Tolstoy Syllabus

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MSC, FALL 2019, TOLSTOY: WAR AND PEACE (Pevear/Volokhonsky translation, Vintage Classics. Mon 12:30-2:30 George Young. [email protected] 207.256.9112 September 9 Introduction. Tolstoy’s life and time. W&P Volume One, Part One, pp. 3-111 (1805. Anna Scherer’s Soiree. Pierre at Prince Andrei’s. Pierre at Anatole Kuragin’s. Dolokhov’s Bet. Name Day at the Rostovs’. Death of Count Bezukhov. Bald Hills. Old Prince Bolkonsky and Princess Marya Bolkonskaya. Prince Andre’s Departure.) September 16 Volume One, Parts Two and Three. pp. 112-294 (1805. Battle of Schon Graben. Prince Andrei. Nikolai and Denisov. Emperor Alexander. General Kutuzov. Napoleon. Soiree at Anna Scherer’s. Pierre and Helene. Princess Marya, Anatole, and Mademoiselle Bourienne. Sonya and Natasha. Nikolai and Prince Andrei at the Front. Battle of Austerlitz. Andrei Wounded.) September 23 Volume Two, Parts One and Two, pp. 297-417 (1806. Nikolai Comes Home. Dinner for Bagration. Pierre and Dolokhov. The Duel. Princess Lise. Dolokhov and Sonya. Nikolai’s Gambling Loss. Denison’s Proposal. Pierre Becomes a Mason. Helene and Boris. Old Bolkonsky as Commander. Pierre and Emancipation of Serfs. Pierre and Andrei on Ferry Raft. Nikolai Rejoins his Regiment. Napoleon and Alexander as Allies.) September 30 Volume Two, Parts Three, Four, and Five, pp. 418-600 (1808-1812) Andrei Visits the Rostovs. Andrei, Speransky, and Arakhcheev . Pierre and Helene. Natasha and Andrei at the Ball. Engagement. Old Bolkonsky and Mlle Bourienne. Nikolai at Home. The Wolf Hunt. Natasha’s Dance. Christmas, Mummers, Fortune Telling. Pierre in Moscow. The Rostovs Call on the Bolkonskys. Natasha at the Opera. Anatole and Natasha. Pierre and Natasha.) October 7 Volume Three, Parts One and Two, pp. 603-820 (1812. Napoleon Invades Russia. Andrei Rejoins Army. Nikolai Leads Regiment. Natasha and Pierre. Rostopchin. Petya. Old Prince Sends Alpatych to Smolensk. Napoleon and Lavrushka. Old Prince’s Death. Marya and Peasants. Nikolai and Marya. Battle of Bodino.) October 14 Volume Three, Part Three, Volume Four, Part One, pp. 821-986 (1812. Moscow Abandoned. Helene’s Conversion. Pierre in Moscow. Rostovs Leave Moscow. Helene’s Illness. Nikolai and Marya. Pierre’s Mock Execution. Platon Karataev. Prince Andrei.) October 21 Volume Four, Parts Two, Three and Four, pp. 987-1125 (1812. Kutuzov’s Strategy. Pierre in Captivity. French Retreat. Partisans. Petya. Pierre Rescued. Natasha’s Grief, Healing. Natasha and Marya. Pierre and Natasha.) October 28 Epilogue pp. 1129-1215 (1820. Family Life. Philosophy of History.) .

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Problems of Mimetic Characterization in Dostoevsky and Tolstoy
Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy By Chloe Susan Liebmann Kitzinger A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Irina Paperno, Chair Professor Eric Naiman Professor Dorothy J. Hale Spring 2016 Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy © 2016 By Chloe Susan Liebmann Kitzinger Abstract Illusion and Instrument: Problems of Mimetic Characterization in Dostoevsky and Tolstoy by Chloe Susan Liebmann Kitzinger Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Irina Paperno, Chair This dissertation focuses new critical attention on a problem central to the history and theory of the novel, but so far remarkably underexplored: the mimetic illusion that realist characters exist independently from the author’s control, and even from the constraints of form itself. How is this illusion of “life” produced? What conditions maintain it, and at what points does it start to falter? My study investigates the character-systems of three Russian realist novels with widely differing narrative structures — Tolstoy’s War and Peace (1865–1869), and Dostoevsky’s The Adolescent (1875) and The Brothers Karamazov (1879–1880) — that offer rich ground for exploring the sources and limits of mimetic illusion. I suggest, moreover, that Tolstoy and Dostoevsky themselves were preoccupied with this question. Their novels take shape around ambitious projects of characterization that carry them toward the edges of the realist tradition, where the novel begins to give way to other forms of art and thought.
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About This Volume Brett Cooke We continue to be surprised by how the extremely rewarding world WKDW/HR7ROVWR\FUHDWHGLVDG\QDPLFVWLOOJURZLQJRQH:KHQWKH Russian writer sat down in 1863 to begin what became War and PeaceKHXWLOL]HGSRUWUDLWVRIfamily members, as well as images RIKLPVHOILQZKDWDW¿UVWFRQVWLWXWHGDOLJKWO\¿FWLRQDOL]HGfamily chronicle; he evidently used the exercise to consider how he and the SUHVHQWVWDWHRIKLVFRXQWU\FDPHWREH7KLVLQYROYHGDUHWKLQNLQJRI KRZKLVSDUHQWV¶JHQHUDWLRQZLWKVWRRGWKH)UHQFKLQYDVLRQRI slightly more than a half century prior, both militarily and culturally. Of course, one thinks about many things in the course of six highly FUHDWLYH \HDUV DQG KLV WH[W UHÀHFWV PDQ\ RI WKHVH LQWHUHVWV +LV words are over determined in that a single scene or even image typically serves several themes as he simultaneously pondered the Napoleonic Era, the present day in Russia, his family, and himself, DVZHOODVPXFKHOVH6HOIGHYHORSPHQWEHLQJWKH¿UVWRUGHUIRUDQ\ VHULRXVDUWLVWZHVHHDQWLFLSDWLRQVRIWKHSURWHDQFKDOOHQJHV7ROVWR\ posed to the contemporary world decades after War and Peace in terms of religion, political systems, and, especially, moral behavior. In other words, he grew in stature. As the initial reception of the QRYHO VKRZV 7ROVWR\ UHVSRQGHG WR WKH FRQVWHUQDWLRQ RI LWV ¿UVW readers by increasing the dynamism of its form and considerably DXJPHQWLQJLWVLQWHOOHFWXDODPELWLRQV,QKLVKDQGV¿FWLRQEHFDPH emboldened to question the structure of our universe and expand our sense of our own nature. We are all much the richer spiritually for his achievement. One of the happy accidents of literary history is that War and Peace and Fyodor 'RVWRHYVN\¶VCrime and PunishmentZHUH¿UVW published in the same literary periodical, The Russian Messenger. )XUWKHUPRUHDV-DQHW7XFNHUH[SODLQVERWKQRYHOVH[SUHVVFRQFHUQ whether Russia should continue to conform its culture to West (XURSHDQ PRGHOV VLPXOWDQHRXVO\ VHL]LQJ RQ WKH VDPH ¿JXUH vii Napoleon Bonaparte, in one case leading a literal invasion of the country, in the other inspiring a premeditated murder.
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