli Music Foundation. Arias by Verdi are the focus of DG’s new recording from Russian bass, Ildar Abdrazakov, conducted by Yannick Nezet-Seguin, who also happens to take the lead in a brand new recording of Die Zauberflote, the sixth in DG’s current series of Mozart operas. It is the latter that we have been particularly taken by, so you will find it as our ‘Disc of the Month’ for August, as well as being at a very special price as part of our new DG & Decca Opera Sale (found on pp.13-18). Another recording which was a strong contender for the ‘Disc of the Month’ position, was Mahan Esfahani’s performance of Bach’s Toccatas on a rather fabulous harpsichord - Hyperion have done a sterling job in capturing Esfahani’s consummate skill in interpreting these works. Other highlights for August include the second instalment in The Illyria Consort’s recordings of sonatas by Carbonelli; hi-fi Holst and Elgar from the Bergen Philharmonic and Andrew Litton on BIS; lesser-known Beethoven from the Helsinki Baroque Orchestra, who provide us with a gripping performance of Beethoven’s complete incidental music to Egmont (Ondine); plus we have Messiaen from Tom Winpenny (Naxos), Handel from the Akademie fur Alte Musik Berlin (Pentatone), and Brahms/Dvorak from Jakub Hrusa and the Bamberger Symphoniker (Tudor), to name but a few. -
Richard Strauss
RICHARD STRAUSS DIE FRAU OHNE SCHATTEN STEPHEN GOULD - CAMILLA NYLUND WOLFGANG KOCH - NINA STEMME EVELYN HERLITZIUS CHOR DER WIENER STAATSOPER ORCHESTER DER WIENER STAATSOPER CHRISTIAN THIELEMANN RICHARD STRAUSS DIE FRAU OHNE SCHATTEN Op. 65 Oper in drei Aufzügen / Opera in 3 Acts Text von / by Hugo von Hofmannsthal Der Kaiser ........................................................................................... Stephen Gould Bühnenorchester der Wiener Staatsoper Die Kaiserin ......................................................................................Camilla Nylund Leitung / Conductor: Witolf Werner Die Amme .......................................................................................Evelyn Herlitzius Der Geisterbote ............................................................... Sebastian Holecek Chor der Wiener Staatsoper Ein Hüter der Schwelle des Tempels ............ Maria Nazarova Leitung / Chorus Master: Thomas Lang Stimme eines Jünglings ...................................................Benjamin Bruns Opernschule der Wiener Staatsoper Die Stimme des Falken .................................................... Maria Nazarova Leitung / Chorus Master: Johannes Mertl Eine Stimme von oben .................................................... Monika Bohinec Barak, der Färber .................................................................... Wolfgang Koch Orchester der Wiener Staatsoper Die Färberin ..........................................................................................Nina Stemme Der Einäugige -
ROYAL CONCERTGEBOUW ORCHESTRA Sir Mark Elder
ROYAL CONCERTGEBOUW ORCHESTRA wagner > Lohengrin Sir Mark Elder, conductor photo Benjamin Ealovega soloists Falk Struckmann, bass Heinrich der Vogler Klaus Florian Vogt, tenor Lohengrin Camilla Nylund, soprano Elsa von Brabant Evgeny Nikitin, baritone Friedrich von Telramund Katarina Dalayman, soprano Ortrud Samuel Youn, baritone Der Heerrufer des Königs François Soons, John van Halteren, Harry Teeuwen, Peter Arink Brabantische Edle Tomoko Makuuchi, Michaëla Karadjian, Inez Hafkamp, Anneleen Bijnen Edelknaben choirs Netherlands Radio Choir Daniel Reuss, chorus master Chorus of the Dutch National Opera Ching-Lien Wu, chorus master Royal Concertgebouw Orchestra Sir Mark Elder, conductor Recorded live at the Concertgebouw Amsterdam on 18 and 20 December 2015. This performance was made possible thanks to the generous support of the American Friends of the Royal Concertgebouw Orchestra, Sir Mark Elder Judith-Ann Corrente and Wim Kooyker. www.rcoamsterdam.com photo: Anne Dokter CD 1 CD 2 1 Prelude to Act 1 1 Du wilde Seherin 7:43 2 Euch Lüften, die mein Klagen 3:2 1 ACT 1 3 Elsa! 5:32 2 Hört, Grafen, Edle, Freie von Brabant! 9:58 4 Ortrud, wo bist du? 10:38 3 Dank, König, dir, daß du zu richten kamst! 4:2 7 5 In Früh’n versammelt uns der Ruf 4:46 4 Seht hin! Sie naht, die hart Beklagte! 6:28 6 Des Königs Wort und Will’ tu ich euch kund 6:09 5 Einsam in trüben Tagen 3:22 7 Nun hört, dem Lande will er uns entführen 2:20 6 Des Ritters will ich wahren 7:23 8 Gesegnet soll sie schreiten 5: 1 7 7 Ohn’ Antwort ist der Ruf verhallt! 2:40 9 Zurück, Elsa! -
TCHAIKOVSKY Violin Concerto No
SHOSTAKOVICH | TCHAIKOVSKY Violin Concerto No. 2, Op. 129 Violin Concerto, Op. 35 Linus Roth London Symphony Orchestra Thomas Sanderling 1 SHOSTAKOVICH | TCHAIKOVSKY Violin Concerto No. 2, Op. 129 Violin Concerto, Op. 35 Linus Roth London Symphony Orchestra Thomas Sanderling 2 3 DMITRI SHOSTAKOVICH (1906 -1975) Violin Concerto No. 2, Op. 129 [1] Moderato 15:16 [2] Adagio 11:21 [3] Adagio. Allegro 9:40 PYOTR ILYICH TCHAIKOVSKY (1840-1893) Violin Concerto, Op. 35 [4] Allegro moderato 20:26 [5] Canzonetta. Andante 6:40 [6] Allegro vivacissimo 10:58 total time 74:25 4 5 The Tchaikovsky Violin Concerto is one of the most famous pieces of classical music – His is still a damming verdict of the violin concerto, but it’s also a very perceptive and accurate certainly among concertos. Jingles like the Pachelbel Canon, Vivaldi’s perennial Four Seasons, description of the work. And even admirers of Tchaikovsky might be forced into a wry smile of and the Finale of Beethoven’s Ninth or the opening of his Fifth may be more widely known. admission reading in full what he wrote. But generally speaking, if you are an iota into classical music, you will know the Tchaikovsky Violin Concerto and you will know it well. This is probably not your first recording of it – In the December 24th 1881 issue of Die Neue Freie Presse, Hanslick – still under the impression maybe not even your second or even fourth. Then why – compulsive collecting apart1 – of the devastating, deadly fire of the Ringtheater on December 8th that claimed anywhere have it? Well, hopefully because you will find that the playing is amazingly good.