Worship Companion
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Avatar: the Last Airbender
S H U M U N X X I I / / A P R I L 1 0 - 1 1 , 2 0 2 1 AVATAR: THE LAST AIRBENDER B A C K G R O U N D G U I D E D I R E C T E D B Y T I M D Z I E K A N A N D G E O R G E S C H M I D T Avatar: The Last Airbender 1 LETTER FROM THE CHAIR, KACIE Hello Delegates, Welcome to SHUMUN XXI! My name is Kacie Wright (She/Her/Hers), and I will be your chair for the Avatar: The Last Airbender committee. I am currently a sophomore at Seton Hall University, majoring in both Diplomacy and Italian Studies. I am originally from San Diego, California. In high school, I studied Italian for four years and I was able to participate in my high school’s exchange program twice. Here at Seton Hall, I am a part of Seton Hall United Nations Association (SHUNA), our Model United Nations team, I am a member of the Alpha Omicron Pi fraternity, and I am part of the Italian Student Union. I plan to finish my degree at Seton Hall, join the Peace Corps after graduation, and then work for a non-profit organization abroad. Eventually, I want to start my own non-profit organization abroad that helps with community development in communities that are often devastated by conflict and destruction. This committee takes place in the Avatar: The Last Airbender universe, one month after the end of the Hundred Year War. -
Animating Race the Production and Ascription of Asian-Ness in the Animation of Avatar: the Last Airbender and the Legend of Korra
Animating Race The Production and Ascription of Asian-ness in the Animation of Avatar: The Last Airbender and The Legend of Korra Francis M. Agnoli Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Art, Media and American Studies April 2020 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 2 Abstract How and by what means is race ascribed to an animated body? My thesis addresses this question by reconstructing the production narratives around the Nickelodeon television series Avatar: The Last Airbender (2005-08) and its sequel The Legend of Korra (2012-14). Through original and preexisting interviews, I determine how the ascription of race occurs at every stage of production. To do so, I triangulate theories related to race as a social construct, using a definition composed by sociologists Matthew Desmond and Mustafa Emirbayer; re-presentations of the body in animation, drawing upon art historian Nicholas Mirzoeff’s concept of the bodyscape; and the cinematic voice as described by film scholars Rick Altman, Mary Ann Doane, Michel Chion, and Gianluca Sergi. Even production processes not directly related to character design, animation, or performance contribute to the ascription of race. Therefore, this thesis also references writings on culture, such as those on cultural appropriation, cultural flow/traffic, and transculturation; fantasy, an impulse to break away from mimesis; and realist animation conventions, which relates to Paul Wells’ concept of hyper-realism. -
Nicole Lawrence Thesis
The Pennsylvania State University The Graduate School College of Communications SASSY COWS AND MAGICAL JUJU: REPRESENTATIONS OF RACE AND ETHNICITY ON THREE NICKTOONS PROGRAMS A Thesis in Media Studies by Nicole M. Lawrence © 2012 Nicole M. Lawrence Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2012 ii The thesis of Nicole M. Lawrence was reviewed and approved* by the following: Matthew P. McAllister Professor of Communications Thesis Adviser Matthew F. Jordan Associate Professor of Communications Michael Elavsky Associate Professor of Communications Marie Hardin Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School. iii ABSTRACT This thesis critiques programming on the children’s media channel Nicktoons for patterns of racial representation -- including the presence of stereotyping -- in characters. As research has shown that representation of ethnicity may be especially influential to children viewers, and that there are precedents for problematic racial representations in popular media, including children's media, the continued examination of patterns of racial-ethnic group member representation and stereotyping in character depictions has significant implications. Utilizing textual analysis, three Nicktoons’ programs are examined for racialized constructions of characters, including constructions with hegemonic and ethnocentric implications. The thesis argues that three programs, Back at the Barnyard, Avatar: The Last Airbender, and Tak and the Power of JuJu problematically construct analogies of African Americans, Asians, and native peoples, respectively. The constructions in these Nicktoons programs typically “other” these groups when contrasted to dominant white culture -- or at least the animated stand-ins for dominant white culture -- and imply cultural hierarchies in which white culture is superior and/or the norm. -
Hit Cartoon: Avatar: the Last Airbender
