Chamberlain's “Bashō and the Japanese Poetical Epigram.”(Leonard)
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Chapter 1 Chapter 2
Notes Chapter 1 1. The translations of this verse and other Japanese poems quoted in this book, unless otherwise noted, are by Hakutani. 2. Donald Keene notes, “The humor in Chikuba Kyǀgin Shnj has been characterized as ‘tepid.’ The same might be said of the haikai poetry composed by Arakida Moritake (1473–1549), a Sinto priest from the Great Shrine at Ise who turned from serious to comic renga late in life, and has been customarily styled (together with Sǀkan) as a founder of haikai no renga” (Keene 13–14). 3. A certain group of poets, including Ito Shintoku (1634–98) and Ikeni- shi Gonsui (1650–1722) of the Teitoku school, and Uejima Onitsura (1661–1738), Konishi Raizan (1654–1716), and Shiinomoto Saimaro (1656–1738), of the Danrin school, each contributed to refining Basho’s style (Keene 56–57). 4. A detailed historical account of haikai poetry is given in Keene 337–57. 5. The original of “A Morning Glory” is quoted from Fujio Akimoto, Haiku Nyumon 23. 6. The original of “Were My Wife Alive” is quoted from Akimoto (200). 7. The original of “The Harvest Moon” is quoted from “Meigetsu | ya | tatami-no | ue | ni | matsu-no-kage” (Henderson 58). 8. Waley further shows with Zeami’s works that the aesthetic principle of yugen originated from Zen Buddhism. “It is obvious,” Whaley writes, “that Seami [Zeami] was deeply imbued with the teachings of Zen, in which cult Yoshimitsu may have been his master” (Nǀ Plays of Japan 21–22). 9. See Max Loehr, The Great Paintings of China 216. -
A Second-Class Art by Kuwabara Takeo Translated by Mark Jewel
Modern Haiku: A Second-Class Art by Kuwabara Takeo Translated by Mark Jewel Haiku by leading modern poets appear in the pages of our postwar magazines just as they did in magazines before the war. But until recently I hardly ever bothered to read them, in the same way that I never paid much attention to the little block illustrations the magazines carry. I have already had occasion to observe elsewhere that one reason for the insipidness of post-Meiji Japanese fiction is a lack of intellectual and social self-awareness on the part of our novelists, and that the most likely model for this casual approach to the creative process is haikai poetry (see the February issue of Humanity [Ningen] and the September issue of New Currents of Thought [Shincho]).1 Whenever I make this point at one of the lectures I am invited to give, I am always taken to task afterward-at least with respect to haiku-giving me fresh cause to appreciate just how deeply rooted the influence of haikai has become. It seems to me that if we are going to devote serious attention to the problems facing Japanese culture, there is a need to reassess the spirit of haikai as it has come down to us from the time of Bashō. Despite having come to this conclusion, however, I have not had the time to undertake the task myself. Or it would probably be more honest to say that I have not been interested in doing so. Then, not long ago, my daughter came home from elementary school and asked me to explain the meaning of two haiku she had studied in Japanese class: yuki nokoru a single peak -
Leca, Radu (2015) the Backward Glance : Concepts of ‘Outside’ and ‘Other’ in the Japanese Spatial Imaginary Between 1673 and 1704
Leca, Radu (2015) The backward glance : concepts of ‘outside’ and ‘other’ in the Japanese spatial imaginary between 1673 and 1704. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/23673 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. The Backward Glance: Concepts of ‘Outside’ and ‘Other’ in the Japanese Spatial Imaginary between 1673 and 1704 Radu Leca Thesis submitted for the degree of PhD 2015 Department of the History of Art and Archaeology SOAS, University of London 1 Declaration I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
Article Title: Edward Said and the Japanese: British
