Hit Cartoon: Avatar: the Last Airbender
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Avatar the Last Air Bender Powerpoint
Ashley Williams, Ginny Nordeng, and Mayela Milian-Hernandez Overview of Presentation ● Anthropology ○ Confucius ○ Filial Piety ● Psychodynamic Theory ○ The younger years of Katara/Sokka, Aang, and Zuko/Azul ● Social Learning Theory ○ The Journey of Sokka, Zuko/Azula and Aang Anthropology is how different cultures view gender(Wood & Fixmer-Oraiz, 2017) https://www.biography.com/scholar/confucius Four nations: Earth, Fire, Water, and Air http://avatar-the-last-airbender-online.blogspot.com/2010/08/avatar-last-airbender-airbender-world.html Filial Piety is the confucius belief of respecting one’s parents, elders and ancestors.(Bedford et al 2019) https://www.bookofdaystales.com/confucius/ https://www.pinterest.com/pin/346495765052132139/ https://avatar.fandom.com/wiki/Iroh https://avatar.fandom.com/wiki/Oza Filial Piety Favoring the intimate, the people closest to you and Respecting the superior; the people with higher authority to you. (Bedford et al 2019) Men and Women represent Yin and Yang In order to keep balance men and women must have separate roles. Men Lead, Women Follow…(Ebry 2019) https://www.deviantart.com/karinart8/art/Ying-and-Yang-283381659 Yin and Yang In the Northern Tribe, the master/teacher refuses to teach women how to bend. It is not their place.. In the southern tribe, All the Men left to fight a war with the fire nation. Women only allowance of leadership Psychodynamic is the first relationship one has to define their gender identity (Wood & Fixmer-Oraiz, 2017) http://thatanimatedotaku. blogspot.com/2013/07/a nimated-role-models-girl s.html http://audreymgonzalez.com/2012/book-three-fire-chapter-twelve-the-w estern-air-temple/ Katara and Sokka Katara has a close relationship with her grandmother. -
Masaaki Hatsumi and Togakure Ryu
How Ninja Conquered the World THE TIMELINE OF SHINOBI POP CULTURE’S WORLDWIDE EXPLOSION Version 1.3 ©Keith J. Rainville, 2020 How did insular Japan’s homegrown hooded set go from local legend to the most marketable character archetype in the world by the mid-1980s? VN connects the dots below, but before diving in, please keep a few things in mind: • This timeline is a ‘warts and all’ look at a massive pop-culture phenomenon — meaning there are good movies and bad, legit masters and total frauds, excellence and exploitation. It ALL has to be recognized to get a complete picture of why the craze caught fire and how it engineered its own glass ceiling. Nothing is being ranked, no one is being endorsed, no one is being attacked. • This is NOT TO SCALE, the space between months and years isn’t literal, it’s a more anecdotal portrait of an evolving phenomenon. • It’s USA-centric, as that’s where VN originates and where I lived the craze myself. And what happened here informed the similar eruptions all over Europe, Latin America etc. Also, this isn’t a history of the Japanese booms that predated ours, that’s someone else’s epic to outline. • Much of what you see spotlighted here has been covered in more depth on VintageNinja.net over the past decade, so check it out... • IF I MISSED SOMETHING, TELL ME! I’ll be updating the timeline from time to time, so if you have a gap to fill or correction to offer drop me a line! Pinholes of the 1960s In Japan, from the 1600s to the 1960s, a series of booms and crazes brought the ninja from shadowy history to popular media. -
Davis Model United Nations Conference Xvii Crisis: Avatar