Bowens 1 Emily Bowens ([email protected]) Dr. O’Donnell Engl. 3130 12/2/20 More Than a Kid’s Show: A Review of Nickelodeon’s Hit Cartoon: Avatar: The Last Airbender Gene, Yang Avatar: The Last Airbender - The Promise Part 1 Cover) Fifteen years after its original air date, Avatar: The Last Airbender has succeeded in becoming ingrained in pop culture with a recent revival just earlier this year. Put your misjudgments about kid’s shows aside and become captivated by a powerful and mesmerizing story about war, violence, and the power of redemption. Bowens 2 A Reintroduction Show Title: Avatar: The Last At a time when all seemed wrong with the world, and anxiety was Airbender setting in after being in lockdown for two months in a Covid-ridden world, a Premiere Date: February 21, 2005 End Date: July,19 2008 guardian angel in the form of Netflix released the news that its streaming Rating: TV-7 service would be releasing Nickelodeon’s Avatar: The Last Airbender on Genre: Animation, Adventure, and May, 15 2020. So my boyfriend and I prepared to binge watch one of the Action most important shows from our childhood to bring back memories and cure Episodes: 61 our quarantine boredom. You may be wondering to yourself, why would Seasons: 3 you guys be so excited about a kid’s show that premiered fifteen years ago? Total Airtime: 1464 minutes You see, Avatar: The Last Airbender is a show that you can keep watching Creators: Michael Dante over and over again and keep finding new meaning every time. -
Whitewashing: a Study on the Last Airbender Movie
WHITEWASHING: A STUDY ON THE LAST AIRBENDER MOVIE A THESIS In Partial Fulfillment of the Requirements for the Sarjana Degree Majoring American Cultural Studies in English Department Faculty of Humanities Diponegoro University Submitted by Gneissa Aulia Rahma Nirmala 13020114130056 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2018 1 PRONOUNCEMENT The writer honestly confirms that she compiles this thesis entitled “Whitewashing: A Study on The Last Airbender Movie” by herself and without taking any results from other researchers in S-1, S-2, S-3 and in diploma degree of any university. The writer ascertains also that she does not quote any material from other publications or someone’s paper except from the references mentioned. Semarang, June 5th 2018 Gneissa A.R. Nirmala i MOTTO AND DEDICATION “The best way to predict your future is to create it.” - Abraham Lincoln “Learn from yesterday, live for today, hope for tomorrow.” - Albert Einstein “Success is walking from failure to failure with no loss of enthusiasm.” - Winston Churchill I, with all my heart, dedicated this thesis to my parents, who pour me with their love, and my friends, who push me back up when I was at my lowest stage. ii iii iv ACKNOWLEDGEMENT Praised to Allah SWT, as only for His blessings and grace that this thesis entitled “Whitewashing: A Study on The Last Airbender Movie” might come to completion. The greatest appreciation and gratitude goes to my thesis advisor Prof. Dr. Nurdien H. Kistanto, M.A. for his guidances, advices, and suggestions throughout the making of this thesis. In addition, I would also like to send my gratitude to these following people: 1. -
Part 3[94] Copy
ABSTRACT Exploring the Philosophical and Cultural Significance of Avatar: The Last Airbender Sreya Bhattaru Director: Dr. Anne-Marie Schultz, Ph.D. The Nickelodeon television series Avatar: The Last Airbender is a popular children’s show, which aired from 2005-2008. My thesis explores the various philosophical traditions and cultural significance of the show to display how it would be considered ‘appropriate’ media by Plato, and therefore, another text of philosophy, introducing the audience to various, realistic depictions of human nature, and virtue ethics. First, I discuss the friendships in the show, while relating them to the different friendships outlined by Aristotle. Friendships were categorized as either having virtue or exhibiting qualities that resembled virtue. In my second chapter, I discover the different eastern and western philosophical influences of the show. I look at Hinduism, Taoism, Confucianism, Kung Fu, and the Presocratic philosophers, Plato, Aristotle, and Heidegger. The show embeds these philosophical traditions in a very respectful and never-done-before way. I found the show to be a potential model for a new type of storytelling that would encompass more complex thoughts about traditional notions of good versus evil. In my third chapter, I analyze a few key characters and their moral formations while using Aristotle and Machiavelli as the framework to view their actions and individual journeys. In my final chapter, I interpret the various contemporary, real-world topics that the show masterfully embeds into various episodes. These include the environment, disabilities, censorship, Asian representation in the media, feminism, and imperialism. I also reflect on my thoughts on the show, both when I saw it as a child and later as an adult, and other viewers’ thoughts on the show, to display the impact it has on people’s lives. -