ISSN: 1500-0713 ______________________________________________________________ Article Title: Edward Said and the Japanese: British Representations of Japan in the Years Before the Sino-Japanese War Author(s): Stephen Smith Source: Japanese Studies Review, Vol. XV (2011), pp. 109 - 127 Stable URL: https://asian.fiu.edu/projects-and-grants/japan- studies-review/journal-archive/volume-xv-2011/smith-edward- said-and-the-japanese-ii.pdf ______________________________________________________________ EDWARD SAID AND THE JAPANESE: BRITISH REPRESENTATIONS OF JAPAN IN THE YEARS BEFORE THE SINO-JAPANESE WAR Stephen Smith Sheffield Hallam University, UK Japan is a great empire with a most ancient and elaborate civilization, and offers as much novelty perhaps as an excursion to another planet!1 Emphasizing the novelty of Japan whilst simultaneously praising the country and its people was a recurrent feature in many of the texts written by British travelers to Japan in the years before the Sino-Japanese War. Authors never seemed to tire of providing diverting, and often amusing, examples of the ways in which the two countries differed. In an entry on “Topsy-turvydom” in his miniature encyclopedia of Things Japanese, the eminent Japanologist Basil Hall Chamberlain clearly relished imparting such amusing facts as “[w]hen building a house, the Japanese construct the roof first” and “strangest of all, after a bath the Japanese dry themselves with a damp towel!”2 For some authors, it was their avowed intention to record for posterity the peculiarities -
Inventing the New Through the Old: the Essence Of
EARLY MODERN JAPAN SPRING 2001 Inventing the New other is the Song scholar Lin Xiyi’s ᨋᏗㅺ2 annotations of the Zhuangzi, which stress that the Through the Old: entire Zhuangzi is a parable. While scholarly The Essence of Haikai opinion differs on which factor or factors played and the Zhuangzi a key role behind the phenomenon, they agree Peipei Qiu that the Danrin’s enthusiasm for the Zhuangzi lies primarily in imitating the gugen in the work.3 Asian Studies Vassar College Introduction meaning, according to Burton Watson, is words put into the mouth of historical or fictional persons to make them more compelling. The Zhuangzi scholars The latter half of the seventeenth century have also used the term to refer to the general writ- witnessed an innovative phenomenon in Japanese ing style of the text. Watson has rendered the haikai େ⺽ (comic linked verse) circles. A meaning of the term into “imported words” in his group of haikai poets who called themselves the translation of the Zhuangzi. The title of Konishi Danrin ⺣ᨋ enthusiastically drew upon the Jin’ichi’s ዊ↟৻ study on Basho and Zhuangzi’s Daoist classic Zhuangzi ⨿ሶ (The works of gugen, “Basho to gugensetsu” ⧊⭈ߣኚ⸒⺑ Master Zhuang), setting off a decade-long trend [Nihon gakushiin kiyo ᣣᧄቇ჻㒮♿ⷐ no. 18 of using the Zhuangzi in haikai composition. In (1960) 2 and 3] is translated into “Basho and assessing the causes and significance of this Chuang-tsu’s Parabolical Phraseology.” The term in phenomenon previous studies give much atten- modern Japanese and Chinese is often translated as tion to the intellectual, philosophical and reli- “fable,” “apologue,” or “parable,” but these transla- gious climates, noting two major factors that in- tions are not suitable to the present study. -
ACADEMIC ENCOUNTER the American University in Japan and Korea R
ACADEMIC ENCOUNTER The American University in Japan and Korea r ACADEMIC ENCOUNTER The American University in Japan and Korea By Martin Bronfenbrennet THE FREE PRESS OF GLENCOE, INC. A division of the Crowell-Collier Publishing Co. New York t BUREAU OF SOCIAL AND POLITICAL RESEARCH Michigan State University f East Lansing, Michigan I Copyright@ 1961 BY THE BOARD OF TRUSTEES OF MICHIGAN STATE UNIVERSITY East Lansing, Michigan Library of Congress Catalog Card Number: 61-63703 i t , PREFACE • This study of some 18 American university affiliations with Japanese and Korean institutions is a small part of a larger study of the American university overseas. The larger study l is undertaken by the Institute for Research on Overseas Pro grams at Michigan State University. What is said here about programs in Japan and Korea can be compared with what other staff members of the Institute have saidabout programs in other countries, particularly other Asian countries such as India and !t Indonesia. , Many believe with ex-President Eisenhower that the American university should expand its foreign affiliations as a contribution t to economic and cultural reconstruction and development over seas, and to better international understanding between America and other countries. In this view, university affiliations are an j important type of "people to people" contacts across national boundaries. Others believe that the American university should f concentrate its limited manpower and resources on the domestic job it does best, and reduce the scale of its commitments abroad. Part of the decision (or compromise) between these viewpoints should be based on a knowledge of what the existing international programs are in fact attempting or accomplishing. -
Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Fall 1-7-2020 Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities Jeffrey Braytenbah Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Asian History Commons, and the Asian Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Braytenbah, Jeffrey, "Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the ashioningF of Ainu/Japanese Colonial Identities" (2020). Dissertations and Theses. Paper 5356. https://doi.org/10.15760/etd.7229 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities by Jeff Braytenbah A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Thesis Committee: Kenneth J. Ruoff, Chair Laura Robson Jennifer Tappan Portland State University 2019 © 2019 Jeff Braytenbah Abstract Japan’s colonial activities on the island of Hokkaido were instrumental to the creation of modern Japanese national identity. Within this construction, the indigenous Ainu people came to be seen in dialectical opposition to the 'modern' and 'civilized' identity that Japanese colonial actors fashioned for themselves. This process was articulated through travel literature, ethnographic portraiture, and discourse in scientific racism which racialized perceived divisions between the Ainu and Japanese and contributed to the unmaking of the Ainu homeland: Ainu Mosir. -
Article Full Text
Volume IX Number 1 CONTENTS Spring 2001 Articles ⺰ᢥ Inventing the New Through the Old: The Essence of Haikai and the Zhuangzi Peipei Qiu 2 At Wit’s End: Satirical Verse Contra Formative Ideologies in Bakumatsu and Meiji Japan Dean Anthony Brink 19 Book Reviews ᦠ⹏ James L. McClain and Wakita Osamu, eds. Osaka: The Merchants' Capital of Early Modern Japan Marcia Yonemoto 47 Gerald A. Figal, Civilization and Monsters : Spirits of Modernity in Meiji Japan Hosea Hirata 51 Document Translation ᢥᦠ⧷⸶ Translation of the Memorial of Imakita Sakubei to the Lord of Tosa, Yamauchi Toyochika Luke Roberts 53 EARLY MODERN JAPAN SPRING 2001 Inventing the New other is the Song scholar Lin Xiyi’s ᨋᏗㅺ2 annotations of the Zhuangzi, which stress that the Through the Old: entire Zhuangzi is a parable. While scholarly The Essence of Haikai opinion differs on which factor or factors played and the Zhuangzi a key role behind the phenomenon, they agree Peipei Qiu that the Danrin’s enthusiasm for the Zhuangzi lies primarily in imitating the gugen in the work.3 Asian Studies Vassar College Introduction meaning, according to Burton Watson, is words put into the mouth of historical or fictional persons to make them more compelling. The Zhuangzi scholars The latter half of the seventeenth century have also used the term to refer to the general writ- witnessed an innovative phenomenon in Japanese ing style of the text. Watson has rendered the haikai େ⺽ (comic linked verse) circles. A meaning of the term into “imported words” in his group of haikai poets who called themselves the translation of the Zhuangzi. -
Special Issue №3
journal of senryu and kyoka Special Issue №3 August, 2016 Editors: Vladislav Vassiliev Valeria Simonova-Cecon Nataly Levi Artist: Tatyana Kosach E-mail: [email protected] Copyright «Ёrshik» 2012-2016 ©. Content Current Issue ...............................................................3 Editor’s Choice ......................................................................... 3 Senryu and Kyoka .................................................................... 7 Burashi ......................................................................................39 Submission Guidelines ........................................... 58 2 www.ershik.com EDITOR’S CHOICE children enquire about my health before making a request Nikolay Grankin (Russia) …Kids are good psychologists, especially if they want something, even when they grow up and have kids of their own. At some point, however, when children realise that their parents are not going to be around forever and they need to take care of them, as they are the only parents they will ever have, they acquire this particular quality of sensitivity mixed with pragmatism. They know that parents will usually do everything they can to help their kids overcome anything that life throws at them. When some people grow up, they try not to bother their folks with their problems at all, while others go to the other extreme and continue “using” their parents as much as they can, but not everybody understands that being useful to their children is sometimes the only thing that keeps their parents going. This -
Basho's Haiku