Crisis: Avatar Davis Model United Nations Conference XVII May 18-19, 2019 University of California, Davis DAVIS MODEL UNITED NATIONS CONFERENCE XVII CRISIS: AVATAR The following content was developed by members of the Davis Model United Nations conference planning team for the sole purpose of framing delegate discussions and debate at the conference and does not represent any official position of the University or anyone engaged in preparing the materials. Delegates should use this information to guide their research and preparation for the conference but should not assume that it represents a complete analysis of the issues under discussion. The materials should not be reproduced, circulated or distributed for any purpose other than as may be required in order to prepare for the conference. MAY 18-19, 2019 1 DAVIS MODEL UNITED NATIONS CONFERENCE XVII CRISIS: AVATAR Letter from the Chair and Crisis Director Esteemed Delegates, Welcome to the 2019 Davis Model United Conference (DMUNC)! We have the pleasure to introduce you to the Avatar the Last Airbender Crisis Committee. My name is Aislinn Matagulay and I will be your Head Chair for this year’s DMUNC. I am a freshman here at UC Davis. I have found a great sense of community in Davis’ MUN club. I was the Chief of Staff at AggieMUN, our collegiate conference and had a wonderful time working with the staff and competitors to make it a fun conference. I am looking forward to the rest of the year to compete in conferences across California and to host you all at DMUNC in May! My name is Thais Terrien and I will be your Crisis Director for this year’s DMUNC. -
Avatar: the Last Airbender
S H U M U N X X I I / / A P R I L 1 0 - 1 1 , 2 0 2 1 AVATAR: THE LAST AIRBENDER B A C K G R O U N D G U I D E D I R E C T E D B Y T I M D Z I E K A N A N D G E O R G E S C H M I D T Avatar: The Last Airbender 1 LETTER FROM THE CHAIR, KACIE Hello Delegates, Welcome to SHUMUN XXI! My name is Kacie Wright (She/Her/Hers), and I will be your chair for the Avatar: The Last Airbender committee. I am currently a sophomore at Seton Hall University, majoring in both Diplomacy and Italian Studies. I am originally from San Diego, California. In high school, I studied Italian for four years and I was able to participate in my high school’s exchange program twice. Here at Seton Hall, I am a part of Seton Hall United Nations Association (SHUNA), our Model United Nations team, I am a member of the Alpha Omicron Pi fraternity, and I am part of the Italian Student Union. I plan to finish my degree at Seton Hall, join the Peace Corps after graduation, and then work for a non-profit organization abroad. Eventually, I want to start my own non-profit organization abroad that helps with community development in communities that are often devastated by conflict and destruction. This committee takes place in the Avatar: The Last Airbender universe, one month after the end of the Hundred Year War. -
The Legend of Korra: Book Five — Part One
Table of Contents TENZIN’S LETTER 1 THE DELIVERY �������������������������������������������������������������������������������3 THE ALL IS AFLAME 10 TALES OF ZAOFU ������������������������������������������������������������������������� 19 THE AVADHOOT ��������������������������������������������������������������������������� 34 THE LIVES OF THE AIRBENDERS ��������������������������������������������������� 45 HARMONIC TRINE 61 i The Legend of Korra: Book Five — Part One The following book is a fan-based derivative work (fan fiction). This book may be copied or reprinted for free distribution without permission from the author. Otherwise all rights reserved. The Legend of Korra and Avatar: The Last Airbender are all owned by Nickelodeon Animation Studios, Michael Dante DiMartino, Bryan Konietzko, and all pertinent parties. Please support the official release. ii ACKNOWLEDGEMENTS I would like to extend my thanks to: My family, for providing me the imaginative support I needed growing up. The numerous editing volunteers, who provided initial critiques, corrections, and feedback. Michael Dante DiMartino and Bryan Konietzko for creating the Avatar universe in the first place. Venerable Ajaan Geoff, whose translations and teachings appear throughout this text and have changed my life for the better. Colleen, for providing the creative spark needed for the reinvention of this endeavour. Makanidotdot, whose illustrations inspired this fanfiction in the first place. And PipReyes, who provided the illustrations and was an excellent partner in this project. May this work both captivate your imagination and be a cause for goodness and creativity. iii Tenzin’s Letter PROLOGUE TENZIN’S LETTER Rohan, I know you have a long journey in front of you as you travel to the Eastern Air Temple. This is an important mark of passage: turning fifteen was the typical age when airbenders undertook this pilgrimage into adulthood. -
