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Ow 03-2005 S.72 OW_JB-2017_108-133.qxp_Layout 1 13.09.17 14:05 Seite 108 | 12 | BILANZ | John Allison Claus Ambrosius Shirley Apthorp Gerhart Asche Susanne Benda London Koblenz Berlin Bremen Stuttgart Opera, Daily Telegraph Rhein-Zeitung FT, Musical America Weser Kurier, Bremer Nachrichten Stuttg. Zeitung/Stuttg. Nachr. 1. – 1. Moritz Eggerts «Freax» 1. Luca Francesconis 1. Giorgio Battistellis «Lot» an 1. Avner Dormans «Wahn - 2. Hindemiths «Die Harmonie 2. Marschners «Vampyr» am «Trompe-la-Mort» an der der Staatsoper Hannover – fried» am Staatstheater der Welt», Landestheater Theater Koblenz in der von Opéra National in Paris: ein biblischer Stoff von Karlsruhe Linz Egon Voss erstellten faszinierendes Stück, zwingender Aktualität 2. Niccolò Zingarellis 3. Barbers «Vanessa», Wexford Originalfassung (2009) brillant in Szene gesetzt 2. Rossinis «Sigismondo» – ein «Giulietta e Romeo» am Festival Opera, dirigiert von 3. Bergs «Lulu» an der 2. Salieri’s «Falstaff» am Juwel in Bad Wildbad Theater Heidelberg Timothy Myers, inszeniert Staatsoper Hamburg in der Theater an der Wien: René 3. Tiefgründig und emotional: 3. Gounods «Faust» an der von Rodula Gaitanou Inszenierung von Christoph Jacobs bescherte uns Bergs «Lulu» an der Staats - Oper Stuttgart 4. Barrie Kosky Marthaler, mit neu musikalischen Hochgenuss oper Hamburg, inszeniert 4. «Das Rheingold» am Staats - 5. Saskia Boddeke, Peter gefasstem Finalakt 3. «Foxie!», die Brüsseler von Christoph Marthaler, theater Karlsruhe, inszeniert Green away, Floriaan 4. Frank Castorf für den Produktion von Janáčeks dirigiert von Kent Nagano von David Hermann Ganzevoort und Peter frischen Blick auf Gounods «Das schlaue Füchslein» 4. Karl Amadeus Hartmanns 5. Aleksandar Denić für Wilms für «Giovanna «Faust» an der Oper an La Monnaie – die beste «Simplicius Simplicissimus» Gounods «Faust» an der d’Arco» beim Festival Verdi, Stuttgart Deutung dieses tiefloten - am Theater Bremen, von Oper Stuttgart Parma 5. Katrin Kersten für ihr den Stücks, die ich erlebt Tatjana Gürbaca als 6. Olga Motta für Massenets 6. Buki Shiff Schleiflackprunkmöbel - habe Totentanz inszeniert «Cendrillon» am Theater 7. Simone Young lager in Glucks «Armide» 4. Dmitri Tcherniakov für seine 5. Das verschachtelte «Rhein - Freiburg 8. Sonya Yoncheva, Anna am Staatstheater Mainz perfekte «Carmen» (Bizet) gold»-Drehbühnenbild von 7. Cornelius Meister für Caterina Antonacci, 6. Gianluca Falaschi für die in Aix-en-Provence Mathis Neidhardt am Gounods «Werther» am Gregory Kunde Garderobe in Glucks 5. Peter Quasters und Wim Staatstheater Oldenburg Opernhaus Zürich 9. Polly Graham, Regisseurin «Armide» am Staatstheater Catrysse für «Earth Diver» 6. Die expressiv-futuristischen 8. Matthias Klink als Aschen - 10. Opera Vlaanderen Mainz bei der Ruhrtriennale, eine Entwürfe von Pia Dederichs bach in Brittens «Death in 11. Staatskapelle Berlin 7. Bei Kirill Petrenko in Mün - hinreißend originelle Kopro - und Lena Schmid zu Berlioz’ Venice» an der Oper Stutt - 12. Chor der Ungarischen chen ist jede Exegese ein duktion von Muziektheater «Damnation de Faust» am gart; Christopher Maltman Staatsoper Erlebnis, das gilt auch für Transparant und ChorWerk