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John C. Calhoun and State Interposition in South Carolina, 1816-1833
Nullification, A Constitutional History, 1776-1833 Volume Three In Defense of the Republic: John C. Calhoun and State Interposition in South Carolina, 1816-1833 By Prof. W. Kirk Wood Alabama State University Contents Dedication Preface Acknowledgments Introduction In Defense of the Republic: John C. Calhoun and State Interposition in South Carolina, 1776-1833 Chap. One The Union of the States, 1800-1861 Chap. Two No Great Reaction: Republicanism, the South, and the New American System, 1816-1828 Chap. Three The Republic Preserved: Nullification in South Carolina, 1828-1833 Chap. Four Republicanism: The Central Theme of Southern History Chap. Five Myths of Old and Some New Ones Too: Anti-Nullifiers and Other Intentions Epilogue What Happened to Nullification and Republicanism: Myth-Making and Other Original Intentions, 1833- 1893 Appendix A. Nature’s God, Natural Rights, and the Compact of Government Revisited Appendix B. Quotes: Myth-Making and Original Intentions Appendix C. Nullification Historiography Appendix D. Abel Parker Upshur and the Constitution Appendix E. Joseph Story and the Constitution Appendix F. Dr. Wood, Book Reviews in the Montgomery Advertiser Appendix G. “The Permanence of the Union,” from William Rawle, A View of the Constitution of the United States (permission by the Constitution Society) Appendix H. Sovereignty, 1776-1861, Still Indivisible: States’ Rights Versus State Sovereignty Dedicated to the University and the people of South Carolina who may better understand and appreciate the history of the Palmetto State from the Revolution to the Civil War Preface Why was there a third Nullification in America (after the first one in Virginia in the 1790’s and a second one in New England from 1808 to 1815) and why did it originate in South Carolina? Answers to these questions, focusing as they have on slavery and race and Southern sectionalism alone, have made Southerners and South Carolinians feel uncomfortable with this aspect of their past. -
“What Are Marines For?” the United States Marine Corps
“WHAT ARE MARINES FOR?” THE UNITED STATES MARINE CORPS IN THE CIVIL WAR ERA A Dissertation by MICHAEL EDWARD KRIVDO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Major Subject: History “What Are Marines For?” The United States Marine Corps in the Civil War Era Copyright 2011 Michael Edward Krivdo “WHAT ARE MARINES FOR?” THE UNITED STATES MARINE CORPS IN THE CIVIL WAR ERA A Dissertation by MICHAEL EDWARD KRIVDO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Joseph G. Dawson, III Committee Members, R. J. Q. Adams James C. Bradford Peter J. Hugill David Vaught Head of Department, Walter L. Buenger May 2011 Major Subject: History iii ABSTRACT “What Are Marines For?” The United States Marine Corps in the Civil War Era. (May 2011) Michael E. Krivdo, B.A., Texas A&M University; M.A., Texas A&M University Chair of Advisory Committee: Dr. Joseph G. Dawson, III This dissertation provides analysis on several areas of study related to the history of the United States Marine Corps in the Civil War Era. One element scrutinizes the efforts of Commandant Archibald Henderson to transform the Corps into a more nimble and professional organization. Henderson's initiatives are placed within the framework of the several fundamental changes that the U.S. Navy was undergoing as it worked to experiment with, acquire, and incorporate new naval technologies into its own operational concept. -
Selected Bibliography of American History Through Biography
DOCUMENT RESUME ED 088 763 SO 007 145 AUTHOR Fustukjian, Samuel, Comp. TITLE Selected Bibliography of American History through Biography. PUB DATE Aug 71 NOTE 101p.; Represents holdings in the Penfold Library, State University of New York, College at Oswego EDRS PRICE MF-$0.75 HC-$5.40 DESCRIPTORS *American Culture; *American Studies; Architects; Bibliographies; *Biographies; Business; Education; Lawyers; Literature; Medicine; Military Personnel; Politics; Presidents; Religion; Scientists; Social Work; *United States History ABSTRACT The books included in this bibliography were written by or about notable Americans from the 16th century to the present and were selected from the moldings of the Penfield