Nickelodeon Masters the Elements with the Legend of Korra
For Immediate Release NICKELODEON MASTERS THE ELEMENTS WITH THE LEGEND OF KORRA London, UK – 29th April, 2013 – From the creators of the Hit Series Avatar: The Last Airbender, The Legend of Korra is set to premiere on Nickelodeon on Sunday, 7th July at 9:00am. The mythology from the critically acclaimed Avatar series continues in the new animation which follows a new Avatar named Korra, a 17-year-old headstrong and rebellious girl who continually challenges tradition on her quest to become a fully realized Avatar. New episodes of The Legend of Korra will premiere each Sunday at 9:00am. The Legend of Korra takes place 70 years after the events of Avatar: The Last Airbender and follows the next Avatar after Aang – a girl named Korra (Janet Varney) who is from the Southern Water Tribe. With three of the four elements under her belt (Earth, Water and Fire), Korra seeks to master Air. Her quest leads her to Republic City, the modern “Avatar” world that is a virtual melting pot where individuals from all nations live and thrive. Korra quickly discovers that the metropolis is plagued by crime as well as a revolution that threatens to rip the city apart. Under the tutelage of Aang’s son, Tenzin (J.K. Simmons), Korra begins her airbending training while dealing with the dangers at large. In the premiere episode, “Welcome to Republic City,” Korra leaves the safety of her home and travels to bustling Republic City to begin her airbending training. Once there, she is shocked to find a big city full of dangers. -
Avatar: the Last Airbender 2 Free Download
AVATAR: THE LAST AIRBENDER 2 FREE DOWNLOAD Nickelodeon | 96 pages | 14 Sep 2010 | Random House USA Inc | 9780345518538 | English | New York, United States Episode List Momo looks through Avatar: The Last Airbender 2 Sing Se for Appa, finding only one of his footprints. Luckily, she comes across a waterbending scroll at a boutique. Toph's father, believing Aang has kidnapped her, Avatar: The Last Airbender 2 Xin Fu and Master Yu a chest of gold if they bring her back. Suki reveals she has feelings for Sokka as well. Elsewhere, Zuko discovers that Aang is in the city looking for Appa, Avatar: The Last Airbender 2 sets out as the Blue Spirit to find him. To his mind, he made the mistake of pursuing bigger movies when he should have Avatar: The Last Airbender 2 true to his Avatar: The Last Airbender 2 voice. Zuko Alone 25m. Pathik leads Aang through the intense experience of opening the chakras that run up his body, with the process needing to be completed without interruption. They skip the ferry ride to help some refugees, one of which is going to have a baby, get to Ba Sing Se. Iroh is not happy with what Zuko is doing, and Zuko decides it is best that they part ways. Note: Iroh's tale was dedicated to his voice actor Mako Iwamatsuwho had died just 7 days after Chapters 10 and 11 initially aired. Zhao zeroes in on Aang's location Avatar: The Last Airbender 2 prepares to lay siege to the entire Northern Water Tribe. -
Animating Race the Production and Ascription of Asian-Ness in the Animation of Avatar: the Last Airbender and the Legend of Korra
