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Marshall Sahlins's Stone Age Economics, a Semicentenary
H-Announce Marshall Sahlins’s Stone Age Economics, a Semicentenary Estimate Announcement published by Federica Morelli on Thursday, June 6, 2019 Type: Call for Papers Date: November 30, 2019 Location: Italy Subject Fields: Anthropology, Economic History / Studies, Intellectual History, Social Sciences In 1972, American anthropologist Marshall Sahlins published Stone Age Economics. Now a classic of modern anthropology, and probably the most important work in economic anthropology, the book had a profound and critical impact on many different social sciences. From the identification and original use of the category of the mode of production to the idea of primitive affluence; from a vision of exchanges as defined also, and decisively, by their social terms to an illuminating interpretation of Mauss’s The Gift as the discover of the non-contractual element of the social contract; from the development of a cultural perspective on the economy and the alternative it provided to the economicism of formalist anthropology, with the proposal of an “anthropological economics”; the surprising modernity of Stone Age Economics provides social scientists with extremely fertile and inspiring ideas and approaches, whose continuing relevance is beyond dispute. On the occasion of the 50th anniversary, theAnnals of the Fondazione Luigi Einaudi. An Interdisciplinary Journal of Economics, History and Political Science (http://www.annalsfondazioneluigieinaudi.it/en) will host a monographic issue on Marshall Sahlins’s Stone Age Economics (“A Semicentenary Estimate”), to be published in 2021. The mission of the Annals of the Fondazione Luigi Einaudi (which builds upon the tradition of cultural openness fostered by the Fondazione Luigi Einaudi di Torino, established in 1964 by the scholar of political theory at Cornell University Mario Einaudi, with the support of the family of economist and former President of the Italian Republic Luigi Einaudi) is to contribute to promote interdisciplinarity as a method of scientific inquiry and a highly relevant issue in social sciences. -
ENLIGHTENMENT? Some Lessons of the Twentieth Century
Annu. Rev. Anthropol. 1999. 28:i–xxiii Copyright © 1999 by Annual Reviews. All rights reserved WHAT IS ANTHROPOLOGICAL ENLIGHTENMENT? Some Lessons of the Twentieth Century Marshall Sahlins Department of Anthropology, University of Chicago, Chicago, Illinois 60637; e-mail: [email protected] Key Words: modernity, indigenization, translocality, culture, development n Abstract A broad reflection on some of the major surprises to anthropo- logical theory occasioned by the history, and in a number of instances the tenac- ity, of indigenous cultures in the twentieth century. We are not leaving the cen- tury with the same ideas that got us there. Contrary to the inherited notions of progressive development, whether of the political left or right, the surviving victims of imperial capitalism neither became all alike nor just like us. Contrary to the “despondency theory” of mid-century, the logical and historical precursor of dependency theory, surviving indigenous peoples aim to take cultural re- sponsibility for what has been done to them. Across large parts of northern North America, even hunters and gatherers live, largely by hunting and gather- ing. The Eskimo are still there, and they are still Eskimo. Around the world the peoples give the lie to received theoretical oppositions between tradition and change, indigenous culture and modernity, townsmen and tribesmen, and other clichés of the received anthropological wisdom. Reports of the death of indige- nous cultures—as of the demise of anthropology—have been exaggerated. CONTENTS Introduction .................................................... ii What Is Not Too Enlightening ..................................... ii Up the Indigenous Culture ........................................ vi The Indigenization of Modernity ................................... ix Tradition and Change ............................................ xi Functional Determination by the Basis ............................. -
Dear Workshoppers, Thank You for Taking the Time to Read and Discuss