Avatar: the Last Airbender As a Moral Educator by Dara Poizner
Avatar: The Last Airbender as a Moral Educator By Dara Poizner Note on the Author: Dara Poizner is in her third year at the University of Guelph, pursuing a major in English. She hopes to spend her life talking to and learning from people, and writing about the issues close to her heart. Among other things, Dara is passionate about intersectional feminism, mental health advocacy, critical TV watching, and the belief that pineapples do belong on pizza. Avatar: The Last Airbender as a Moral Educator Introduction Avatar: The Last Airbender is an animated American television series that aired from 2005 until 2008, and its young target audience is as deceptive to potential viewers as it is important. Created by Michael DiMartino and Bryan Konietzko, the show’s many virtues include compelling characters, clever writing, an attractive design, and an engaging storyline; it is beloved to viewers of all ages. But within the framework of a beautifully made television series is a morally complex educational system that uses its target audience – children – as a model for which to employ its socially progressive values. Avatar takes advantage of children’s potential receptiveness to effectively introduce liberal attitudes, and the show itself becomes a vessel for humanism. This essay will discuss how Avatar: The Last Airbender successfully instills a sense of liberal morality among its viewers. It will conduct a comprehensive sectional analysis of the institutions and aspects of society discussed within the show, demonstrating how it dismantles oppressive systems and advocates for social justice. Background: Series Premise and Key Characters This essay will first provide some background outlining Avatar: The Last Airbender, to allow for a full understanding of the moral mechanisms at work within the show. -
Avatar the Last Airbender Packet.Pdf
image courtesy of Allagea on fanpop.com Packet Author: Justin Millman Packet Editor: Justin Millman Only content from Avatar: The Last Airbender is included in this packet. Content from Avatar: The Legend of Korra, Avatar video games, Avatar comics, the disgrace of a feature film, and other appearances by characters from the Avatar franchise is not included in any capacity. However, no information presented in the following questions will directly contradict any other canonical information. For the purposes of this packet, all events will be spoken of in the present tense unless the events occurred prior to the beginning of the series. For example: “Princess Yue gives her life during this battle. (Siege of the North)” but “The Fire Nation massacred these people to begin the Hundred Year War. (Air Nomads)”. Packet Author: Justin Millman Packet Editor: Justin Millman 1. The penultimate scene in this episode is of Fire Lord Ozai’s coronation, and a recurring object in this episode is a pearl dagger retrieved from the initial Siege of Ba Sing Se. The line “A man’s past is his business” is spoken by the patriarch of one family in this episode; that man is Gansu, and his family is harassed by a group of four thugs at whom Gansu’s son throws an egg when this episode begins. Several flashbacks in this episode center on the royal family, including one of (*) Ursa’s last contact with her son. While one character sleeps in a barn, that character’s dual swords are stolen; those dual swords are later used to enhance that character’s firebending in a battle against a man who earthbends using a pair of hammers. -
Quiz Bowl Trash Packet Written & Edited by Jade
QUIZ BOWL TRASH PACKET WRITTEN & EDITED BY JADE ANDERSON (20 TOSSUPS AND 20 BONUSES) 1. This character learned a variant of Pai Sho from Shady Shin and one of their favorite restaurants is Narook’s Seaweed Noodlery. In the series finale, this character officiated a wedding. This character blocked the chi of P’Li by striking her third eye with a pebble. Along with Ghazan, this character is the only known non-Avatar character to be able to lavabend. For 10 points, name the earthbending brother of Mako. Answer: Bolin 2. In one scene in this episode, insistent knocking forces the title character to leave a bathroom. A white puppy stands in the middle of a road in this episode and in another scene, a character expresses excitement over having a pen pal. One frame in this episode shows a broken mirror reflection of the title character with a blackened eye. The title character ventures around the world in order to find inner peace. For 10 points, name this episode which centers solely on the series’ title character. Answer: Korra Alone 3. A character with this ability shot four arrows into an escaping airbender’s glider. It’s not spirit bending, but Avatar Korra became the first Avatar to be able to do this ability. Another character with this ability is described as getting along “famously” with Avatar Aang. One character reveres the creator of this ability as their hero. The city Zaofu was built using this ability and the Republic City police force utilizes this ability to apprehend criminals. -