Library, State University of New York, Oswego, on the basis of the individual's contribution in his field. The division irto subject groups is borrowed from the biographical section of the "Encyclopedia of American History" with the addition of "Presidents" and includes fields in science, social science, arts and humanities, and public life. A person versatile in more than one field is categorized under the field which reflects his greatest achievement. Scientists who were more effective in the diffusion of knowledge than in original and creative work, appear in the tables as "Educators." Each bibliographic entry includes author, title, publisher, place and data of publication, and Library of Congress classification. An index of names and list of selected reference tools containing biographies concludes the bibliography. (JH) U S DEPARTMENT Of NIA1.114, EDUCATIONaWELFARE NATIONAL INSTITUTE OP EDUCATION THIS DOCUMENT HAS BEEN REPRO DUCED ExAC ICY AS RECEIVED FROM THE PERSON OR ORGANIZATIONORIGIN ATING IT POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILYREPRE SENT OFFICIAL NATIONAL INSTITUTEOF EDUCATION POSITION OR POLICY PREFACE American History, through biograRhies is a bibliography of books written about 1, notable Americans, found in Penfield Library at S.U.N.Y. -
The Hamlet of Edwin Booth Ebook Free Download
THE HAMLET OF EDWIN BOOTH PDF, EPUB, EBOOK Charles H Shattuck | 321 pages | 01 Dec 1969 | University of Illinois Press | 9780252000195 | English | Baltimore, United States The Hamlet of Edwin Booth PDF Book Seward, Lincoln's Secretary of State. I mean—. Melania married Donald Trump in to become his third wife. Kennedy and was later inspired by Ronald Reagan. Born as Michelle LaVaughn Robinson, she grew up in a middle-class family and had a conventional upbringing. So exactly as you said, he ran away with her to America, leaving his wife, Adelaide Booth, and his son, Richard, in a mansion in London. Americans are as divided as ever. Because many people held up John Wilkes Booth as a great actor. He would never learn his lines, so in order to generate excitement on stage, he would improvise a lot of physical violence. Booth personally, but I have always had most grateful recollection of his prompt action on my behalf. Her sense of fashion has become a great source of inspiration for many youngsters across the world. Grant, also wrote to Booth to congratulate him on his heroism. He had a volatile emotional life. It was a decision he soon came to regret. Jimmy Carter was the 39th President of America and aspired to establish a government which was both, competent and compassionate. Goff Robert Lincoln. You're right that he was volcanic and that he was like a lightning bolt. Edwin and John Wilkes Booth would have quarrels over more than just politics, as well. Bon Jovi has also released two solo albums. -
Actor, Assassin, Patriot, Pawn; What You Think You Know About John Wilkes Booth”
April 14, 2016 The Civil War: April 12, 1861 - May 9, 1865 “Actor, Assassin, Patriot, Pawn; What you think you know about John Wilkes Booth” It was sad news to hear of Don “Duffy” Forsyth’s pass- ing last month. His gentle smile has been missed the last few months. His efforts in getting the speaker for our last luncheon were important to the success of the event. I was pleased to hear from his wife, Nancy, about how much he enjoyed the time he spent with Old Baldy. We are grateful that the family listed Old Baldy as an organization to which a donation could be made to honor Don. Bob Hanrahan, Jr. told us all about the battle between the Kearsarge and the Alabama last month. This month Joanne Hulme, a Booth descendant, will inform us what we do not know about John Wilkes Booth. Next month our vice-president Bob Russo will share his research on Arlington National Cemetery. Be sure to tell others about Joanne Hulme our great programs and activities. Ticket sales for our Iwo Jima print are going well. Pick up a flyer at the meeting to display in your area. Join us at 7:15 PM on Thursday, April 14th, at Camden Planning for our October Symposium is coming along well. County College in the Connector Building, Room 101. At our meeting on the 14th, we will present opportunities This month’s topic is "Actor, Assassin, Patriot, Pawn; for some members to assist on the project. Some tasks we What you think you know about John Wilkes Booth" have identified so far include contacting local businesses presented by Joanne Hulme. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of com puter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI EDWTN BOOTH .\ND THE THEATRE OF REDEMPTION: AN EXPLORATION OF THE EFFECTS OF JOHN WTLKES BOOTH'S ASSASSINATION OF ABRAHANI LINCOLN ON EDWIN BOOTH'S ACTING STYLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael L. -