Introduction THE HAIKU POETRY OF MATSUO BASHO¯ stormy sea— stretching out over Sado, Heaven’s River araumi ya / sado ni yokotau / amanogawa Basho¯ was standing on the western shores of Japan looking out upon the night sea. He was pausing on his long journey to the “deep north” of Japan, and he could hear the crashing of the waves. Miles beyond lay Sado Island. Sado was known as a place of riches, where gold was being mined. But even more it was known as a place where numerous people, including the Emperor Juntoku, the Buddhist leader Nichiren, and the great medieval No¯ dramatist Zeami, had endured the enforced soli- tude of exile. The poem begins with an exclamation of the vio- lence and vastness of the water, the cutting word ya functioning somewhat like an exclamation point. Then our consciousness is brought to a focus on the melancholy island, small in the cold sweep of ocean. The island lies in contrast to the ocean that sur- rounds it, yet it harbors centuries of the emotional storm of exile. Then our consciousness is pulled up and out across the sky, as Heaven’s River (the Milky Way) reaches from horizon to horizon. As a metaphorical river, it flows in eternal tranquillity above the storms of the sea and of human life, sparkling with a scattered brightness more pure than gold. Basho¯, the island, and everything on earth seem to be alone yet together under the 1 © 2004 State University of New York Press, Albany 2 Basho¯’s Haiku stream of stars. -
Biblio:Basho-27S-Haiku.Pdf
Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging in Publication Data Matsuo Basho¯, 1644–1694. [Poems. English. Selections] Basho¯’s haiku : selected poems by Matsuo Basho¯ / translated by David Landis Barnhill. p. cm. Includes bibliographical references and index. ISBN 0-7914-6165-3 — 0-7914-6166-1 1. Haiku—Translations into English. 2. Japanese poetry—Edo period, 1600–1868—Translations into English. I. Barnhill, David Landis. II. Title. PL794.4.A227 2004 891.6’132—dc22 2004005954 10 9 8 7 6 5 4 3 2 1 Basho¯’s Haiku Selected Poems by Matsuo Basho¯ Matsuo Basho¯ Translated by, annotated, and with an Introduction by David Landis Barnhill STATE UNIVERSITY OF NEW YORK PRESS for Phyllis Jean Schuit spruce fir trail up through endless mist into White Pass sky Contents Preface ix Selected Chronology of the Life of Matsuo Basho¯ xi Introduction: The Haiku Poetry of Matsuo Basho¯ 1 Translation of the Hokku 19 Notes 155 Major Nature Images in Basho¯’s Hokku 269 Glossary 279 Bibliography 283 Index to Basho¯’s Hokku in Translation 287 Index to Basho¯’s Hokku in Japanese 311 Index of Names 329 vii Preface “You know, Basho¯ is almost too appealing.” I remember this remark, made quietly, offhand, during a graduate seminar on haiku poetry. -
PAPERS, 1868-2006 Series 17/20 Boxes 1-245 Biography John Henry Wigmore Was Born March 4, 1863, A
Northwestern University Archives ∙ Evanston, Illinois JOHN HENRY WIGMORE (1863-1943) PAPERS, 1868-2006 Series 17/20 Boxes 1-245 Biography John Henry Wigmore was born March 4, 1863, at San Francisco, California, one of several children of John and Harriet (Joyner) Wigmore. John Henry Wigmore, called Harry by his parents, received his early education at San Francisco’s private and highly regarded Urban Academy. From there he attended Harvard where he took A.B. (1883), A.M. (1884), and LL.B. (1887) degrees. Wigmore practiced law in Boston for two years following his graduation from law school. Subsequently he embarked on an academic career, his first appointment was as professor of Anglo-American law at Keio University in Tokyo, Japan. While at Keio Wigmore became immersed in the study of comparative law and a distinguished student of Japanese law. A major legacy of his tenure at Keio was his research into Tokugawa era law and a resultant series of publications he edited and issued under the collective title Materials for the Study of Private Law in Old Japan. Wigmore accepted an offer to teach at Northwestern University and joined the faculty of its School of Law in 1893. He remained affiliated with Northwestern for the rest of his life, serving as the School of Law’s dean from 1901 to 1929. In this capacity Wigmore transformed a relatively modest institution into one of the leading law schools in the United States. He assembled a distinguished faculty, reformed and added breadth to the curriculum, promoted research into developing areas of legal scholarship, expanded the School’s library holdings, and founded or strongly supported the Illinois Law Review (now the Northwestern University Law Review), the Journal of Criminal Law and Criminology, and the Journal of Air Law.