Animating Race The Production and Ascription of Asian-ness in the Animation of Avatar: The Last Airbender and The Legend of Korra Francis M. Agnoli Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Art, Media and American Studies April 2020 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 2 Abstract How and by what means is race ascribed to an animated body? My thesis addresses this question by reconstructing the production narratives around the Nickelodeon television series Avatar: The Last Airbender (2005-08) and its sequel The Legend of Korra (2012-14). Through original and preexisting interviews, I determine how the ascription of race occurs at every stage of production. To do so, I triangulate theories related to race as a social construct, using a definition composed by sociologists Matthew Desmond and Mustafa Emirbayer; re-presentations of the body in animation, drawing upon art historian Nicholas Mirzoeff’s concept of the bodyscape; and the cinematic voice as described by film scholars Rick Altman, Mary Ann Doane, Michel Chion, and Gianluca Sergi. Even production processes not directly related to character design, animation, or performance contribute to the ascription of race. Therefore, this thesis also references writings on culture, such as those on cultural appropriation, cultural flow/traffic, and transculturation; fantasy, an impulse to break away from mimesis; and realist animation conventions, which relates to Paul Wells’ concept of hyper-realism. -
Nicole Lawrence Thesis
The Pennsylvania State University The Graduate School College of Communications SASSY COWS AND MAGICAL JUJU: REPRESENTATIONS OF RACE AND ETHNICITY ON THREE NICKTOONS PROGRAMS A Thesis in Media Studies by Nicole M. Lawrence © 2012 Nicole M. Lawrence Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2012 ii The thesis of Nicole M. Lawrence was reviewed and approved* by the following: Matthew P. McAllister Professor of Communications Thesis Adviser Matthew F. Jordan Associate Professor of Communications Michael Elavsky Associate Professor of Communications Marie Hardin Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School. iii ABSTRACT This thesis critiques programming on the children’s media channel Nicktoons for patterns of racial representation -- including the presence of stereotyping -- in characters. As research has shown that representation of ethnicity may be especially influential to children viewers, and that there are precedents for problematic racial representations in popular media, including children's media, the continued examination of patterns of racial-ethnic group member representation and stereotyping in character depictions has significant implications. Utilizing textual analysis, three Nicktoons’ programs are examined for racialized constructions of characters, including constructions with hegemonic and ethnocentric implications. The thesis argues that three programs, Back at the Barnyard, Avatar: The Last Airbender, and Tak and the Power of JuJu problematically construct analogies of African Americans, Asians, and native peoples, respectively. The constructions in these Nicktoons programs typically “other” these groups when contrasted to dominant white culture -- or at least the animated stand-ins for dominant white culture -- and imply cultural hierarchies in which white culture is superior and/or the norm. -
2D Animation Software You’Ll Ever Need
The 5 Types of Animation – A Beginner’s Guide What Is This Guide About? The purpose of this guide is to, well, guide you through the intricacies of becoming an animator. This guide is not about leaning how to animate, but only to breakdown the five different types (or genres) of animation available to you, and what you’ll need to start animating. Best software, best schools, and more. Styles covered: 1. Traditional animation 2. 2D Vector based animation 3. 