Gerónimo Sarmiento Cruz Chapter I, 5/15 Draft — do not circulate Dear workshoppers, Thank you for taking the time to read and discuss my work. What follows is still a rough draft of the first chapter of my dissertation, provisionally titled Anational Poetics. In brief, by anational I mean an approach to an order of ideas, images, and concepts whose construction and inner logics are independent of the socio-historical ubiquity of the nation. Mainly relying on two concepts, Deleuze and Guattari’s minor literature and James C. Scott’s hidden transcripts, I am elaborating the anational as a hermeneutics allowing us to read against the backdrop of the nation in order to trace and constellate alternative accounts of collectivities as formulated by minority poetries and poetics. The chapter I am workshopping analyzes the work of Gloria Anzaldúa through the lens of the nation form. In relation to the anational, a lot of the work I do in this chapter is still preparatory—I begin to sketch the concept only towards the end of the chapter. I apologize for the length of the document, yet it is important for me that I workshop the entire thing so that I can assess whether the chapter-format is actually working well and conveying what I intend. If you’re pressed for time, you can read the intro and first section only. I would like to receive all feedback you’re willing to provide; yet more specifically I would like to hear your thoughts on the coherence and legibility of the theory employed and on the pertinence and persuasiveness of the structure as prefatory to the anational. -
Futures of Our Music Jean-Michel Beaudet
Futures of Our Music Jean-Michel Beaudet To cite this version: Jean-Michel Beaudet. Futures of Our Music. Musik-Kontexte: Festschrift für Hanns-Werner Heister Band, Monsenstein et Vannerdat, 2011, 978-3869913209. hal-02001639 HAL Id: hal-02001639 https://hal.parisnanterre.fr//hal-02001639 Submitted on 31 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 85 Futures of Our Music Jean-Michel Beaudet Mis antiguos Estoy presente aquí Pero yo quiero ayuda ¿Qué voy a hacer? Seguir camino Ahora vamos a bailar (Weenhayek, 1995)1 inga momulu’a inga momulu’a the inga tree makes pregnant the inga tree makes pregnant (Wayãpi, 1977)2 Why speak about prospective? Do we need to think about the future of „our music“? What could a prospective program in ethnomusicology bring?3 First, it is a way to reaffirm, against many, that Chacobo or Wayãpi music from Amazonia, that Kanak or Papua New Guinea music from Oceania, or Temiar music from Malaysia are still alive, will stay alive and be strong actors of tomorrow’s cultural exchanges. To speak about the future of Amazonian music is, in a way, something new. -
Why We Play: an Anthropological Study (Enlarged Edition)
ROBERTE HAMAYON WHY WE PLAY An Anthropological Study translated by damien simon foreword by michael puett ON KINGS DAVID GRAEBER & MARSHALL SAHLINS WHY WE PLAY Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WHY WE PLAY AN ANTHROPOLOGICAL STUDY Roberte Hamayon Enlarged Edition Translated by Damien Simon Foreword by Michael Puett Hau Books Chicago English Translation © 2016 Hau Books and Roberte Hamayon Original French Edition, Jouer: Une Étude Anthropologique, © 2012 Éditions La Découverte Cover Image: Detail of M. C. Escher’s (1898–1972), “Te Encounter,” © May 1944, 13 7/16 x 18 5/16 in. (34.1 x 46.5 cm) sheet: 16 x 21 7/8 in. (40.6 x 55.6 cm), Lithograph. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-6-8 LCCN: 2016902726 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Acknowledgments xiii Foreword: “In praise of play” by Michael Puett xv Introduction: “Playing”: A bundle of paradoxes 1 Chronicle of evidence 2 Outline of my approach 6 PART I: FROM GAMES TO PLAY 1. Can play be an object of research? 13 Contemporary anthropology’s curious lack of interest 15 Upstream and downstream 18 Transversal notions 18 First axis: Sport as a regulated activity 18 Second axis: Ritual as an interactional structure 20 Toward cognitive studies 23 From child psychology as a cognitive structure 24 . -
The Place of Poetry in the Wisdom Tradition