University Microfilms
INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating' adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Irving's Posterity
IRVING’S POSTERITY BY MICHAEL WARNER Like the narrators of all his major books—Geoffrey Crayon, Diedrich Knickerbocker, Jonathan Oldstyle, Fray Antonio Agapida—Washington Irving was a bachelor. In a sketch called “Bachelors” he wrote, “There is no character in the comedy of human life that is more difficult to play well, than that of an old Bachelor.”1 Reinventing that role was the project he took on, more or less consciously, from an early age. As a young man, he belonged to an intimate circle of bachelors (“Cockloft,” they called it) with whom he wrote Salmagundi; when the others married, he wrote with unusual passion about his abandonment. He then came to regard his writing career as an alternative to marriage. As an old man, he maintained himself at Sunnyside, his estate on the Hudson, as a surrogate patriarch to his nieces, his bachelor brother, miscellaneous dependents, and American letters in general. It was a role he played with success; before his death he was almost universally credited as “Patriarch of American literature” and “literary father of his country,” a pseudo-paternity most famously illustrated in the so-called Sunnyside portrait. When he died, he would be eulogized as “the most fortunate old bachelor in all the world.”2 Yet bachelorhood was something he consistently regarded as anoma- lous, problematic, and probably immoral. Irving claimed as early as 1820 that his natural inclination was to be “an honest, domestic, uxorious man,” and that matrimony was indispensable to happiness.3 Over twenty years later, he wrote, “I have no great idea of bachelor hood and am not one by choice. -
THE MAZE the Middlebrooks Family Association, Inc
THE MAZE The Middlebrooks Family Association, Inc. 274 Wilder Drive, Forsyth, GA 31029 __________________________________________________________________________________________________________________________page 1___ MAZE 2014 MAY/June Edition Submitted by: Charles S. & Jo Middlebrooks GHOST OF THE SPRINGER OPERA HOUSE COLUMBUS, GEORGIA Georgia’s Haunted Opera House First and foremost, the beautiful Springer Opera House in Columbus, Georgia is a remarkable monument to the arts that rose in a Deep South city in the midst of the difficult Reconstruction era. Remarkable personalities including Oscar Wilde, Edwin Booth, Lillie Langtrey, John Philip Sousa, Ethel Barrymore, Will Rogers, and even William Jennings Bryan and Franklin D. Roosevelt have graced its stage over the years, making the Springer one of the most significant preserved theaters in America. Although the theater management does not promote the fact, it is also rumored to be one of America’s most haunted historic theaters. Popular Columbus legend holds that the magnificent old Springer Opera House is haunted by restless (and sometimes playful) ghost of the famed actor, Edwin Booth. A major celebrity of his day, Booth is sadly best remembered to our generation as the brother of John Wilkes Booth, the man who assassinated President Abraham Lincoln. The two had performed together, along with their even more famous father, in an acclaimed production of “Julius Caesar” in 1864, but the killing of President Lincoln by John Wilkes Booth in 1865 forced the family into seclusion. A decade later, Edwin Booth came to Columbus to perform “Hamlet” on the stage of the Springer Opera House, then only five years old. His performance there was widely applauded and was an important step in the rebuilding of the actor’s career after it had been shattered by the actions of his brother. -