AVATAR: the LAST AIRBENDER 100 Year War Reconciliation Committee Chaired by Neetika Rastogi
AVATAR: THE LAST AIRBENDER 100 Year War Reconciliation Committee Chaired by Neetika Rastogi Session XXIII Avatar: The Last Airbender 100 Year War Reconciliation Committee Topic A: Fire Nation Colonies Topic B: Restoring Peace to the World Committee Overview One of the gravest indictments of the Fire Nation is its genocide against the Air This committee begins following the Nomads; the genocide of the Air Nomads is events of Avatar: The Last Airbender, in the what began the war and allowed the Fire summer of 100 AG, 100 years after the Air Nation to engage in nearly a century of Nomad genocide. The destructive reign of violent destruction of human civilization.5 Fire Lord Ozai has come to a heroic end by The purpose of this committee is to Avatar Aang, the last known airbender.1 begin rectifying a century’s worth of Newly coronated Fire Lord Zuko, the son of damage done by the Fire Nation. As key Fire Lord Ozai, has just declared an figures and major players in the events armistice to the end of the Hundred Years leading up to the end of the war, it your War – a century-long, imperialist effort by responsibility to essentially answer this the Fire Nation to expand into a worldwide existential question: where do we go from empire.2 here? How are we to restore balance to the As one can imagine, the world has world, after a century of it being so undergone a serious transformation as a fragmented? How do we, fairly, reckon with result of the war. -
Avatar: the Last Airbender) in Each Scene Below
Number 4! FunFun BookBook INCLUDES ANSWERS FOR LAST WEEK’S PUZZLES! Water Tribe Represent Are you a Waterbending Master? Test your knowledge below! ACROSS DOWN 3. Grandmother who raised 1-Down and 12-Across. 1. She and 12-Across found Aang and Appa. 4. Water Tribe member who succeeded Aang as Avatar. 2. Who 1-Down duels for the right to learn waterbending. 8. 12-Across mistakenly drank this spiny plant fluid while 5. Rite of passage for young members of the Southern Water wandering the Si Wong Desert. Tribe. 11. Nation that raided the Water Tribes during the 6. Old inland capital of the Southern Water Tribe. Hundred Year War. 7. Body of water associated to the spirit La. 12. Older brother of 1-Down. 9. What Aang was frozen inside of. 13. Favorite fruit and cooking ingredient of the Southern 10. Celestial body associated to the spirit Tui. Water Tribe. 14. Animal used for sledding by Aang and 1-Down. 15. Activity 1-Down and 12-Across were doing when they found Aang and Appa. FUN BOOK #4 @comicconmuseum #comicconmuseum Draw in Your Style Air Nomads unite! Draw a flying bison (like Appa in Avatar: The Last Airbender) in each scene below. FUN BOOK #4 Share with us! @comicconmuseum #comicconmuseum Down to Earth Kingdom Sketch, ink, and color Earth Kingdom citizens listed, with the attributes listed. For colors, stick to greens, browns, beiges, and yellows. Look online for inspiration! ROYAL EARTHBENDER black hair, brown eyes dark brown hair, green eyes MILITARY SCHOLAR black hair, gray eyes brown hair, black eyes FUN BOOK #4 Share with us! @comicconmuseum #comicconmuseum Flameo Hotman! How quickly can you finish this Fire Nation word search? Look for words across, down, and diagonally. -
{FREE} Avatar: the Last Airbender: Lost Adventures Pdf Free Download
AVATAR: THE LAST AIRBENDER: LOST ADVENTURES PDF, EPUB, EBOOK Joaquim Dos Santos,Amy Kim Ganter,May Chan,Aaron Ehasz | 240 pages | 05 Jul 2011 | Dark Horse Comics,U.S. | 9781595827487 | English | Milwaukie, United States Avatar: the Last Airbender: Lost Adventures PDF Book Sokka, Katara, Aang, and Toph truly become a family as many of them are missing parents or don't have a good relationship with them. View this post on Instagram. He is a very sympathetic character. You may be able to find more information about this and similar content at piano. Who needs a tea chat with Uncle Iroh today? You'll notice that the picture to the left of the tabs now has the hairstyle you selected. Why Katara and Aang are a good match. Follow the link in Resources. Type keyword s to search. Each season gets better and better, and it feels like a good show should when it ends: leaving you satisfied, yet still wanting more. Here are all the actors who voiced the major characters. This is once again a super sophisticated message that many shows don't have. Even episodes that don't seem like they're that important at the time even if they're entertaining always come back later, and you quickly learn to trust that every episode is integral to the show. In the next box, choose how big you want the avatar to be. By the end of the series, he is close friends with Aang, Sokka, Katara, and Toph, but building those friendships took time. However, Ehasz stressed that he is satisfied with the ending as it exists now.