Theater Bremen als Tamare in Schrekers 13. Inflation von Landhaus- seine «Lady Macbeth von Ruhr 7. Bremens scheidender GMD «Die Gezeichneten» an der Opernfestivals in Groß- Mzensk» (Schostakowitsch) 6. Christophe Coppens für Markus Poschner, u. a. für Bayerischen Staatsoper britannien 8. Barbara Hannigan als Lulu «Foxie!» in Brüssel: schlüs - seine berührenden, un - München; Cecilia Bartoli 14. Larry Wolff: in Hamburg; Nadja Stefa - sige Einkleidung eines oft glaublich konzentrierten als Ariodante bei den Salz - «The Singing Turk» noff als Norma und Glucks missverstandenen Werks «Parsifal»- und «Damnation burger Pfingstfestspielen (Stanford University Press) Armide in Mainz; Thomas 7. René Jacobs für Salieris de Faust»-Dirigate 9. Adam Palka als Mephisto - 15. Sonia Prina: «Heroes in Blondelle als Loge in Wies - «Falstaff» am Theater an 8. Georg Zeppenfeld als pheles in Gounods «Faust» Love» (Erato) baden der Wien Gurnemanz in Bayreuth; an der Oper Stuttgart 9. Der Bariton Björn Bürger im 8. Julia Bullock als Anne Franz Mazura als Abraham 10. Theater Basel – u. a. für Ensemble der Oper Frank - Trulove in Aix-en-Provence; in Battistellis «Lot» in Sidi Larbi Cherkaouis furt Olesya Golovneva als Valen - Hannover; Barbara Hanni - tänzerischen Zugriff auf 10. Oper Stuttgart für einen En - tine in «Les Huguenots» an gan als Lulu in Hamburg Glass’ «Satyagraha» semblegeist, der das Publi - der Deutschen Oper Berlin; 9. Der hochtalentierte Bassist 11. Klangforum Wien unter kum mitreißt Malin Byström als Salome Patrick Zielke in Bremen Simone Young im «Mond - 11. Bayerisches Staatsorchester an der Nationale Opera 10. Die Hamburgische parsifal» von Bernhard 12. Chor des Staatstheaters Amsterdam Staatsoper Lang/Jonathan Meese am Nürnberg, zumal in Peter 9. Siyabonga Maqungo, der in 11. Das Philharmonische Theater an der Wien Konwitschnys Inszenierung Meiningen als David debü - Staatsorchester Hamburg, 12. Chor der Oper Stuttgart von Mussorgskys «Boris tierte – eine überirdisch souverän im Haus an der 13. Sanierungsproblematik an Godunow» schöne Tenorstimme Dammtorstraße und in der vielen Opernhäusern 13. Das Verschwinden von Oper 10. Festival Aix-en-Provence Elbphilharmonie (Berlin, Köln, Karlsruhe, und Musiktheater aus den 11. Staatskapelle Berlin 12. Der von Eberhard Friedrich Stuttgart ...) Programmen der großen 12. Chor der Nationale Opera immer wieder zu grandioser 14. Silke Leopold: «Claudio öffentlich-rechtlichen Amsterdam Form geführte Chor der Monteverdi» (Reclam) TV-Sender 13. Der Wirbel um Andrea Hamburgischen Staatsoper 15. Pepusch: «Venus and 14. Stephan Mösch (Hrsg.): Scartazzinis «Edward II.» 13. Regisseure, die ihre Masche Adonis – The Harmonious «Komponieren für Stimme – an der Deutschen Oper über die Werkintention Society of Tickle-Fiddle Von Monteverdi bis Rihm», Berlin: ein miserables Werk. stellen. Beispiel: Martin G. Gentlemen», Robert Raw - (Bärenreiter) Betrüblich aber auch die Bergers Puccini-Doppel («Il son (Ramée/Note 1) 15. Krassimira Stoyanova: Erregung um eine Glosse tabarro», «Gianni Schicchi») Verismo (Oehms) zur Uraufführung am Theater Bremen 14. – 14. Eva Rieger: «Frida Leider» 15. – (Georg Olms), eine vor allem politisch ausgerichtete Bio - grafie der großen