3D computer animation 4. Motion graphics 5. Stop motion I hope that reading this will push you to take the first step in pursuing your dream of making animation. No more excuses. All you need to know is right here. Traditional Animator (2D, Cel, Hand Drawn) Traditional animation, sometimes referred to as cel animation, is one of the older forms of animation, in it the animator draws every frame to create the animation sequence. Just like they used to do in the old days of Disney. If you’ve ever had one of those flip-books when you were a kid, you’ll know what I mean. Sequential drawings screened quickly one after another create the illusion of movement. “There’s always room out there for the hand-drawn image. I personally like the imperfection of hand drawing as opposed to the slick look of computer animation.”Matt Groening About Traditional Animation In traditional animation, animators will draw images on a transparent piece of paper fitted on a peg using a colored pencil, one frame at the time. Animators will usually do test animations with very rough characters to see how many frames they would need to draw for the action to be properly perceived. -
1 — Aijaz Ansari at Nscoderchicago, 10/25/2016 Mythical Creatures
Slide the First 1 — Aijaz Ansari at NSCoderChicago, 10/25/2016 Mythical Creatures 2 — Aijaz Ansari at NSCoderChicago, 10/25/2016 http://weknowyourdreams.com/images/unicorn/unicorn-04.jpg 3 — Aijaz Ansari at NSCoderChicago, 10/25/2016 https://shellback0608.files.wordpress.com/2016/07/bird-phoenix-flight-art-drawing.jpg 4 — Aijaz Ansari at NSCoderChicago, 10/25/2016 https://i.ytimg.com/vi/kKJQESF0qqk/maxresdefault.jpg 5 — Aijaz Ansari at NSCoderChicago, 10/25/2016 API Docs6 — Aijaz Ansari at NSCoderChicago, 10/25/2016 Exploring JSON With jq Aijaz Ansari @_aijaz_ 7 — Aijaz Ansari at NSCoderChicago, 10/25/2016 What is JSON? JavaScript Object Notation [ { "name": "Alice", "age": 20}, { "name": "Bob", "age": 30} ] 8 — Aijaz Ansari at NSCoderChicago, 10/25/2016 Reading JSON returned by remote servers @interface AAAJSONResponseSerializer : AFJSONResponseSerializer @end @implementation AAAJSONResponseSerializer - (id)responseObjectForResponse:(NSURLResponse *)response data:(NSData *)data error:(NSError *__autoreleasing *)error { #ifdef DEBUG NSHTTPURLResponse * httpResponse = (NSHTTPURLResponse *) response; NSString *body = [[NSString alloc] initWithData:data encoding:NSUTF8StringEncoding]; DDLogInfo(@"RESPONSE BODY: %@", response.URL, body); DDLogInfo(@"RESPONSE: (%ld) %@ ", httpResponse.statusCode, response.URL); #endif // ... } @end 9 — Aijaz Ansari at NSCoderChicago, 10/25/2016 JSON Looks Like This [{"name":"Aang","sex":"M","born":-12,"died":153,"bending":["Air","Water","Earth","Fire","Energy"],"identity":{"nationality":"Southern Air Temple", -
Titles Ordered December 13-20, 2019
Titles ordered December 13-20, 2019 Book Adult Fiction Release Date: Islington, James, 1981- author. The light of all that falls / James Islington. http://catalog.waukeganpl.org/record=b1610199 12/10/2019 Lupica, Mike, author. Robert B. Parker's Grudge match / Mike Lupica. http://catalog.waukeganpl.org/record=b1610200 5/5/2020 Adult Non-Fiction Release Date: Andrés, José, 1969- author. Vegetables unleashed : a cookbook / José http://catalog.waukeganpl.org/record=b1610197 5/21/2019 Andrés and Matt Goulding ; photography by Peter Frank Edwards. Buettner, Dan, author. The Blue Zones kitchen : 100 recipes to live to 100 / http://catalog.waukeganpl.org/record=b1610241 12/3/2019 Dan Buettner ; with photographs by David McLain. Fleming, Paula L. (EDT) ASVAB prep 2020-2021. 4 Practice Tests + Proven http://catalog.waukeganpl.org/record=b1610679 12/3/2019 Strategies + Online Haynes Manuals (COR) Jeep Liberty & Dodge Nitro from 2002 thru 2012 http://catalog.waukeganpl.org/record=b1610677 2/28/2020 Haynes Repair Manual : All Gasoline Models Haynes Manuals (COR)/ Killingsworth, Jeff/ Haynes Toyota Tundra 2007 Thru 2019 and Sequoia http://catalog.waukeganpl.org/record=b1610676 6/4/2019 Haynes, John H. 2008 Thru 2019 : All 2WD and 4WD Models J. K. Lasser Institute (COR) J.K. Lasser's your income tax 2020 / For Preparing http://catalog.waukeganpl.org/record=b1610678 12/24/2019 Your 2019 Tax Return prepared by the J.K. Lasser Institute. Children's Graphic Novels Release Date: Akai, Higasa, author, artist. The royal tutor. 12 / Higasa Akai ; translation: http://catalog.waukeganpl.org/record=b1610330 8/27/2019 Amanda Haley.