The place of poetry in wisdom tradition and its role in the re-enchantment of modern cultural vision. Table of Contents Introduction p.1 Hidden treasures – Celtic wisdom tradition p.3 Terma – The Treasure Cycle of Vajrayana Buddhism p.11 Poet as Prophet – The Western Esoteric Tradition p.15 Gnostic narrator – Walt Whitman p.19 Bhakti Poetry of Virasaivism – Metaphor unadorned p.23 Metaphorical Hijack - Evolution of Language and Myth p.27 Poetry and Re-enchantment p.32 References p. 35 1 Introduction “I can frame what no tongue utters” (Matthews,1991,p.0) In this enquiry I will begin with looking at wisdom traditions in which poetry is regarded as a means of spiritual transmission, to discover what these reveal about poetic and mythic nature, and their interconnectivity. In order to narrow the case when referring to modern cultural vision, I will look specifically at the modern definition of poetry, to gain a sense of the changing view of poetry through time. The definition of poetry in the Oxford online dictionary is : “a literary work in which the expression of feelings and ideas is given intensity by the use of distinctive style and rhythm” (Oxford Dictionaries, 2016). In order to understand the evolution of the modern cultural narrative with regards to poetry and myth, I will draw on the work of Ian McGilchrist The Master and his Emissary; and the recent publication of Beyond Allegory by Bernado Kastrup. Both these writings provide fruitful and refreshing observation, and offer insight into the possibility and necessity of re- enchanting the modern view. -
Interrelation of Eurasian Cultures in a Global Age
Cultural Heritage and Contemporary Change Series IVA, Eastern and Central European Philosophical Studies, Volume 55 General Editor George F. McLean Eurasian Frontier: Interrelation of Eurasian Cultures in a Global Age Edited by Irina Boldonova Vensus A. George The Council for Research in Values and Philosophy Copyright © 2016 by The Council for Research in Values and Philosophy Gibbons Hall B-20 620 Michigan Avenue, NE Washington, D.C. 20064 All rights reserved Printed in the United States of America Library of Congress Cataloging-in-Publication Names: Boldonova, Irina, editor of compilation. | George, Vensus A., editor of compilation. Title: Eurasian frontier : interrelation of Eurasian cultures in a global age / edited by Irina Boldonova, Vensus A. George. Description: First edition. | Washington, DC : The Council for Research in Values and Philosophy, 2016. | Series: Cultural heritage and contemporary change. Series IVA, Eastern and Central European philosophical studies ; Volume 55 | Series: Russian philosophical studies ; 9 | Includes bibliographical references and index. Identifiers: LCCN 2016029171 | ISBN 9781565183186 (pbk. : alk. paper) Subjects: LCSH: Eurasia--Relations. | Eurasian Union. | Acculturation--Eurasia. | Frontier and pioneer life--Eurasia. | Frontier thesis. | Eurasia--Relations--Russia (Federation) | Russia (Federation)--Relations--Eurasia. | Burëiìatiëiìa (Russia)--Relations. | Eurasia--Social conditions. | Eurasia--Intellectual life. Classification: LCC DS33.3 .E95 2016 | DDC 303.48/25--dc23 LC record available at https://lccn.loc.gov/2016029171 Table of Contents Foreword v Irina Boldonova Introduction 1 Vensus A. George 1. Searching for Ways of Peace 11 Thomas Menamparampil 2. The Eurasian Union’s Project: A Sustainable Future 45 Being Born Today Vyacheslav Mantatov 3. Transversal Values in a Hermeneutic Dialogue 49 Irina Boldonova and Vera Bashkeeva 4. -
The Muslim Emperor of China: Everyday Politics in Colonial Xinjiang, 1877-1933
The Muslim Emperor of China: Everyday Politics in Colonial Xinjiang, 1877-1933 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Schluessel, Eric T. 2016. The Muslim Emperor of China: Everyday Politics in Colonial Xinjiang, 1877-1933. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493602 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Muslim Emperor of China: Everyday Politics in Colonial Xinjiang, 1877-1933 A dissertation presented by Eric Tanner Schluessel to The Committee on History and East Asian Languages in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History and East Asian Languages Harvard University Cambridge, Massachusetts April, 2016 © 2016 – Eric Schluessel All rights reserved. Dissertation Advisor: Mark C. Elliott Eric Tanner Schluessel The Muslim Emperor of China: Everyday Politics in Colonial Xinjiang, 1877-1933 Abstract This dissertation concerns the ways in which a Chinese civilizing project intervened powerfully in cultural and social change in the Muslim-majority region of Xinjiang from the 1870s through the 1930s. I demonstrate that the efforts of officials following an ideology of domination and transformation rooted in the Chinese Classics changed the ways that people associated with each other and defined themselves and how Muslims understood their place in history and in global space. -
Founding Athens: Ion and Origin Myth.