Wagner- Sängerin 15. Fritz Wunderlich: Schlager aus den 50ern» (SWRmusic) KATEGORIEN 1. Uraufführung 4. Inszenierung/Regisseur(in) 7. Dirigent(in) 10. Opernhaus 13. Ärgerlichste Opernerfahrung 2. Wiederentdeckung 5. Bühnenbild/Ausstattung 8. Sänger(innen) 11. Orchester 14. Musik-/Opernbuch 3. Aufführung 6. Kostüme 9. Nachwuchskünstler(innen) 12. Chor 15. Medien-Veröffentlichung 108 Jahrbuch 2017 OPERNWELT OW_JB-2017_108-133.qxp_Layout 1 13.09.17 14:05 Seite 109 | 12 | BILANZ | Christian Berzins Jan Brachmann Manuel Brug Eleonore Büning Hugh Canning Zürich Frankfurt Berlin Berlin London NZZ am Sonntag FAZ Die Welt FAZ Opera, The Sunday Times 1. Thomas Adès’ «The 1. – 1. Brett Deans «Hamlet» auf 1. – 1. Brett Deans «Hamlet» in Exterminating Angel» bei 2. Kurt Atterbergs «Aladin» ein Libretto von Matthew 2. Charles Gounods «Cinq Glyndebourne den Salzburger Festspielen am Staatstheater Braun - Jocelyn in Glyndebourne Mars» in Leipzig: eine späte 2. Rameaus «Les Indes Galan - 2. Rimsky-Korsakows «Sadko» schweig 2. «Cinq Mars» als vollgültige Grand Opéra mit dramati - tes» an der Bayerischen an der Opera Vlaanderen in 3. Wagners «Meistersinger Charles-Gounod-Musik - scher Wucht, himmlischen Staatsoper München Antwerpen und Gent von Nürnberg» am Deut - truhe mit Ohrwürmern und Chören, Tableaus, Melodien 3. Schostakowitschs «Die 3. «Die Walküre» bei den Salz - schen Nationaltheater Wei - Melodramatik, szenisch 3. Manfred Trojahns «Orest» Nase», inszeniert von Barrie burger Osterfestspielen, mar – Regie: Vera Nemirova, wiederaufbereitet von an der Oper Zürich, insze - Kosky, am Royal Opera dirigiert von Christian Dirigat: Kirill Karabits Anthony Pilavachi in Leipzig niert von Hans Neuenfels, House in London Thielemann, inszeniert 4. Graham Vick für Weills 3. Gounods «Faust», inszeniert dirigiert von Erik Nielsen, 4. Barrie Kosky, u. a. für «Die von Vera Nemirova «Aufstieg und Fall der Stadt von Frank Castorf, an der verkörpert von Georg Nigl Nase» am Royal Opera 4. Richard Jones für «Don Mahagonny» in Kopenha - Oper Stuttgart 4. Frank Castorf für seine House, London Giovanni» am Theater Basel gen und Brittens «Death in 4. Dmitri Tcherniakovs Pariser mephistophelische 5. Anna Viebrock für «Les 5. Frauke Löffel für die Büh - Venice» an der Deutschen Inszenierung von Rimsky- Übermalung des Gounod- Indes Galantes» an der nengestaltung und Bert Oper Berlin Korsakows wunderlicher «Faust» an der Oper Bayerischen Staatsoper Zander für die Videos des 5. Jo Schramm für die Ernst- «Snegurotschka» an der Stuttgart 6. Anke Winckler für Giorda - «Rigoletto» am Luzerner Křenek-Trilogie an der Oper Bastille-Oper in Paris 5. Stefan Herheims Zauber - nos «Andrea Chénier» an Theater (Viscosihalle) Frankfurt/M: ein Überra - 5. Stefan Herheims Kamin- kamin-Welten in Rossinis der Bayerischen Staatsoper 6. Andrea Schmidt-Futterers schungscoup der Bilder im und Schornstein-Welt in «La Cenerentola» in Oslo 7. Daniele Rustioni, der neue Entwurf für Helenas Kleid in Kontrast der Genres von Tra - Rossinis «La Cenerentola» 6. Moidele Bickels surreal- Musikdirektor an der Opéra Manfred Trojahns «Orest» gödie, Farce und Märchen in Oslo narrative Faltenwürfe für de Lyon am
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