The Problem of Slavery and Progress in American Foreign Relations, 1833-1844 Steven Heath Mitton Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The free world confronted: the problem of slavery and progress in American foreign relations, 1833-1844 Steven Heath Mitton Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Mitton, Steven Heath, "The free world confronted: the problem of slavery and progress in American foreign relations, 1833-1844" (2005). LSU Doctoral Dissertations. 973. https://digitalcommons.lsu.edu/gradschool_dissertations/973 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE FREE WORLD CONFRONTED: THE PROBLEM OF SLAVERY AND PROGRESS IN AMERICAN FOREIGN RELATIONS, 1833 - 1844 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Steven Heath Mitton B.A., Western State College of Colorado, 1993 M.A., University of Texas at Arlington, 1995 May, 2005 ©Copyright 2005 Steven Heath Mitton All rights reserved ii For my mother, TO MY PARENTS Mitchell Lee Mitton iii ACKNOWLEDGMENTS For their helpful assistance I wish to thank the staffs of the National Archives, the Library of Congress, the several additional repositories listed in the References, and the libraries of Louisiana State University and the University of Texas at Arlington. -
The Camp Olden Gazette News from the Camp Olden Civil War Round Table Fall, 2009
The Camp Olden Gazette News from the Camp Olden Civil War Round Table Fall, 2009 At the next meeting of the Camp Olden Civil War Robert J. O'Connor graduated from Dixon High Round Table to be held on Thursday, September 3, School in Dixon, Illinois and has a Biology at the Hamilton Township Municipal Library, our degree from Northern Illinois University in guest will be Robert J. O'Connor speaking on his DeKalb, Illinois. He has worked full time and book "The Perfect Steel Trap Harpers Ferry 1859" part time as a newspaper reporter, and at a historical novel covering the John Brown raid, various jobs -- many that required writing press trial and execution in Harpers Ferry and releases, news articles, or reports. While Charlestown, Virginia in 1859. director of Tourism in Washington County, Maryland, he became involved in touring local The story covers the time period July 1859 to places like Antietam Battlefield and Harpers December 1859, the beginning of making plans for Ferry National Historical Park and has collected the raid through the hangings in Charles Town of books on three historical characters — John Brown and four of his men. The book is Abraham Lincoln, John Wilkes Booth and John narrated by Owen Brown, one of John Brown's Brown. sons, who escaped from Harpers Ferry and lived until 1889. He and another raider, Osborne Besides writing, he works part time for both the Jefferson County CVB and for the City of Anderson, supposedly gathered the information for this book from participants in the events to get for Charles Town. -
Dickinson Playing Othello, Race and Tommaso Salvini
"We think of others possessing you with the throes of Othello": Dickinson Playing Othello, Race and Tommaso Salvini Páraic Finnerty The Emily Dickinson Journal, Volume 11, Number 1, 2002, pp. 81-90 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/edj.2002.0006 For additional information about this article https://muse.jhu.edu/article/11179 Access provided by University of Wisconsin @ Eau Claire (12 Jul 2018 19:24 GMT) PÁRAIC FINNERTY "We think of others possessing you with the throes of Othello': Dickinson Playing Othello, Race and Tommaso Salvini thello is one of Emily Dickinson's favorite plays. It is the play alluded to most often in her extant letters and the one most often marked with pencil in her copy of Shakespeare's works at the Houghton Library, Harvard (Capps 182-5).1 It is also the only play Dickinson is likely to have seen performed. In 1851, while in Boston, Lavinia Dickinson recorded in her diary on the 8th of September that they 'heard Othello read' at the Museum (Leyda I, 211).2 Dickinson's epistolary allusions to this play begin in 1876 as if the play and its characters had a special significance for Dickinson in the last decade of her life. Moreover, in three of these references, Dickinson actually identifies with Othello. This paper examines Dickinson's identifica- tion with this character by focusing upon his theatrical and critical reception in nineteenth century America. Dickinson references to the play are best understood within this context, particularly the performances of Othello by the Italian actor Tommaso Salvini.