Founding Athens: Ion and origin myth.! Athenian drama:! ! •"concentrates on specific episodes in a larger myth story ! ! •"focuses on human personality (and psychology)! •"investigates relationships in the family and in society! ! •"is radical in questioning the gods ! But if I aimed for a place in the first ranks of the city and strove to become someone, I would be detested by the powerless while those with ability, but not eager for public life, would ridicule me for being foolish…And then again, if I took positions from those who had them, I would be thwarted by men with knowledge, who know how the system works. ! paraphrase of Euripides Ion 595-600! Procession with religious image.! Pietrafitta, Italy! image©Sebo Theatre Dionysus Athens, ca 350 BCE! image©ARTstor! Actors with masks! Pronomos vase! 400 BCE! http://www.beazley.ox.ac.uk/images/ pottery/painters/keypieces/tiverios/33- p197-medium.jpg Sophocles Oidipous at Colonos. Segobriga Festival, 2000.# .! Mask design: Thanos Vovolis. Stage director: Gemma Gomez. Photo © Thanos Vovolis http://www.didaskalia.net/issues/vol7no1/vovolis_zamboulakis/image11.html ca. 620-480 BC: Archaic Period! Aeschylus ca. 533: introduction of the City Dionysia at Athens (Thespis)! 508/7: establishment of the Athenian democracy by Cleisthenes! 523-456 BCE ca. 499: Aeschylus' first dramatic production! 484: Aeschylus' first victory! ! 479-323 BC: Classical Period! ca. 468: Sophocles' first production! Sophocles 458: Aeschylus' Oresteia! 456/5: death of Aeschylus! 495-405 BCE 455: Euripides' first dramatic production! 447-432: construction of the Parthenon! ca. 442: Sophocles' Antigone! 441: Euripides' first victory! 431: 431: Euripides' Medea; beginning of the Peloponnesian War! Euripides ca. -
Origin Myth in Austronesian Language Speaking Tribes of Southeast Asia by Cooper Peltz
Origin Myth in Austronesian Language Speaking Tribes of Southeast Asia By Cooper Peltz Spanning from the mid-19th century to the beginning of the 20th century, travelogue writers spun tales of Malayan and Dutch East Indian tribal sav- agery. These patrons of colonialism perceived the tribes’ traditional stories as grotesque and uncivilized mythologies. One such myth was the story of the creation of man. The travelogue writers recounted story after story told by each tribe of how man came to be on the planet. One can see thematic simi- larities between the different tribal accounts of creation; however, many of the travelogue writers failed to recognize the similarities of the accounts. What stories did the Austronesian language speaking tribes of colonial British Ma- lay, the Dutch East Indies and the Spanish Philippines tell regarding the ori- gin of man, and what did the travelogue writers think of these stories? I argue that the common themes between Malay language Southeast Asian creation myths of man-from-earth and man-from-tree developed from the 6,000-year evolution of the language. The travelogue writers were puzzled by where the myths had originated and deemed the myths abnormal. The travelogues give the reader a rich cultural history of Southeast Asia not found in other texts; however, the information in the travelogues is limited by the writers’ cultural bias. The bias is due to an incomplete understanding of Southeast Asian culture and language. The designation “Austronesian Lan- guage” is an umbrella term. Though this term seems simple, it actually includes the languages of tribes located eleven thousand miles apart. -
The Original Affluent Society Was None Other Than the Hunter's - in Which All the People's Material Wants Were Easily Satisfied
Out of Date This website has not been updated for some years. This website has been left as it may still contain useful content. The Original Affluent Society -by Marshall Sahlins Hunter-gatherers Hunter-gatherers consume less energy per capita per year than any other group of human beings. Yet when you come to examine it the original affluent society was none other than the hunter's - in which all the people's material wants were easily satisfied. To accept that hunters are affluent is therefore to recognise that the present human condition of man slaving to bridge the gap between his unlimited wants and his insufficient means is a tragedy of modern times. There are two possible courses to affluence. Wants may be "easily satisfied" either by producing much or desiring little The familiar conception, the Galbraithean way- based on the concept of market economies- states that man's wants are great, not to say infinite, whereas his means are limited, although they can be improved. Thus, the gap between means and ends can be narrowed by industrial productivity, at least to the point that "urgent goods" become plentiful. But there is also a Zen road to affluence, which states that human material wants are finite and few, and technical means unchanging but on the whole adequate. Adopting the Zen strategy, a people can enjoy an unparalleled material plenty - with a low standard of living. That, I think, describes the hunters. And it helps explain some of their more curious economic behaviour: their "prodigality" for example- the inclination to consume at once all stocks on hand, as if they had it made. -
A Conversation with Eric Wolf Author(S): Ashraf Ghani and Eric Wolf Source: American Ethnologist, Vol
A Conversation with Eric Wolf Author(s): Ashraf Ghani and Eric Wolf Source: American Ethnologist, Vol. 14, No. 2 (May, 1987), pp. 346-366 Published by: Blackwell Publishing on behalf of the American Anthropological Association Stable URL: http://www.jstor.org/stable/645379 Accessed: 20/10/2009 21:47 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=black. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Blackwell Publishing and American Anthropological Association are collaborating with JSTOR to digitize, preserve and extend access to American Ethnologist. http://www.jstor.org comments and reflections a conversation with EricWolf ASHRAF GHANI-Johns Hopkins University What is an anthropological text? A discourse fixed by writing forged in the process of en- counters between an author as a bearer of a cultural history and an institutional system deter- mining the articulation of his/her disciplinary universe, and conditioning the delineation of the central problems, the choice of key theoretical interlocutors, methods of investigation and pre- sentation.